- published: 18 Sep 2017
- views: 526696
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Herbert Jay Solomon (April 16, 1930 – July 1, 2003), known by his stage name Herbie Mann, was an American jazz flautist and important early practitioner of world music. Early in his career, he also played tenor saxophone and clarinet (including bass clarinet), but Mann was among the first jazz musicians to specialize on the flute. His most popular single was "Hijack", which was a Billboard number-one dance hit for three weeks in 1975.
Mann emphasized the groove approach in his music. Mann felt that from his repertoire, the "epitome of a groove record" was Memphis Underground or Push Push, because the "rhythm section locked all in one perception."
Herbie Mann was born in Brooklyn, New York, to Jewish parents, Harry C. Solomon (May 30, 1902 – May 31, 1980), who was of Russian descent, and Ruth Rose Solomon (née Brecher) (July 4, 1905 – November 11, 2004), who was born in Bukovina, Austria-Hungary but immigrated to the United States with her family at the age of 6. Both of his parents were dancers and singers, as well as dance instructors later in life. He attended Lincoln High School in Brighton Beach. His first professional performance was playing the Catskills resorts at age 15. In the 1950s Mann was primarily a bop flutist, playing in combos with artists such as Phil Woods, occasionally playing bass clarinet, tenor saxophone and solo flute.
The term Afro-Cuban refers to Cubans who mostly have West African ancestry, and to historical or cultural elements in Cuba thought to emanate from this community. The term can refer to the combining of African and other cultural elements found in Cuban society such as race, religion, music, language, the arts, and class culture.
According to a 2002 national census which surveyed 11.2 million Cubans, 1.1 million Cubans described themselves as Black, while 2.8 million considered themselves to be "mulatto" or "mestizo". Thus a significant proportion of those living on the island affirm some African ancestry. The matter is further complicated by the fact that a fair number of people still locate their origins in specific African ethnic groups or regions, particularly Yoruba (or Lucumi), Igbo and Congo, but also Arará, Carabalí, Mandingo, Fula, Makua, and others.
A study from 2014 estimated the genetic admixture of the population of Cuba to be 72% European, 20% African, and 8% Native American.
Afro-Cuban is an album by American jazz trumpeter Kenny Dorham. The first release of the album dates back to 1955 on 10" Vinyl, featuring only four tracks and having a different cover artwork. Some time later, Blue Note decided to add three tracks and issue a more complete LP toward the end of May 1957 (see below for details). After publishing a 2003 RVG edition which featured two additional pieces and a different track listing, Blue Note remastered and recompiled Afro-Cuban in 2007, restoring the original track order.
The Allmusic review by Michael G. Nastos awarded the album 5 stars and stated "A first-rate recording for the under-appreciated Dorham, this one should be in every collection of all true music lovers".
Afro-Cuban jazz is the earliest form of Latin jazz. It mixes Afro-Cuban clave-based rhythms with jazz harmonies and techniques of improvisation. Afro-Cuban jazz first emerged in the early 1940s with the Cuban musicians Mario Bauza and Frank Grillo "Machito" in the band Machito and his Afro-Cubans, based in New York City. In 1947 the collaborations of bebop innovator Dizzy Gillespie with Cuban percussionist Chano Pozo brought Afro-Cuban rhythms and instruments, most notably the tumbadora and the bongo, into the East Coast jazz scene. Early combinations of jazz with Cuban music, such as Dizzy's and Pozo's "Manteca" and Charlie Parker's and Machito's "Mangó Mangüé", were commonly referred to as "Cubop", short for Cuban bebop.. During its first decades, the Afro-Cuban jazz movement was stronger in the United States than in Cuba itself. In the early 1970s, the Orquesta Cubana de Música Moderna and later Irakere brought Afro-Cuban jazz into the Cuban music scene, influencing new styles such as songo.
Herbie the Love Bug is an anthropomorphic 1963 Volkswagen Beetle, a character that is featured in several Disney motion pictures starting with the 1968 feature film The Love Bug. He has a mind of his own and is capable of driving himself, and is also a serious contender in auto racing competitions. Throughout most of the franchise, Herbie is distinguished by red, white and blue racing stripes from front to back bumper, a racing-style number "53" on the front luggage compartment lid, doors, and engine lid, and a yellow-on-black '63 California license plate with the lettering "OFP 857".
