Unit 9:

Devising Plays

Unit code:

L/502/5101

QCF Level 3:

BTEC National

Credit value:

10

Guided learning hours: 60

Aim and purpose
Learners will be creating pieces of performance and writing from practical drama workshop activities. Learners
will develop skills and techniques for generating performance material.

Unit introduction
The prime focus of the theatre practitioners interest in performance material is often the scripted play. It
is, of course, the case that the author of a script has devised a play. The process of devising plays requires a
demanding and subtle set of skills. The playwright often experiences a lonely and fraught period while the
content of the play slowly reveals itself on the pages of a script.
This unit requires learners to engage with the devising process in a group context, thus allowing the group
to choose their own subject or theme for the play. The process of creating the play will become the
responsibility of the group who will need to share the necessary tasks that will result in a unique and original
performance piece. The chosen content of the play will govern the attendant research required to ensure that
the content is viable and fit for purpose. The form and structure of the play will be fashioned to the content
by the group who can decide on the most appropriate forms for their purposes.
The creation of an original play possesses its own satisfaction and is most useful to the professional theatre
company when they have been commissioned for a particular purpose, perhaps in response to an education
project or as a contribution to a themed arts festival. Equally, the learner can gain an insight into the thinking
that has created a scripted play where the content, form and structure are received as a given but have
emerged from careful considerations of the subject of the play. Learners will consider how best this might be
presented when accounting for a specific audience and a particular set of staging conditions.
Learners should devise a play lasting between 15-30 minutes.

Learning outcomes
On completion of this unit a learner should:

Know how to use stimulus material

Know how to develop and shape ideas

Be able to rehearse for a devised performance

Be able to perform devised drama.

Edexcel BTEC Level 3 Nationals specification in Performing Arts

Issue 1 January 2010 Edexcel Limited 2009

Unit content
1 Know how to use stimulus material
Ideas: eg personal/social issues, experiences, themes, celebrations
Research: eg historical and current events in fact and fiction, people, occasions, controversies
Stimuli: eg plays, stories, poetry, written articles, film, video, paintings, photographs, music, sounds,
objects

2 Know how to develop and shape ideas

Ways of working: verbal eg discussion, brainstorming, debate, reporting, forum theatre method,
improvised scenarios; physical eg body sculpting, role play, still-life, tableau work, improvised movement;
visual eg graphic representation, charts, diagrams, doodles, digital images, video recordings; aural eg
sound collages, gibberish, sound effects, music
Structuring work: eg plot, narrative, action, sequence of events, character/role development and
delineation, scripting, editing, dialogue selection, structuring episodes/scenes, use of different dramatic
elements, design and technical aspects, selection and rejection of material

3 Be able to rehearse for a devised performance

Personal management: time management; schedules; rehearsal programmes; deadlines; physical
preparation; mental preparation; checks; communication; response to direction; discipline
Resources: personal; spatial; equipment; materials; human

4 Be able to perform devised drama

Performance skills: eg use of body, use of voice, materials, props, communication on stage, communicating
ideas to an audience
Learners should devise a play lasting between 15-30 minutes.

Edexcel BTEC Level 3 Nationals specification in Performing Arts

Issue 1 January 2010 Edexcel Limited 2009

Assessment and grading criteria

In order to pass this unit, the evidence that the learner presents for assessment needs to demonstrate that
they can meet all the learning outcomes for the unit. The assessment criteria for a pass grade describe the
level of achievement required to pass this unit.
Assessment and grading criteria
To achieve a pass grade the
evidence must show that the
learner is able to:

To achieve a merit grade the

evidence must show that, in
addition to the pass criteria,
the learner is able to:

To achieve a distinction grade

the evidence must show that,
in addition to the pass and
merit criteria, the learner is
able to:

P1

respond to a range of stimuli,

revealing creative ideas
[IE, CT, RL, TW, SM, EP]

M1 respond to a range of stimuli,

revealing awareness of their
suitability for devising and
performance

D1

respond to a range of stimuli

with imagination, revealing
a clear and creative grasp of
their suitability for devising
and performance

P2

develop chosen ideas and

materials for devising
[IE, CT, RL, TW, SM, EP]

M2 develop chosen ideas for

devising, using insight and
imagination to demonstrate a
detailed response

D2

develop chosen ideas

and materials for devising
in a perceptive and
comprehensive manner,
demonstrating a thoroughly
considered, insightful
response

P3

demonstrate cooperation
with other members of
the company, making
contributions to the group
process
[IE, CT, RL, TW, SM, EP]

M3 demonstrate cooperation
with other members of the
company in the devising
process, making useful
contributions

D3

demonstrate a high degree

of positive cooperation
with other members of the
company in all aspects of the
process

P4

develop devised performance M4 develop devised performance D4

through rehearsal, with
through rehearsal, with
support and guidance
minimum support and
[IE, CT, RL, TW, SM, EP]
guidance

P5

perform a devised theatre

piece that communicates
ideas to an audience.
[TW]

M5 perform a devised theatre

piece that accurately
communicates its intentions
to an audience and shows
awareness of its style.

