- published: 24 Mar 2023
- views: 25080
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Load news page with ajax here } else if(num > 1900){ //FIX ME. 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Jamey Aebersold (born July 21, 1939 in New Albany, Indiana) is an American jazz saxophonist and music educator. His "Play-A-Long" series of instructional book and CD collections, using the chord-scale system, the first of which was released in 1967, are an internationally renowned resource for jazz education. As of 2013, 133 of these collections have been published by Aebersold, who taught musical improvisation at the University of Louisville for a number of years. He is also an adept pianist, alto saxophonist, bassist, and banjoist.
Most of the volumes in Aebersold's "Play-A-Long" series feature a selection of 10-12 jazz standards, though some focus on scales, standardized chord progressions (like the blues), or original compositions by Aebersold's collaborators. The books contain charts for the tunes in question, transposed as necessary for instruments in C, B-flat, E-flat, and bass clef. The recordings normally feature a professional rhythm section (typically piano, bass, and drums, occasionally including guitar) performing an improvised accompaniment (or "comping") to each song. Melody instruments like saxophone and trumpet are omitted, enabling a jazz student to practice playing the song's melody, and improvising over the song's chord changes, with accompaniment. The piano and bass tracks are typically panned to opposite channels, so that a pianist or bassist can easily omit the recorded piano or bass part by muting the appropriate channel.
Cedar Anthony Walton, Jr. (January 17, 1934 – August 19, 2013) was an American hard bop jazz pianist. He came to prominence as a member of drummer Art Blakey's band before establishing a long career as a bandleader and composer. Several of his compositions have become jazz standards, including "Mosaic", "Bolivia", "Holy Land", "Mode for Joe" and "Ugetsu", also known as "Fantasy in D".
Walton was born and grew up in Dallas, Texas. His mother Ruth was an aspiring concert pianist, and was Walton's initial teacher. She also took him to jazz performances around Dallas. Walton cited Nat King Cole, Bud Powell, Thelonious Monk and Art Tatum as his major influences on piano. He began emulating recordings of these artists from an early age.
After briefly attending Dillard University in New Orleans, he went to the University of Denver as a composition major originally, but was encouraged to switch to a music education program targeted to set up a career in the local public school system. This switch later proved extremely useful since Walton learned to play and arrange for various instruments, a talent he would hone with Art Blakey's Jazz Messengers.
Cedar Walton is an eponymous album by pianist Cedar Walton which was recorded in 1985 and released on the Dutch Timeless label.
Allmusic awarded the album 4½ stars.
All compositions by Cedar Walton except as indicated
Bolivia 0:00 Naima 14:22 Seven Minds 25:56 Blue Monk 38:29 Firm Roots 46:41 George Coleman (ts), Cedar Walton (p), Sam Jones (b), Billy Higgins (d) Perugia, July 20,1976
00:00 - 10:06 01 - Blue Trane 10:06 - 20:40 02 - Soho 20:40 - 28:33 03 - Off Minor 28:33 - 34:13 04 - The Maestro 34:13 - 40:31 05 - Road Island Red Alto Saxophone, Baritone Saxophone – Charles Davis (2) Arranged By, Keyboards, Synthesizer – Cedar Walton Art Direction – Acy Lehman, Dick Smith (9) Artwork By – Lee Rosenblatt Bass – Gordon Edwards Drums – Steve Gadd Engineer – Bob Simpson Guitar – Ryo Kawasaki Percussion – Omar Clay, Ray Mantilla Producer – Mike Lipskin Tenor Saxophone, Soloist – Frank Foster Trombone – Wayne Andre Trumpet, Flugelhorn – Roy Burrowes Vocals – Adrienne Albert, Lani Groves
Tracks: 01 Girl Talk 00:00 02 Fantasy In D 05:59 03 Ground Work 14:45 04 Once I Loved 20:29 05 Another Star 26:03 06 Theme For Red 34:32 07 Relaxin at Camarillo 40:17 Personnel Cedar Walton – piano David Williams – bass Billy Higgins – drums
Bolivia: da "Live at Montmartre" 1977
Olympia, Paris 1963 Freddie Hubbard - trumpet Wayne Shorter - tenor saxophone Curtis Fuller - trombone Cedar Walton - piano Reggie Workman - bass Art Blakey - drums
At the Munch Museum - Oslo - Norway July 18th 1. Bleecker Street Theme- comp-Cedar Walton 2. Introductions 3.Alias Buster Henry- Billy Higgins 4. Interview 5. The Maestro - Cedar Walton 6. Interview 7. One For Amos- Sam Jones 8. Interview 9. Bleecker Street Theme Billy Higgins- Drums Sam Jones- Bass Cedar Walton- Piano Clifford Jordan- Tenor Saxaphone
Intro: 00:00 Music beings 01:47 Umbria Jazz Festival - Winter '97 in Orvieto. Firm Roots (Walton) - The Cedar Walton Quartet: Cedar Walton, piano; Bobby Hutcherson, vibes; David Williams, bass and Billy Higgins on drums. Please support the work of the Jazz Video Guy Tips https://paypal.me/jazzvideoguy Contributionshttps://www.gofundme.com/f/nwe8y-support-the-mission-of-jazz-video-guy Subscriptions https://www.patreon.com/bretprimack ツ HOPE YOU GUYS ENJOY THIS VIDEO! If you enjoy this video, Please 🅻🅸🅺🅴 👍 and 🔗 🆂🅷🅰🆁🅴 it. 👉 Don't forget to subscribe 👇🏻 to this channel & press the bell 🔔 for more updates. 👉 🆂🆄🅱🆂🅲🆁🅸🅱🅴 🅽🅾🆆!!: https://cutt.ly/RCGpvpV 💬 Don't forget to tell me your opinion in the comments below. ---------------------------------------------------------------...
Cedar Walton - Road Island Red
From the album "Animation" , 1979.
Provided to YouTube by Red records Fantasy In D (Ugetsu) · Cedar Walton · David Williams · Billy Higgins · C.Walton The Trio Vol.3 ℗ Red Records Released on: 1992-01-01 Auto-generated by YouTube.
Jamey Aebersold (born July 21, 1939 in New Albany, Indiana) is an American jazz saxophonist and music educator. His "Play-A-Long" series of instructional book and CD collections, using the chord-scale system, the first of which was released in 1967, are an internationally renowned resource for jazz education. As of 2013, 133 of these collections have been published by Aebersold, who taught musical improvisation at the University of Louisville for a number of years. He is also an adept pianist, alto saxophonist, bassist, and banjoist.
Most of the volumes in Aebersold's "Play-A-Long" series feature a selection of 10-12 jazz standards, though some focus on scales, standardized chord progressions (like the blues), or original compositions by Aebersold's collaborators. The books contain charts for the tunes in question, transposed as necessary for instruments in C, B-flat, E-flat, and bass clef. The recordings normally feature a professional rhythm section (typically piano, bass, and drums, occasionally including guitar) performing an improvised accompaniment (or "comping") to each song. Melody instruments like saxophone and trumpet are omitted, enabling a jazz student to practice playing the song's melody, and improvising over the song's chord changes, with accompaniment. The piano and bass tracks are typically panned to opposite channels, so that a pianist or bassist can easily omit the recorded piano or bass part by muting the appropriate channel.