Herbie's origins are firmly established in The Love Bug (1968). He was bought from Peter Thorndyke's showroom by San Francisco socialite Mrs. Van Luit for her upstairs maid, but returned shortly afterwards due to reliability problems, and purchased by race-driver Jim Douglas (Dean Jones), who had earlier stood up for him against the pompous Thorndyke (David Tomlinson). Tennessee Steinmetz (Buddy Hackett), Jim's friend and housemate, names the car "Herbie" after his uncle Herb, a professional boxer whose broken nose greatly resembled the hood of a Volkswagen Beetle.
The Love Bug (1968), sometimes referred to as Herbie the Love Bug, is the first in a series of comedy films made by Walt Disney Productions that starred an anthropomorphic pearl-white, fabric-sunroofed 1963 Volkswagen racing Beetle named Herbie. It was based on the 1961 book Car, Boy, Girl by Gordon Buford.
The movie follows the adventures of Herbie, Herbie's driver, Jim Douglas (Dean Jones), and Jim's love interest, Carole Bennett (Michele Lee). It also features Buddy Hackett as Jim's enlightened, kind-hearted friend, Tennessee Steinmetz, a character who creates "art" from used car parts. English actor David Tomlinson portrays the villainous Peter Thorndyke, owner of an auto showroom and an SCCA national champion who sells Herbie to Jim and eventually becomes Jim's racing rival.
Herbie may refer to:
Fictional characters named Herbie:
People named Herbie:
People nicknamed Herbie:
Other:
Click here to subscribe to World Circuit - http://smarturl.it/sub2worldcircuit Mali-Cuba - 0:00 Al Viavén De Mi Carreta - 5:38 Karamo - 10:38 Djelimady Rumba - 17:34 La Culebra - 20:45 Jarabi - 24:19 Eliades Tumbao 27 - 30:16 Dakan - 31:33 Nima Diyala - 33:48 A La Luna Yo Me Voy - 37:24 Mariama - 41:24 Para Los Pinares Se Va Montoro - 45:24 Benséma - 49:38 Guantanamera - 54:36 Que No Te Digan Muneca - 58:41 Keme Bourana - 1:04:40 AfroCubism is World Circuit's dream project - the original intention for Buena Vista Social Club was a stellar collaboration of musicians from Mali and Cuba. Now the original plan has finally been realised with an incredible line-up including Eliades Ochoa, Bassekou Kouyate, Djelimady Tounkara, Toumani Diabata, Grupo Patria, Kasse Mady Diabaté and Lassana Dia...
Subscribe to World Circuit - https://worldcircuit.lnk.to/WCYouTubeID ‘A Toda Cuba Le Gusta’: https://WorldCircuit.lnk.to/ACASATodaCubaLeGustaID ‘A Toda Cuba Le Gusta’ the debut album by the Afro-Cuban All Stars was the first in a trilogy of extraordinary albums recorded by World Circuit in a single two-week session at Havana’s Egrem studios in 1996. The All Stars were brought together by musical director Juan de Marcos González. González had long harboured a dream to put together a band combining the ‘old masters’ and the new generation of Cuban musicians. His meeting with World Circuit’s Nick Gold revealed a shared passion and the fuse was lit. With his contemporary arrangements and his choice of musicians and repertoire combined with the all-acoustic ensemble’s extraordinary power an...
Click here to subscribe to World Circuit - http://smarturl.it/sub2worldcircuit Distinto Diferente - 0:00 Tumba Pala Cocuyé - 7:04 Tributo al Niño Rivera - 13:55 Reconciliación - 19:51 Variaciones Sobre Un Tema Desconocido - 27:35 Al Vaivén De Mi Carreta - 33:16 Gandinga, Mondbongo Sandunga -40:59 Huellas Del Pasado - 46:43 Warariansa - 52:06 Homanje A Martha Valdés - 57:56 Hugely ambitious, Juan de Marcos' All Stars' second album is a tribute to a whole century of Cuban music showing the continuity between the traditional and the modern. From the tribal rhythms of abuka, through son and bolero to the modern street sounds of timba it features contributions from over 50 musicians. Click here to subscribe to World Circuit - http://smarturl.it/sub2worldcircuit World Circuit Records have e...
Provided to YouTube by DistroKid Kinky Afro Cuban · Néstor Álvarez Midnight In Havana ℗ Original Gravity Released on: 2021-05-01 Auto-generated by YouTube.
