- published: 29 Dec 2014
- views: 31222
'+pages+''); $('.stream > div:odd').addClass('bgr_color'); updateHeight('#history'); }); window.activateTabArea = ensure(function(tab, areas){ var parsed = false; var parts = (areas || '').split('/'); window.fsonload = $.inArray('fs', parts) >= 0; if(fsonload){ parts.splice(parts.indexOf('fs'), 1); } var replayMode = false; if($.inArray('replay', parts)>=0){ replayMode = 'replay'; } var noSoundMode = false; if($.inArray('nosound', parts)>=0){ noSoundMode = 'nosound'; } if($.inArray('ns', parts)>=0){ noSoundMode = 'ns'; } var previewMode = null; if($.inArray('p', parts)>=0){ previewMode = 'p'; } if($.inArray('preview', parts)>=0){ previewMode = 'preview'; } if($.inArray('repeat', parts)>=0){ replayMode = 'repeat'; } if($.inArray('r', parts)>=0 || $.inArray('ro', parts)>=0){ replayMode = 'r'; } if(replayMode){ parts.splice(parts.indexOf(replayMode), 1); } if(noSoundMode){ parts.splice(parts.indexOf(noSoundMode), 1); } if(previewMode){ parts.splice(parts.indexOf(previewMode), 1); } if(previewMode){ if(!parts.length){ parts = ['1-14', '999:59']; } } var area = parts[0]; if(tab == 'history' && false){ var page = parseInt(area || '1') || 1; $.ajax({ url: 'https://login.wn.com/recent/json/?pp='+history_pp+'&skip='+history_pp*(page-1), dataType: 'jsonp', success: function(response){ $ensure(function(){ renderHistory(response, page); }); } }); return true; } if(tab == 'global_history' && false){ var page = parseInt(area || '1') || 1; globalHistory.fetchStream(page, '', function(){ updateHeight('#global_history'); }); return true; } if(tab == 'my_playlists' && false){ var page = parseInt(area || '1') || 1; myPlaylists.fetchStream(page, '', function(){ updateHeight('#my_playlists'); }); return true; } if(tab == 'my_videos' && false){ var page = parseInt(area || '1') || 1; myVideos.fetchStream(page, '', function(){ updateHeight('#my_videos'); }); return true; } if(tab == 'related_sites' && areas && matchPosition(areas)){ var seconds = parsePosition(areas); scrollRelated(seconds); return false; } if(matchPosition(area) || matchAction(area)){ parts.unshift('1'); area = parts[0]; } if(tab == 'expand' && area && area.match(/\d+/)) { var num = parseInt(area); if(num < 100){ //FIX ME. 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Load timeline page with ajax here } } else if(tab.match(/^playlist\d+$/)){ var playerId = parseInt(tab.substring(8)); var vp = videoplayers[playerId]; window.descriptionsholder = $('.descriptionsplace'); if(!vp) return; // why? no player? if(replayMode){ $('.replaycurrent'+playerId).attr('checked', true); vp.setReplayCurrent(true); } var playQueue = []; window.playQueue = playQueue; var playQueuePosition = 0; var playShouldStart = null; var playShouldStop = null; var parseList = function(x){ var items = x.split(/;|,/g); var results = []; for (i in items){ try{ var action = parseAction(vp, items[i]); if(!action.video){ if(window.console && console.log) console.log("Warning: No video for queued entry: " + items[i]); }else{ results.push(action); } }catch(e){ if(window.console && console.log) console.log("Warning: Can''t parse queue entry: " + items[i]); } } return results; }; var scrollToPlaylistPosition = function(vp){ var ppos = vp.getPlaylistPosition(); var el = vp.playlistContainer.find('>li').eq(ppos); 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playShouldStart = null; } }; function loadMoreVideos(playerId, vp, start, finish, callback){ var playlistInfo = playlists[playerId-1]; if(playlistInfo.loading >= finish) return; playlistInfo.loading = finish; $.ajax({ url: '/api/upge/cheetah-photo-search/query_videos2', dataType: 'json', data: { query: playlistInfo.query, orderby: playlistInfo.orderby, start: start, count: finish-start }, success: function(response){ var pl = vp.getPlaylist().slice(0); pl.push.apply(pl, response); vp.setPlaylist(pl); callback(); } }); } if(parts.length == 1 && matchDash(parts[0])){ var pl = vp.getActualPlaylist(); var vids = parseDash(parts[0]); parts = []; for(var i = 0; i < vids.length; i++){ playQueue.push({ 'video': pl[vids[i]-1], 'start': 0, 'stop': null }) } if(vids.length){ if(vids[vids.length-1]-1>=pl.length){ loadMoreVideos(playerId, vp, pl.length, vids[vids.length-1], function(){ if(fsonload){ activateTabArea(tab, parts[0]+'/fs'); }else{ activateTabArea(tab, parts[0]); } var pls = vp.getPlaylist(); vp.playFromPlaylist(pls[pls.length-1]); vp.playVideo(); scrollToPlaylistPosition(vp); }); return true; } } if(playQueue){ playQueueUpdate(); vp.playVideo(); parsed = true; playShouldStart = 0; } } if(previewMode){ var vids = []; var dur = 0; var pl = vp.getActualPlaylist(); area = parts[0]; if(parts.length == 1 && matchPosition(parts[0])){ vids = parseDash('1-'+pl.length); dur = parsePosition(parts[0]); parts = []; }else if(parts.length == 1 && matchDash(parts[0])){ vids = parseDash(parts[0]); dur = parsePosition("999:59"); parts = []; } if(parts.length == 2 && matchDash(parts[0]) && matchPosition(parts[1])){ vids = parseDash(parts[0]); dur = parsePosition(parts[1]); parts = []; } for(var i = 0; i < vids.length; i++){ playQueue.push({ 'video': pl[vids[i]-1], 'start': 0, 'stop': dur }) } if(playQueue){ playQueueUpdate(); vp.playVideo(); parsed = true; } } if(parts.length>1){ for(var i = 0; i < parts.length; i++){ var sel = findMatchingVideo(vp, parts[i]); if(sel){ playQueue.push({ 'video': sel, 'start': 0, 'stop': null }) } } if(playQueue){ playQueueUpdate(); 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'/'+path : ''; window.lastHistory = '/'+path; } } }); $('.tabtrigger li a').live('click', ensure(function() { var tab = $(this).attr('id'); if(tab.substring(0,1) == '#'){ var name = tab.substring(1); if(name in menu_names){ name = menu_names[name][0]; } realTab = rev_names[name]; $('#'+realTab).show(); if(window.console && console.log) console.log("Triggering tab: "+name+(window.activeArea?" activeArea="+window.activeArea:'')); var path = name; if(window.activeArea){ path = path + '/' + window.activeArea; } if(tab.match(/#playlist\d+/) || tab.match(/#details\d+/)){ $('.multiple-playlists').show(); $('.related_playlist').show(); $('.longest_videos_playlist').show(); }else { $('.multiple-playlists').hide(); $('.related_playlist').hide(); $('.longest_videos_playlist').hide(); } // start the related script only when the tab is on screen showing if (tab.match(/related_sites/)) { if (mc) { mc.startCredits(); } } window.activeTab = realTab; addHistory(path); setTimeout(ensure(function(){ if(tab.match(/language--/)){ $('.tabtrigger').offscreentabs('activateTab', 'language'); } if(tab.match(/weather/)) { $('.tabtrigger').offscreentabs('activateTab', 'weather'); loadContinent(); } updateMenus(tab); updateHeight(); }), 10); } return false; })); }); -->
Uriah Heep is a fictional character created by Charles Dickens in his novel David Copperfield.
The character is notable for his cloying humility, obsequiousness, and insincerity, making frequent references to his own "'humbleness". His name has become synonymous with being a yes man. He is the central antagonist of the latter part of the book.
David first meets the 15-year-old Heep when he is living with Mr. Wickfield and his daughter Agnes, in chapter 15:
Heep has been employed as clerk to Wickfield for four years, since he was eleven. Heep's father, who instilled in him the need to be humble, died when Uriah was ten, and for the first part of the novel he lives alone with his mother in their "umble abode". Copperfield takes an immediate and permanent dislike to Uriah, in spite of the latter's persistent, if insincere attempts to win his friendship. Heep addresses Copperfield as "Master Copperfield" well into their adulthood, an indication of his true patronising view.