D5

develop devised performance

through rehearsal, with
thoroughly imaginative and
independent application
perform a devised theatre
piece that accurately
communicates its style and
intentions, fully engaging with
the audience.

PLTS: This summary references where applicable, in the square brackets, the elements of the personal,
learning and thinking skills applicable in the pass criteria. It identifies opportunities for learners to demonstrate
effective application of the referenced elements of the skills.

Key

IE independent enquirers

RL reflective learners

SM self-managers

CT creative thinkers

TW team workers

EP effective participators

Edexcel BTEC Level 3 Nationals specification in Performing Arts

Issue 1 January 2010 Edexcel Limited 2009

Essential guidance for tutors

Delivery
This unit will be delivered through workshops, giving learners underpinning knowledge to develop a devised
performance for final assessment. Learners will firstly need to know how to use stimulus material and initially
this will be tutor led, sharing and working with learners on how research can lead to building on different
ideas, and how using a variety of stimuli will help to develop ideas further. Learners at the early stages should
be encouraged to work in small groups as the tutor instructs them on how to develop, shape ideas and
structure their work, whilst introducing them to a variety of drama techniques. This can be done by arranging
learners to work in small groups to develop rehearsed improvisations to be performed to the rest of the
group. After each improvisation the tutor could instruct learners to add a new or different technique (thought
tracking, marking the moment, narrating, etc). Tutor and peer group assessment of these small performances
will help develop ways of working and further shape learners ideas. The workshops must enable learners to
explore their response to a variety of stimuli through activities that involve physical and vocal representation
of concepts. The workshops will naturally lead to the development of learners working towards a devised
performance for assessment. Progress towards the realisation of the performance will rely upon learners
ability to work cooperatively and creatively as a team, sharing their responsibilities of production and resolving
potential conflicts. Successful cooperation will result not only in effective performance of their devised theatre
piece but also in a greater knowledge and understanding of the material in its significance, the discipline
of theatre form and the complexities of theatre practice. Tutors will reinforce to learners how their own
personal management will be a key to their groups success. By the nature of the unit, it will also give learners
an opportunity to develop group skills and work as part of an ensemble. It is important that learners do not
spend long periods discussing the devising process but get the material on its feet in order to use the devising
process effectively.
Where appropriate, research into subject matter, themes and issues should be developed by both group
and individual learners. Tutors might like to offer experience of well-known plays as examples of the potential
range of dramatic structures and performance styles available. Also the tutor should show some DVD
examples of devised performances by professional companies such as DV8 and Trestle Theatre.

Outline learning plan

The outline learning plan has been included in this unit as guidance and can be used in conjunction with the
programme of suggested assignments.
The outline learning plan demonstrates one way in planning the delivery and assessment of this unit.
Topic and suggested assignments/activities and/assessment
Know how to use stimulus material

Teacher led workshops underpinning knowledge enabling learners to respond to a variety of stimuli through
activities that involve physical and vocal representation of concepts.
Learners activity in workshops responding to stimuli:

Plays, stories, written articles, film, video, paintings, photographs, music, sound, objects, etc.

Learners homework - to write up log with a response to each tutor led task after workshop session.

Edexcel BTEC Level 3 Nationals specification in Performing Arts

Issue 1 January 2010 Edexcel Limited 2009

Topic and suggested assignments/activities and/assessment

Teacher-led workshops underpinning knowledge enabling learners to respond to a variety of explorative
strategies and drama medium.
Learners activity in workshops
Responding to strategies:

still image, thought tracking, narrating, hot seating, role-play, cross-cutting forum theatre, marking the
moment, etc.

Responding to Drama Medium:

mime, movement, voice, space, levels, sound/music, set, lighting, etc.

Learners homework - maintaining a working notebook which charts progress and records ideas, using the
language of drama to communicate their ideas and evaluate work.
Assignment 1: Creating a Devised Performance P1, M1, D1, P2, M2, D2, P3, M3, D3, P4, M4, D4, P5,
M5, D5

Introduction to assignment.
Learners to work in small groups of between 3 and 10:
They have been commissioned to produce a devise a 30 minute theatre piece with the title Its the End of the
World As We Know It
Learners must be able to demonstrate that they can:

understand and utilise different explorative strategies

research the given stimuli

shape ideas to communicate meaning through drama

develop and realise ideas within a group

maintain a working notebook which charts progress and records ideas

use the language of drama to communicate ideas and evaluate work

respond to tutors verbal and written feedback

identify strengths and weakness and write up an action plan on how to address weaknesses

perform in an original piece of drama.

