[B! tokyo] yuimokeã®ãƒ–ãƒƒã‚¯ãƒžãƒ¼ã‚¯

yuimoke id:yuimoke

tokyoã«é–¢ã™ã‚‹yuimokeã®ãƒ–ãƒƒã‚¯ãƒžãƒ¼ã‚¯ (2)

${{author_name}}$

{{{comment_expanded}}}

{{label}}

{{#is_bookmark}}ãƒªã‚¹ãƒˆ{{/is_bookmark}}{{^is_bookmark}}ãƒªãƒ³ã‚¯{{/is_bookmark}}

${{author_name}}$
{{author_name}}{{created}}
{{ #comment }}{{ comment }}{{ /comment }}
- {{ label }}

${{author_name}}$

{{{comment_expanded}}}

{{label}}

{{#is_bookmark}}ãƒªã‚¹ãƒˆ{{/is_bookmark}}{{^is_bookmark}}ãƒªãƒ³ã‚¯{{/is_bookmark}}

æ–¹å‘ã‚ªãƒ³ãƒãŒé¸ã¶ï¼ã€€ã€Œæ±äº¬ã®ã‚ã‹ã‚Šã«ãã„ã¾ã¡ã€ | ã‚¨ã‚ã‚µã‚¤ãƒˆãƒ‹ãƒ¥ãƒ¼ã‚¹
æ–¹å‘ã‚ªãƒ³ãƒãŸã¡ãŒé¸ã‚“ã ã€Œã‚ã‹ã‚Šã«ãã„ã¾ã¡1ä½ã€ã¯ã€ã‚„ã¯ã‚Šã“ã®ã¾ã¡ã€‚è‡ªåˆ†ã‚‚æ±äº¬ã«ä½ã‚“ã§15å¹´ãã‚‰ã„ã«ãªã‚‹ã®ã«ã€ã„ã¾ã ã«ã‚ã‹ã‚Šã¾ã›ã‚“ã€‚ çˆ¶è¦ªè²ã‚Šã®æ–¹å‘ã‚ªãƒ³ãƒã§ã€åã©ã‚‚ã®é ƒã‹ã‚‰è¿·åã«ã°ã‹ã‚Šãªã£ã¦ã„ã‚‹ã€‚ ã‹ã¤ã¦ã€æ¸‹è°·ã®ãƒãƒ•ãƒˆã«å§‰ã‚’æ¡ˆå†…ã—ã‚ˆã†ã¨ã—ã¦ã€1æ™‚é–“å½·å¾¨ã£ã¦ã€è«¦ã‚ãŸã“ã¨ãŒã‚ã£ãŸã€‚ ã¾ãŸã€èŠå…¬åœ’ä»˜è¿‘ã®ãƒ›ãƒ†ãƒ«ã§å–æãŒã‚ã£ãŸã¨ãã€ã©ã†ã—ã¦ã‚‚é«˜é€Ÿé“è·¯ã®ã‚€ã“ã†ã«è¦‹ãˆã‚‹ãƒ›ãƒ†ãƒ«ã«ãŸã©ã‚Šç€ã‘ãšã€ã‚ˆã†ã‚„ãè¦‹ã¤ã‘ã¦é§†ã‘ä¸ŠãŒã£ãŸé“ã¯ã€é«˜é€Ÿé“è·¯ã®ãƒ©ãƒ³ãƒ—ã ã£ãŸã“ã¨ã‚‚ã‚ã£ãŸã€‚ ãã‚“ãªæ–¹å‘ã‚ªãƒ³ãƒã«é–¢ã—ã¦ã¯ã€èª°ã«ã‚‚è² ã‘ãªã„è‡ªä¿¡ã®ã‚ã‚‹ç§ã ãŒã€èžã„ã¦ã¿ã‚‹ã¨ã€å®Ÿã¯ã€èº«è¿‘ã«ã‚‚ã€Œå¼·æ•µã€ãŒãŸãã•ã‚“ã„ã¦ã€ã€Œè¿·ã„ã‚„ã™ã„ã¾ã¡ã€ã«ã‚‚ã€ã‹ãªã‚Šå…±é€šç‚¹ãŒã‚ã‚‹ã“ã¨ãŒã‚ã‹ã£ãŸã€‚ ãã“ã§ã€æ–¹å‘ã‚ªãƒ³ãƒã®äººãŸã¡ã«ã€ã€Œæ±äº¬ã®ã‚ã‹ã‚Šã«ãã„ã¾ã¡ã¨ã€ãã®ç†ç”±ã€ã‚’èžã„ã¦ã¿ãŸã€‚ ã¾ãšç¬¬1ä½ã¯â€¦â€¦ã€Œæ¸‹è°·ã€ã§14ç¥¨ï¼ ãã®ç†ç”±ã¯ã€ ã€Œé“ãŒå¾ã€…ã«ã‚«ãƒ¼ãƒ–ã—ã¦ã„ã‚‹ã‹ã‚‰ã€æ€ã„æã„ã¦ãŸ
yuimoke 2007/08/19
æ±äº¬è¿·ã„ãã†ãªè¡—ãƒžãƒƒãƒ—ã¨ã‹ï¼Ÿè‡ªåˆ†ã«ã‚‚å½¹ç«‹ã¡ãã†ã€‚

