- published: 21 Jul 2021
- views: 37588
'+pages+''); $('.stream > div:odd').addClass('bgr_color'); updateHeight('#history'); }); window.activateTabArea = ensure(function(tab, areas){ var parsed = false; var parts = (areas || '').split('/'); window.fsonload = $.inArray('fs', parts) >= 0; if(fsonload){ parts.splice(parts.indexOf('fs'), 1); } var replayMode = false; if($.inArray('replay', parts)>=0){ replayMode = 'replay'; } var noSoundMode = false; if($.inArray('nosound', parts)>=0){ noSoundMode = 'nosound'; } if($.inArray('ns', parts)>=0){ noSoundMode = 'ns'; } var previewMode = null; if($.inArray('p', parts)>=0){ previewMode = 'p'; } if($.inArray('preview', parts)>=0){ previewMode = 'preview'; } if($.inArray('repeat', parts)>=0){ replayMode = 'repeat'; } if($.inArray('r', parts)>=0 || $.inArray('ro', parts)>=0){ replayMode = 'r'; } if(replayMode){ parts.splice(parts.indexOf(replayMode), 1); } if(noSoundMode){ parts.splice(parts.indexOf(noSoundMode), 1); } if(previewMode){ parts.splice(parts.indexOf(previewMode), 1); } if(previewMode){ if(!parts.length){ parts = ['1-14', '999:59']; } } var area = parts[0]; if(tab == 'history' && false){ var page = parseInt(area || '1') || 1; $.ajax({ url: 'https://login.wn.com/recent/json/?pp='+history_pp+'&skip='+history_pp*(page-1), dataType: 'jsonp', success: function(response){ $ensure(function(){ renderHistory(response, page); }); } }); return true; } if(tab == 'global_history' && false){ var page = parseInt(area || '1') || 1; globalHistory.fetchStream(page, '', function(){ updateHeight('#global_history'); }); return true; } if(tab == 'my_playlists' && false){ var page = parseInt(area || '1') || 1; myPlaylists.fetchStream(page, '', function(){ updateHeight('#my_playlists'); }); return true; } if(tab == 'my_videos' && false){ var page = parseInt(area || '1') || 1; myVideos.fetchStream(page, '', function(){ updateHeight('#my_videos'); }); return true; } if(tab == 'related_sites' && areas && matchPosition(areas)){ var seconds = parsePosition(areas); scrollRelated(seconds); return false; } if(matchPosition(area) || matchAction(area)){ parts.unshift('1'); area = parts[0]; } if(tab == 'expand' && area && area.match(/\d+/)) { var num = parseInt(area); if(num < 100){ //FIX ME. Load news page with ajax here } else if(num > 1900){ //FIX ME. Load timeline page with ajax here } } else if(tab.match(/^playlist\d+$/)){ var playerId = parseInt(tab.substring(8)); var vp = videoplayers[playerId]; window.descriptionsholder = $('.descriptionsplace'); if(!vp) return; // why? no player? if(replayMode){ $('.replaycurrent'+playerId).attr('checked', true); vp.setReplayCurrent(true); } var playQueue = []; window.playQueue = playQueue; var playQueuePosition = 0; var playShouldStart = null; var playShouldStop = null; var parseList = function(x){ var items = x.split(/;|,/g); var results = []; for (i in items){ try{ var action = parseAction(vp, items[i]); if(!action.video){ if(window.console && console.log) console.log("Warning: No video for queued entry: " + items[i]); }else{ results.push(action); } }catch(e){ if(window.console && console.log) console.log("Warning: Can''t parse queue entry: " + items[i]); } } return results; }; var scrollToPlaylistPosition = function(vp){ var ppos = vp.getPlaylistPosition(); var el = vp.playlistContainer.find('>li').eq(ppos); 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playShouldStart = null; } }; function loadMoreVideos(playerId, vp, start, finish, callback){ var playlistInfo = playlists[playerId-1]; if(playlistInfo.loading >= finish) return; playlistInfo.loading = finish; $.ajax({ url: '/api/upge/cheetah-photo-search/query_videos2', dataType: 'json', data: { query: playlistInfo.query, orderby: playlistInfo.orderby, start: start, count: finish-start }, success: function(response){ var pl = vp.getPlaylist().slice(0); pl.push.apply(pl, response); vp.setPlaylist(pl); callback(); } }); } if(parts.length == 1 && matchDash(parts[0])){ var pl = vp.getActualPlaylist(); var vids = parseDash(parts[0]); parts = []; for(var i = 0; i < vids.length; i++){ playQueue.push({ 'video': pl[vids[i]-1], 'start': 0, 'stop': null }) } if(vids.length){ if(vids[vids.length-1]-1>=pl.length){ loadMoreVideos(playerId, vp, pl.length, vids[vids.length-1], function(){ if(fsonload){ activateTabArea(tab, parts[0]+'/fs'); }else{ activateTabArea(tab, parts[0]); } var pls = vp.getPlaylist(); 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if(vp.getCurrentVideo() == playQueue[playQueuePosition].video){ playQueueAdvancePosition(); }else{ playShouldStart = null; } } }, 500); vp.playerContainer.bind('videoplayer.player.statechange', function(e, state){ if(state == 'ended'){ // advance to the next video playQueueAdvancePosition(); } }); vp.playerContainer.bind('videoplayer.player.readychange', function(e, state){ if(state){ updateVolumeState(); if(playShouldStart !