Famous poet /1941-  •  Ranked #59 in the top 500 poets

Billy Collins

(born William James Collins March 22, 1941) is an American poet, appointed as Poet Laureate of the United States  from 2001 to 2003.  He is a Distinguished Professor at Lehman College of the City University of New York and is the Senior Distinguished Fellow of the Winter Park Institute, Florida. Collins was recognized as a Literary Lion of the New York Public Library (1992) and selected as the New York State Poet for 2004-2006. Billy Collins has been called 'The most popular poet in America' by the New York Times.

Collins was born in New York City to William and Katherine Collins. Katherine Collins was a nurse who stopped working to raise the couple's only child. Mrs. Collins had the ability to recite verses on almost any subject, which she often did, and cultivated in her young son the love of words, both written and spoken. Billy Collins attended Archbishop Stepinac High School in White Plains and received a B.A. (English) from the College of the Holy Cross in 1963; he received his M.A. and Ph.D in English from the University of California, Riverside. His professors at Riverside included Victorian scholar and poet Robert Peters. In 1975 Collins founded The Mid Atlantic Review with his good friend and co-editor, Michael Shannon.

Collins is a Distinguished Professor of English at Lehman College in the Bronx, where he joined the faculty in 1968 and has taught for over thirty years. Additionally, he is a founding Advisory Board member of the CUNY Institute for Irish-American Studies at Lehman College. He also has taught and served as a visiting writer at Sarah Lawrence College in Bronxville, New York as well as teaching workshops across the U.S. and in Ireland. Collins is a member of the faculty of SUNY Stonybrook Southampton College, where he teaches poetry workshops. Collins was named U.S. Poet Laureate in 2001 and held the title until 2003. Collins served as Poet Laureate for the State of New York from 2004 until 2006. Collins has been named Senior Distinguished Fellow at the Winter Park Institute in Winter Park, Florida, an affiliate of Rollins College. He is on the editorial board at The Alaska Quarterly Review, not actively involved since 2000. He is on the advisory board at the Southern Review, and is similarly named in other journals.

As U.S. Poet Laureate, Collins read his poem The Names at a special joint session of the United States Congress on September 6, 2002, held to remember the victims of the 9/11 attacks. Though, unlike their British counterparts, U.S. poets laureate are not asked or expected to write occasional poetry, Collins was asked by the Librarian of Congress to write a poem especially for that event. Collins initially refused to read "The Names" in public, though he has read it two times in public since 2002. He vows not to include it in any of his books, refusing to capitalize in any way on the 9/11 attacks. However, "The Names" was included in the The Poets Laureate Anthology, put out by the Library of Congress, for which Collins wrote the foreword. The only published version of "The Names," it contains a number of regrettable typographical errors. As Poet Laureate, Collins instituted the program Poetry 180 for high schools. Collins chose 180 poems for the program and the accompanying book, Poetry 180: A Turning Back to Poetry-- one for each day of the school year. Collins edited a second anthology, 180 More Extraordinary Poems for Every Day to refresh the supply of available poems. The program is online, and poems are available there for no charge.

In 1997, Collins recorded The Best Cigarette, a collection of 34 of his poems, that would become a bestseller. In 2005, the CD was re-released under a Creative Commons license, allowing free, non-commercial distribution of the recording. He also recorded two of his poems for the audio versions of Garrison Keillor's collection Good Poems (2002). Collins has appeared on Keillor's radio show, A Prairie Home Companion, numerous times, where he gained a portion of his large following. In 2005, Collins recorded Billy Collins Live: A Performance in New York City. Collins was introduced by his friend, actor Bill Murray.

Billy Collins has been called "The most popular poet in America" by the New York Times. When he moved from the University of Pittsburgh Press to Random House, the advance he received shocked the poetry world — a six-figure sum for a three-book deal, virtually unheard of in poetry. The deal secured for Collins through his literary agent, Chris Calhoun of Sterling Lord Literistic, with the editor Daniel Menaker, remained the talk of the poetry world, and indeed the literary world, for quite some time.

Over the years, the U.S. magazine Poetry has awarded Collins several prizes in recognition of poems they publish. During the 1990s, Collins won five such prizes. The magazine also selected him as "Poet of the Year" in 1994. In 2005 Collins was the first annual recipient of its Mark Twain Prize for Humor in Poetry. He has received fellowships from the National Endowment for the Arts, the New York Foundation for the Arts and in 1993, from the John Simon Guggenheim Foundation.

