- published: 21 Aug 2020
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Jamey Aebersold (born July 21, 1939 in New Albany, Indiana) is an American jazz saxophonist and music educator. His "Play-A-Long" series of instructional book and CD collections, using the chord-scale system, the first of which was released in 1967, are an internationally renowned resource for jazz education. As of 2013, 133 of these collections have been published by Aebersold, who taught musical improvisation at the University of Louisville for a number of years. He is also an adept pianist, alto saxophonist, bassist, and banjoist.
Most of the volumes in Aebersold's "Play-A-Long" series feature a selection of 10-12 jazz standards, though some focus on scales, standardized chord progressions (like the blues), or original compositions by Aebersold's collaborators. The books contain charts for the tunes in question, transposed as necessary for instruments in C, B-flat, E-flat, and bass clef. The recordings normally feature a professional rhythm section (typically piano, bass, and drums, occasionally including guitar) performing an improvised accompaniment (or "comping") to each song. Melody instruments like saxophone and trumpet are omitted, enabling a jazz student to practice playing the song's melody, and improvising over the song's chord changes, with accompaniment. The piano and bass tracks are typically panned to opposite channels, so that a pianist or bassist can easily omit the recorded piano or bass part by muting the appropriate channel.
Giant Steps is the fifth studio album by jazz musician John Coltrane as leader, released in 1960 on Atlantic Records, catalogue SD 1311. His first album for his new label Atlantic, it is the breakthrough album for Coltrane as a leader, and many of its tracks have become practice templates for jazz saxophonists. In 2004, it was one of fifty recordings chosen that year by the Library of Congress to be added to the National Recording Registry.
In 1959, Miles Davis' business manager Harold Lovett negotiated a record contract for Coltrane with Atlantic, the terms including a $7,000 annual guarantee. Initial sessions for this album, the second recording date for Coltrane under his new contract after a January 15 date led by Milt Jackson, took place on March 26, 1959. The results of this session with Cedar Walton and Lex Humphries were not used, but appeared on subsequent compilations and reissues. Principal recording for the album took place on May 4 and 5, two weeks after Coltrane had participated in the final session for Kind of Blue. The track "Naima" was recorded on December 2 with Coltrane's bandmates, the rhythm section from the Miles Davis Quintet, who would provide the backing for most of his next album, Coltrane Jazz.
Giant Steps is a 1960 album by jazz musician John Coltrane.
Giant Steps may also refer to:
Giant Steps is the third album by The Boo Radleys, released in 1993. The title is inspired by John Coltrane's album of the same name, and the record features an assortment of influences — their previous shoegazing sound backed by pop, reggae, noise pop and orchestral sounds.
NME and Select named it as album of the year, and it was ranked as #1 in Fanning's Fab Fifty for that year. It reached the UK Top 20, but did not spawn a Top 40 single. Reviewing the album's rerelease in 2008, Sic Magazine wrote, "For 64 minutes they were the greatest band on the planet."
All songs and lyrics written by Martin Carr, with music by The Boo Radleys.
GIANT STEPS: 60th ANNIVERSARY DELUXE EDITION is available as a 180g 2-LP set and as a 2-CD set, both featuring a remastered version of the landmark album plus 8 alternate takes. The super deluxe edition, available to download and stream, includes an additional 20 outtakes: https://Rhino.lnk.to/giantsteps60
"Giant Steps" is a jazz recording by John Coltrane, on tenor saxophone, which is the first track on the album of the same name and is 4 minutes and 49 seconds long. The composition is a milestone for jazz musicians' progress, given the difficulty of improvising its rapid progression of chord changes that progress through three keys (see Coltrane changes) shifted by major thirds, creating an augmented triad. The saxophonist had previously used this technique on the LP Blue Train on the tunes Moment's Notice and Lazy Bird. Coltrane continued in this vein on a recording with Cannonball Adderley of the standard "Limehouse Blues," and on his original "Fifth House." He continued to use this approach on other tunes, such as "Countdown", based on the Miles Davis tune "Tune Up"; "26 2" based on Ch...
