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Paul Hindemith (16 November 1895 – 28 December 1963) was a German composer, violist, violinist, teacher and conductor. Notable compositions include his song cycle Das Marienleben (1923) and opera Mathis der Maler (1938). Hindemith's most popular work, both on record and in the concert hall, is probably the Symphonic Metamorphosis of Themes by Carl Maria von Weber, written in 1943.
Born in Hanau, near Frankfurt am Main, Hindemith was taught the violin as a child. He entered Frankfurt's Hoch’sche Konservatorium, where he studied violin with Adolf Rebner, as well as conducting and composition with Arnold Mendelssohn and Bernhard Sekles. At first he supported himself by playing in dance bands and musical-comedy groups. He became deputy leader of the Frankfurt Opera Orchestra in 1914, and was promoted to leader in 1917. He played second violin in the Rebner String Quartet from 1914.
Hindemith was conscripted into the German army in September, 1917 and sent to join his regiment in Alsace in January, 1918. There he was assigned to play bass drum in the regiment band, and also formed a string quartet. In May 1918 he was deployed to the front in Flanders, where he served as a sentry; his diary shows him "surviving grenade attacks only by good luck," according to New Grove Dictionary. After the armistice he returned to Frankfurt and the Rebner Quartet.
Although a concerto is usually a piece of music for one or more solo instruments accompanied by a full orchestra, several composers have written works with the apparently contradictory title Concerto for Orchestra. This title is usually chosen to emphasise soloistic and virtuosic treatment of various individual instruments or sections in the orchestra, with emphasis on instruments changing during the piece.
For the distinction between the concerto for orchestra and the sinfonia concertante genres (or: forms). see sinfonia concertante.
The best known concerto for orchestra is the one by Béla Bartók (1943), although the title had been used several times before.
Goffredo Petrassi made the concerto for orchestra something of a speciality, writing eight of them since 1933. He finished the last one in 1972.
This list is chronological.
The Concerto for Orchestra is an orchestral composition by the Polish-American composer Stanisław Skrowaczewski. Though originally composed in 1983 and premiered in the mid-1980s, Skrowaczewski later reworked the composition. It was first performed in its revised form on November 19, 1998 in Philadelphia by the orchestra of the Curtis Institute of Music. The revised piece was a finalist for the 1999 Pulitzer Prize for Music.
The Concerto for Orchestra has a duration of roughly 30 minutes is composed in two movements:
Martin Cotton of BBC Music Magazine lauded the composition, writing, "The Concerto for Orchestra is the expected display piece only in the first of its two movements, and the orchestra provides the necessary sparkle, but it also responds to the deeper substance of the long Adagio, subtitled 'Bruckner's Heavenly Journey'. Here the long-breathed string lines and cushioned brass writing pay tribute to the Austrian symphonist, while the harmonies and use of percussion place the music firmly in the 20th century."
The Concerto for Orchestra, Sz. 116, BB 123, is a five-movement musical work for orchestra composed by Béla Bartók in 1943. It is one of his best-known, most popular and most accessible works. The score is inscribed "15 August – 8 October 1943". It was premiered on December 1, 1944, in Symphony Hall, Boston, by the Boston Symphony Orchestra conducted by Serge Koussevitzky. It was a great success and has been regularly performed since. It is perhaps the best-known of a number of pieces that have the apparently contradictory title Concerto for Orchestra. This is in contrast to the conventional concerto form, which features a solo instrument with orchestral accompaniment. Bartók said that he called the piece a concerto rather than a symphony because of the way each section of instruments is treated in a soloistic and virtuosic way.
The work was written in response to a commission from the Koussevitzky Foundation (run by the conductor Serge Koussevitzky) following Bartók's move to the United States from his native Hungary, which he had fled because of World War II. It has been speculated that Bartók's previous work, the String Quartet No. 6 (1939), could well have been his last were it not for this commission, which sparked a small number of other compositions, including his Sonata for Solo Violin and Piano Concerto No. 3. Bartók revised the piece in February 1945, the biggest change coming in the last movement, where he wrote a longer ending. Both versions of the ending were published, and both versions are performed today.
In this live recording from the Alte Oper Frankfurt, 1992 maestro Ozawa conducts the Boston Symphony Orchestra in a performance of Bela Bartók's Concerto for Orchestra. Watch more with Seiji Ozawa and the Boston Symphony Orchestra: https://www.youtube.com/watch?v=r0pCTiclkm4&list=PLWvhKE5HbZ38yrf3vi8WrBkiKHluMsU8W&index=1 Seiji Ozawa - conductor Boston Symphony Orchestra Béla Bartók - Concerto for Orchestra 00:00 I. Introduzione. Andante non troppo - Allegro vivace 10:03 II. "Giuoco delle coppie". Allegretto scherzando 16:36 III. "Elegia". Andante non troppo 23:48 IV. "Intermezzo interrotto". Allegretto 28:22 V. Finale. Presto Subscribe to wocomoMUSIC: https://goo.gl/ahZRzC Follow us on Facebook: http://www.facebook.com/wocomo © Licensed by Digital Classics Distribution #wocomoM...
