This project, based on OpenStreetMap, looks great:
OpenFreeMap lets you display custom maps on your website and apps for free.
You can either self-host or use our public instance.
I’m going to try it out on The Session once there’s documentation for using this with Leaflet.
This is kind of about art direction and kind of about design systems.
There is beauty in trying to express something specific; there is beauty too in finding compromises to create something epic and collective.
My only concern is whether we are considering the question at all.
Here’s a nice HTML web component that uses structured data in the markup to populate a Leaflet map.
Personally I’d probably use microformats rather than microdata, but the princple is the same: progressive enhancement from plain old HTML to an interactive map.
I wish more publishers and services took this approach to evaluating technology:
We scrutinize third-party services before including them in our articles or elsewhere on our site. Many include trackers or analytics that would collect data on our readers. These may be standard across much of the web, but we don’t use them.
A lovely bit of real-time data visualisation from Robin:
It’s a personal project created at home in Wales with an aim to explore and visualise renewable energy systems. Specifically, it aims to visualise live generation from renewable energy systems around Great Britain and to show where that generation is physically coming from.
Some common geographic mental misplacements.
A free PDF with five articles:
Three of those authors spoke at this year’s UX London!
Good news and bad news…
The good news is that web notifications are coming to iOS—my number one wish!
The bad news is that it won’t happen until next year sometime.
City of Women encourages Londoners to take a second glance at places we might once have taken for granted by reimagining the iconic Underground map.
I love everything about this …except that there’s no Rosalind Franklin station.
Many, if not all, of our world’s most wicked problems are rooted in the excessive hiding of complexity behind illusions of simplicity—the relentless shielding of messy details in favor of easy-to-use interfaces.
But there’s always a tradeoff between complexity, truth, and control. The more details are hidden, the harder it is to understand how the system actually works. (And the harder it is to control). The map becomes less and less representative of the territory. We often trade completeness and control for simplicity. We’d rather have a map that’s easy to navigate than a map that shows us every single detail about the territory. We’d rather have a simple user interface than an infinitely flexible one that exposes a bunch of switches and settings. We don’t want to have to think too hard. We just want to get where we’re going.
Seamful and seamless design are reframed here as ethical and deceptive design:
Ethical design is like a glove. It obscures the underlying structure (i.e. your hand) but preserves some truth about its shape and how it works. Deceptive design is like a mitten. It obscures the underlying structure and also hides a lot about its shape and how it works.
There are some beautiful illustrations in this online exhibition of data visualisation in the past few hundred years.
A lovely visualisation of asteroids in our solar system.
What you see is the big map of a sea of literature, one where each island represents a single author, and each city represents a book. The map represents a selection of 113 008 authors and 145 162 books.
This is a poetic experiment where we hope you will get lost for a while.
A timeline of city maps, from 1524 to 1930.
Robin Hawkes has made a lovely website to go with his newsletter all about maps and spatial goodies.
Well, this is a rather wonderful mashup made with data from thesession.org:
The distribution of Irish traditional tunes which reference place names in Ireland
80 geocoding service plans to choose from.
I’m going to squirrel this one away for later—I’ve had to switch geocoding providers in the past, so I have a feeling that this could come in handy.
Tom’s videos are so good! Did you see his excellent in-depth piece on copyright?
This one is all about APIs and the golden age of Web 2.0 when we were free to create mashups.
It pairs nicely with a piece by another Tom from a couple of years back on the joy of Twitterbots.
The beautiful 19th century data visualisations of Emma Willard unfold in this immersive piece by Susan Schulten.
An absolutely gorgeous piece of hypermedia!
Data visualisations and interactive widgets enliven this maze of mathematics. Dig deep—you may just uncover the secret passages that join these concepts together.