- published: 18 Jan 2017
- views: 871609
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Jamey Aebersold (born July 21, 1939 in New Albany, Indiana) is an American jazz saxophonist and music educator. His "Play-A-Long" series of instructional book and CD collections, using the chord-scale system, the first of which was released in 1967, are an internationally renowned resource for jazz education. As of 2013, 133 of these collections have been published by Aebersold, who taught musical improvisation at the University of Louisville for a number of years. He is also an adept pianist, alto saxophonist, bassist, and banjoist.
Most of the volumes in Aebersold's "Play-A-Long" series feature a selection of 10-12 jazz standards, though some focus on scales, standardized chord progressions (like the blues), or original compositions by Aebersold's collaborators. The books contain charts for the tunes in question, transposed as necessary for instruments in C, B-flat, E-flat, and bass clef. The recordings normally feature a professional rhythm section (typically piano, bass, and drums, occasionally including guitar) performing an improvised accompaniment (or "comping") to each song. Melody instruments like saxophone and trumpet are omitted, enabling a jazz student to practice playing the song's melody, and improvising over the song's chord changes, with accompaniment. The piano and bass tracks are typically panned to opposite channels, so that a pianist or bassist can easily omit the recorded piano or bass part by muting the appropriate channel.
E.S.P. is the Bee Gees' seventeenth original album (fifteenth worldwide). Released in 1987, it was the band's first studio album in six years, and their first release under their new contract with Warner Bros. It marked the first time in twelve years the band had worked with producer Arif Mardin, and was their first album to be recorded digitally. The album sold well in Europe, reaching No. 5 in the UK, No. 2 in Norway and Austria, and No. 1 in Germany and Switzerland, though it barely made the top 100 in the US.
The album's first single, "You Win Again", reached No. 1 in the UK, Switzerland, Germany, Austria, and Norway.
With the Bee Gees now back in the Warner-Elektra-Atlantic conglomerate, producer Arif Mardin was once again available to work with them.
The Gibb brothers began writing and recording songs for E.S.P. around September 1986. They worked at Maurice's home studio, informally known as Panther House, rather than at Middle Ear. Maurice set everything up and Scott Glasel was effectively the assistant engineer. Scott's recollection years later is that Barry brought in the songs as demos, featuring just his voice and guitar, and that they recorded the fuller demos based on Barry's songs. Scott also recalls Barry and Robin many times arguing heatedly over trivial things and calling off the project, only to have Maurice call Scott a few days later to let him know they were starting again.
E.S.P. (Extra Sexual Persuasion) is a Millie Jackson album released in 1983. In addition to her signature soul music songs, it also includes somewhat more Hi-NRG and Funk dance song production popular at the time such as "This Girl Could Be Dangerous", "Sexercise" and the title track.
In a contemporary review for The Village Voice, music critic Robert Christgau gave the album a "B-" and wrote that, despite her mannerisms and persuasive parodies of sexercise, Jackson lacks the redeeming slow songs of her past work, and both "Slow Tongue" and the title track sound contrived.
Recorded in January 1965, E.S.P. is the first album by what is often referred to as Miles Davis's second great quintet. The quintet comprising Davis, Wayne Shorter, Herbie Hancock, Ron Carter and Tony Williams would be the most long-lived of all Davis's groups, and this was their first studio recording together.
Unlike the majority of previous Davis albums, E.S.P. consisted entirely of new compositions written by members of the group. Despite the profusion of new material, only two of the tunes, "Agitation" and "R.J." are known to have appeared in the group's live performances, the latter only appearing in one extant recording. "Agitation", by contrast, was still being performed as late as the fall of 1969.
"Little One" might be best known for being revisited on Hancock's landmark album, Maiden Voyage, recorded a few weeks later. This version is somewhat more embryonic; Carter's bass is halting, and Davis and Shorter state the theme with winding, interlocking contrapuntal lines that evoke Davis and Coltrane's version of "Round Midnight". Hancock's solo on Carter's composition, "Eighty-One", also presages his work on that LP - particularly its title track. This is reflected in the liner notes of the 1999 reissue.
