- published: 30 Jul 2014
- views: 220638
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Herbert Jay Solomon (April 16, 1930 – July 1, 2003), known by his stage name Herbie Mann, was an American jazz flautist and important early practitioner of world music. Early in his career, he also played tenor saxophone and clarinet (including bass clarinet), but Mann was among the first jazz musicians to specialize on the flute. His most popular single was "Hijack", which was a Billboard number-one dance hit for three weeks in 1975.
Mann emphasized the groove approach in his music. Mann felt that from his repertoire, the "epitome of a groove record" was Memphis Underground or Push Push, because the "rhythm section locked all in one perception."
Herbie Mann was born in Brooklyn, New York, to Jewish parents, Harry C. Solomon (May 30, 1902 – May 31, 1980), who was of Russian descent, and Ruth Rose Solomon (née Brecher) (July 4, 1905 – November 11, 2004), who was born in Bukovina, Austria-Hungary but immigrated to the United States with her family at the age of 6. Both of his parents were dancers and singers, as well as dance instructors later in life. He attended Lincoln High School in Brighton Beach. His first professional performance was playing the Catskills resorts at age 15. In the 1950s Mann was primarily a bop flutist, playing in combos with artists such as Phil Woods, occasionally playing bass clarinet, tenor saxophone and solo flute.
The Village Gate was a nightclub at the corner of Thompson and Bleecker Streets in Greenwich Village, New York. Art D'Lugoff opened the club in 1958, on the ground floor and basement of 160 Bleecker Street. The large 1896 Chicago School structure by architect Ernest Flagg was known at the time as Mills House No. 1 and served as a flophouse for transient men. In its heyday, the Village Gate also included an upper-story performance space, known as the Top of the Gate.
Throughout its 38 years, the Village Gate featured such musicians as John Coltrane, Coleman Hawkins, Duke Ellington, Jimi Hendrix, Dizzy Gillespie, Bill Evans, Dave Brubeck, Dexter Gordon, Art Blakey, Woody Shaw, Miles Davis, Vasant Rai, Nina Simone, Herbie Mann, Woody Allen, Patti Smith, Velvet Underground, Edgard Varèse, and Aretha Franklin, who made her first New York appearance there. The show Jacques Brel is Alive and Well and Living in Paris, debuted at the Village Gate in 1968.
Herbie Mann Returns to the Village Gate is a live album by American jazz flautist Herbie Mann recorded in 1961 for the Atlantic label but not released until 1963.
AllMusic awarded the album 3 stars with its review by Scott Yanow stating "This release, a follow-up to his hit At the Village Gate (two songs are from the same gig while three others actually date from seven months earlier), features Mann in an ideal group ...blending in the influence of African, Afro-Cuban and even Brazilian jazz. Worth searching for".
All compositions by Herbie Mann except as indicated
Herbie the Love Bug is an anthropomorphic 1963 Volkswagen Beetle, a character that is featured in several Disney motion pictures starting with the 1968 feature film The Love Bug. He has a mind of his own and is capable of driving himself, and is also a serious contender in auto racing competitions. Throughout most of the franchise, Herbie is distinguished by red, white and blue racing stripes from front to back bumper, a racing-style number "53" on the front luggage compartment lid, doors, and engine lid, and a yellow-on-black '63 California license plate with the lettering "OFP 857".
Herbie's origins are firmly established in The Love Bug (1968). He was bought from Peter Thorndyke's showroom by San Francisco socialite Mrs. Van Luit for her upstairs maid, but returned shortly afterwards due to reliability problems, and purchased by race-driver Jim Douglas (Dean Jones), who had earlier stood up for him against the pompous Thorndyke (David Tomlinson). Tennessee Steinmetz (Buddy Hackett), Jim's friend and housemate, names the car "Herbie" after his uncle Herb, a professional boxer whose broken nose greatly resembled the hood of a Volkswagen Beetle.
The Love Bug (1968), sometimes referred to as Herbie the Love Bug, is the first in a series of comedy films made by Walt Disney Productions that starred an anthropomorphic pearl-white, fabric-sunroofed 1963 Volkswagen racing Beetle named Herbie. It was based on the 1961 book Car, Boy, Girl by Gordon Buford.
The movie follows the adventures of Herbie, Herbie's driver, Jim Douglas (Dean Jones), and Jim's love interest, Carole Bennett (Michele Lee). It also features Buddy Hackett as Jim's enlightened, kind-hearted friend, Tennessee Steinmetz, a character who creates "art" from used car parts. English actor David Tomlinson portrays the villainous Peter Thorndyke, owner of an auto showroom and an SCCA national champion who sells Herbie to Jim and eventually becomes Jim's racing rival.
Herbie may refer to:
Fictional characters named Herbie:
People named Herbie:
People nicknamed Herbie:
Other:
Nina Simone – vocals, piano.... Al Schackman – guitar.... Chris White – bass.... Bobby Hamilton – drums.... ............................................................... 1. Just In Time 2. He Was Too Good to Me 3. House of the Rising Sun 4. Bye Bye Blackbird 5. Brown Baby 6. Zungo 7. If He Changed My Name 8. Children Go Where I Send You 9. Black Is The Color Of My True Love's Hair (bonus track) 10. The Other Woman (bonus track) 11. Summertime (bonus track) .............................................................. Recorded - 1961 - The Village Gate, New York City .............................................................. Why search for your favorite music in my channel? Because i'm always trying to name the musicians, place and date of the recordings! ...............................
