- published: 17 Nov 2017
- views: 14568
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Jamey Aebersold (born July 21, 1939 in New Albany, Indiana) is an American jazz saxophonist and music educator. His "Play-A-Long" series of instructional book and CD collections, using the chord-scale system, the first of which was released in 1967, are an internationally renowned resource for jazz education. As of 2013, 133 of these collections have been published by Aebersold, who taught musical improvisation at the University of Louisville for a number of years. He is also an adept pianist, alto saxophonist, bassist, and banjoist.
Most of the volumes in Aebersold's "Play-A-Long" series feature a selection of 10-12 jazz standards, though some focus on scales, standardized chord progressions (like the blues), or original compositions by Aebersold's collaborators. The books contain charts for the tunes in question, transposed as necessary for instruments in C, B-flat, E-flat, and bass clef. The recordings normally feature a professional rhythm section (typically piano, bass, and drums, occasionally including guitar) performing an improvised accompaniment (or "comping") to each song. Melody instruments like saxophone and trumpet are omitted, enabling a jazz student to practice playing the song's melody, and improvising over the song's chord changes, with accompaniment. The piano and bass tracks are typically panned to opposite channels, so that a pianist or bassist can easily omit the recorded piano or bass part by muting the appropriate channel.
Joseph Abboud (born May 5, 1950) is an American-Lebanese menswear fashion designer and author.
Abboud was born in Boston, Massachusetts. The Abboud family was a working-class Lebanese Maronite Catholic family that started out in the South End of Boston, and later to Roslindale. Abboud's mother, Lila, was a seamstress. On a trip to Australia, Abboud discovered that his great-grandfather had owned Australia's largest men's tailored-clothing company.
Abboud graduated from the University of Massachusetts-Boston in 1972, then studied at the Sorbonne in Paris, where he grew to love the sophisticated polish of European style.
Abboud's first experience in the fashion industry was as a 16-year-old working part-time at Louis Boston. Abboud stated: "Louis Boston was a huge part of my career. I really landed in a world of very glamorous style, beautiful clothes, just the world of what international fashion was about. If this had never happened, then the rest of it wouldn't have happened." Over the course of twelve years, he served as Buyer, Merchandiser, and eventually Coordinator of Promotion and Advertising.
Made in America of fine Italian fabrics, menswear designer Joseph Abboud describes what goes into building the perfect suit. Experience the difference of owning a garment made just for you. Learn more about custom suiting at a Men's Wearhouse near you.
See why Joseph calls this "The Investment Suit"
Joseph Abboud talks about new, Flex by Joseph Abboud denim for Spring 2015. Find your denim style at http://www.menswearhouse.com.
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Joseph Abboud talks about key pieces for your Spring wardrobe. Find your style at http://www.menswearhouse.com.
for order call or WhatsApp 0333 8741802 Online Watches Brand available
Sweet playful cool weather fragrance #sweet #clone #compliments #fall
Joseph Abboud Bespoke Is My Scent Of The Day #fragrance #scent #fragrancereview
Thanks to my friend Corey for sending these rack store cheapie fragrances my way and saving me from another rack store fragrance haul, for this week at least! Both of these fragrances I'm talking about today have been popping up at Marshall's and TJ Maxx and very well could be hidden gems. Are these full body worthy? __________________ The fragrances mentioned in this video are linked below! https://bit.ly/48Y9Qtd - Bespoke https://bit.ly/425JSl8 - Mountain https://bit.ly/3HphTTV (4 Fragrance Discovery Set) __________________ For some of the best prices on Designer & Niche fragrances follow the links below and use my codes to SAVE! So Avant Garde (Gerard20 to save 20% off your order) https://so-avant-garde.com/ The Perfume Spot (No Code Needed!) https://www.kqzyfj.com/click-1006343...
