- published: 29 Sep 2013
- views: 24164
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Uriah Heep is a fictional character created by Charles Dickens in his novel David Copperfield.
The character is notable for his cloying humility, obsequiousness, and insincerity, making frequent references to his own "'humbleness". His name has become synonymous with being a yes man. He is the central antagonist of the latter part of the book.
David first meets the 15-year-old Heep when he is living with Mr. Wickfield and his daughter Agnes, in chapter 15:
Heep has been employed as clerk to Wickfield for four years, since he was eleven. Heep's father, who instilled in him the need to be humble, died when Uriah was ten, and for the first part of the novel he lives alone with his mother in their "umble abode". Copperfield takes an immediate and permanent dislike to Uriah, in spite of the latter's persistent, if insincere attempts to win his friendship. Heep addresses Copperfield as "Master Copperfield" well into their adulthood, an indication of his true patronising view.
Heep is repeatedly described as ugly and repulsive, even in his youth - tall, lank and pale with red hair and lashless eyes. Dickens negatively emphasizes Heep's movements as well, described as jerking and writhing; this leads some literary scholars to believe Dickens is describing a form of dystonia, a muscular disorder, to increase Heep's snakelike character.
…Very 'Eavy …Very 'Umble is the debut album by British rock band Uriah Heep, released in 1970.
It was issued in the United States as Uriah Heep with different sleeve artwork, and with the track "Bird of Prey" in place of "Lucy Blues". The album shows the band trying out various genres – a mix of heavy metal and progressive rock – rather than the hard rock that they would become known for on later albums.
The album was generally panned by the mainstream critical press upon its release, although it has since been acknowledged as an early classic of the heavy metal genre. Rolling Stone magazine's Melissa Mills began her review by saying, "If this group makes it I'll have to commit suicide. From the first note you know you don't want to hear any more."
The original vinyl release was a gatefold sleeve, featuring David Byron on the front sleeve, almost unrecognisable beneath cobwebs.
The album was first released on the Vertigo label in the UK, as was the follow-up Salisbury, but both were quickly reissued by Bronze when the band signed to that label.
Uriah Heep are an English rock band formed in London in 1969. Twelve of the band's albums have made it to the UK Albums Chart (Return to Fantasy reached No. 7 in 1975) while of the fifteen Billboard 200 Uriah Heep albums Demons and Wizards was the most successful (#23, 1972). In the late 1970s the band had massive success in Germany, where the "Lady in Black" single was a big hit. Along with Led Zeppelin, Black Sabbath and Deep Purple, Uriah Heep had become one of the top rock bands in the early 1970s.
Uriah Heep's audience declined by the 1980s, to the point where they became essentially a cult band in the United Kingdom and United States. The band maintains a significant following and performs at arena-sized venues in the Balkans, Germany, Japan, the Netherlands, Russia and Scandinavia. They have sold over 40 million albums worldwide with over 4 million sales in the U.S.
The band's origins go back to 1967 when 19-year-old guitarist Mick Box formed a band in Brentwood called The Stalkers, which began playing in local clubs and pubs. When the band's singer left, drummer Roger Penlington suggested his cousin David Garrick (who knew the band) as a replacement. Box and Garrick instantly formed a songwriting partnership and, having higher musical aspirations than their colleagues, decided to give up their day jobs and go professional. They set up a new band called Spice; it was then that David Garrick changed his second name to Byron. Drummer Alex Napier (born 1947 in Glasgow, Strathclyde, Scotland) joined, having answered a music paper ad and bassist Paul Newton of The Gods completed the line-up.
rarity from the Fallen Angel sessions, 1978. Written and sang by John Lawton. Classic tune!