Assessment
To achieve a pass for grading criteria 1 and 2 learners will work in small groups of between three and no
more than 10 and provide evidence through a working notebook, video diary or blog that states what they
did for each session identifying stimuli used and how they developed the stimuli. To achieve the merit grade
for 1 and 2 learners will identify how they developed the stimuli and offer further ideas on how they could
develop it further and also offer alternative ideas. To achieve a distinction learners will identify and suggest
alternative ideas, revealing a clear and creative understanding by explaining why it is suitable for performance.
Learners will also use the language of drama accurately to communicate their ideas and evaluate their work.
Tutor observation and feedback sheets reviewing their individual process should be provided commenting on
their selection, exploration, editing and shaping of the material.

Edexcel BTEC Level 3 Nationals specification in Performing Arts

Issue 1 January 2010 Edexcel Limited 2009

The devised piece should last between 15 and 30 minutes depending on the size of the performance
groups. To achieve a pass for grading criteria 3 and 4 learners must take an active role within a group and
assume an identified role. However, their contribution is limited which will be evidenced through the tutor
observation and feedback sheet and their working notebook. DVD evidence will show learners working
and their verbal response on group progress or ideas from others is limited. To achieve a merit for grading
criteria 3 and 4 learners will work cooperatively and be sensitive to other group members by listening and
trying out their ideas as well as offering their own ideas. Their working notebook will also comment on other
group members ideas and convey their own thoughts on the suitability of these ideas as well as their own.
DVD evidence will show learners actively working, communicating ideas and reviewing process. To achieve
a distinction for grading criteria 3 and 4 learners will respond positively to group ideas with enthusiasm.
They will demonstrate a high degree of support for other group members by asking relevant questions to
extend original ideas from others. Their working notebook will comment on the process and use references
to research and identify similarities to other practitioners. DVD evidence will show learners appropriately
responding with enthusiasm and passionately supporting the group to achieve its aims.
Learners will perform their piece to their target audience. To achieve P5 learners will use performance skills to
convey some of their ideas to an audience. However the DVD evidence will show some limits in their use of
voice, body, materials and/or props to communicate their ideas. To achieve M5 learners will use performance
skills to convey ideas to an audience accurately. The DVD evidence will show relevant use of voice, body,
materials and/or props to communicate their ideas and will demonstrate an understanding of the style used.
To achieve D5 learners will perform a devised theatre piece accurately communicating its style and intentions
to their target audience. The DVD evidence will show excellent use of voice, body, materials and/or props to
communicate their ideas, fully engaging their target audience.
Programme of suggested assignments
The table below shows a programme of suggested assignments that cover the pass, merit and distinction
criteria in the assessment and grading grid. This is for guidance and it is recommended that centres either
write their own assignments or adapt any Edexcel assignments to meet local needs and resources.
Criteria covered

Assignment title

Scenario

Assessment method

P1, M1, D1,

Assignment

P2, M2, D2,

Creating a Devised
Performance

Working as part of a theatre

company to develop an
original piece of theatre for
performance:

Portfolio of evidence
consisting of:

P3, M3, D3,

P4, M4, D4,
P5, M5, D5

they have been

commissioned to produce a
devise a 30 minute theatre
piece with the title Its the
End of the World As We
Know It

summary of individual
and group research
records of discussion and
exploratory activities in
working notebooks
tutor feedback sheets
an action plan that
includes identification of
individual strengths and
weakness
video evidence of
rehearsals
video evidence of
performance.

Edexcel BTEC Level 3 Nationals specification in Performing Arts

Issue 1 January 2010 Edexcel Limited 2009

Links to National Occupational Standards, other BTEC units, other BTEC

qualifications and other relevant units and qualifications
This unit forms part of the BTEC Performing and Production Arts sector suite. This unit has particular links
with the following unit titles in the BTEC Performing and Production Arts suite:
Level 1

Level 2

Level 3

Exploring Acting Skills

Acting Skills and Techniques

Theatre in Education

Devising Plays

Theatre for Children

Principles of Acting
Drama Improvisation

Essential resources
Learners will require a practical studio space in which to work and video/DVD equipment will be needed for
evidence recording. An appropriate range of stimulus materials and supporting research material is required
and learners should have access to the internet for research.

Employer engagement and vocational contexts

Centres should develop links with local theatre companies, art workers, community groups, local arts
development officer and larger more local organisations. Guest speakers from these types of organisations
could be invited to speak to students.

