- published: 24 Mar 2012
- views: 101510
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Uriah Heep is a fictional character created by Charles Dickens in his novel David Copperfield.
The character is notable for his cloying humility, obsequiousness, and insincerity, making frequent references to his own "'humbleness". His name has become synonymous with being a yes man. He is the central antagonist of the latter part of the book.
David first meets the 15-year-old Heep when he is living with Mr. Wickfield and his daughter Agnes, in chapter 15:
Heep has been employed as clerk to Wickfield for four years, since he was eleven. Heep's father, who instilled in him the need to be humble, died when Uriah was ten, and for the first part of the novel he lives alone with his mother in their "umble abode". Copperfield takes an immediate and permanent dislike to Uriah, in spite of the latter's persistent, if insincere attempts to win his friendship. Heep addresses Copperfield as "Master Copperfield" well into their adulthood, an indication of his true patronising view.
Heep is repeatedly described as ugly and repulsive, even in his youth - tall, lank and pale with red hair and lashless eyes. Dickens negatively emphasizes Heep's movements as well, described as jerking and writhing; this leads some literary scholars to believe Dickens is describing a form of dystonia, a muscular disorder, to increase Heep's snakelike character.
…Very 'Eavy …Very 'Umble is the debut album by British rock band Uriah Heep, released in 1970.
It was issued in the United States as Uriah Heep with different sleeve artwork, and with the track "Bird of Prey" in place of "Lucy Blues". The album shows the band trying out various genres – a mix of heavy metal and progressive rock – rather than the hard rock that they would become known for on later albums.
The album was generally panned by the mainstream critical press upon its release, although it has since been acknowledged as an early classic of the heavy metal genre. Rolling Stone magazine's Melissa Mills began her review by saying, "If this group makes it I'll have to commit suicide. From the first note you know you don't want to hear any more."
The original vinyl release was a gatefold sleeve, featuring David Byron on the front sleeve, almost unrecognisable beneath cobwebs.
The album was first released on the Vertigo label in the UK, as was the follow-up Salisbury, but both were quickly reissued by Bronze when the band signed to that label.
Uriah Heep are an English rock band formed in London in 1969. Twelve of the band's albums have made it to the UK Albums Chart (Return to Fantasy reached No. 7 in 1975) while of the fifteen Billboard 200 Uriah Heep albums Demons and Wizards was the most successful (#23, 1972). In the late 1970s the band had massive success in Germany, where the "Lady in Black" single was a big hit. Along with Led Zeppelin, Black Sabbath and Deep Purple, Uriah Heep had become one of the top rock bands in the early 1970s.
Uriah Heep's audience declined by the 1980s, to the point where they became essentially a cult band in the United Kingdom and United States. The band maintains a significant following and performs at arena-sized venues in the Balkans, Germany, Japan, the Netherlands, Russia and Scandinavia. They have sold over 40 million albums worldwide with over 4 million sales in the U.S.
The band's origins go back to 1967 when 19-year-old guitarist Mick Box formed a band in Brentwood called The Stalkers, which began playing in local clubs and pubs. When the band's singer left, drummer Roger Penlington suggested his cousin David Garrick (who knew the band) as a replacement. Box and Garrick instantly formed a songwriting partnership and, having higher musical aspirations than their colleagues, decided to give up their day jobs and go professional. They set up a new band called Spice; it was then that David Garrick changed his second name to Byron. Drummer Alex Napier (born 1947 in Glasgow, Strathclyde, Scotland) joined, having answered a music paper ad and bassist Paul Newton of The Gods completed the line-up.
"On the Rebound" is a 1961 instrumental by Elvis Presley's pianist Floyd Cramer. It made No. 4 in the US and No. 1 in the UK.
"On the Rebound" was later featured during the opening credits of the 2009 Oscar-nominated film An Education, which was set in England in 1961.
On the Rebound is an idiom commonly used to describe recovering from a setback, specifically after being romantically rejected by another. Popular culture references to this phrase include:
Russell Glyn "Russ" Ballard (31 October 1945) is an English singer, songwriter and musician.
