Famous poet /1886-1967  •  Ranked #55 in the top 500 poets

Siegfried Sassoon

Siegfried Sassoon was an English poet, writer, and soldier decorated for bravery in World War I. His war poems are characterized by their unflinching honesty and fierce denouncement of the political errors and patriotic rhetoric that perpetuated the conflict. Sassoon’s visceral depictions of trench warfare exposed the stark realities of the front lines, challenging the romanticized notions of heroism prevalent at the time.

His poetry reflects a transition from early romantic influences towards a gritty, realistic style forged in the trenches. While his early work, like that of Rupert Brooke, reflects a more traditional and idealized view of war, his wartime poetry, stark and often angry, became a powerful voice for a generation disillusioned by war. He employed satire and direct language to express his anti-war sentiments, shocking the public with graphic depictions of the horrors he witnessed.

Sassoon's work remains relevant today for its unflinching portrayal of the psychological and physical toll of war. His influence can be seen in the work of later war poets like Wilfred Owen, with whom he shared a close friendship, and Robert Graves, who similarly explored the realities of combat. Sassoon's legacy lies in his commitment to truth-telling, offering a timeless testament to the enduring cost of war on both individuals and society.

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The Hero

'Jack fell as he'd have wished,' the mother said,
And folded up the letter that she'd read.
'The Colonel writes so nicely.' Something broke
In the tired voice that quavered to a choke.
She half looked up. 'We mothers are so proud
Of our dead soldiers.' Then her face was bowed.

Quietly the Brother Officer went out.
He'd told the poor old dear some gallant lies
That she would nourish all her days, no doubt
For while he coughed and mumbled, her weak eyes
Had shone with gentle triumph, brimmed with joy,
Because he'd been so brave, her glorious boy.

He thought how 'Jack', cold-footed, useless swine,
Had panicked down the trench that night the mine
Went up at Wicked Corner; how he'd tried
To get sent home, and how, at last, he died,
Blown to small bits. And no one seemed to care
Except that lonely woman with white hair.
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Analysis (ai): "The Hero" is a satirical poem that critiques the glorification of war and the idealized image of heroism prevalent during World War I. It contrasts the mother's idealized perception of her son as a "hero" with the reality of his cowardly and chaotic death, showing the disparity between wartime propaganda and the brutality of battle.

Compared to Sassoon's other works, "The Hero" is relatively shorter and more focused, reflecting his disillusionment and bitterness with the war. It also shares similarities with other poems of the time, such as Wilfred Owen's "Dulce et Decorum Est," which also exposes the horrors of war and challenges the romantic notions of heroism.

The poem's strength lies in its use of irony and understatement. The mother's pride in her son's "glorious" death is juxtaposed with the bitter reality of his demise, highlighting the disconnect between her perception and the actual events. The "gallant lies" told by the Brother Officer further emphasize the gap between propaganda and reality. (hide)
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Suicide In The Trenches

I knew a simple soldier boy
Who grinned at life in empty joy,
Slept soundly through the lonesome dark,
And whistled early with the lark.

In winter trenches, cowed and glum,
With crumps and lice and lack of rum,
He put a bullet through his brain.
No one spoke of him again.

You smug-faced crowds with kindling eye
Who cheer when soldier lads march by,
Sneak home and pray you'll never know
The hell where youth and laughter go.
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Analysis (ai): This brutal poem exposes the horrors of trench warfare, contrasting the carefree youthfulness of a soldier with the bleak reality of his suicide. The stark language emphasizes the violent and dehumanizing conditions, contrasting sharply with the idealistic glorification of war.

Compared to Sassoon's earlier poems, this work exhibits a more direct and unflinching portrayal of war's psychological toll. It reflects the disillusionment prevalent during World War I, exposing the hypocrisy of those who support war without experiencing its true horrors.

The poem's brevity and simple language make its message all the more powerful, leaving a haunting reminder of the sacrifices made by soldiers and the futility of war. (hide)
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Survivors

No doubt they’ll soon get well; the shock and strain 
  Have caused their stammering, disconnected talk. 
Of course they’re ‘longing to go out again,’— 
  These boys with old, scared faces, learning to walk. 
They’ll soon forget their haunted nights; their cowed 
  Subjection to the ghosts of friends who died,— 
Their dreams that drip with murder; and they’ll be proud 
  Of glorious war that shatter’d all their pride… 
Men who went out to battle, grim and glad; 
Children, with eyes that hate you, broken and mad.
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Analysis (ai): This poem depicts the grim realities of war through the perspective of shell-shocked survivors, using stark and concise language to convey their trauma.

In contrast to Sassoon's earlier patriotic poems that glorified war, "Survivors" reveals the disillusionment of soldiers during World War I. It shares similarities with other poems in his war collection, "The Old Huntsman," as it exposes the physical and psychological toll of combat.

The poem's structure, with its abrupt shifts in tone and perspective, reflects the fragmentation of the soldiers' minds. The initial optimism about recovery gives way to the haunting memories of violence and the realization that war has shattered their youthful innocence.

Sassoon's use of repetition and parallelisms emphasizes the dehumanizing effects of war. The soldiers, once "grim and glad," are now "broken and mad," reduced to mere victims of a senseless conflict. Their hatred and anger become a testament to the horrors they have witnessed.

Overall, "Survivors" is a powerful indictment of the glorification of war, exposing its devastating consequences on the human psyche and the fragility of youth. (hide)
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