- published: 21 Jul 2021
- views: 7257
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Kenneth William David Hensley (born 24 August 1945) is an English singer-songwriter, multi-instrumentalist and producer, best known for his work with Uriah Heep during the 1970s.
He wrote or co-wrote the majority of Uriah Heep's songs during this period, including the hit singles "Lady in Black" (on which he sang lead vocals), "Easy Livin'" and "Stealin'", as well as "Look at Yourself", on which he also sang lead vocals, and "Free Me".
Born in London, Hensley moved with his parents, three brothers and sister to Stevenage, Hertfordshire in 1945. He learned how to play guitar at the age of 12 from a Bert Weedon manual. His first gig was at The Mentmore Pen Factory, in Stevenage (September 1960). After that, he played with The Blue Notes, Ken and the Cousins and Kit and the Saracens (1962). In 1963, this band evolved into The Jimmy Brown Sound, and they recorded some now lost songs. At this time, Hensley's first "professional" opportunity almost came about: they were to back Ben E. King on a British visit, but it never happened.
Uriah Heep is a fictional character created by Charles Dickens in his novel David Copperfield.
The character is notable for his cloying humility, obsequiousness, and insincerity, making frequent references to his own "'humbleness". His name has become synonymous with being a yes man. He is the central antagonist of the latter part of the book.
David first meets the 15-year-old Heep when he is living with Mr. Wickfield and his daughter Agnes, in chapter 15:
Heep has been employed as clerk to Wickfield for four years, since he was eleven. Heep's father, who instilled in him the need to be humble, died when Uriah was ten, and for the first part of the novel he lives alone with his mother in their "umble abode". Copperfield takes an immediate and permanent dislike to Uriah, in spite of the latter's persistent, if insincere attempts to win his friendship. Heep addresses Copperfield as "Master Copperfield" well into their adulthood, an indication of his true patronising view.
Heep is repeatedly described as ugly and repulsive, even in his youth - tall, lank and pale with red hair and lashless eyes. Dickens negatively emphasizes Heep's movements as well, described as jerking and writhing; this leads some literary scholars to believe Dickens is describing a form of dystonia, a muscular disorder, to increase Heep's snakelike character.
…Very 'Eavy …Very 'Umble is the debut album by British rock band Uriah Heep, released in 1970.
It was issued in the United States as Uriah Heep with different sleeve artwork, and with the track "Bird of Prey" in place of "Lucy Blues". The album shows the band trying out various genres – a mix of heavy metal and progressive rock – rather than the hard rock that they would become known for on later albums.
The album was generally panned by the mainstream critical press upon its release, although it has since been acknowledged as an early classic of the heavy metal genre. Rolling Stone magazine's Melissa Mills began her review by saying, "If this group makes it I'll have to commit suicide. From the first note you know you don't want to hear any more."
The original vinyl release was a gatefold sleeve, featuring David Byron on the front sleeve, almost unrecognisable beneath cobwebs.
The album was first released on the Vertigo label in the UK, as was the follow-up Salisbury, but both were quickly reissued by Bronze when the band signed to that label.
Uriah Heep are an English rock band formed in London in 1969. Twelve of the band's albums have made it to the UK Albums Chart (Return to Fantasy reached No. 7 in 1975) while of the fifteen Billboard 200 Uriah Heep albums Demons and Wizards was the most successful (#23, 1972). In the late 1970s the band had massive success in Germany, where the "Lady in Black" single was a big hit. Along with Led Zeppelin, Black Sabbath and Deep Purple, Uriah Heep had become one of the top rock bands in the early 1970s.
Uriah Heep's audience declined by the 1980s, to the point where they became essentially a cult band in the United Kingdom and United States. The band maintains a significant following and performs at arena-sized venues in the Balkans, Germany, Japan, the Netherlands, Russia and Scandinavia. They have sold over 40 million albums worldwide with over 4 million sales in the U.S.