Jamey Aebersold (born July 21, 1939 in New Albany, Indiana) is an American jazz saxophonist and music educator. His "Play-A-Long" series of instructional book and CD collections, using the chord-scale system, the first of which was released in 1967, are an internationally renowned resource for jazz education. As of 2013, 133 of these collections have been published by Aebersold, who taught musical improvisation at the University of Louisville for a number of years. He is also an adept pianist, alto saxophonist, bassist, and banjoist.
Most of the volumes in Aebersold's "Play-A-Long" series feature a selection of 10-12 jazz standards, though some focus on scales, standardized chord progressions (like the blues), or original compositions by Aebersold's collaborators. The books contain charts for the tunes in question, transposed as necessary for instruments in C, B-flat, E-flat, and bass clef. The recordings normally feature a professional rhythm section (typically piano, bass, and drums, occasionally including guitar) performing an improvised accompaniment (or "comping") to each song. Melody instruments like saxophone and trumpet are omitted, enabling a jazz student to practice playing the song's melody, and improvising over the song's chord changes, with accompaniment. The piano and bass tracks are typically panned to opposite channels, so that a pianist or bassist can easily omit the recorded piano or bass part by muting the appropriate channel.
Wassup? We need to talk
Let me light my backport
(lights up)
(exhales)
That's why we need to sit down
And talk about the black and the brown
Yo, I love Los Angeles, you can hear it in my music
Plus I got the scars to prove it
And man.. you don't understand what I understand
I'm feelin like a piece to a bigger plan
'Cause all I'm sayin is the God honest truth of it all, we fightin the wrong enemy
That's why I'm gettin invovled, it's just like the end of that movie "Saw"
When them two chained up guys met with their demise
And the mastermind was layin there the whole time
Remember that? That's why we have to sit down
And speak about the black and the brown
Now I didn't come here to point no fingers
I know over the years that the pain still lingers over past confrontations
Shit we all on parole and probation and fucked up situations
And everybody lose.. from the pen, to the neighborhoods, now it's even the high schools
'Cause I was watchin K. Cal News
when the students squared off and one kid wouldn't choose sides
Hit with a hammer and the kid died and now it's a full blown riot
Tck, that's when the fists start flyin
These kids ain't learnin shit about math and science
Man..
Tension is so thick, some are comin around
I don't wanna see no more of us up under the ground
So now.. that's why we need to sit down
And talk about the black and the brown
Eighty percent of inmates are black and Hispanic
They tryna wipe us all off the face of this planet
Dammit.. that's why we need to sit down
And talk about the black and the brown
Yo, I got the homey Jose from way back in the day
He came to scoop me up in his all white Six-Trey
And he don't really fuck with nobody outside of the set
It's tatted big on his neck
Y'know? So over the years, built respect and trust
Some black and brown issues we both discussed
He said, "Homes, it's been goin down too long
I gotta bang on them fools and it don't feel wrong"
"They killed my cousin over eighty eight bricks
So word came down, we gotta handle that shit"
"Kill all mayatas in white tee shirts
Can I tell the truth homes? The truth starts hurtin"
At first, I remind him of what vengeance do
What vengeance is and who vengeance belongs to
He wasn't tryna hear that shit
He just turned up the volume, bangin 50 Cent
I got soldiers from both sides who really don't care
Who identify themselves by the colors they wear
The homey came through to put one in the air
I can tell somethin was wrong the way he sat in his chair
He said, "X, man I'm just gettin out
from doin eighty eight months, tryna figure things out"
He told me in the pen you get down to get done
'Cause the brown and black ratio is five to one
He showed me the scar on his gut and his neck
They got him good, said he damn near bled to death
The hate was do deep, I can see in his eyes
When he described what it feels like to almost die
All I could do was just sit back and listen
'Bout how he 'bout to send soldiers on missions
I got hit with a bottle but I'm not dead
I said, "Think with your heart homey, not your head"
I said
Oooooh you must defend yourself (Yeah!)
If you don't, then no one else (Nobody!)
Your homies got to ride (Let's go!)
You're fighting for your life (Yeah!)
They want both of us dead
You ain't heard a word I said
You're fighting for your life (Come on)