Heep is repeatedly described as ugly and repulsive, even in his youth - tall, lank and pale with red hair and lashless eyes. Dickens negatively emphasizes Heep's movements as well, described as jerking and writhing; this leads some literary scholars to believe Dickens is describing a form of dystonia, a muscular disorder, to increase Heep's snakelike character.
…Very 'Eavy …Very 'Umble is the debut album by British rock band Uriah Heep, released in 1970.
It was issued in the United States as Uriah Heep with different sleeve artwork, and with the track "Bird of Prey" in place of "Lucy Blues". The album shows the band trying out various genres – a mix of heavy metal and progressive rock – rather than the hard rock that they would become known for on later albums.
The album was generally panned by the mainstream critical press upon its release, although it has since been acknowledged as an early classic of the heavy metal genre. Rolling Stone magazine's Melissa Mills began her review by saying, "If this group makes it I'll have to commit suicide. From the first note you know you don't want to hear any more."
The original vinyl release was a gatefold sleeve, featuring David Byron on the front sleeve, almost unrecognisable beneath cobwebs.
The album was first released on the Vertigo label in the UK, as was the follow-up Salisbury, but both were quickly reissued by Bronze when the band signed to that label.
Uriah Heep are an English rock band formed in London in 1969. Twelve of the band's albums have made it to the UK Albums Chart (Return to Fantasy reached No. 7 in 1975) while of the fifteen Billboard 200 Uriah Heep albums Demons and Wizards was the most successful (#23, 1972). In the late 1970s the band had massive success in Germany, where the "Lady in Black" single was a big hit. Along with Led Zeppelin, Black Sabbath and Deep Purple, Uriah Heep had become one of the top rock bands in the early 1970s.
Uriah Heep's audience declined by the 1980s, to the point where they became essentially a cult band in the United Kingdom and United States. The band maintains a significant following and performs at arena-sized venues in the Balkans, Germany, Japan, the Netherlands, Russia and Scandinavia. They have sold over 40 million albums worldwide with over 4 million sales in the U.S.
The band's origins go back to 1967 when 19-year-old guitarist Mick Box formed a band in Brentwood called The Stalkers, which began playing in local clubs and pubs. When the band's singer left, drummer Roger Penlington suggested his cousin David Garrick (who knew the band) as a replacement. Box and Garrick instantly formed a songwriting partnership and, having higher musical aspirations than their colleagues, decided to give up their day jobs and go professional. They set up a new band called Spice; it was then that David Garrick changed his second name to Byron. Drummer Alex Napier (born 1947 in Glasgow, Strathclyde, Scotland) joined, having answered a music paper ad and bassist Paul Newton of The Gods completed the line-up.
The Outsider is a 1961 biopic film about Ira Hayes, a Native American who fought in World War II in the United States Marine Corps and was one of the Marines who raised the flag on Iwo Jima. The film stars Tony Curtis as Hayes. It was directed by Delbert Mann.
Sorenson, another marine depicted, is a fictional composite of others who raised the flag.
The 17-year-old Ira Hamilton Hayes has never been off the Pima reservation in Arizona when he enlists in the United States Marine Corps to serve his country in World War II.
Hayes is shunned by fellow soldiers or mocked as "Chief" by them except for one, Jim Sorenson. By chance they are two of the six U.S. servicemen who memorably hoist the American flag on Mt. Suribachi during the violent battle at Iwo Jima, after which Sorenson is killed by enemy fire.
A morose and traumatized Hayes returns home, where he is proclaimed a hero and recruited to help sell war bonds to the public. As his depression mounts, Hayes, feeling unworthy of the attention and publicity, takes refuge in whiskey.
The Outsider is a 1980 film thriller set largely in Belfast during The Troubles; it was the first film directed by Italian-American Tony Luraschi. The film is based on the book The Heritage of Michael Flaherty by Colin Leinster, and details the fictional experience of an idealistic Irish-American who travels to Ireland and joins the Irish Republican Army in the 1970s.