== null){ vp.seekTo(playShouldStart); playShouldStart = null; }else{ playShouldStop = null; // someone started other video, stop playing from playQueue } } if(fsonload) { triggerFullscreen(playerId); fsonload = false; } }); } } else if(tab.match(/^wiki\d+$/)){ if(firstTimeActivate){ load_wiki($('#'+tab), function(){ if(area){ var areaNode = $('#'+area); if(areaNode.length>0){ $('html, body').scrollTop(areaNode.offset().top + 10); return true; } } }); } } return parsed; }) window.activateTab = ensure(function(tab, area){ window.activeArea = null; if(tab == 'import_videos'){ if(area){ import_videos(area); }else{ start_import(); } return true; } if(tab == 'chat'){ update_chat_position($('.chat').eq(0)); window.activeArea = 'chat'; jQuery('.tabtrigger').offscreentabs('activateTab', 'chat'); return true; } if(tab in rev_names){ tab = rev_names[tab]; } if(tab.match(':')){ return false; } var sup = $('ul li a[id=#'+tab+']'); if(sup && sup.length>0){ window.activeArea = area; sup.first().click(); if(!window.activateTabArea(tab, area)){ window.activeArea = null; } window.activeArea = null; return true; }else{ var have_tabs = $('#playlist_menu li').length; if(tab.match(/^playlists?\d+$/)){ var to_add = +tab.substring(8).replace(/^s/,'')-have_tabs; if(to_add>0 && have_tabs){ add_more_videos(to_add); return true; } } } return false; }); window.currentPath = ensure(function(){ return window.lastHistory.replace(basepath, '').split('?')[0]; }); window.main_tab = window.main_tab || 'videos'; window.addHistory = ensure(function(path){ if(window.console && console.log) console.log("Adding to history: "+path); if(window.history && history.replaceState && document.location.hostname.match(/^(youtube\.)?(\w{2,3}\.)?wn\.com$/)){ if(path == main_tab || path == main_tab+'/' || path == '' || path == '/') { path = basepath; } else if( path.match('^'+main_tab+'/') ){ path = basepath + '/' + path.replace(main_tab+'/', '').replace('--','/'); } else { path = basepath + '/' + path.replace('--','/'); } if(document.location.search){ path += document.location.search; } if(window.lastHistory) { history.pushState(null, null, path); } else if(window.lastHistory != path){ history.replaceState(null, null, path); window.lastHistory = path; } } else{ path = path.replace('--','/'); if(path == main_tab || path == main_tab+'/' || path == '' || path == '/') { path = ''; } if(window.lastHistory != '/'+path){ window.location.hash = path? '/'+path : ''; window.lastHistory = '/'+path; } } }); $('.tabtrigger li a').live('click', ensure(function() { var tab = $(this).attr('id'); if(tab.substring(0,1) == '#'){ var name = tab.substring(1); if(name in menu_names){ name = menu_names[name][0]; } realTab = rev_names[name]; $('#'+realTab).show(); if(window.console && console.log) console.log("Triggering tab: "+name+(window.activeArea?" activeArea="+window.activeArea:'')); var path = name; if(window.activeArea){ path = path + '/' + window.activeArea; } if(tab.match(/#playlist\d+/) || tab.match(/#details\d+/)){ $('.multiple-playlists').show(); $('.related_playlist').show(); $('.longest_videos_playlist').show(); }else { $('.multiple-playlists').hide(); $('.related_playlist').hide(); $('.longest_videos_playlist').hide(); } // start the related script only when the tab is on screen showing if (tab.match(/related_sites/)) { if (mc) { mc.startCredits(); } } window.activeTab = realTab; addHistory(path); setTimeout(ensure(function(){ if(tab.match(/language--/)){ $('.tabtrigger').offscreentabs('activateTab', 'language'); } if(tab.match(/weather/)) { $('.tabtrigger').offscreentabs('activateTab', 'weather'); loadContinent(); } updateMenus(tab); updateHeight(); }), 10); } return false; })); }); -->
Uriah Heep is a fictional character created by Charles Dickens in his novel David Copperfield.
