- published: 21 Jul 2015
- views: 17504
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Herbert Jay Solomon (April 16, 1930 – July 1, 2003), known by his stage name Herbie Mann, was an American jazz flautist and important early practitioner of world music. Early in his career, he also played tenor saxophone and clarinet (including bass clarinet), but Mann was among the first jazz musicians to specialize on the flute. His most popular single was "Hijack", which was a Billboard number-one dance hit for three weeks in 1975.
Mann emphasized the groove approach in his music. Mann felt that from his repertoire, the "epitome of a groove record" was Memphis Underground or Push Push, because the "rhythm section locked all in one perception."
Herbie Mann was born in Brooklyn, New York, to Jewish parents, Harry C. Solomon (May 30, 1902 – May 31, 1980), who was of Russian descent, and Ruth Rose Solomon (née Brecher) (July 4, 1905 – November 11, 2004), who was born in Bukovina, Austria-Hungary but immigrated to the United States with her family at the age of 6. Both of his parents were dancers and singers, as well as dance instructors later in life. He attended Lincoln High School in Brighton Beach. His first professional performance was playing the Catskills resorts at age 15. In the 1950s Mann was primarily a bop flutist, playing in combos with artists such as Phil Woods, occasionally playing bass clarinet, tenor saxophone and solo flute.
The Mississippi Gambler may refer to:
Mississippi Gambler is an album by jazz flautist Herbie Mann, released in 1972 on the Atlantic Records label. The album features saxophonist David Newman.
The album reached #6 on Billboard magazine's Jazz Album chart.
Herbie the Love Bug is an anthropomorphic 1963 Volkswagen Beetle, a character that is featured in several Disney motion pictures starting with the 1968 feature film The Love Bug. He has a mind of his own and is capable of driving himself, and is also a serious contender in auto racing competitions. Throughout most of the franchise, Herbie is distinguished by red, white and blue racing stripes from front to back bumper, a racing-style number "53" on the front luggage compartment lid, doors, and engine lid, and a yellow-on-black '63 California license plate with the lettering "OFP 857".
Herbie's origins are firmly established in The Love Bug (1968). He was bought from Peter Thorndyke's showroom by San Francisco socialite Mrs. Van Luit for her upstairs maid, but returned shortly afterwards due to reliability problems, and purchased by race-driver Jim Douglas (Dean Jones), who had earlier stood up for him against the pompous Thorndyke (David Tomlinson). Tennessee Steinmetz (Buddy Hackett), Jim's friend and housemate, names the car "Herbie" after his uncle Herb, a professional boxer whose broken nose greatly resembled the hood of a Volkswagen Beetle.
The Love Bug (1968), sometimes referred to as Herbie the Love Bug, is the first in a series of comedy films made by Walt Disney Productions that starred an anthropomorphic pearl-white, fabric-sunroofed 1963 Volkswagen racing Beetle named Herbie. It was based on the 1961 book Car, Boy, Girl by Gordon Buford.
The movie follows the adventures of Herbie, Herbie's driver, Jim Douglas (Dean Jones), and Jim's love interest, Carole Bennett (Michele Lee). It also features Buddy Hackett as Jim's enlightened, kind-hearted friend, Tennessee Steinmetz, a character who creates "art" from used car parts. English actor David Tomlinson portrays the villainous Peter Thorndyke, owner of an auto showroom and an SCCA national champion who sells Herbie to Jim and eventually becomes Jim's racing rival.
Herbie may refer to:
Fictional characters named Herbie:
People named Herbie:
People nicknamed Herbie:
Other:
Mississippi i/ˌmɪsᵻˈsɪpi/ is a state located in the southern region of the United States.
Jackson is the state capital and largest city, with a population of around 175,000 people. The state overall has a population of around 3 million people. Mississippi is the 32nd most extensive and the 32nd most populous of the 50 United States.
The state is heavily forested outside of the Mississippi Delta area. Its riverfront areas were cleared for slave-cultivated cotton production before the American Civil War, but after the war, the bottomlands were cleared mostly by freedmen. African Americans made up two-thirds of the property owners in the Delta by the end of the 19th century, but timber and railroad companies acquired much of the land. Clearing altered the ecology of the Delta, increasing the severity of flooding along the Mississippi. Much land is now held by agribusinesses. A largely rural state with agricultural areas dominated by industrial farms, Mississippi is ranked low or last among the states in such measures as health, educational attainment, and median household income. The state's catfish aquaculture farms produce the majority of farm-raised catfish consumed in the United States.
Provided to YouTube by Rhino Atlantic Mississippi Gambler · Herbie Mann Mississippi Gambler ℗ 1972 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States. Percussion: Carlos ᐸᐸPatatoᐳᐳ Valdes Flute, Saxophone: David "Fathead" Newman Flute: Herbie Mann Auto-generated by YouTube.
Provided to YouTube by Rhino Atlantic Philly Dog (Live - Whisky a Go Go, 1968) · Herbie Mann Live At The Whiskey ℗ 1968 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States. Drums: Bruno Carr Flute: Herbie Mann Vibraphone: Roy Ayers Guitar: Sonny Sharrock Saxophone: Steve Marcus Arranger: Jimmy Wisner Composer: Rufus Thomas Auto-generated by YouTube.