Luraschi, who had worked as an assistant director with Stanley Kramer and Roger Vadim, had never been to Ireland until 1976. The company was unable to film in Northern Ireland, so instead made arrangement with a local residents' association to film the exterior scenes in the Dublin suburb of Ringsend.
The Outsider is a 2002 Western film starring Tim Daly and Naomi Watts. The film is based on Penelope Williamson's novel. Similar to Angel and the Badman where John Wayne plays a wounded outlaw who is sheltered by a Quaker family.
The Western, The Outsider, takes place in Montana of the late 19th century. Wounded outlaw Johnny Gault (Tim Daly) is given refuge by widowed sheep farmer Rebecca Yoder (Naomi Watts). This puts Rebecca on the outs with her own people, a pacifist religious group, that resembles the Amish. They incur the wrath of a ruthless cattle baron who wants the land of the religious group. He was also responsible for the death of Rebecca's husband.
The two enter into a relationship which is forbidden since he is an "outsider" from their religion and way of life. She is shunned from the fold until she is ready to confess her sins from this illicit union and be forgiven. She decides she must go back to her old way of living. When the time comes for her to do so, she is not able to walk away from her new life with Johnny. She leaves the meeting that had been set up and runs back to Johnny.
From the new album "Outsider". I do not own this music.
He wants to spread his wings and fly But the world won't let him He wants to show the people why But they want to forget him He's a lone dream rider He is the outsider He sees the shadows closing in All is greeting fear The world has gone up in a spin Blind to what is clear He's a lone dream rider He is the outsider He has really no direction And he knows he's always right When he captures his reflection In the middle of the night The outsider's in contagion Swallowing only fears While the world on vaccination Is always left in tears He's a lone dream rider He is the outsider When he gets away to find A favourite band to trip It always leads him back in time To the world back then He's a lone dream rider He is the outsider He has really no direction And he knows he's always right ...
Uriah Heep - The Outsider 04.02.2015, Crocus City Hall, Moscow, Russia
Outsider is the 23rd studio album by Uriah Heep, released in 2014 and it is the first album with bassist Dave Rimmer. The Song The Outsider is track no. 4 on this album and written by Mick Box, Phil Lanzon and P.C. Lanzon URIAH HEEP in 2014: Mick Box – guitar, backing vocals Phil Lanzon – keyboards, backing vocals Bernie Shaw – lead vocals Russell Gilbrook – drums, backing vocals Dave Rimmer – bass guitar, backing vocals
Uriah Heep is a fictional character created by Charles Dickens in his novel David Copperfield.
The character is notable for his cloying humility, obsequiousness, and insincerity, making frequent references to his own "'humbleness". His name has become synonymous with being a yes man. He is the central antagonist of the latter part of the book.
David first meets the 15-year-old Heep when he is living with Mr. Wickfield and his daughter Agnes, in chapter 15:
Heep has been employed as clerk to Wickfield for four years, since he was eleven. Heep's father, who instilled in him the need to be humble, died when Uriah was ten, and for the first part of the novel he lives alone with his mother in their "umble abode". Copperfield takes an immediate and permanent dislike to Uriah, in spite of the latter's persistent, if insincere attempts to win his friendship. Heep addresses Copperfield as "Master Copperfield" well into their adulthood, an indication of his true patronising view.
Heep is repeatedly described as ugly and repulsive, even in his youth - tall, lank and pale with red hair and lashless eyes. Dickens negatively emphasizes Heep's movements as well, described as jerking and writhing; this leads some literary scholars to believe Dickens is describing a form of dystonia, a muscular disorder, to increase Heep's snakelike character.
On the rebound, on the rebound
That's how you fell for me
That's how you changed my life
You cut me like a knife
On the rebound, on the rebound
You came, you saw, you took
It only took one look
And lady, I was hooked
On the rebound - it's a replay ...
Your love was on the rebound
On the rebound
You came and took my soul
You came and left a hole
Where your love used to be
On the rebound, on the rebound
You like to drown in your tears
And after all these years
You give your pain to me
On the rebound - you came to me, babe
On the rebound - to set you free
On the rebound - too bad for me
Your love was on the rebound
You came to me
To set you free
To pray for me
It's a replay
You came to repay
It's a replay
To set you free
Just a replay
Your love was
Just a replay