*blogãƒã‚¿

googlemaps

tokyo
ãƒªãƒ³ã‚¯
Neo-Ruins: Lithographs of post-apocalyptic Tokyo ~ Pink Tentacle
Shibuya Center Town Ameyoko Kabukicho Ginza Chuo Dori Ginza 4-chome Intersection Hisaharu Motoda's "Neo-Ruins" series of lithographs depict the cityscape of a post-apocalyptic Tokyo, where familiar streets lie deserted, the buildings are crumbling and weeds grow from the broken pavement. The antique look of the lithographic medium effectively amps up the eeriness of the futuristic setting. "In Neo
yuimoke 2007/05/16
ã“ã‚Œã¯ã„ã„

art

tokyo
ãƒªãƒ³ã‚¯
1

ãŠçŸ¥ã‚‰ã›

ã‚‚ã£ã¨èªã‚€

å…¬å¼Twitter

@hatebu
æœ€æ–°ã®äººæ°—ã‚¨ãƒ³ãƒˆãƒªãƒ¼ã®é…ä¿¡

ã‚ãƒ¼ãƒœãƒ¼ãƒ‰ã‚·ãƒ§ãƒ¼ãƒˆã‚«ãƒƒãƒˆä¸€è¦§

jæ¬¡ã®ãƒ–ãƒƒã‚¯ãƒžãƒ¼ã‚¯

kå‰ã®ãƒ–ãƒƒã‚¯ãƒžãƒ¼ã‚¯

lã‚ã¨ã§èªã‚€

eã‚³ãƒ¡ãƒ³ãƒˆä¸€è¦§ã‚’é–‹ã

oãƒšãƒ¼ã‚¸ã‚’é–‹ã

è¨å®šã‚’å¤‰æ›´ã—ã¾ã—ãŸx

ã¯ã¦ãªãƒ–ãƒƒã‚¯ãƒžãƒ¼ã‚¯

ã‚¿ã‚°

é–¢é€£ã‚¿ã‚°ã§çµžã‚Šè¾¼ã‚€ (3)

tokyoã«é–¢ã™ã‚‹yuimokeã®ãƒ–ãƒƒã‚¯ãƒžãƒ¼ã‚¯ (2)

ãŠçŸ¥ã‚‰ã›

ã€Œã‚ã¨ã§èªã‚€ã€ã‚¿ã‚°ã§æŒ¯ã‚Šè¿”ã‚‹2024å¹´ ã€œä»Šå¹´ã®ã€Œã‚ã¨ã§èªã‚€ã€ã€ä»Šå¹´ã®ã†ã¡ã«ã€œ

ä»Šé€±ã®ã¯ã¦ãªãƒ–ãƒƒã‚¯ãƒžãƒ¼ã‚¯æ•°ãƒ©ãƒ³ã‚ãƒ³ã‚°ï¼ˆ2024å¹´12æœˆç¬¬3é€±ï¼‰

ä»Šé€±ã®ã¯ã¦ãªãƒ–ãƒƒã‚¯ãƒžãƒ¼ã‚¯æ•°ãƒ©ãƒ³ã‚ãƒ³ã‚°ï¼ˆ2024å¹´12æœˆç¬¬2é€±ï¼‰

å…¬å¼Twitter

ã‚ãƒ¼ãƒœãƒ¼ãƒ‰ã‚·ãƒ§ãƒ¼ãƒˆã‚«ãƒƒãƒˆä¸€è¦§

ã¯ã¦ãªãƒ–ãƒƒã‚¯ãƒžãƒ¼ã‚¯

å…¬å¼Twitter

ã¯ã¦ãªã®ã‚µãƒ¼ãƒ“ã‚¹

ã‚¿ã‚°

é–¢é€£ã‚¿ã‚°ã§çµžã‚Šè¾¼ã‚€ (3)

tokyoã«é–¢ã™ã‚‹yuimokeã®ãƒ–ãƒƒã‚¯ãƒžãƒ¼ã‚¯ (2)