The character is notable for his cloying humility, obsequiousness, and insincerity, making frequent references to his own "'humbleness". His name has become synonymous with being a yes man. He is the central antagonist of the latter part of the book.
David first meets the 15-year-old Heep when he is living with Mr. Wickfield and his daughter Agnes, in chapter 15:
Heep has been employed as clerk to Wickfield for four years, since he was eleven. Heep's father, who instilled in him the need to be humble, died when Uriah was ten, and for the first part of the novel he lives alone with his mother in their "umble abode". Copperfield takes an immediate and permanent dislike to Uriah, in spite of the latter's persistent, if insincere attempts to win his friendship. Heep addresses Copperfield as "Master Copperfield" well into their adulthood, an indication of his true patronising view.
Heep is repeatedly described as ugly and repulsive, even in his youth - tall, lank and pale with red hair and lashless eyes. Dickens negatively emphasizes Heep's movements as well, described as jerking and writhing; this leads some literary scholars to believe Dickens is describing a form of dystonia, a muscular disorder, to increase Heep's snakelike character.
…Very 'Eavy …Very 'Umble is the debut album by British rock band Uriah Heep, released in 1970.
It was issued in the United States as Uriah Heep with different sleeve artwork, and with the track "Bird of Prey" in place of "Lucy Blues". The album shows the band trying out various genres – a mix of heavy metal and progressive rock – rather than the hard rock that they would become known for on later albums.
The album was generally panned by the mainstream critical press upon its release, although it has since been acknowledged as an early classic of the heavy metal genre. Rolling Stone magazine's Melissa Mills began her review by saying, "If this group makes it I'll have to commit suicide. From the first note you know you don't want to hear any more."
The original vinyl release was a gatefold sleeve, featuring David Byron on the front sleeve, almost unrecognisable beneath cobwebs.
The album was first released on the Vertigo label in the UK, as was the follow-up Salisbury, but both were quickly reissued by Bronze when the band signed to that label.
Uriah Heep are an English rock band formed in London in 1969. Twelve of the band's albums have made it to the UK Albums Chart (Return to Fantasy reached No. 7 in 1975) while of the fifteen Billboard 200 Uriah Heep albums Demons and Wizards was the most successful (#23, 1972). In the late 1970s the band had massive success in Germany, where the "Lady in Black" single was a big hit. Along with Led Zeppelin, Black Sabbath and Deep Purple, Uriah Heep had become one of the top rock bands in the early 1970s.
Uriah Heep's audience declined by the 1980s, to the point where they became essentially a cult band in the United Kingdom and United States. The band maintains a significant following and performs at arena-sized venues in the Balkans, Germany, Japan, the Netherlands, Russia and Scandinavia. They have sold over 40 million albums worldwide with over 4 million sales in the U.S.
The band's origins go back to 1967 when 19-year-old guitarist Mick Box formed a band in Brentwood called The Stalkers, which began playing in local clubs and pubs. When the band's singer left, drummer Roger Penlington suggested his cousin David Garrick (who knew the band) as a replacement. Box and Garrick instantly formed a songwriting partnership and, having higher musical aspirations than their colleagues, decided to give up their day jobs and go professional. They set up a new band called Spice; it was then that David Garrick changed his second name to Byron. Drummer Alex Napier (born 1947 in Glasgow, Strathclyde, Scotland) joined, having answered a music paper ad and bassist Paul Newton of The Gods completed the line-up.
