- published: 04 Jun 2013
- views: 4708
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Paul Hindemith (16 November 1895 – 28 December 1963) was a German composer, violist, violinist, teacher and conductor. Notable compositions include his song cycle Das Marienleben (1923) and opera Mathis der Maler (1938). Hindemith's most popular work, both on record and in the concert hall, is probably the Symphonic Metamorphosis of Themes by Carl Maria von Weber, written in 1943.
Born in Hanau, near Frankfurt am Main, Hindemith was taught the violin as a child. He entered Frankfurt's Hoch’sche Konservatorium, where he studied violin with Adolf Rebner, as well as conducting and composition with Arnold Mendelssohn and Bernhard Sekles. At first he supported himself by playing in dance bands and musical-comedy groups. He became deputy leader of the Frankfurt Opera Orchestra in 1914, and was promoted to leader in 1917. He played second violin in the Rebner String Quartet from 1914.
Hindemith was conscripted into the German army in September, 1917 and sent to join his regiment in Alsace in January, 1918. There he was assigned to play bass drum in the regiment band, and also formed a string quartet. In May 1918 he was deployed to the front in Flanders, where he served as a sentry; his diary shows him "surviving grenade attacks only by good luck," according to New Grove Dictionary. After the armistice he returned to Frankfurt and the Rebner Quartet.
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Howard E. Barker (born 28 June 1946) is a British playwright.
Barker has coined the term "Theatre of Catastrophe" to describe his work. His plays often explore violence, sexuality, the desire for power, and human motivation.
Rejecting the widespread notion that an audience should share a single response to the events onstage, Barker works to fragment response, forcing each viewer to wrestle with the play alone. "We must overcome the urge to do things in unison" he writes. "To chant together, to hum banal tunes together, is not collectivity." Where other playwrights might clarify a scene, Barker seeks to render it more complex, ambiguous, and unstable.
Only through a tragic renaissance, Barker argues, will beauty and poetry return to the stage. "Tragedy liberates language from banality" he asserts. "It returns poetry to speech."
Barker frequently turns to historical events for inspiration. His play Scenes from an Execution, for example, centers on the aftermath of the Battle of Lepanto (1571) and a fictional female artist commissioned to create a commemorative painting of the Venetian victory over the Ottoman fleet. Scenes from an Execution, originally written for Radio 3 and starring Glenda Jackson in 1984, was later adapted for the stage. The short play Judith revolves around the Biblical story of Judith, the legendary heroine who decapitated the invading general Holofernes.
Innocence De Howard Barker Mise en scène Howard Barker et Gerrard McArthur I Association nÖjd Texte français Sarah Hirschmuller
Slovensko narodno gledaliče Drama Ljubljana / Slovene National Theatre Drama Ljubljana Sezona / Season 2010/2011; Uprizoritev / Performance 13; Premiera / Opening 7. 5. 2011 Howard Barker - Slike z usmrtitve Scenes from an Execution Prva slovenska uprizoritev / First Slovene production Prevajalec / Translator - Zdravko Duša Režiserka / Director - Lindy Davies Dramaturginja / Dramaturg - Darja Dominkuš Scenografinja in kostumografinja / Set & Costume designer - Sanja Jurca Avci Skladateljica / Composer - Cathy Milliken Oblikovanje zvoka in priredba glasbe / Arrangements & soundscapes by Igor Leonardi Lektorica / Language consultant - Tatjana StaniË Oblikovalec luËi / Light designer - Andrej Hajdinjak Prevajalka na vajah / Translator on rehearsals - Lija Pogačnik Asi...
Howard Barker forces us to face innumerable themes of war in The Possibilities. Through various snapshots that take the audience to suspended places in time, our collective human weakness to continually repeat our cruel history is ripped open for examination. The human psyche can be tormented and tricked through oppression, guilt, and feelings of helplessness. As these sensibilities are manipulated, so is our ability to see all the possibilities available to us, and our right to stand by our personal morality. November 13th at 7:30 at the Monument National For tickets visit http://www.monumentnational.com/en/calendar/details/the-possibilities/ For more on the rest of the festival visit: http://imagotheatre.ca/forgotten/
Extracts from The Wrestling School's production of I Saw Myself by Howard barker at the Vanbrugh Theatre, London, April 2008
Extracts from a recording of a live performance of The Wrestling School in The Dying Of Today by Howard Barker Directed by Gerrard McArthur. Recorded at the Arcola Theatre in November 2008 With George Irving as The Barber and Duncan Bell as The Visitor.
“Galaksia“ (Skena nga një ekzekutim) është shfaqja që do të vijë premierë këtë fundjavë me datë 7, 8 dhe 9 shkurt ora 19:00 në ArTurbina. “Galaksia” është cilësuar si vepra më e mirë e autorit bashkëkohor britanik Howard Barker, ku në qendër të saj qëndron një piktore e jashtëzakonshme (Galaksia) e interpretuar nga aktorja Olta Daku, së cilës i duhet të përballet me luftën e pushtetit ndaj artit. Është një vepër aktuale edhe pse ngjarjet e së cilës janë vendosur në Venecian e shek. XVI, ajo flet edhe sot po njësoj. “Galaksia” vjen me regji nga Rovena Lule Kuka dhe në interpretimin e aktorëve më në zë, si Olta Daku, Igli Zarka, Neritan Liçaj, Bujar Asqeriu, Raimonda Bulku, Myzafer Zifla, Lulzim Zeqja, Vikena Kamenica, Paola Kodra, Niada Saliasi, Genti Deçka, Naun Shundi, Bujar Hoxhaj, Uri...
Buy Tickets Online at: http://www.the-print-room.org The Print Room presents the UK Premiere of LOT AND HIS GOD by Howard Barker 3 - 24 November 2012 Mon - Sat 7.30pm, Sat Matinee 3.30pm TICKETS: £20 / £15 conc Buy Tickets Online at: http://www.the-print-room.org Or call us directly on 020 7221 6036. 24hr ticketweb: 08444 77 1000 "I came to the city. I saw the people were filthy. And those who were not filthy were still filthy..." Sodom. The day before the city's total annihilation. Among the grimy tables of a run-down café, an angel tells Lot that God wants him to flee, before the city is obliterated. However, Lot's irresistible wife has other ideas... As the angel and Lot's wife embark on a dangerous game of seduction, cruelty and desire, we are drawn ever deeper into the dark and i...
Paul Hindemith (16 November 1895 – 28 December 1963) was a German composer, violist, violinist, teacher and conductor. Notable compositions include his song cycle Das Marienleben (1923) and opera Mathis der Maler (1938). Hindemith's most popular work, both on record and in the concert hall, is probably the Symphonic Metamorphosis of Themes by Carl Maria von Weber, written in 1943.
Born in Hanau, near Frankfurt am Main, Hindemith was taught the violin as a child. He entered Frankfurt's Hoch’sche Konservatorium, where he studied violin with Adolf Rebner, as well as conducting and composition with Arnold Mendelssohn and Bernhard Sekles. At first he supported himself by playing in dance bands and musical-comedy groups. He became deputy leader of the Frankfurt Opera Orchestra in 1914, and was promoted to leader in 1917. He played second violin in the Rebner String Quartet from 1914.
Hindemith was conscripted into the German army in September, 1917 and sent to join his regiment in Alsace in January, 1918. There he was assigned to play bass drum in the regiment band, and also formed a string quartet. In May 1918 he was deployed to the front in Flanders, where he served as a sentry; his diary shows him "surviving grenade attacks only by good luck," according to New Grove Dictionary. After the armistice he returned to Frankfurt and the Rebner Quartet.