Famous poet /1915--1  •  Ranked #54 in the top 500 poets

Judith Wright

Judith Wright was an Australian poet, critic and activist. Her work is relevant today because of its engagement with environmental and social justice issues. She was a staunch advocate for Aboriginal land rights and a passionate conservationist, themes which are woven throughout her writing.

Wright's poetry is characterized by its clarity, precision, and profound connection to the Australian landscape. She belonged to the modernist movement in Australian poetry, which flourished in the mid-20th century. Her style is marked by a rejection of traditional poetic forms and a focus on direct, evocative language. Wright's poetry explores themes of identity, belonging, and the human relationship with nature.

Some poets who wrote in a similar style and shared similar concerns include A.D. Hope and Kenneth Slessor. Wright was also influenced by the work of the poet and critic R.D. FitzGerald, who encouraged her early writing.

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Woman To Man

The eyeless labourer in the night,
the selfless, shapeless seed I hold,
builds for its resurrection day---
silent and swift and deep from sight
foresees the unimagined light.

This is no child with a child's face;
this has no name to name it by;
yet you and I have known it well.
This is our hunter and our chase,
the third who lay in our embrace.

This is the strength that your arm knows,
the arc of flesh that is my breast,
the precise crystals of our eyes.
This is the blood's wild tree that grows
the intricate and folded rose.

This is the maker and the made;
this is the question and reply;
the blind head butting at the dark,
the blaze of light along the blade.
Oh hold me, for I am afraid.
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Analysis (ai): This poem explores the complex and enigmatic nature of human relationships through the metaphor of a growing fetus. The speaker, a woman, addresses her male partner, expressing both a sense of anticipation and trepidation as she contemplates the unknown future of their child.

Comparing to Judith Wright's other works, this poem shares her characteristically introspective and lyrical style. However, it differs in its focus on the intimate and domestic sphere rather than the broader social and environmental issues often explored in her work.

Within the context of its time period, the poem is notable for its unconventional and feminist perspective on pregnancy and motherhood. Written in 1949, it challenges traditional gender roles by emphasizing the woman's active role in the creation and nurturing of life. (hide)
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The Surfer

He thrust his joy against the weight of the sea;
climbed through, slid under those long banks of
foam—-
(hawthorn hedges in spring, thorns in the face stinging).
How his brown strength drove through the hollow and coil
of green-through weirs of water!
Muscle of arm thrust down long muscle of water;
and swimming so, went out of sight
where mortal, masterful, frail, the gulls went wheeling
in air as he in water, with delight.

Turn home, the sun goes down; swimmer, turn home.
Last leaf of gold vanishes from the sea-curve.
Take the big roller’s shoulder, speed and serve;
come to the long beach home like a gull diving.

For on the sand the grey-wolf sea lies, snarling,
cold twilight wind splits the waves’ hair and shows
the bones they worry in their wolf-teeth. O, wind blows
and sea crouches on sand, fawning and mouthing;
drops there and snatches again, drops and again snatches
its broken toys, its whitened pebbles and shells.
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Analysis (ai): The poem follows a surfer as they ride the waves, expressing the joy and freedom of the experience. The vivid imagery of the sea as a "grey-wolf" and "fawning and mouthing" conveys the power and danger of nature. The surfer's "muscle of arm" is contrasted with the "long muscle of water," highlighting the human's connection to and vulnerability in the face of nature's forces. The poem's language is stark and concise, mirroring the unforgiving nature of the sea. It reflects the growing environmental consciousness of the time period and themes of human interaction with nature that are common in Wright's other works. (hide)
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Woman To Child

You who were darkness warmed my flesh
where out of darkness rose the seed.
Then all a world I made in me;
all the world you hear and see
hung upon my dreaming blood.

There moved the multitudinous stars,
and coloured birds and fishes moved.
There swam the sliding continents.
All time lay rolled in me, and sense,
and love that knew not its beloved.

O node and focus of the world;
I hold you deep within that well
you shall escape and not escape-
that mirrors still your sleeping shape;
that nurtures still your crescent cell.

I wither and you break from me;
yet though you dance in living light
I am the earth, I am the root,
I am the stem that fed the fruit,
the link that joins you to the night.
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Analysis (ai): This poem explores the profound bond between a mother and child from the mother's perspective. The speaker vividly describes the child's origins in her womb, emphasizing the transformative power of creation. She depicts herself as the source and sustainer of the child's existence, containing a microcosm of the universe within her. The child's eventual separation from the mother is portrayed as a bittersweet moment, with the mother's enduring love serving as a constant connection. In comparison to the author's other works, this poem exhibits a similar theme of interconnectedness and the enduring power of nature. Situated within the historical context, it reflects the mid-century emphasis on familial bonds and the changing roles of women. (hide)
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