The Afro-Cuban All Stars perform 'Amor Verdadero' live at the beautiful Salon of Dreams in Havana, 1998. 'Amor Verdadero' is taken from Afro-Cuban All Stars' debut album 'A Toda Cuba le Gusta' which is now available on 180g vinyl for the first time ever on World Circuit Records. http://worldcircuit.lnk.to/ATodaCubaLeGusta About the album: Recorded at EGREM Studios in Havana 1996, this version has been re-mastered from the original analogue tapes and will be avilable on 180g vinyl, housed in a gatefold sleeve, playing at 45rpm. 'A Toda Cuba le Gusta' was the first in a trilogy of extraordinary albums recorded by World Circuit in a single two-week session at Havana's EGREM Studios in 1996. The other albums, which share many of the same personnel, were 'Buena Vista Social Club' and 'Introd...
Click here to subscribe to World Circuit - https://WorldCircuit.lnk.to/WCYouTubeID Buy/Stream the 25th Anniversary Edition: https://WorldCircuit.lnk.to/BVSC25ID The original Buena Vista Social Club album was recorded for World Circuit Records over six days at the vintage EGREM studios in Havana. Released in 1997, the album went on to become a worldwide phenomenon, selling over 8 million copies and contributing to the rise in popularity of Cuban, as well as Latin American, music. Since forming in London in the mid-1980s, World Circuit Records has made its reputation by producing some of the finest albums of the past three decades. The label’s prestigious roster includes Buena Vista Social Club and associated solo artists (including Ibrahim Ferrer, Rubén González, Omara Portuondo and Orla...
Cubanische Orchester wie dieses in Havanna hautnah erleben? Dann komm doch auch mit! --- *7 Tage in Havanna* - http://www.facebook.com/events/195843350582893 Dazu tanzen, wie Cubaner tanzen? Können Europäer auch! Tanzen lernen, wie Cubaner tanzen! An der http://www.Latin-Dance-Academy.com Die Latin Dance Academy in Hamburg unter der Leitung der cubanischen Choreographin Requena Delgado ist europäischer Kooerationspartner des cubanischen Fernsehballets (Compañia de Ballet de la Television Cubana) und des ISA (Instituto Superior de Arte) in La Habana und mit aktuell mehr als 1.200 aktiven Schülern die weltweit größte Dance Academy für cubanische Tänze. Rumba, Afro, Salsa, Son, Mambo, ChaChaChá, Reggaeton - Cubaton, Orishas, Pilon, Mozambique, Conga, Despelote, SalsaSuelta, Merengue, Bacha...
NO TENGO LOS DERECHOS SOBRE ESTE CONTENIDO - Esta Musica suena en : #Cumbiadubclub - Programa de radio que sale al aire por los 96.6 FM - Radio Wueste welle - Tübingen / Alemania El fin de este video es mostrar el amplio legado musical de America Latina , hemos para ello digitalizado una amplia colección de discos originales Buena Vista Social Club – Buena Vista Social Club Label: World Circuit – WCD 050, World Circuit – WCD050 Format: CD, Album, O-card Country: Europe Released: Jun 23, 1997 Genre: Jazz, Latin Style: Afro-Cuban Jazz, Son, Trova, Danzon, Bolero, Guajira, Ballad 1 Chan Chan Backing Vocals – Ibrahim Ferrer Backing Vocals, Congas – Compay Segundo Bass – Orlando 'Cachaíto' López* Bongos – Carlos González Composed By – Francisco Repilado Drums [Udu] – Joachim Cooder ...
All music rights belong to their rightful owners. Please support the musicians and buy their music. #majandfriends #vinylmix Cami Layé Okún is a selector/DJ from Cuba inspired by the merged sounds of Africa and Latin America. Cami’s vinyl sets go beyond this as she collects music from around the world, searching stories through music with similar organic roots. Engaging audiences with Cuban disco. Afro-Caribbean rarities, and tropical Amazonian funky grooves. She has shared her collection with dance floors in Brazil, Mexico, Panama, Finland, Germany, France, Switzerland, the UK, Greece, Italy, Netherlands and Belgium. Currently based in Havana, she is so far the only local that produces and promotes events in 100% vinyl format during the last year Cami hosts her own monthly show “Insolar...
