- published: 11 Aug 2017
- views: 2199216
'+pages+''); $('.stream > div:odd').addClass('bgr_color'); updateHeight('#history'); }); window.activateTabArea = ensure(function(tab, areas){ var parsed = false; var parts = (areas || '').split('/'); window.fsonload = $.inArray('fs', parts) >= 0; if(fsonload){ parts.splice(parts.indexOf('fs'), 1); } var replayMode = false; if($.inArray('replay', parts)>=0){ replayMode = 'replay'; } var noSoundMode = false; if($.inArray('nosound', parts)>=0){ noSoundMode = 'nosound'; } if($.inArray('ns', parts)>=0){ noSoundMode = 'ns'; } var previewMode = null; if($.inArray('p', parts)>=0){ previewMode = 'p'; } if($.inArray('preview', parts)>=0){ previewMode = 'preview'; } if($.inArray('repeat', parts)>=0){ replayMode = 'repeat'; } if($.inArray('r', parts)>=0 || $.inArray('ro', parts)>=0){ replayMode = 'r'; } if(replayMode){ parts.splice(parts.indexOf(replayMode), 1); } if(noSoundMode){ parts.splice(parts.indexOf(noSoundMode), 1); } if(previewMode){ parts.splice(parts.indexOf(previewMode), 1); } if(previewMode){ if(!parts.length){ parts = ['1-14', '999:59']; } } var area = parts[0]; if(tab == 'history' && false){ var page = parseInt(area || '1') || 1; $.ajax({ url: 'https://login.wn.com/recent/json/?pp='+history_pp+'&skip='+history_pp*(page-1), dataType: 'jsonp', success: function(response){ $ensure(function(){ renderHistory(response, page); }); } }); return true; } if(tab == 'global_history' && false){ var page = parseInt(area || '1') || 1; globalHistory.fetchStream(page, '', function(){ updateHeight('#global_history'); }); return true; } if(tab == 'my_playlists' && false){ var page = parseInt(area || '1') || 1; myPlaylists.fetchStream(page, '', function(){ updateHeight('#my_playlists'); }); return true; } if(tab == 'my_videos' && false){ var page = parseInt(area || '1') || 1; myVideos.fetchStream(page, '', function(){ updateHeight('#my_videos'); }); return true; } if(tab == 'related_sites' && areas && matchPosition(areas)){ var seconds = parsePosition(areas); scrollRelated(seconds); return false; } if(matchPosition(area) || matchAction(area)){ parts.unshift('1'); area = parts[0]; } if(tab == 'expand' && area && area.match(/\d+/)) { var num = parseInt(area); if(num < 100){ //FIX ME. Load news page with ajax here } else if(num > 1900){ //FIX ME. Load timeline page with ajax here } } else if(tab.match(/^playlist\d+$/)){ var playerId = parseInt(tab.substring(8)); var vp = videoplayers[playerId]; window.descriptionsholder = $('.descriptionsplace'); if(!vp) return; // why? no player? if(replayMode){ $('.replaycurrent'+playerId).attr('checked', true); vp.setReplayCurrent(true); } var playQueue = []; window.playQueue = playQueue; var playQueuePosition = 0; var playShouldStart = null; var playShouldStop = null; var parseList = function(x){ var items = x.split(/;|,/g); var results = []; for (i in items){ try{ var action = parseAction(vp, items[i]); if(!action.video){ if(window.console && console.log) console.log("Warning: No video for queued entry: " + items[i]); }else{ results.push(action); } }catch(e){ if(window.console && console.log) console.log("Warning: Can''t parse queue entry: " + items[i]); } } return results; }; var scrollToPlaylistPosition = function(vp){ var ppos = vp.getPlaylistPosition(); var el = vp.playlistContainer.find('>li').eq(ppos); 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playShouldStart = null; } }; function loadMoreVideos(playerId, vp, start, finish, callback){ var playlistInfo = playlists[playerId-1]; if(playlistInfo.loading >= finish) return; playlistInfo.loading = finish; $.ajax({ url: '/api/upge/cheetah-photo-search/query_videos2', dataType: 'json', data: { query: playlistInfo.query, orderby: playlistInfo.orderby, start: start, count: finish-start }, success: function(response){ var pl = vp.getPlaylist().slice(0); pl.push.apply(pl, response); vp.setPlaylist(pl); callback(); } }); } if(parts.length == 1 && matchDash(parts[0])){ var pl = vp.getActualPlaylist(); var vids = parseDash(parts[0]); parts = []; for(var i = 0; i < vids.length; i++){ playQueue.push({ 'video': pl[vids[i]-1], 'start': 0, 'stop': null }) } if(vids.length){ if(vids[vids.length-1]-1>=pl.length){ loadMoreVideos(playerId, vp, pl.length, vids[vids.length-1], function(){ if(fsonload){ activateTabArea(tab, parts[0]+'/fs'); }else{ activateTabArea(tab, parts[0]); } var pls = vp.getPlaylist(); 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'/'+path : ''; window.lastHistory = '/'+path; } } }); $('.tabtrigger li a').live('click', ensure(function() { var tab = $(this).attr('id'); if(tab.substring(0,1) == '#'){ var name = tab.substring(1); if(name in menu_names){ name = menu_names[name][0]; } realTab = rev_names[name]; $('#'+realTab).show(); if(window.console && console.log) console.log("Triggering tab: "+name+(window.activeArea?" activeArea="+window.activeArea:'')); var path = name; if(window.activeArea){ path = path + '/' + window.activeArea; } if(tab.match(/#playlist\d+/) || tab.match(/#details\d+/)){ $('.multiple-playlists').show(); $('.related_playlist').show(); $('.longest_videos_playlist').show(); }else { $('.multiple-playlists').hide(); $('.related_playlist').hide(); $('.longest_videos_playlist').hide(); } // start the related script only when the tab is on screen showing if (tab.match(/related_sites/)) { if (mc) { mc.startCredits(); } } window.activeTab = realTab; addHistory(path); setTimeout(ensure(function(){ if(tab.match(/language--/)){ $('.tabtrigger').offscreentabs('activateTab', 'language'); } if(tab.match(/weather/)) { $('.tabtrigger').offscreentabs('activateTab', 'weather'); loadContinent(); } updateMenus(tab); updateHeight(); }), 10); } return false; })); }); -->
Herbert Jay Solomon (April 16, 1930 – July 1, 2003), known by his stage name Herbie Mann, was an American jazz flautist and important early practitioner of world music. Early in his career, he also played tenor saxophone and clarinet (including bass clarinet), but Mann was among the first jazz musicians to specialize on the flute. His most popular single was "Hijack", which was a Billboard number-one dance hit for three weeks in 1975.
Mann emphasized the groove approach in his music. Mann felt that from his repertoire, the "epitome of a groove record" was Memphis Underground or Push Push, because the "rhythm section locked all in one perception."
Herbie Mann was born in Brooklyn, New York, to Jewish parents, Harry C. Solomon (May 30, 1902 – May 31, 1980), who was of Russian descent, and Ruth Rose Solomon (née Brecher) (July 4, 1905 – November 11, 2004), who was born in Bukovina, Austria-Hungary but immigrated to the United States with her family at the age of 6. Both of his parents were dancers and singers, as well as dance instructors later in life. He attended Lincoln High School in Brighton Beach. His first professional performance was playing the Catskills resorts at age 15. In the 1950s Mann was primarily a bop flutist, playing in combos with artists such as Phil Woods, occasionally playing bass clarinet, tenor saxophone and solo flute.
Herbie the Love Bug is an anthropomorphic 1963 Volkswagen Beetle, a character that is featured in several Disney motion pictures starting with the 1968 feature film The Love Bug. He has a mind of his own and is capable of driving himself, and is also a serious contender in auto racing competitions. Throughout most of the franchise, Herbie is distinguished by red, white and blue racing stripes from front to back bumper, a racing-style number "53" on the front luggage compartment lid, doors, and engine lid, and a yellow-on-black '63 California license plate with the lettering "OFP 857".
Herbie's origins are firmly established in The Love Bug (1968). He was bought from Peter Thorndyke's showroom by San Francisco socialite Mrs. Van Luit for her upstairs maid, but returned shortly afterwards due to reliability problems, and purchased by race-driver Jim Douglas (Dean Jones), who had earlier stood up for him against the pompous Thorndyke (David Tomlinson). Tennessee Steinmetz (Buddy Hackett), Jim's friend and housemate, names the car "Herbie" after his uncle Herb, a professional boxer whose broken nose greatly resembled the hood of a Volkswagen Beetle.
The Love Bug (1968), sometimes referred to as Herbie the Love Bug, is the first in a series of comedy films made by Walt Disney Productions that starred an anthropomorphic pearl-white, fabric-sunroofed 1963 Volkswagen racing Beetle named Herbie. It was based on the 1961 book Car, Boy, Girl by Gordon Buford.
The movie follows the adventures of Herbie, Herbie's driver, Jim Douglas (Dean Jones), and Jim's love interest, Carole Bennett (Michele Lee). It also features Buddy Hackett as Jim's enlightened, kind-hearted friend, Tennessee Steinmetz, a character who creates "art" from used car parts. English actor David Tomlinson portrays the villainous Peter Thorndyke, owner of an auto showroom and an SCCA national champion who sells Herbie to Jim and eventually becomes Jim's racing rival.
Herbie may refer to:
Fictional characters named Herbie:
People named Herbie:
People nicknamed Herbie:
Other:
Footage comes from Herbie Fully Loaded (2005) Herbie remains the Copyright of Walt Disney
Herbie winning the El Dorado 1st and 3rd place!
movie scene
This movie is the property of Disney and I do not claim any rights to it. The uploading of this movie is for the fans and for the sake of a higher quality.