The band's origins go back to 1967 when 19-year-old guitarist Mick Box formed a band in Brentwood called The Stalkers, which began playing in local clubs and pubs. When the band's singer left, drummer Roger Penlington suggested his cousin David Garrick (who knew the band) as a replacement. Box and Garrick instantly formed a songwriting partnership and, having higher musical aspirations than their colleagues, decided to give up their day jobs and go professional. They set up a new band called Spice; it was then that David Garrick changed his second name to Byron. Drummer Alex Napier (born 1947 in Glasgow, Strathclyde, Scotland) joined, having answered a music paper ad and bassist Paul Newton of The Gods completed the line-up.
Name of the Game may refer to:
"Name of the Game" is the sixth track from power pop band Badfinger's 1971 album, Straight Up. The song was written by Pete Ham.
After the release of their album No Dice, Badfinger began work on an untitled follow-up.Geoff Emerick produced sessions for the songs that were to be on the album, among them being "Name of the Game". "Name of the Game" was also intended to be released as the lead single from this album, backed with "Suitcase", a track written by Joey Molland, but, despite efforts from George Harrison (who was impressed greatly by the track) to remix the song, the single, as well as the rest of the album, were canceled. This single edit appeared on some reissues of Straight Up.
When George Harrison returned to produce a new album for Badfinger, one of the songs that he worked on was "Name of the Game". However, upon his departure due to The Concert for Bangladesh, Todd Rundgren came to finish the album. Upon its completion, the album, now titled Straight Up, featured "Name of the Game" at the end of side one.
"Name of the Game" is the first single to originate from The Crystal Method's second studio album, Tweekend. Despite the massive popularity of the song, The Crystal Method almost never plays it live. The track features guitars by Tom Morello, vocals by Ryan "Ryu" Maginn, and scratching by DJ Swamp; it also contains samples from "Calling All Freaks"(1974) by Tina Dixon. The song enjoyed mainstream success as well as remixes by popular artists.
A music video was made, featuring the exploits of the character "Nosey", who is named so because his entire face is covered up by a giant nose. Scenes in the video depict Nosey participating in sports, breakdancing, and a relationship that falls apart quickly. He gets back to his friends to breakdance and they get to do some until the police arrive and arrest him for unknown reasons. At the end of the video, the words "to be continued ..." are shown. However, no known continuation of the "Nosey" story has yet to be produced. Nosey does however make a brief appearance in the music video "murder"
Provided to YouTube by BMG Rights Management (UK) Limited Name of the Game (Demo Version) · Uriah Heep High and Mighty ℗ 1994 Sanctuary Records Group Ltd., a BMG Company Released on: 1976-06-01 Performer: Uriah Heep Composer: Ken Hensley Auto-generated by YouTube.
Provided to YouTube by BMG Rights Management (UK) Limited Name of the Game (Previously Unreleased Version) · Uriah Heep High and Mighty ℗ 2004 Sanctuary Records Group Ltd., a BMG Company Released on: 1976-06-01 Performer: Uriah Heep Composer: Ken Hensley Auto-generated by YouTube.
Great out-take from the High & Mighty album; the last to feature David Byron on vocals, and John Wetton on bass.
Album - From Time To Time 1994
Since 1996 the remastered reissues of Uriah Heep started with quite awesome Bonus Tracks that comfortably fill up another two Lp of that time!!! So in 1997 I discoverd the ''Name Of The Game'', a first line song, which strangely didn't find a place on 1976's ''High And Mighty'' and remained a Demo forgotten for 20 long years in some studio drawer, but fortunately almost complete! Since then I’ve been stuck with this song. I loved it from the first note and I rank it on the level of a ''Sunrise''. It is perhaps Ken's brilliant and discreet for a women lyrics that clearly state that in his life only music comes first. It is perhaps Dave's crystalline voice that with unparalleled theatricality, invites you to sing with him something that he has literally lived and lives. Finally, maybe it's M...
