- published: 22 Aug 2020
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Paul Hindemith (16 November 1895 – 28 December 1963) was a German composer, violist, violinist, teacher and conductor. Notable compositions include his song cycle Das Marienleben (1923) and opera Mathis der Maler (1938). Hindemith's most popular work, both on record and in the concert hall, is probably the Symphonic Metamorphosis of Themes by Carl Maria von Weber, written in 1943.
Born in Hanau, near Frankfurt am Main, Hindemith was taught the violin as a child. He entered Frankfurt's Hoch’sche Konservatorium, where he studied violin with Adolf Rebner, as well as conducting and composition with Arnold Mendelssohn and Bernhard Sekles. At first he supported himself by playing in dance bands and musical-comedy groups. He became deputy leader of the Frankfurt Opera Orchestra in 1914, and was promoted to leader in 1917. He played second violin in the Rebner String Quartet from 1914.
Hindemith was conscripted into the German army in September, 1917 and sent to join his regiment in Alsace in January, 1918. There he was assigned to play bass drum in the regiment band, and also formed a string quartet. In May 1918 he was deployed to the front in Flanders, where he served as a sentry; his diary shows him "surviving grenade attacks only by good luck," according to New Grove Dictionary. After the armistice he returned to Frankfurt and the Rebner Quartet.
A violin sonata is a musical composition for violin accompanied by a keyboard instrument and in earlier periods with a bass instrument doubling the keyboard bass line. The violin sonata developed from a simple baroque form with no fixed format to a standardised and complex classical form. Since the romantic age some composers have pushed the boundaries of both the classical format as well as the use of the instruments.
In the earliest violin sonatas a bass instrument and the harpsichord played a simple bass line (continuo) with the harpsichord doubling the bass line and fixed chords while the violin played independently. The music was contrapuntal with no fixed format. Telemann wrote many such sonatas as did Bach. Bach later wrote sonatas with the harpsichord obbligato, which freed the keyboard instrument from playing only a bass line accompaniment.
Haydn wrote over one hundred trio sonatas (which are essentially obbligato violin sonatas) with the use of the piano instead of the harpsichord and a baryton (a deeper cello like instrument) which mostly copied the piano's bass line. These works were mostly simple two movement sonatas of which the later ones used the sonata form.
Violin Sonata, a composition for violin and piano, is a work of the Czech composer Leoš Janáček (1854-1928). It was written in the summer of 1914, but it was not Janáček’s first attempt to create such a composition. He resolved to compose a violin sonata already as a student at the conservatoire in Leipzig in 1880, and later during his studies in Vienna. His early sonatas are today lost.
It took almost thirty-five years before Janáček returned to the composition of music for the same combination of instruments. The sonata was created in the period of composer’s marked interest in chamber music (Piano Trio (now lost), 1908, Pohádka (Fairy Tale) for cello and piano, 1910), and also at the beginning of World War I. The composer himself remembers: "...in the 1914 Sonata for violin and piano I could just about hear sound of the steel clashing in my troubled head...". The Sonata was printed after many corrections in mid-1922 by Hudební matice in Prague. Its first performance was given by violinist František Kudláček with Jaroslav Kvapil at the piano on 24 April 1922 at the concert of new Moravian music organized by the Young Composer’s Club in Brno. The first performance abroad took place in Frankfurt in 1923. The violin part was performed by the German composer Paul Hindemith.
Dmitri Shostakovich composed Sonata for Violin and Piano in G major, Op. 134 in the autumn of 1968 in Moscow, completing it on October 23. It is set in three movements and lasts approximately 31 minutes. It is dedicated to the violinist David Oistrakh, who premiered the work on May 3, 1969 in the Large Hall of the Moscow Conservatory.
According to the dedicatee, the sonata was "greeted enthusiastically everywhere", and indeed, the third movement was the Russian piece on the set list for violinists at the 1970 Tchaikovsky Competition. The autograph resides in the Glinka Museum of Musical Culture in Moscow.
Oistrakh collaborated with Shostakovich on several of the composer's major works, purportedly contributing his own insight and suggestions based on the violin's strengths and technical limitations. The work's inscription reads: "For the 60th birthday of David Oistrakh", who offered an explanation for its composition:
Unofficial premiere with Moishe Vainberg as pianist happened on 8th January 1969 in the Russian Union of Composers, the official premieres with Richter as pianist happened at Great Hall Moscow Conservatory on 3rd May and at the Small Hall of Leningrad Philharmonic on 23rd September.
Composers: Beethoven, Brahms, Schumann, Grieg, Saint-Saëns, Respighi, Debussy, Ravel, Franck, Busoni, Poulenc, Enescu, Korngold Artists: Kristóf Baráti, Klára Würtz, Andrea Cortesi, Marco Venturi, Alexander Vinnitsky, Vladimir Ovchinnikov, Mauro Tortorelli, Angela Meluso, Fabio Paggioro, Massimiliano Ferrati, Fabrizio Falasca, Stefania Redaelli, Matteo Fossi, Duccio Ceccanti, Antal Zalai, József Balog 💎🎵 Online purchase or streaming (Spotify, iTunes, Amazon Music, Deezer): https://brilliant-classics.lnk.to/FamousViolinSonatasID 🎬🎮 Our music is available for sync licensing in videos, films, tv-shows, games, advertising and more. For more information and to request a license go to: https://www.brilliantclassicslicensing.com/ You can find the tracklist in the pinned comment below. 👉 Soci...