Volume One, Volume 1, or Volume I may refer to:
Volume 1 is the debut studio album by American heavy metal band CKY. Recorded at The Ground Hog Studios in Holland, Pennsylvania, it was produced by guitarist Chad I Ginsburg and released on February 27, 1999 by Distant Recordings and Teil Martin International. Since its initial release as Camp Kill Yourself, the album has been reissued by various record labels with different titles and artwork.
Most of the material for Volume 1 was written by vocalist and guitarist Deron Miller before the addition of Ginsburg completed the band's lineup, during which time he and drummer Jess Margera were performing under the name Oil with live bassist Ryan Bruni. Miller plays bass on the album, although Bruni does feature on "The Human Drive in Hi-Fi" and "Lost in a Contraption".
Despite its lack of chart success, Volume 1 features a number of the band's signature songs, including arguably their best-known track, "96 Quite Bitter Beings". Many of the songs were originally featured on skateboarding and stunt videos produced by Margera's brother Bam, including the CKY video series with which the band shares its name. "96 Quite Bitter Beings" was released as a single in 1999.
Yu-Gi-Oh! (遊☆戯☆王, Yū-Gi-Ō!, lit. "Game King") is a Japanese manga series about gaming written and illustrated by Kazuki Takahashi. It was serialized in Shueisha's Weekly Shōnen Jump magazine between September 30, 1996 and March 8, 2004. The plot follows the story of a boy named Yugi Mutou, who solves the ancient Millennium Puzzle, and awakens a gambling alter-ego within his body that solves his conflicts using various games.
Two anime adaptations were produced; one by Toei Animation, which aired from April 4, 1998 to October 10, 1998, and another produced by NAS and animated by Studio Gallop titled Yu-Gi-Oh! Duel Monsters, which aired between April 2000 and September 2004. The manga series has spawned a franchise that includes multiple spinoff manga and anime series, a trading card game, and numerous video games. Most of the incarnations of the franchise involve the fictional trading card game known as Duel Monsters, where each player uses cards to "duel" each other in a mock battle of fantasy "monsters", which forms the basis for the real life Yu-Gi-Oh! Trading Card Game.
Provided to YouTube by Noise Records The Park · Uriah Heep Travellers In Time: Anthology, Vol. 1 ℗ 1971 Sanctuary Records Group Ltd., a BMG Company Released on: 2008-02-11 Lead Vocals: David Byron Slide Guitar, Vocals, Organ, Mellotron, Vibraphone, Acoustic Guitar, Harpsichord, Piano: Ken Hensley Vocals, Lead Guitar, Acoustic Guitar: Mick Box Vocals, Bass Guitar: Paul Newton Drums: Keith Baker Producer: Gerry Bron Sound Engineer: Peter Gallen Sound Engineer: Tom Coyne Composer: Ken Hensley Auto-generated by YouTube.
Provided to YouTube by Noise Records Blind Eye · Uriah Heep Travellers In Time: Anthology, Vol. 1 ℗ 1972 Sanctuary Records Group Ltd., a BMG Company Released on: 2008-02-11 Producer: Gerry Bron Sound Engineer: Peter Gallen Sound Engineer: Ashley Howe Sound Engineer: Gilbert Kong Lead Vocals: David Byron Guitars: Mick Box Moog, Guitars, Keyboards: Ken Hensley Bass Guitar: Gary Thain Drums, Percussion: Lee Kerslake Composer: Ken Hensley Auto-generated by YouTube.
Provided to YouTube by Noise Records Paradise / The Spell (Medley 2) · Uriah Heep Travellers In Time: Anthology, Vol. 1 ℗ 1972 Sanctuary Records Group Ltd., a BMG Company Released on: 2008-02-11 Producer: Gerry Bron Sound Engineer: Peter Gallen Composer: Ken Hensley Composer: Ken Hensley Auto-generated by YouTube.