Thelonious Monk Quartet Live At The Village Gate 1962 Thelonious Monk (p) Charlie Rouse (ts) John ore (b) Frankie Dunlop (b) Rhythm-A-Ning Body And Soul Evidence I'm Getting Sentimental Over You Body And Soul (alt.) Jackie-Ing
Provided to YouTube by Rhino Atlantic Comin' Home Baby (Live at the Village Gate) · Herbie Mann At The Village Gate ℗ 1964 Atlantic Recording Corporation. Drums, Percussion: Chief Bey Vibraphone: Hagood Hardy Flute: Herbie Mann Producer: Nesuhi Ertegun Recording Engineer: Phil Iehle Drums, Percussion: Ray Mantilla Drums: Rudy Collins Recording Engineer: Tom Dowd Composer: Ben Tucker Composer: Bob Dorough Auto-generated by YouTube.
Recorded live at the Village Gate, New York City. Sonny Rollins, Don Cherry, Bob Cranshaw and Billy Higgins. FIRST & SECOND SETS Oleo Improvisation 1 Improvisation 2 Doxy
Tracks: A1 Shiny Stockings 00:00 A2 More (Theme From Mondo Cane) 04:58 A3 Blues For Night People 07:52 A4 Butter And Egg Man 14:59 A5 Ela Me Deixou 18:39 B1 Broadway 22:13 B2 I Left My Heart In San Francisco 26:55 B3 Some Other Spring 29:54 B4 Where Are The Hebrew Children? 34:12 Credits Bass – Keter Betts Drums – Bill Reichenbach Guitar – Charlie Byrd Producer – Orrin Keepnews Tenor Saxophone – Seldon Powell (tracks: A2, A5, B1) Trumpet – Clark Terry (tracks: A4, B1, B3) Recorded May 9 & 10, 1963 in New York City.
Listen to John Coltrane with Eric Dolphy on “Impressions”, from the never-before-heard recording ‘Evenings at the Village Gate’, out July 14. Order ‘Evenings at the Village Gate’: https://johncoltrane.lnk.to/VillageGateEM Follow John Coltrane everywhere: https://linktr.ee/johncoltrane In August of 1961, the John Coltrane Quintet played an engagement at the legendary Village Gate in Greenwich Village, New York. Ninety minutes of never-before-heard music from this group were recently discovered at the New York Public Library. In addition to some well-known Coltrane material (“Impressions”), there is a breathtaking feature for Dolphy’s bass clarinet on “When Lights Are Low” and the only known non-studio recording of Coltrane’s composition “Africa”, from the Africa/Brass album. #johnc...
The panel gives initial thoughts on the newly announced Coltrane Dolphy live record. Track sample: https://www.youtube.com/watch?v=DYja5pH7ciM Preorder: https://jazz.centerstagestore.com/products/john-coltrane-with-eric-dolphy-evenings-at-the-village-gate-impulse-orange-vinyl-2lp Check out the full live stream from June 2, 2023 here: https://www.youtube.com/live/TEr2wXOv-As?feature=share @johncoltrane #recordcollecting #vinylcommunity #jazz #jazzbums #johncoltrane #ericdolphy
Herbert Jay Solomon (April 16, 1930 – July 1, 2003), known by his stage name Herbie Mann, was an American jazz flautist and important early practitioner of world music. Early in his career, he also played tenor saxophone and clarinet (including bass clarinet), but Mann was among the first jazz musicians to specialize on the flute. His most popular single was "Hijack", which was a Billboard number-one dance hit for three weeks in 1975.
Mann emphasized the groove approach in his music. Mann felt that from his repertoire, the "epitome of a groove record" was Memphis Underground or Push Push, because the "rhythm section locked all in one perception."
Herbie Mann was born in Brooklyn, New York, to Jewish parents, Harry C. Solomon (May 30, 1902 – May 31, 1980), who was of Russian descent, and Ruth Rose Solomon (née Brecher) (July 4, 1905 – November 11, 2004), who was born in Bukovina, Austria-Hungary but immigrated to the United States with her family at the age of 6. Both of his parents were dancers and singers, as well as dance instructors later in life. He attended Lincoln High School in Brighton Beach. His first professional performance was playing the Catskills resorts at age 15. In the 1950s Mann was primarily a bop flutist, playing in combos with artists such as Phil Woods, occasionally playing bass clarinet, tenor saxophone and solo flute.
Listen to the step taking you further towards something you know will make your agony sustain
Against your own knowledge the sound and smells react like repulsive hits to your mind
You harden as it gets closer, preparing yourself
You harden as it gets closer, preparing yourself
The decay of it all is overwhelming
Surrounded by it all it's hard to keep the guard up, swallow the anger
Like running into a wall voluntary, head first
As time decays your inside, your weakness grows
Tired ripples that grows without control
The decay of it all is overwhelming
Closely following your desperate attempt of denial
The hold witch makes the pain flow free
It tastes your squandering twitches
Like a foul thought that just wont leave your mind
Strangely it hits you like a surprise every time
Like pebbles of tears, your eyes cry
The familiar sense of reprisals
Been here before, welcome to decya
Eaten from inside, ready to suffer again
My soul will not take anymore of the agony to come
Been here before, welcome to decya
Eaten from inside, ready to suffer again
The sarcastic look of the hordes passing you by
Like faces of smoke they shape to the thing you fear the most
The decay of it all is overwhelming
Pulsating, inside of it all
Swarming through your whole being
Black holes, like denial in a wake world
The taste of it all
What to become in the end?
Is there an answer to it all?
Can it be won?