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Violin Sonata in G minor: 1. Larghetto affettuoso 2. Allegro moderato 3. Andante 3. Allegro assai-Andante-Allegro assai
Claude Debussy (1862-1918): Violin Sonata L 140 (1917) Alina Pogostkina, Violine / Jérôme Ducros, Piano I. Allegro vivo (0:02) II. Intermède: Fantasque et léger (5:01) III. Finale: Très animé (9:11) Filmed at Solsberg Festival 2016 www.solsberg.ch http://www.alinapogostkina.de Producer: Thomas Märki Sound: Joël Cormier Post Production: Amaury Berger Cameras: Oliver Herzog, Johannes Bachmann, Muriel Kunz, Julian Gresenz © HMF Productions
- Composer: César-Auguste-Jean-Guillaume-Hubert Franck (10 December 1822 -- 8 November 1890) - Performers: Krystian Zimerman (piano), Kaja Danczowska (violin) - Year of recording: 1981 Sonata in A major for Violin and Piano, written in 1886. The 4 movements alternate between slow and fast: 00:00 - I. Allegretto ben moderato 06:24 - II. Allegro 15:01 - III. Ben moderato: Recitative-Fantasia 22:45 - IV. Allegretto poco mosso This sonata is one of Franck's best known compositions, and considered one of the finest sonatas for violin and piano ever written. It is an amalgam of his rich native harmonic language with the Classical traditions he valued highly, held together in a cyclic framework. it was a wedding present for the 31-year-old violinist Eugène Ysaÿe. Twenty-eight years earlier, in...
Provided to YouTube by TuneCore Violin Sonata No. 26 in Bb, K. 37 · Wolfgang Amadeus Mozart 50 Mozart Masterworks You Have to Listen Before You Die (Golden Deer Classics) ℗ 2018 Oregan Publishing Released on: 2018-01-19 Auto-generated by YouTube.
Robert Schumann (8 June 1810 – 29 July 1856) was a German composer and influential music critic. He is widely regarded as one of the greatest composers of the Romantic era. Schumann left the study of law, intending to pursue a career as a virtuoso pianist. He had been assured by his teacher Friedrich Wieck that he could become the finest pianist in Europe, but a hand injury ended this dream. Schumann then focused his musical energies on composing. Please support my channel: https://ko-fi.com/bartjebartmans Sonata for violin & piano No. 1 in A minor, Op. 105 1. Mit leidenschaftlichem Ausdruck (0:00) 2. Allegretto (8:32) 3. Lebhaft (13:22) Ara Malikian, violin and Serouj Kradjian, piano Description by Blair Johnston [-] Both of Schumann's Sonatas for Violin and Piano (the present item ...
Music video by Hilary Hahn performing J.S. Bach: Sonata for Violin Solo No. 1 in G Minor, BWV 1001 - 4. Presto. © 2018 Hilary Hahn, under exclusive licence to Decca Music Group Limited http://vevo.ly/vzFCet
陳子鈞小提琴獨奏會 指導教授 : 王般若教授 鋼琴合作 : 邱巧靜老師 地點 : 清華大學南大校區音樂系館演奏廳 Beethoven Violin Sonata No.3 in E b Major Op.12-3 貝多芬小提琴奏鳴曲第三號,作品12 I. Allegro con spirito ll. Adagio con molta espressione lll. Rondo Allegro molto
Wolfgang Amadeus Mozart (27 January 1756 – 5 December 1791) was one of the most influential, popular and prolific composers of the classical period. A child prodigy, from an early age he began composing over 600 works, including some of the most famous pieces of symphonic, chamber, operatic, and choral music. Please support my channel: https://ko-fi.com/bartjebartmans Sonata for violin & piano No. 21 in E minor, K. 304 (K. 300c) 1778 1. Allegro (0:00) 2. Tempo di Menuetto (6:50) Henryk Szeryng, violin and Ingrid Haebler, piano Description by Brian Robins [-] The fourth of seven sonatas for piano and violin composed by Mozart in Mannheim and Paris during 1778, the E minor Sonata is the only one in a minor key. Recent paper dating has shown that while the opening Allegro was composed i...
Paul Hindemith (16 November 1895 – 28 December 1963) was a German composer, violist, violinist, teacher and conductor. Notable compositions include his song cycle Das Marienleben (1923) and opera Mathis der Maler (1938). Hindemith's most popular work, both on record and in the concert hall, is probably the Symphonic Metamorphosis of Themes by Carl Maria von Weber, written in 1943.
Born in Hanau, near Frankfurt am Main, Hindemith was taught the violin as a child. He entered Frankfurt's Hoch’sche Konservatorium, where he studied violin with Adolf Rebner, as well as conducting and composition with Arnold Mendelssohn and Bernhard Sekles. At first he supported himself by playing in dance bands and musical-comedy groups. He became deputy leader of the Frankfurt Opera Orchestra in 1914, and was promoted to leader in 1917. He played second violin in the Rebner String Quartet from 1914.
Hindemith was conscripted into the German army in September, 1917 and sent to join his regiment in Alsace in January, 1918. There he was assigned to play bass drum in the regiment band, and also formed a string quartet. In May 1918 he was deployed to the front in Flanders, where he served as a sentry; his diary shows him "surviving grenade attacks only by good luck," according to New Grove Dictionary. After the armistice he returned to Frankfurt and the Rebner Quartet.