Famous poet /1830-1894  •  Ranked #50 in the top 500 poets

Christina Georgina Rossetti

Christina Georgina Rossetti was a prominent English poet of the Victorian era. Known for her devotional and romantic verse, Rossetti explored themes of love, loss, faith, and death in her work. Her poetry often features a melancholic and introspective tone, reflecting the prevailing sensibilities of the period.

Rossetti's writing is characterized by its precise language, musicality, and symbolic imagery. She drew inspiration from both religious and literary sources, resulting in a unique blend of devotional piety and artistic sophistication. Her poems frequently employ formal structures and traditional rhyme schemes, showcasing her mastery of poetic form.

Rossetti's work resonated with contemporary readers and continues to be studied and admired today. Her exploration of universal human experiences, such as love, grief, and spirituality, ensures her enduring relevance. She is considered a key figure in the Pre-Raphaelite movement, a group of artists and writers who sought to revive medieval aesthetics and themes. Rossetti's contemporaries included Dante Gabriel Rossetti, her brother, as well as William Morris and Algernon Charles Swinburne, who shared her interest in rich imagery and emotional intensity.

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Hurt No Living Thing

Hurt no living thing:
Ladybird, nor butterfly,
Nor moth with dusty wing,
Nor cricket chirping cheerily,
Nor grasshopper so light of leap,
Nor dancing gnat, nor beetle fat,
Nor harmless worms that creep.
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Analysis (ai): This didactic poem, likely written during the Victorian era, promotes kindness towards all creatures. The author's intent is to instill compassion and empathy in the reader. The poem's simplicity and repetitive structure make it accessible to readers of all ages.

Unlike Rossetti's other works, which often explore complex themes and emotions, this poem focuses on a single message. It lacks the depth and emotional resonance found in her other pieces. However, it aligns with the Victorian emphasis on morality and the interconnectedness of all living things.

The poem's tone is gentle and persuasive, with the author pleading with the reader to refrain from harming any creature, no matter how small or insignificant. By personifying the insects and giving them human-like qualities, the poet creates a sense of empathy and connection between the reader and the natural world. (hide)
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Remember

Remember me when I am gone away,
        Gone far away into the silent land;
        When you can no more hold me by the hand,
    Nor I half turn to go yet turning stay.
    Remember me when no more day by day
        You tell me of our future that you plann'd:
        Only remember me; you understand
    It will be late to counsel then or pray.
    Yet if you should forget me for a while
      And afterwards remember, do not grieve:
      For if the darkness and corruption leave
      A vestige of the thoughts that once I had,
  Better by far you should forget and smile
      Than that you should remember and be sad.
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Analysis (ai): This poem, by Christina Georgina Rossetti, explores themes of remembrance and the inevitability of death. It is written in the first person, with the speaker addressing an unnamed person, asking them to remember them after they have died. The poem is simple and direct, with clear and concise language. It is written in iambic pentameter, which gives it a steady and rhythmic flow.

The poem begins with the speaker asking the unnamed person to remember them when they are gone, "gone far away into the silent land." The speaker then goes on to describe how they will no longer be able to hold the person's hand or turn to them. The speaker then asks the person to remember them even when they are no longer there to tell them of their plans for the future. The speaker then tells the person that it will be too late to counsel or pray for them once they are gone.

The speaker then goes on to say that it is better for the person to forget them for a while and then remember them, rather than to remember them and be sad. This suggests that the speaker does not want the person to be burdened by their grief. The poem ends with the speaker saying that if the darkness and corruption of death leave a vestige of their thoughts, it is better for the person to forget them and smile than to remember them and be sad.

This poem is similar to other poems by Rossetti in its exploration of themes of death and remembrance. It is also similar to other poems of the Victorian era in its use of simple and direct language and its focus on the emotions of the speaker. (hide)
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953  

A Birthday

    My heart is like a singing bird
        Whose nest is in a water'd shoot;
    My heart is like an apple-tree
        Whose boughs are bent with thickset fruit;
    My heart is like a rainbow shell
        That paddles in a halcyon sea;
    My heart is gladder than all these
        Because my love is come to me.

    Raise me a dais of silk and down;
      Hang it with vair and purple dyes;
  Carve it in doves and pomegranates,
      And peacocks with a hundred eyes;
  Work it in gold and silver grapes,
      In leaves and silver fleurs-de-lys;
  Because the birthday of my life
      Is come, my love is come to me.
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Analysis (ai): The speaker's heartbrims with joy and exuberance as their love arrives on their birthday. They compare their happiness to natural beauty, likening their heart to a singing bird, an apple-tree laden with fruit, and a rainbow shell. This imagery creates a vivid tapestry of joy and celebration.

Compared to Rossetti's other works, this poem captures a more vibrant and joyful tone. While her other poems often explore themes of love, loss, and longing, "A Birthday" revels in the pure joy of a love fulfilled.

In the context of its time period, the poem reflects the Victorian era's emphasis on elaborate ornamentation and celebration. The description of the dais adorned with rich fabrics, carvings, and jewels evokes the lavishness and extravagance of the time.

The poem's brevity and simple language belie its emotional depth, highlighting the transformative power of love, which fills the speaker's heart with a joy that surpasses all else. (hide)
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