Audio Track: Righeira & La Bionda - Vamos A La Playa 2001 (Dance Movement Remix 2001)
Now Spinning Magazine Playlist - New and Classical Albums From Deep Purple, Hawkwind, Steve Howe, Budgie Jethro Tull, Steve Hillage, The Rolling Stones, The Faces to jazz funk with Herbie Hancock, Kokomo, Average White Band plus new discoveries like Captain of the Lost Waves, and the return of Teaze this week’s playlist is as varied as it gets. What have you been playing? Thank You for Being Part of This Journey Now Spinning Magazine is driven by a love of music and the connections it creates. Your support – whether through comments, likes, shares, or becoming a Patron – fuels everything we do here. Remember, music is the healer and the doctor. Let’s keep spinning those discs and celebrating the joy music brings to our lives. Thank you for your continued support and for being part of...
Herbie the bug ENGLISH full Movie 💯
Herbert Jay Solomon (April 16, 1930 – July 1, 2003), known by his stage name Herbie Mann, was an American jazz flautist and important early practitioner of world music. Early in his career, he also played tenor saxophone and clarinet (including bass clarinet), but Mann was among the first jazz musicians to specialize on the flute. His most popular single was "Hijack", which was a Billboard number-one dance hit for three weeks in 1975.
Mann emphasized the groove approach in his music. Mann felt that from his repertoire, the "epitome of a groove record" was Memphis Underground or Push Push, because the "rhythm section locked all in one perception."
Herbie Mann was born in Brooklyn, New York, to Jewish parents, Harry C. Solomon (May 30, 1902 – May 31, 1980), who was of Russian descent, and Ruth Rose Solomon (née Brecher) (July 4, 1905 – November 11, 2004), who was born in Bukovina, Austria-Hungary but immigrated to the United States with her family at the age of 6. Both of his parents were dancers and singers, as well as dance instructors later in life. He attended Lincoln High School in Brighton Beach. His first professional performance was playing the Catskills resorts at age 15. In the 1950s Mann was primarily a bop flutist, playing in combos with artists such as Phil Woods, occasionally playing bass clarinet, tenor saxophone and solo flute.
In tomorrow I see no promise
and yesterday was like today
Woke up, got up, near eleven o'clock
butt naked except I was wearing my socks
and that's cool, 'cause most the time this floor is cold
stand up and stretch look around this mess
my place has been a cage since she left me
make my way to the kitchen, start the coffee
then dip to the bathroom, begin the triple-s
and wash the previous evening off me
now out the shower, get dry, shove a q-tip in my ear
well, what do we have here?
it appears as if a piece of me has got motivation
ain't nothin' wrong with a little morning masturbation
fresh, dressed like fifty cents
clean and awake now I'm ready to commence
spark up the caffeine and nicotine binge
and that's pretty much the pattern of how the day begins
and I write for an hour, maybe half hour more
then put on my shoes and grab my key for the door
put my headphones on for this world I ignore
trek down the street towards the record store
"hey, bro - how you doing, anything new today?"
"nah man, how you been? it's the same old same again"
well, then I'll be gone, friend, I'll see you around
then I'm out, destination uptown
in the summertime the women wear a lot of skin
and if I sit in one spot I can take 'em all in
sometimes I even talk, to see if I can make one grin
if not, yo, it's cool I ain't gonna take it personally
from Anne Landers, to Ani DiFranco to Orphan Annie
I love all women, but most of them just can't stand me
I don't know, maybe it's my hair or my clothes
"...or maybe she noticed that you was diggin in you're nose..."
either way it's okay, I wasn't tryin' to get laid
I just wanted to say "I hope you have a great day"
and then she stopped with a smile that began to blush
"here, take my number, call me up, I'll come over and make you lunch"
I got up and headed down towards the book store
to check the titles, that my man Michael's got me lookin' for
my visit was short, 'cause I just couldn't feel
that cat behind the counter actin' like I'm here to steal
so I dipped back out into a cloud of tattoos
pierced body parts and colorful hairdos
and I questioned, did Babylon resemble this?
are we getting any closer to the end of the list?
a sensuous kiss, placed on apoco-lips
we teach them how to make a fist, but not to resist
and I'm wondering how'd we find this position
but people are people and I still love 'em, especially the women
onwards to the coffee shop, maybe Muddies for a refill and some
sociological studies
see the junkies, while they co-exist with the sobers
all the bugging of eyeballs, the shrugging of shoulders
and that's when I saw her, sippin' on water
I wanna kiss her mom just for having this daughter
excuse me miss, I don't mean to come across strong
but I've been waitin' a while and you've been taking too long
and she smiled and I began to blush
she asked if I'd like to go to the bathroom and make some love
and I got visions of us, and the mirror getting steamed
and that's the very moment I woke up from the dream
Woke up, got up, near eleven o'clock
butt naked except I was wearing my socks
and that's cool, 'cause most the time this floor is cold
stand up and stretch and look for my soul
In tomorrow I see no promise
and yesterday was like today
In tomorrow I see no promise
and yesterday was like today
In tomorrow I see no promise
and yesterday was like today
In tomorrow I see no promise