æ–¹å‘ã‚ªãƒ³ãƒãŒé¸ã¶ï¼ã€€ã€Œæ±äº¬ã®ã‚ã‹ã‚Šã«ãã„ã¾ã¡ã€ | ã‚¨ã‚­ã‚µã‚¤ãƒˆãƒ‹ãƒ¥ãƒ¼ã‚¹

Neo-Ruins: Lithographs of post-apocalyptic Tokyo ~ Pink Tentacle

ãŠçŸ¥ã‚‰ã›

ã€Œã‚ã¨ã§èª­ã‚€ã€ã‚¿ã‚°ã§æŒ¯ã‚Šè¿”ã‚‹2024å¹´ ã€œä»Šå¹´ã®ã€Œã‚ã¨ã§èª­ã‚€ã€ã€ä»Šå¹´ã®ã†ã¡ã«ã€œ

ä»Šé€±ã®ã¯ã¦ãªãƒ–ãƒƒã‚¯ãƒžãƒ¼ã‚¯æ•°ãƒ©ãƒ³ã‚­ãƒ³ã‚°ï¼ˆ2024å¹´12æœˆç¬¬3é€±ï¼‰

ä»Šé€±ã®ã¯ã¦ãªãƒ–ãƒƒã‚¯ãƒžãƒ¼ã‚¯æ•°ãƒ©ãƒ³ã‚­ãƒ³ã‚°ï¼ˆ2024å¹´12æœˆç¬¬2é€±ï¼‰

å…¬å¼Twitter

ã‚­ãƒ¼ãƒœãƒ¼ãƒ‰ã‚·ãƒ§ãƒ¼ãƒˆã‚«ãƒƒãƒˆä¸€è¦§

ã¯ã¦ãªãƒ–ãƒƒã‚¯ãƒžãƒ¼ã‚¯

å…¬å¼Twitter

ã¯ã¦ãªã®ã‚µãƒ¼ãƒ“ã‚¹

é–¢é€£ã‚¿ã‚°ã§çµžã‚Šè¾¼ã‚€ (3)

tokyoã«é–¢ã™ã‚‹yuimokeã®ãƒ–ãƒƒã‚¯ãƒžãƒ¼ã‚¯ (2)

æ–¹å‘ã‚ªãƒ³ãƒãŒé¸ã¶ï¼ã€€ã€Œæ±äº¬ã®ã‚ã‹ã‚Šã«ãã„ã¾ã¡ã€ | ã‚¨ã‚ã‚µã‚¤ãƒˆãƒ‹ãƒ¥ãƒ¼ã‚¹

ãŠçŸ¥ã‚‰ã›

ã€Œã‚ã¨ã§èªã‚€ã€ã‚¿ã‚°ã§æŒ¯ã‚Šè¿”ã‚‹2024å¹´ ã€œä»Šå¹´ã®ã€Œã‚ã¨ã§èªã‚€ã€ã€ä»Šå¹´ã®ã†ã¡ã«ã€œ

ä»Šé€±ã®ã¯ã¦ãªãƒ–ãƒƒã‚¯ãƒžãƒ¼ã‚¯æ•°ãƒ©ãƒ³ã‚ãƒ³ã‚°ï¼ˆ2024å¹´12æœˆç¬¬3é€±ï¼‰

ä»Šé€±ã®ã¯ã¦ãªãƒ–ãƒƒã‚¯ãƒžãƒ¼ã‚¯æ•°ãƒ©ãƒ³ã‚ãƒ³ã‚°ï¼ˆ2024å¹´12æœˆç¬¬2é€±ï¼‰

å…¬å¼Twitter

ã‚ãƒ¼ãƒœãƒ¼ãƒ‰ã‚·ãƒ§ãƒ¼ãƒˆã‚«ãƒƒãƒˆä¸€è¦§

ã¯ã¦ãªãƒ–ãƒƒã‚¯ãƒžãƒ¼ã‚¯

å…¬å¼Twitter

ã¯ã¦ãªã®ã‚µãƒ¼ãƒ“ã‚¹