- published: 26 Mar 2019
- views: 1254628
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Jamey Aebersold (born July 21, 1939 in New Albany, Indiana) is an American jazz saxophonist and music educator. His "Play-A-Long" series of instructional book and CD collections, using the chord-scale system, the first of which was released in 1967, are an internationally renowned resource for jazz education. As of 2013, 133 of these collections have been published by Aebersold, who taught musical improvisation at the University of Louisville for a number of years. He is also an adept pianist, alto saxophonist, bassist, and banjoist.
Most of the volumes in Aebersold's "Play-A-Long" series feature a selection of 10-12 jazz standards, though some focus on scales, standardized chord progressions (like the blues), or original compositions by Aebersold's collaborators. The books contain charts for the tunes in question, transposed as necessary for instruments in C, B-flat, E-flat, and bass clef. The recordings normally feature a professional rhythm section (typically piano, bass, and drums, occasionally including guitar) performing an improvised accompaniment (or "comping") to each song. Melody instruments like saxophone and trumpet are omitted, enabling a jazz student to practice playing the song's melody, and improvising over the song's chord changes, with accompaniment. The piano and bass tracks are typically panned to opposite channels, so that a pianist or bassist can easily omit the recorded piano or bass part by muting the appropriate channel.
En passant (from French: in passing) is a move in chess. It is a special pawn capture, that can only occur immediately after a pawn moves two ranks forward from its starting position and an enemy pawn could have captured it had the pawn moved only one square forward. Note that the capturing pawn must be on its fifth rank prior to executing this maneuver. The opponent captures the just-moved pawn "as it passes" through the first square. The resulting position is the same as if the pawn had moved only one square forward and the enemy pawn had captured it normally.
The en passant capture must be made at the very next turn or the right to do so is lost. It is the only occasion in chess in which a piece is captured but is not replaced on its square by the capturing piece. Like any other move, if an en passant capture is the only legal move available, it must be made. En passant capture is a common theme in chess compositions.
The en passant capture rule was added in the 15th century when the rule that gave pawns an initial double-step move was introduced. It prevents a pawn from using the two-square advance to pass an adjacent enemy pawn without the risk of being captured.
No chess rule is as misunderstood as en passant. Learn this mysterious pawn capture and reasoning behind it and never be caught off guard again! Try over 130 new lessons taking you all the way from the opening moves to advanced endgame patterns at https://chess.com/lessons. Sign up for FREE online play: http://www.Chess.com Follow us on Twitch: http://www.twitch.tv/chess Like us on Facebook: https://www.facebook.com/chess Follow us on Twitter: https://twitter.com/chesscom
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The en passant capture is so weird and surprising that your friends will think you're cheating! But don't worry, what you will learn in this video is entirely legal. Usually, pawns can only capture pieces that are directly and diagonally in front of them. But did you know that there is one specific occasion where your pawns can capture a piece that is beside it? That kind of capture is called en passant, a French expression that means "in passing." It is the only time that a piece lands on a square different from the one that the captured piece was occupying. Pretty weird, right? However, if you want to make that capture (and not be called a cheater), you need to know its exact rules. This video will teach you everything you need to know about this rule so you can surprise your less exp...
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Jamey Aebersold (born July 21, 1939 in New Albany, Indiana) is an American jazz saxophonist and music educator. His "Play-A-Long" series of instructional book and CD collections, using the chord-scale system, the first of which was released in 1967, are an internationally renowned resource for jazz education. As of 2013, 133 of these collections have been published by Aebersold, who taught musical improvisation at the University of Louisville for a number of years. He is also an adept pianist, alto saxophonist, bassist, and banjoist.
Most of the volumes in Aebersold's "Play-A-Long" series feature a selection of 10-12 jazz standards, though some focus on scales, standardized chord progressions (like the blues), or original compositions by Aebersold's collaborators. The books contain charts for the tunes in question, transposed as necessary for instruments in C, B-flat, E-flat, and bass clef. The recordings normally feature a professional rhythm section (typically piano, bass, and drums, occasionally including guitar) performing an improvised accompaniment (or "comping") to each song. Melody instruments like saxophone and trumpet are omitted, enabling a jazz student to practice playing the song's melody, and improvising over the song's chord changes, with accompaniment. The piano and bass tracks are typically panned to opposite channels, so that a pianist or bassist can easily omit the recorded piano or bass part by muting the appropriate channel.
These yellow lights are not enough
To illuminate this night
These streets all have a hollow ring
Sounding down inside
This town got our wild years
Now it's quiet here, and still
What good is life without the few
Who lived it to the full?
This yellow glow is gonna show me home
Down rivers made of stone
But if you miss old friends tonight