#instrumental #lofibeats #focusmusic #lofimusic #workmusic VilllllL's album : Havana cuban jazz. original sound track. I hope this music brings you focus and relaxation while you work or study. VLSC is always committed to creating great playlists for you :) Get ready to groove with the ultimate Havana Cuban Jazz Playlist, filled with the perfect summer vibes for some shoulder dancing! Immerse yourself in the rhythmic melodies of Cuban jazz and let the music transport you to the lively streets of Havana. This playlist is the ideal soundtrack for sunny days and chill summer evenings. Hit play and let the music take you on a musical journey to Cuba! 🎧 track list 00:00:00 Track no.1 00:01:50 Track no.2 00:02:18 Track no.3 00:06:18 Track no.4 00:10:18 Track no.5 00:14:18 Track...
Herbert Jay Solomon (April 16, 1930 – July 1, 2003), known by his stage name Herbie Mann, was an American jazz flautist and important early practitioner of world music. Early in his career, he also played tenor saxophone and clarinet (including bass clarinet), but Mann was among the first jazz musicians to specialize on the flute. His most popular single was "Hijack", which was a Billboard number-one dance hit for three weeks in 1975.
Mann emphasized the groove approach in his music. Mann felt that from his repertoire, the "epitome of a groove record" was Memphis Underground or Push Push, because the "rhythm section locked all in one perception."
Herbie Mann was born in Brooklyn, New York, to Jewish parents, Harry C. Solomon (May 30, 1902 – May 31, 1980), who was of Russian descent, and Ruth Rose Solomon (née Brecher) (July 4, 1905 – November 11, 2004), who was born in Bukovina, Austria-Hungary but immigrated to the United States with her family at the age of 6. Both of his parents were dancers and singers, as well as dance instructors later in life. He attended Lincoln High School in Brighton Beach. His first professional performance was playing the Catskills resorts at age 15. In the 1950s Mann was primarily a bop flutist, playing in combos with artists such as Phil Woods, occasionally playing bass clarinet, tenor saxophone and solo flute.
Yeah
West
Mann
Audio Push
Now baby hop up in your way
Push that automatic stop car park
When you get that tell the DJ turn this up
Now go and let it bang
See this for my ladies where they ladies
If you're riding now your hitting to the club
I’m so into her swagger so similar
Blow fly hot hot temperature skin color mocha
Body like a bottle Coca-Cola
No joka need her on my side so I say Hola
Hey, Let me know your name(name)
Do you need a man I’m in the club
Watch you do your thing
You think I’m a fan so join my team
Or I’ll go insane cause every
Superman needs a Louise Lane
Now baby hop up in your way
Push that automatic stop car park
When you get that tell the DJ turn this up
Now go and let it bang
See this for my ladies where they ladies
If you're riding now your hitting to the club
Now go and wave your hands girl
Now wave your hands girls
Now wave your hands girl
Now wave your hands
You love it do your dance girl
Cause it’s that body body rock
Just do your dance girl
Now make that body body rock for me
I see you and your girls pull up in the 7 and quick question
Did it hurt when you dropped down from heaven
Baby cuz you’re a blessing and your body’s fire
Got that boy feelin so obsessed no Mariah
Don’t give him lies what they say they was
No classroom but I’mma give you
Grade A love I see you poppin in them jeans
You rockin it insane so move your favorite girl
And don’t complain
Now baby hop up in your way
Push that automatic stop car park
When you get that tell the DJ turn this up
Now go and let it bang
See this for my ladies where they ladies
If you're riding now your hitting to the club
Now go and wave your hands girl,
Now wave your hands girls
Now wave your hands girl
Now wave your hands
You love it do your dance girl
Cause it’s that body body rock
Just do your dance girl
Now make that body body rock for me
I’m feeling your vibe can I get witched or what
Feeling your thighs and I picture me lifting them up Feeling your eyes mesmerize when I’m lookin in them
What do I have to do to physically get you to come with me
The man in my city the one you lose hate on
And the one in my city
To take you from L.A. to Panama City
I’mma need you to be with it
You dig it?
And not make it
Now baby hop up in your way
Push that automatic stop car park
When you get that tell the DJ turn this up
Now go and let it bang
See this for my ladies where they ladies
If you're riding now your hitting to the club
Now go and wave your hands girl
Now wave your hands girls
Now wave your hands girl
Now wave your hands
You love it do your dance girl
Cause it’s that body body rock
Just do your dance girl
Now make that body body rock for me
Now baby hop up in your way
Push that automatic stop car park
When you get that tell the DJ turn this up
Now go and let it bang
See this for my ladies where they ladies
If you're riding now your hitting to the club