Making sense of John Coltrane's "Giant Steps." Follow Vox Earworm on Facebook for more: http://www.facebook.com/VoxEarworm And be sure to check out Earworm's complete first season here: http://bit.ly/2QCwhMH John Coltrane, one of jazz history’s most revered saxophonists, released “Giant Steps” in 1959. It’s known across the jazz world as one of the most challenging compositions to improvise over for two reasons - it’s fast and it’s in three keys. Braxton Cook and Adam Neely give me a crash course in music theory to help me understand this notoriously difficult song, and I’m bringing you along for the ride. Even if you don’t understand a lick of music theory, you’ll likely walk away with an appreciation for this musical puzzle. Braxton Cook: https://www.braxtoncook.com/ Adam Neely: htt...
This is what John Coltrane's landmark tune and solo look like when they come to life on paper. If you try to play along, you may notice that the transcription for the head is transposed for C and the solo's in Bb. Weird, I know, but the transcription book that I based this animation on was in concert. You can buy the sheet music here: http://www.amazon.com/gp/product/0793563453
Giant Steps (John Coltrane) New Jazz Underground (IG: newjazzunderground) Eric "ELEW" Lewis - Piano (IG: ELEWROCKJAZZ / YT: @ELEWTube) Abdias Armenteros - Sax (IG: elcuba__) Sebastian Rios - Bass (IG: seb_rios_) TJ Reddick - Drums (IG: tjreddick_) MERCH: https://www.newjazzunderground.com/merch Original Music: https://newjazzunderground.bandcamp.com/ Tips: https://paypal.me/newjazzunderground?... or https://www.patreon.com/newjazzunderg... thumbnail/graphics/clothing design - IG: reena.tattoo
I had the idea to try playing Giant Steps in 13/8. It's pretty fun and challenging to solo over. Just ignore the bad notes. Lol
Joey Alexander performs "Giant Steps" in studio, from his debut album "My Favorite Things"! Get "My Favorite Things": http://joeyalexander.lnk.to/mftID Join the mailing list at http://JoeyAlexanderMusic.com Like on Facebook: http://bit.ly/joeyfacebook Follow on Twitter: @_JoeyAlexander http://bit.ly/joeytwitter An extraordinary and uniquely gifted pianist from Bali, Joey Alexander marks his recording debut with the release of My Favorite Things (May 12, 2015). Joey brings a delicate, profound and soulful touch to his own interpretation of such classics as “My Favorite Things”, “Giant Steps” and “Over the Rainbow” and showcases his talents as an arranger, composer and bandleader. Album features: Larry Grenadier (bass), Ulysses Owens Jr. (drums), Sammy Miller (drums), Russell Hall (ba...
Jamey Aebersold (born July 21, 1939 in New Albany, Indiana) is an American jazz saxophonist and music educator. His "Play-A-Long" series of instructional book and CD collections, using the chord-scale system, the first of which was released in 1967, are an internationally renowned resource for jazz education. As of 2013, 133 of these collections have been published by Aebersold, who taught musical improvisation at the University of Louisville for a number of years. He is also an adept pianist, alto saxophonist, bassist, and banjoist.
Most of the volumes in Aebersold's "Play-A-Long" series feature a selection of 10-12 jazz standards, though some focus on scales, standardized chord progressions (like the blues), or original compositions by Aebersold's collaborators. The books contain charts for the tunes in question, transposed as necessary for instruments in C, B-flat, E-flat, and bass clef. The recordings normally feature a professional rhythm section (typically piano, bass, and drums, occasionally including guitar) performing an improvised accompaniment (or "comping") to each song. Melody instruments like saxophone and trumpet are omitted, enabling a jazz student to practice playing the song's melody, and improvising over the song's chord changes, with accompaniment. The piano and bass tracks are typically panned to opposite channels, so that a pianist or bassist can easily omit the recorded piano or bass part by muting the appropriate channel.
(...700 hertz)
Ain't that just you
you know the facts, but you
haven't got a clue
about me or my life, why don't
you try and take the time
till then what am I supposed
to do? but then that's just
like you to leave me
I hang suspended on your
words, yeah you leave me
I hang suspended on your words
don't you care? I don't read
minds and I did I'd be
elsewhere, tell me what's on
your mind so I can rectify in
time, or else I won't know
what I'm to do, but then that's
just like you to leave me
I hang suspended on your words