Ballard (formerly of Rick Nicholl and the Rebels) was initially a guitarist (Hofner Club 60), appearing stage left, with Buster Meikle & The Day Breakers in 1961, together with Roy Ballard (Russ's older brother) on piano playing behind him, Bernie Benson on bass to the right, and Bob Henrit on drums. After a stint with The Roulettes, backing Adam Faith, he then went on to join Unit 4 + 2 in the early 1960s, before becoming the lead singer and guitarist of Argent (along with Henrit, who joined as drummer), writing their hit "God Gave Rock and Roll to You", which would later be covered by both Petra and KISS. Ballard is most well known as the vocalist on Argent's smash "Hold Your Head Up". In 1972, Ballard performed on Colin Blunstone's album Ennismore, which was produced by Chris White. Ballard also wrote the hit single, "I Don't Believe in Miracles", which featured on that album.
BUY THIS ALBUM TODAY!! From Uriah Heep's comeback album, Abominog, this is, "On The Rebound," featuring Mick Box on guitar, Peter Goalby on vocals, Lee Kerslake on Drums, Bob Daisley on bass, and John SInclair on keyboards. Kerslake and Daisley had just been part of the original Blizzard of Ozz band that wrote and recorded Ozzy Osbourne's two best albums, Blizzard of Ozz and Diary of a Madman. Daisley would continue to play and write for Ozzy on and off for another decade. John Sinclair joined Ozzy's band during the Ultimate Sin era. This was a great Uriah Heep line-up (Goalby was a great singer), and Abominog was a great album. Too bad about the album cover, though. That probably cost them a quarter million sales in the U.S. alone...
Provided to YouTube by BMG Rights Management (UK) Limited On the Rebound · Uriah Heep The Ultimate Collection ℗ 1982 Sanctuary Records Group Ltd., a BMG Company Released on: 2008-01-07 Producer: Ashley Howe Composer: Russ Ballard Auto-generated by YouTube.
From Album: Abominog (1982) Line Up: Peter Goalby - Voice Mick Box - guita John Sinclair - Keyboard Bob Daisley - Basso Lee Kerslake - Drums
cool song
Abominog is the fourteenth studio album by Uriah Heep, released in March 1982. The Song On The Rebound is track no. 3 on this album (2004 Deluxe Edition with bonus tracks) and written by Russ Ballard. URIAH HEEP on this album: Mick Box: guitars, backing vocals Lee Kerslake: drums, backing vocals Bob Daisley: bass guitar, backing vocals John Sinclair: keyboards, backing vocals Peter Goalby: lead vocals
Uriah Heep is a fictional character created by Charles Dickens in his novel David Copperfield.
The character is notable for his cloying humility, obsequiousness, and insincerity, making frequent references to his own "'humbleness". His name has become synonymous with being a yes man. He is the central antagonist of the latter part of the book.
David first meets the 15-year-old Heep when he is living with Mr. Wickfield and his daughter Agnes, in chapter 15:
Heep has been employed as clerk to Wickfield for four years, since he was eleven. Heep's father, who instilled in him the need to be humble, died when Uriah was ten, and for the first part of the novel he lives alone with his mother in their "umble abode". Copperfield takes an immediate and permanent dislike to Uriah, in spite of the latter's persistent, if insincere attempts to win his friendship. Heep addresses Copperfield as "Master Copperfield" well into their adulthood, an indication of his true patronising view.
Heep is repeatedly described as ugly and repulsive, even in his youth - tall, lank and pale with red hair and lashless eyes. Dickens negatively emphasizes Heep's movements as well, described as jerking and writhing; this leads some literary scholars to believe Dickens is describing a form of dystonia, a muscular disorder, to increase Heep's snakelike character.
On the rebound, on the rebound
That's how you fell for me
That's how you changed my life
You cut me like a knife
On the rebound, on the rebound
You came, you saw, you took
It only took one look
And lady, I was hooked
On the rebound - it's a replay ...
Your love was on the rebound
On the rebound
You came and took my soul
You came and left a hole
Where your love used to be
On the rebound, on the rebound
You like to drown in your tears
And after all these years
You give your pain to me
On the rebound - you came to me, babe
On the rebound - to set you free
On the rebound - too bad for me
Your love was on the rebound
You came to me
To set you free
To pray for me
It's a replay
You came to repay
It's a replay
To set you free
Just a replay
Your love was
Just a replay