Indicative reading for learners

Textbooks

Jewers S, Carnaghan C and Webster P BTEC National Performing Arts Student Book (Pearson Education,
2010) ISBN 9781846906787
Jewers S, Carnaghan C and Webster P BTEC National Teacher Resource Pack (Pearson Education, 2010)
ISBN 9781846906794
Artaud A The Theater and its Double (Grove Press, 2000) ISBN 9780802150301
Boal A Games for Actors and Non-Actors (Routledge, 2002) ISBN 9780415267083
Brook P The Empty Space (Penguin, 2008) ISBN 9780141189222
Clements P The Improvised Play: The work of Mike Leigh (Methuen, 1983) ISBN 9780413504401
Fredman R and Reade I Essential Guide to Making Theatre (Hodder & Stoughton, 1996)
ISBN 9780340655146
Grotowski J Towards a Poor Theatre (Routledge, 2002) ISBN 9780878301553
Hodgson J Improvisation Now (Methuen, 1997) ISBN 9780413705402
Lamden G Devising: A Handbook for Drama and Theatre Students (Hodder & Stoughton, 2000)
ISBN 9780340780084
Mackey S (editor) Practical Theatre: A Post-16 Approach (Nelson Thornes, 1997) ISBN 9780748728572
Neelands J and Goode T Structuring Drama Work: A Handbook of Available Forms in Theatre and Drama
(Cambridge, January 2000) ISBN 9780521787291
Oddey A Devising Theatre: A Practical and Theoretical Handbook (Routledge, 1996) ISBN 9780415049009
Edexcel BTEC Level 3 Nationals specification in Performing Arts
Issue 1 January 2010 Edexcel Limited 2009

Websites

These links are for a range of devising companies and practitioners in the UK. These sites contain information
on current and past projects, reviews, articles and essays, and links to resources, publication and video
archives of their work.
www.age-exchange.org.uk

Age Exchange

www.dv8.co.uk

DV8 Physical Theatre Company

www.forcedentertainment.com

Forced Entertainment

www.forkbeardfantasy.co.uk

Forkbeard Fantasy

www.redladder.co.uk

Red Ladder

www.stanscafe.co.uk

Stans Caf

www.trestle.uk.com

Trestle Theatre Company

Delivery of personal, learning and thinking skills

The table below identifies the opportunities for personal, learning and thinking skills (PLTS) that have been
included within the pass assessment criteria of this unit.
Skill

When learners are

Independent enquirers

responding to a range of stimuli, revealing some creative ideas

developing chosen ideas and materials for devising

Creative thinkers

generating ideas and exploring possibilities for performances

Reflective learners

reviewing and reflecting on the performance work and acting on the outcomes to
modify and progress

Team workers

collaborating with others to produce a devised performance

Self-managers

organising time and resources and prioritising actions through the rehearsal
process.

Although PLTS are identified within this unit as an inherent part of the assessment criteria, there are further
opportunities to develop a range of PLTS through various approaches to teaching and learning.
Skill

When learners are

Independent enquirers

planning and carrying out research to develop performance ideas

Creative thinkers

trying out different techniques and following ideas through

adapting their ideas as ideas and circumstances change

Reflective learners

inviting feedback on their own work and dealing positively with praise, setbacks
and criticism
evaluating their experiences and learning to inform future progress

Team workers

working in groups to develop original performance material

managing discussions to reach agreements and achieve results

Self-managers

responding positively to change, seeking advice and support when needed

dealing with competing pressures, including personal and work related demands.

Edexcel BTEC Level 3 Nationals specification in Performing Arts

Issue 1 January 2010 Edexcel Limited 2009

Functional Skills Level 2

Skill

When learners are

ICT Use ICT systems

Select, interact with and use ICT systems
independently for a complex task to meet a
variety of needs

researching for the workshop

ICT Find and select information

Select and use a variety of sources of
researching for the workshop
information independently for a complex task
identifying the dramatic potential of selected stimulus material
Select and use ICT to communicate and
communicating with their performance group
exchange information safely, responsibly and
effectively including storage of messages and
contact lists
English
Speaking and listening make a range of
contributions to discussions and make
effective presentations in a wide range of
contexts

planning activities

Reading compare, select, read and

understand texts and use them to gather
information, ideas, arguments and opinions

researching and preparing a script for performance

Writing write documents, including

extended writing pieces, communicating
information, ideas and opinions, effectively
and persuasively

researching and preparing a script for performance

evaluating work

writing a theatre programme

preparing a press release.

Edexcel BTEC Level 3 Nationals specification in Performing Arts

Issue 1 January 2010 Edexcel Limited 2009