Herbie Mann - Memphis Underground Recorded Live: 8/19/1989 - Newport Jazz Festival - Newport, RI More Herbie Mann at Music Vault: http://www.musicvault.com Subscribe to Music Vault on YouTube: http://goo.gl/DUzpUF
Provided to YouTube by Rhino Atlantic Memphis Underground (Live Montreux Jazz Festival) · Herbie Mann Hold On I'm Coming (Live) ℗ 1972 Atlantic Recording Corp. Performance: Herbie Mann Composer: Herbie Mann Auto-generated by YouTube.
Provided to YouTube by Rhino Atlantic I've Been Loving You Too Long · Herbie Mann Mississippi Gambler ℗ 1972 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States. Percussion: Carlos ᐸᐸPatatoᐳᐳ Valdes Flute, Saxophone: David "Fathead" Newman Flute: Herbie Mann Auto-generated by YouTube.
Provided to YouTube by Rhino Atlantic Respect Yourself (Live Montreux Jazz Festival) · Herbie Mann Hold On I'm Coming (Live) ℗ 1972 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States. Percussion: Carlos ᐸᐸPatatoᐳᐳ Valdes Flute, Saxophone: David "Fathead" Newman Flute: Herbie Mann Writer: Luther Ingram Writer: Mack Rice Auto-generated by YouTube.
Provided to YouTube by Rhino Atlantic My Girl · Herbie Mann Reggae ℗ 1974 Atlantic Recording Corp. Performance: Herbie Mann Writer: Ronald White Writer: Smokey Robinson Auto-generated by YouTube.
Provided to YouTube by Rhino Atlantic [I Can't Get No] Satisfaction · Herbie Mann Mississippi Gambler ℗ 1972 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States. Percussion: Carlos ᐸᐸPatatoᐳᐳ Valdes Flute, Saxophone: David "Fathead" Newman Flute: Herbie Mann Auto-generated by YouTube.
Provided to YouTube by Rhino Atlantic Swing Low Sweet Chariot · Herbie Mann Mississippi Gambler ℗ 1972 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States. Percussion: Carlos ᐸᐸPatatoᐳᐳ Valdes Flute, Saxophone: David "Fathead" Newman Flute: Herbie Mann Auto-generated by YouTube.
Provided to YouTube by Rhino Atlantic Hold On, I'm Coming · Herbie Mann Memphis Underground ℗ 1969 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States. Flute: Herbie Mann Guitar: Larry Coryell Vibraphone: Roy Ayers Guitar: Sonny Sharrock Producer: Tom Dowd Writer: David Porter Writer: Isaac Hayes Auto-generated by YouTube.
Herbert Jay Solomon (April 16, 1930 – July 1, 2003), known by his stage name Herbie Mann, was an American jazz flautist and important early practitioner of world music. Early in his career, he also played tenor saxophone and clarinet (including bass clarinet), but Mann was among the first jazz musicians to specialize on the flute. His most popular single was "Hijack", which was a Billboard number-one dance hit for three weeks in 1975.
Mann emphasized the groove approach in his music. Mann felt that from his repertoire, the "epitome of a groove record" was Memphis Underground or Push Push, because the "rhythm section locked all in one perception."
Herbie Mann was born in Brooklyn, New York, to Jewish parents, Harry C. Solomon (May 30, 1902 – May 31, 1980), who was of Russian descent, and Ruth Rose Solomon (née Brecher) (July 4, 1905 – November 11, 2004), who was born in Bukovina, Austria-Hungary but immigrated to the United States with her family at the age of 6. Both of his parents were dancers and singers, as well as dance instructors later in life. He attended Lincoln High School in Brighton Beach. His first professional performance was playing the Catskills resorts at age 15. In the 1950s Mann was primarily a bop flutist, playing in combos with artists such as Phil Woods, occasionally playing bass clarinet, tenor saxophone and solo flute.
Pump, pump it up
Pump it up right now
Jump, jump it up
Baby show them how
Don't try to stop or we're going down
Pump, pump it up
Baby give it juice
Live life, love hard, look good, let loose
Don't, don't jump the beat
Baby what's the use
Hear the world that's so demanding
Where you always gotta keep your hand in
Got my own two feet and I'm standing
Now I tink it's time for me to. go
Go go, no apologies
Not my ideologies
I take, what I wanna
And I go, you go, we go, let's go. go go
Now wait, zero gravity
Too late, no ones having me
Oh god, where's my sanity?
Go up high, down low, too slow. go go
I'm no one's toy, nobody's clown
Can't pick me up and throw me down
One day I'm lost, the next I'm found
Don't like it
Hear the world that's so demanding
Where you always gotta keep your hand in
Got my own two feet and I'm standing
Now I think it's time for me to... go
Go go, no apologies...
So you think it's all around ya?
Only it seems like your times up
And now you've gotta make your mind up... just go