Béla Bartók: Konzert für Orchester ∙ I. Introduzione. Andante non troppo – Allegro vivace 00:00 II. Giuoco delle coppie. Allegro scherzando 10:37 ∙ III. Elegia. Andante non troppo 17:16 ∙ IV. Intermezzo interrotto. Allegretto 24:53 ∙ V. Finale. Pesante – Presto 29:24 ∙ hr-Sinfonieorchester – Frankfurt Radio Symphony ∙ Andrés Orozco-Estrada, Dirigent ∙ Alte Oper Frankfurt, 9. Juni 2017 ∙ Website: http://www.hr-sinfonieorchester.de ∙ Facebook: http://www.facebook.com/hrsinfonieorchester
🎵 Discover Classical Music with the Detroit Symphony Orchestra 🎵 Welcome to the official YouTube channel of the Detroit Symphony Orchestra. Whether you’re a classical music fan looking for world premieres and symphonic masterpieces or are searching for an inspiring background soundtrack for relaxing, studying, working, or sleeping, the DSO has you covered. Located in Midtown Detroit, historic Orchestra Hall has been the eminent music venue of Southeast Michigan for over a century, hosting top artists, living composers, and diverse orchestral voices from around the world. Get tickets to join us in person or catch the riveting live stream for free at dso.org. Stay in tune with the Detroit Symphony Orchestra - Visit our Website and explore events: dso.org - Follow us on Instagram: @det...
Conductor: Valery Gergiev Orchestra: Munich Philharmonic Orchestra May 21, 2021 #Schubert #ValeryGergiev #MunichPhilharmonicOrchestra
00:20 1.Introduzione 09:57 2.Presentando le coppie 16:08 3.Elegia 22:41 4.Intermezzo interrotto 26:55 5.Finale Zubin Mehta Vienna Philharmonic Orchestra 9/2009 Suntory Hall,TOKYO ----- バルトーク『管弦楽のための協奏曲』 ズービン・メータ指揮 ウィーン・フィルハーモニー管弦楽団 2009年9月 サントリーホール(東京)
Béla Bartók: Konzert für Orchester ∙ I. Introduzione. Andante non troppo – Allegro vivace 00:00 ∙ II. Giuoco delle coppie. Allegro scherzando 10:30 ∙ III. Elegia. Andante non troppo 16:44 ∙ IV. Intermezzo interrotto. Allegretto 24:30 ∙ V. Finale. Pesante – Presto 28:48 ∙ hr-Sinfonieorchester – Frankfurt Radio Symphony ∙ Karina Canellakis, Dirigentin ∙ hr-Sinfoniekonzert ∙ Alte Oper Frankfurt, 1. April 2022 ∙ Website: http://www.hr-sinfonieorchester.de ∙ Facebook: http://www.facebook.com/hrsinfonieorchester ∙ ARD-Mediathek: https://www.ardmediathek.de/hr/sendung/hr-sinfonieorchester/Y3JpZDovL2hyLW9ubGluZS8zODIyMDAxOQ/ ∙ #4K © 2022 Hessischer Rundfunk (hr)
Provided to YouTube by Supraphon Concerto for Orchestra, Sz 116 · Béla Bartók · Česká filharmonie/Vladimír Válek Bartók: Orchestral Works ℗ 1981 SUPRAPHON a.s. Released on: 1991-01-01 Auto-generated by YouTube.
Listen and follow along with our B&H Study Score Video featuring the official publisher's score of the Finale Movement of Béla Bartók's "Concerto for Orchestra." Scores, Sheet Music & Merchandise available from The Shop at Boosey.com Masterworks Library Study Score: http://bit.ly/BartokStudyScore Concerto for Orchestra arranged for Piano Solo: https://bit.ly/BartókConcertoForOrchestraPianoSolo Concerto for Orchestra Hawkes Pocket Score Design Mug: https://bit.ly/ConcertoForOrchestraHPSMug Concerto for Orchestra Hawkes Pocket Score Design Tote Bag: https://bit.ly/ConcertoForOrchestraHPSToteBag Watch our other Study Score videos: https://www.youtube.com/playlist?list... Music: Concerto for Orchestra, Movement V, "Finale" Composed by Béla Bartók Performed by André Previn and the Los Ange...
Paul Hindemith (16 November 1895 – 28 December 1963) was a German composer, violist, violinist, teacher and conductor. Notable compositions include his song cycle Das Marienleben (1923) and opera Mathis der Maler (1938). Hindemith's most popular work, both on record and in the concert hall, is probably the Symphonic Metamorphosis of Themes by Carl Maria von Weber, written in 1943.
Born in Hanau, near Frankfurt am Main, Hindemith was taught the violin as a child. He entered Frankfurt's Hoch’sche Konservatorium, where he studied violin with Adolf Rebner, as well as conducting and composition with Arnold Mendelssohn and Bernhard Sekles. At first he supported himself by playing in dance bands and musical-comedy groups. He became deputy leader of the Frankfurt Opera Orchestra in 1914, and was promoted to leader in 1917. He played second violin in the Rebner String Quartet from 1914.
Hindemith was conscripted into the German army in September, 1917 and sent to join his regiment in Alsace in January, 1918. There he was assigned to play bass drum in the regiment band, and also formed a string quartet. In May 1918 he was deployed to the front in Flanders, where he served as a sentry; his diary shows him "surviving grenade attacks only by good luck," according to New Grove Dictionary. After the armistice he returned to Frankfurt and the Rebner Quartet.