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From ambient image albums and Studio Ghibli, to post-YMO synth pop and rare J-jazz. Though Japanese records have been in demand for years, 2018 has seen a proliferation of reissues and compilations charting the countryâs extraordinary musical output, from jazz and city pop to ambient music and the avant garde. Emboldened by the success of reissues like Midori Takadaâs Through The Looking Glass, Ma
Though his international esteem is virtually nonexistent, this Japanese polymath pioneered a musical ethic of open borders and freewheeling hybridity, epitomized by five new reissues. In the early 1980s, the Japanese singer, bassist, and producer Haruomi Hosono created an idea he called âsightseeing music.â It is a mode of making and listening that asks both creators and consumers to think of them
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Van Dyke Parks, who first met Hosono in Los Angeles in 1972, compares his old friend to artists like Harry Nilsson and Ry Cooder, whose works are in categories all their own. âAll of these nails that stuck out at that time were, to me, exemplary,â Parks said in a recent interview. âI heard that, in Japan, the tendency is to hammer down the nails that stick out. I think that Haruomi Hosono is a nai
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