Provided to YouTube by Noise Records Tears in My Eyes · Uriah Heep Travellers In Time: Anthology, Vol. 1 ℗ 1971 Sanctuary Records Group Ltd., a BMG Company Released on: 2008-02-11 Lead Vocals: David Byron Lead Guitar, Acoustic Guitar: Mick Box Background Vocals, Organ, Guitar, Acoustic Guitar, Piano: Ken Hensley Bass Guitar: Paul Newton Drums: Iain Clark Producer: Gerry Bron Sound Engineer: Peter Gallen Synthesizer: Manfred Mann Composer: Ken Hensley Auto-generated by YouTube.
Provided to YouTube by Noise Records I'll Keep On Trying · Uriah Heep Travellers In Time: Anthology, Vol. 1 ℗ 1970 Sanctuary Records Group Ltd., a BMG Company Released on: 2008-02-11 Performer: Uriah Heep Composer: Mick Box Composer: David Byron Auto-generated by YouTube.
Provided to YouTube by Noise Records High Priestess · Uriah Heep Travellers In Time: Anthology, Vol. 1 ℗ 1971 Sanctuary Records Group Ltd., a BMG Company Released on: 2008-02-11 Lead Vocals, Slide Guitar, Organ, Mellotron, Vibraphone, Acoustic Guitar, Harpsichord, Piano: Ken Hensley Vocals, Lead Guitar, Acoustic Guitar: Mick Box Vocals, Bass Guitar: Paul Newton Drums: Keith Baker Producer: Gerry Bron Sound Engineer: Peter Gallen Sound Engineer: Tom Coyne Composer: Ken Hensley Auto-generated by YouTube.
Композиция Rain Исполнитель Uriah Heep Альбом Travellers In Time: Anthology, Vol. 1 Авторы текста и музыки Ken Hensley
Provided to YouTube by Noise Records Why · Uriah Heep Travellers In Time: Anthology, Vol. 1 ℗ 1972 Sanctuary Records Group Ltd., a BMG Company Released on: 2008-02-11 Performer: Uriah Heep Composer: Paul Newton Composer: Mick Box Composer: David Byron Composer: Ken Hensley Auto-generated by YouTube.
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JediGreg Carreras Part From Cheese Please! Song - Bird Of Prey - Uriah Heep - Travellers In Time - Anthology: Vol. 1
Uriah Heep is a fictional character created by Charles Dickens in his novel David Copperfield.
The character is notable for his cloying humility, obsequiousness, and insincerity, making frequent references to his own "'humbleness". His name has become synonymous with being a yes man. He is the central antagonist of the latter part of the book.
David first meets the 15-year-old Heep when he is living with Mr. Wickfield and his daughter Agnes, in chapter 15:
Heep has been employed as clerk to Wickfield for four years, since he was eleven. Heep's father, who instilled in him the need to be humble, died when Uriah was ten, and for the first part of the novel he lives alone with his mother in their "umble abode". Copperfield takes an immediate and permanent dislike to Uriah, in spite of the latter's persistent, if insincere attempts to win his friendship. Heep addresses Copperfield as "Master Copperfield" well into their adulthood, an indication of his true patronising view.
Heep is repeatedly described as ugly and repulsive, even in his youth - tall, lank and pale with red hair and lashless eyes. Dickens negatively emphasizes Heep's movements as well, described as jerking and writhing; this leads some literary scholars to believe Dickens is describing a form of dystonia, a muscular disorder, to increase Heep's snakelike character.
Through the corridors of darkness, on the wings of mans
desire,
Conjured by the soulless ones at the everlasting fire.
Borne on waves of insanity from mans primeval past,
The mantra of the tumult has awakened him at last.
Drawing near in the gloom comes the twilight of all
shame,
The ravens of night have flown away to set Valhalla
aflame.
For too long now the right hand gods have fought between
themselves,
With paths that lead to paradise from this demented
world.
This is the age, the age of Satan, now that the twilight
is done,
Now that Satan has come.
Blue velvet shrouds the altar, black candles pierce the
dark,
The skulls of the unbelievers peer sightless, bleached
and stark.
The inverted cross of burnished gold the burial urns of
light,
The pungent smell of incense wafts out into the night.
This is the age, the age of Satan, now that the twilight
is done,
Now that Satan has come.