taken from a reissue album with bonus tracks called 'High And Mighty'; released 2004; original release 1976; the band for this album: David Byron – lead vocals (except "One Way Or Another"); John Wetton – bass guitar, mellotron, electric piano, vocals (lead vocals on "One Way Or Another"); Lee Kerslake – drums, percussion, vocals; Mick Box – lead guitar, acoustic guitar, 12-string acoustic guitar; Ken Hensley – organ, piano, moog synthesizer, tubular bells, electric piano, guitar, slide guitar, acoustic guitar, electric 12-string guitar, pedal steel guitar, vocals (lead vocals on "One Way Or Another")
Official audio for Ken Hensley's demo version of 'If I Had The Time' by Uriah Heep. Taken from the 1973 album, Sweet Freedom. Set for release on the 24th September 2021, Uriah Heep’s 'Every Day Rocks' box set is available to pre-order now via the official artist store: https://uriahheep.lnk.to/EveryDayRocksFA Follow Uriah Heep: Facebook: https://www.facebook.com/uriahheepofficial/ Instagram: https://www.instagram.com/uriahheepofficial/ Twitter: https://twitter.com/uriah_heep Website: http://www.uriah-heep.com LYRICS: If I had the time, To re-live my life I don't think I'd care, To change a thing As long as I find, Just a little peace of mind I can dream and laugh and sing I can have my fun, With the silver stars I can watch the sun, Fall in the sea And if it rains, I will smile just t...
Από το 1996 άρχισαν οι remastered επανεκδόσεις των Uriah Heep με αρκετά φοβερά Bonus Tracks που γεμίζουν άνετα άλλα δύο Lp εκείνης της εποχής!!! Έτσι το 1997 ανακάλυψα το ‘’Name Of The Game’’, ένα τραγούδι πρώτης γραμμής, το οποίο κατά περίεργο τρόπο δεν βρήκε θέση στο ‘’High And Mighty’’ του 1976 και παρέμεινε ένα Demo ξεχασμένο για 20 χρόνια στο συρτάρι κάποιου studio, αλλά ευτυχώς σχεδόν ολοκληρωμένο! Από τότε εδώ και 25 χρόνια έχω φάει κόλλημα με αυτό το τραγούδι, το αγάπησα από την πρώτη νότα και το κατατάσσω στο επίπεδο ενός ‘’Sunrise’’. Είναι ίσως οι πανέξυπνοι και διακριτικοί προς το γυναικείο φύλλο στίχοι του Ken που δηλώνουν ξεκάθαρα ότι στη ζωή του την πρώτη θέση έχει μόνο η μουσική. Είναι ίσως η κρυστάλλινη φωνή του Dave που με απαράμιλλη θεατρικότητα σε καλεί να τραγουδήσεις...
Uriah Heep - Name Of The Game Lyrics
Kenneth William David Hensley (born 24 August 1945) is an English singer-songwriter, multi-instrumentalist and producer, best known for his work with Uriah Heep during the 1970s.
He wrote or co-wrote the majority of Uriah Heep's songs during this period, including the hit singles "Lady in Black" (on which he sang lead vocals), "Easy Livin'" and "Stealin'", as well as "Look at Yourself", on which he also sang lead vocals, and "Free Me".
Born in London, Hensley moved with his parents, three brothers and sister to Stevenage, Hertfordshire in 1945. He learned how to play guitar at the age of 12 from a Bert Weedon manual. His first gig was at The Mentmore Pen Factory, in Stevenage (September 1960). After that, he played with The Blue Notes, Ken and the Cousins and Kit and the Saracens (1962). In 1963, this band evolved into The Jimmy Brown Sound, and they recorded some now lost songs. At this time, Hensley's first "professional" opportunity almost came about: they were to back Ben E. King on a British visit, but it never happened.
On the rebound, on the rebound
That's how you fell for me
That's how you changed my life
You cut me like a knife
On the rebound, on the rebound
You came, you saw, you took
It only took one look
And lady, I was hooked
On the rebound - it's a replay ...
Your love was on the rebound
On the rebound
You came and took my soul
You came and left a hole
Where your love used to be
On the rebound, on the rebound
You like to drown in your tears
And after all these years
You give your pain to me
On the rebound - you came to me, babe
On the rebound - to set you free
On the rebound - too bad for me
Your love was on the rebound
You came to me
To set you free
To pray for me
It's a replay
You came to repay
It's a replay
To set you free
Just a replay
Your love was
Just a replay