She Built a Microcomputer Empire From Her Suburban Home
The story of Lore Harp McGovern is like something from Halt And Catch Fire.
The story of Lore Harp McGovern is like something from Halt And Catch Fire.
This special in-depth edition of Quanta is fascinating and very nicely put together.
What an excellent personal website!
Exploring the graphic design history of Penguin books:
The covers presented on this site are all from my own collection of about 1400 Penguins, which have been chosen for the beauty or interest of their cover designs. They span the history of the company all the way back to 1935 when Penguin Books was launched.
Paul has been doing so much fantastic work with the indie web community, not least of which is co-organising Indie Web Camp Brighton—just ten days away now!
I concur:
Just because a user interface uses 3D-buttons and some shading doesn’t mean that it has to look tacky. In fact, if you have to make the choice between tacky-but-usable and minimalistic-but-hard-to-use, tacky is the way to go. You don’t have to make that choice though: It’s perfectly possible to create something that is both good-looking and easy to use.
How cool is this‽ Dan made a font for Wilco!
I really enjoyed hanging out with Paul at Indie Web Camp in Nuremberg last weekend. And I like the iconography he’s proposing:
This design attempts to bring together a set of icons that share the concept of a node – a line and a point – and use this to add counters to each letter shape.
Go spelunking down the archives to find some lovely graphic design artefacts.
A lovely fansite dedicated to the life and work of Paul Rand.
I love how easy it is to use these icons: you can copy and paste the SVG or even get it encoded as a data URL.
There are some tasty designs in this archive from Sainbury’s.
A fascinating four-part series by Lisa Charlotte Muth on colour in data visualisations:
A nice little collection of very simple—and very lightweight—SVGs to use as background patterns.
This responds to your Freedom of Information Act (FOIA) request, which was received by this office on 5 February 2016 for “A digital/electronic copy of the NSA old security posters from the 1950s and 1960s.”
The graphic design is …um, mixed.
All of these graphic design books, magazines, and type specimens are available for perusal on the Internet Archive.
The latest edition in this wonderful series of science-fictional typography has some truly twisty turbolift tangents.
These wonderfully realistic photo effects from Lynn are quite lovely!
How do we tell our visitors our sites work offline? How do we tell our visitors that they don’t need an app because it’s no more capable than the URL they’re on right now?
Remy expands on his call for ideas on branding websites that work offline with a universal symbol, along the lines of what we had with RSS.
What I’d personally like to see as an outcome: some simple iconography that I can use on my own site and other projects that can offer ambient badging to reassure my visitor that the URL they’re visiting will work offline.
I’d watch this game show:
Welcome to the first installment of a new series on Typewolf, where I’ll be identifying the fonts used in popular things. The focus here is on anything you might encounter in contemporary visual culture—movie posters, TV shows, book covers, etc.