Read the story behind E.S.P: https://www.udiscovermusic.com/stories/bee-gees-esp-1987-album/ Listen to more from the Bee Gees: https://BeeGees.lnk.to/essentials Subscribe for more videos: https://beegees.lnk.to/subscribe Facebook: https://www.facebook.com/beegees/ Twitter: https://twitter.com/beegees Instagram: https://www.instagram.com/beegees/ Website: https://www.beegees.com Music video by Bee Gees performing E.S.P.. (C) 1987 Barry Gibb, The Estate of Robin Gibb and Yvonne Gibb under exclusive license to Capitol Music Group
Official video for “You Win Again” by the Bee Gees. Stream music from the Bee Gees: https://stream.lnk.to/BeeGeesID Subscribe to the Bee Gees and ring the bell to never miss an update: https://BeeGees.lnk.to/YTSubscribe Sign up for the official Bee Gees newsletter to stay in touch with all things Bee Gees: https://www.beegees.com/signup/ Follow the Bee Gees: https://Facebook.com/BeeGees https://Twitter.com/BeeGees https://Instagram.com/BeeGees https://TikTok.com/@BeeGeesOfficial https://www.beegees.com/ #BeeGees #YouWinAgain
תיאור
Read the story behind E.S.P: https://www.udiscovermusic.com/stories/bee-gees-esp-1987-album/ Listen to more from the Bee Gees: https://BeeGees.lnk.to/essentials Subscribe for more videos: https://beegees.lnk.to/subscribe Facebook: https://www.facebook.com/beegees/ Twitter: https://twitter.com/beegees Instagram: https://www.instagram.com/beegees/ Website: https://www.beegees.com Music video by Bee Gees performing Angela. (C) 1987 Barry Gibb, The Estate of Robin Gibb and Yvonne Gibb under exclusive license to Capitol Music Group http://vevo.ly/Nh7JGG
Another beautiful song from their 1987 ESP album I do NOT own this.
"Tales From The Gibb Brothers" IV.
Discover the best Bee Gees songs: https://www.udiscovermusic.com/stories/the-bee-gees-in-20-songs/ Listen to more from the Bee Gees: https://BeeGees.lnk.to/essentials Subscribe for more videos: https://beegees.lnk.to/subscribe Facebook: https://www.facebook.com/beegees/ Twitter: https://twitter.com/beegees Instagram: https://www.instagram.com/beegees/ Website: https://www.beegees.com Music video by Bee Gees performing This Is Where I Came In. (C) 2001 Barry Gibb, The Estate of Robin Gibb and Yvonne Gibb under exclusive license to Capitol Music Group http://vevo.ly/VAbayM
Provided to YouTube by Universal Music Group The Longest Night · Bee Gees E.S.P. ℗ 1987 Barry Gibb, The Estate of Robin Gibb and Yvonne Gibb, under exclusive license to Capitol Music Group Released on: 1987-09-01 Producer: Arif Mardin Producer: Barry Gibb Producer: Robin Gibb Producer: Maurice Gibb Producer, Co- Producer: Brian Tench Composer Lyricist: Barry Gibb Composer Lyricist: Robin Gibb Composer Lyricist: Maurice Gibb Auto-generated by YouTube.
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Jamey Aebersold (born July 21, 1939 in New Albany, Indiana) is an American jazz saxophonist and music educator. His "Play-A-Long" series of instructional book and CD collections, using the chord-scale system, the first of which was released in 1967, are an internationally renowned resource for jazz education. As of 2013, 133 of these collections have been published by Aebersold, who taught musical improvisation at the University of Louisville for a number of years. He is also an adept pianist, alto saxophonist, bassist, and banjoist.
Most of the volumes in Aebersold's "Play-A-Long" series feature a selection of 10-12 jazz standards, though some focus on scales, standardized chord progressions (like the blues), or original compositions by Aebersold's collaborators. The books contain charts for the tunes in question, transposed as necessary for instruments in C, B-flat, E-flat, and bass clef. The recordings normally feature a professional rhythm section (typically piano, bass, and drums, occasionally including guitar) performing an improvised accompaniment (or "comping") to each song. Melody instruments like saxophone and trumpet are omitted, enabling a jazz student to practice playing the song's melody, and improvising over the song's chord changes, with accompaniment. The piano and bass tracks are typically panned to opposite channels, so that a pianist or bassist can easily omit the recorded piano or bass part by muting the appropriate channel.
Extrasensory perception, she has special powers
Extrasensory perception, she has special powers
I saw her on the tv, I gotta deep impression
She can guess the future, she can guess your past
Is it true or false? many skillful tricks
I don't know what's real, unless I see her face to face
E.s.p. e.s.p. e.s.p.
She knows about ghosts, she can read your mind
But I don't believe her, and I wanna see her
The tv program continues, irrespective of my thought
Momentary amusements, so for now I'll make a rule of believing
E.s.p. e.s.p. e.s.p.
Does she have e.s.p. yes, she has e.s.p.
Does she have e.s.p. yes, she has e.s.p.
I wanna know, wanna know, wanna know, wanna know, wanna know
I wanna know what's real
Extrasensory perception, she has special powers
Extrasensory perception, she has special powers
Does she have e.s.p. yes, she has e.s.p.
Does she have e.s.p. yes, she has e.s.p.
I wanna know, wanna know, wanna know, wanna know
Wanna know, wanna know, wanna know, wanna know
Does she have e.s.p. yes, she has e.s.p.
Does she have e.s.p. yes, she has e.s.p.
I wanna know, wanna know, wanna know, wanna know, wanna know
I wanna know what's real
Extrasensory perception, she has special powers
Extrasensory perception, she has special powers
Extrasensory perception, she has special powers