One of his most critically acclaimed works, "Fishing on the Susquehanna in July" has been added to the preserved works of the United States Native American literary registry as being deemed a culturally significant poem.

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Introduction to Poetry

I ask them to take a poem
and hold it up to the light
like a color slide

 

or press an ear against its hive.

 

I say drop a mouse into a poem
and watch him probe his way out,

or walk inside the poem's room
and feel the walls for a light switch.

 

I want them to waterski
across the surface of a poem
waving at the author's name on the shore.

But all they want to do
is tie the poem to a chair with rope
and torture a confession out of it.

 

They begin beating it with a hose
to find out what it really means.

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Analysis (ai): This poem is a metaphor for how people should approach poetry. It suggests that people should not try to force a poem to reveal its meaning, but rather to explore it gently and playfully like a slide, hive, or room. This is in contrast to the more traditional approach of analyzing a poem's structure and meaning, which this poem compares to torturing a confession out of a prisoner. The poem's playful and imaginative language encourages readers to approach poetry with a sense of curiosity and wonder, rather than a desire to extract a single, definitive meaning. In this way, the poem reflects the postmodern emphasis on multiple interpretations and the rejection of traditional authority. (hide)
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Fishing on the Susquehanna in July

I have never been fishing on the Susquehanna
or on any river for that matter
to be perfectly honest.

 

Not in July or any month
have I had the pleasure--if it is a pleasure--
of fishing on the Susquehanna.

 

I am more likely to be found
in a quiet room like this one--
a painting of a woman on the wall,

 

a bowl of tangerines on the table--
trying to manufacture the sensation
of fishing on the Susquehanna.

 

There is little doubt
that others have been fishing
on the Susquehanna,

 

rowing upstream in a wooden boat,
sliding the oars under the water
then raising them to drip in the light.

 

But the nearest I have ever come to
fishing on the Susquehanna
was one afternoon in a museum in Philadelphia

 

when I balanced a little egg of time
in front of a painting
in which that river curled around a bend

 

under a blue cloud-ruffled sky,
dense trees along the banks,
and a fellow with a red bandanna

 

sitting in a small, green
flat-bottom boat
holding the thin whip of a pole.

 

That is something I am unlikely
ever to do, I remember
saying to myself and the person next to me.

 

Then I blinked and moved on
to other American scenes
of haystacks, water whitening over rocks,

 

even one of a brown hare
who seemed so wired with alertness
I imagined him springing right out of the frame.

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Analysis (ai): "Fishing on the Susquehanna in July" by Billy Collins presents a contrast between the imagined experience of fishing and the actual experience, revealing the speaker's preference for contemplation over physical activity. Unlike his American contemporaries who celebrated the outdoors, Collins depicts himself as an intellectual who finds solace in art and the imagination.

Through its specificity and attention to detail, the poem captures a particular moment in time. Yet, it also transcends its setting to explore broader themes of the relationship between imagination and reality and the human yearning for connection with nature. Unlike his earlier works, which often focused on the mundane and the everyday, this poem incorporates a historical and artistic perspective, expanding its thematic scope. (hide)
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Another Reason Why I Don't Keep A Gun In The House

The neighbors' dog will not stop barking.
He is barking the same high, rhythmic bark
that he barks every time they leave the house.
They must switch him on on their way out.

 

The neighbors' dog will not stop barking.
I close all the windows in the house
and put on a Beethoven symphony full blast
but I can still hear him muffled under the music,
barking, barking, barking,

 

and now I can see him sitting in the orchestra,
his head raised confidently as if Beethoven
had included a part for barking dog.

 

When the record finally ends he is still barking,
sitting there in the oboe section barking,
his eyes fixed on the conductor who is
entreating him with his baton

 

while the other musicians listen in respectful
silence to the famous barking dog solo,
that endless coda that first established
Beethoven as an innovative genius.

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Analysis (ai): The poem "Another Reason Why I Don't Keep A Gun In The House" humorously explores the annoyance of a barking dog. The poet's futile attempts to drown out the noise with music inadvertently create a comical scene where the dog joins the orchestra, his barking becoming a respected part of the composition.

This poem differs from the author's other works, which often deal with more personal or reflective themes. It stands out for its playful and whimsical tone. In the context of the time period, the poem's use of everyday language and relatable situation makes it accessible to a wide audience. (hide)
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