Legendary rock-icons Uriah Heep were in a great mood when they played the thirtieth anniversary of Wacken Open Air, having a great crowd on a sunny August evening! Songs: 0:00:00 Grazed by Heaven 0:04:48 Too Scared to Run 0:09:29 Take Away My Soul 0:16:16 Rainbow Demon 0:20:52 Knockin' at My Door 0:26:36 Gypsy 0:30:52 Look at Yourself 0:43:07 July Morning 0:54:53 Lady in Black 1:01:21 Sunrise 1:07:25 Easy Livin' WackenTV is the place to find hundreds of clips shot on site throughout the history of the world’s most famous metal festival - getting more and more on every Monday and Thursday. Legendary performances, gorgeous campground atmosphere and exciting glimpses behind the scenes are gathered here. Meet the Wacken-crew with our host Harry Metal and watch out for Wacken-related stuff ...
A true and legendary rock classic performed at Wacken Open Air XXX. Enjoy Easy Livin'! WackenTV is the place to find hundreds of clips shot on site throughout the history of the world’s most famous metal festival - getting more and more on every Monday and Thursday. Legendary performances, gorgeous campground atmosphere and exciting glimpses behind the scenes are gathered here. Meet the Wacken-crew with our host Harry Metal and watch out for Wacken-related stuff like shots from Full Metal Cruise, Full Metal Mountain or Hamburg Metal Dayz. Comment our clips, like us on facebook and take part in our video-vote there once a month. And of course - SUBSCRIBE to the channel, so you don't miss anything! LABEL COLOUR CODE: Red Label - Live Performance Green Label - Documentary Blue Lab...
A Right to Live (previously unreleased promo B-side)
Uriah Heep - Sunrise (Album, The Magician's Birthday 1972) Uriah Heep - Sunrise Live at the Budokan in Tokyo 1973, Japan David Byron - Vocals Mick Box - Guitars Ken Hensley - Keyboards Gary Thain - Bass Lee Kerslake - Drums
Uriah Heep performing their song "Stealin," taken from their album "Sweet Freedom" from 1973 at The Midnight Show on September 28, the same year with their classic lineup. The lineup: (which remained the same from 1972 until 1975) Mick Box: Guitar/backing vocals David Byron (RIP): Lead vocals Ken Hensley (RIP): Keyboard/hammond organ/guitar/lead and backing vocals Gary Thain (RIP): Bass/additional backing vocals Lee Kerslake (RIP): Drums/backing vocals This is published for entertainment purposes only, so I do not own this clip. All the rights go to Uriah Heep. #uriahheep #progressiverock #hardrock #heavymetal #performance #concert #the70s #goldenage #tvshow
Uriah Heep is a fictional character created by Charles Dickens in his novel David Copperfield.
The character is notable for his cloying humility, obsequiousness, and insincerity, making frequent references to his own "'humbleness". His name has become synonymous with being a yes man. He is the central antagonist of the latter part of the book.
David first meets the 15-year-old Heep when he is living with Mr. Wickfield and his daughter Agnes, in chapter 15:
Heep has been employed as clerk to Wickfield for four years, since he was eleven. Heep's father, who instilled in him the need to be humble, died when Uriah was ten, and for the first part of the novel he lives alone with his mother in their "umble abode". Copperfield takes an immediate and permanent dislike to Uriah, in spite of the latter's persistent, if insincere attempts to win his friendship. Heep addresses Copperfield as "Master Copperfield" well into their adulthood, an indication of his true patronising view.
Heep is repeatedly described as ugly and repulsive, even in his youth - tall, lank and pale with red hair and lashless eyes. Dickens negatively emphasizes Heep's movements as well, described as jerking and writhing; this leads some literary scholars to believe Dickens is describing a form of dystonia, a muscular disorder, to increase Heep's snakelike character.
On the rebound, on the rebound
That's how you fell for me
That's how you changed my life
You cut me like a knife
On the rebound, on the rebound
You came, you saw, you took
It only took one look
And lady, I was hooked
On the rebound - it's a replay ...
Your love was on the rebound
On the rebound
You came and took my soul
You came and left a hole
Where your love used to be
On the rebound, on the rebound
You like to drown in your tears
And after all these years
You give your pain to me
On the rebound - you came to me, babe
On the rebound - to set you free
On the rebound - too bad for me
Your love was on the rebound
You came to me
To set you free
To pray for me
It's a replay
You came to repay
It's a replay
To set you free
Just a replay
Your love was
Just a replay