- published: 02 Nov 2014
- views: 2689607
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Peter "Pete" Seeger (May 3, 1919 – January 27, 2014) was an American folk singer and activist. A fixture on nationwide radio in the 1940s, he also had a string of hit records during the early 1950s as a member of the Weavers, most notably their recording of Lead Belly's "Goodnight, Irene", which topped the charts for 13 weeks in 1950. Members of the Weavers were blacklisted during the McCarthy Era. In the 1960s, he re-emerged on the public scene as a prominent singer of protest music in support of international disarmament, civil rights, counterculture and environmental causes.
A prolific songwriter, his best-known songs include "Where Have All the Flowers Gone?" (with Joe Hickerson), "If I Had a Hammer (The Hammer Song)" (with Lee Hays of the Weavers), and "Turn! Turn! Turn!" (lyrics adapted from Ecclesiastes), which have been recorded by many artists both in and outside the folk revival movement and are sung throughout the world. "Flowers" was a hit recording for the Kingston Trio (1962); Marlene Dietrich, who recorded it in English, German and French (1962); and Johnny Rivers (1965). "If I Had a Hammer" was a hit for Peter, Paul & Mary (1962) and Trini Lopez (1963), while the Byrds had a number one hit with "Turn! Turn! Turn!" in 1965.
"Which Side Are You On?" is a song written in 1931 by Florence Reece, the wife of Sam Reece, a union organizer for the United Mine Workers in Harlan County, Kentucky.
In 1931, the miners and the mine owners of that region were locked in a bitter and violent struggle (called the Harlan County War). In an attempt to intimidate the Reece family, Sheriff J. H. Blair and his men (hired by the mining company) illegally entered their family home in search of Sam Reece. Sam had been warned in advance and escaped, but Florence and their children were terrorized in his place. That night, after the men had gone, Florence wrote the lyrics to "Which Side Are You On?" on a calendar that hung in the kitchen of her home. She took the melody from a traditional Baptist hymn, "Lay the Lily Low", or the traditional ballad "Jack Munro".
Reece supported a second wave of miner strikes circa 1973, as recounted in the documentary Harlan County USA. She and others performed "Which Side Are You On?" a number of times throughout. Reece recorded the song later in life, and it can be heard on the album Coal Mining Women.
¿Which Side Are You On? is the seventeenth studio album by singer-songwriter Ani DiFranco, released on January 17, 2012.
The title track is a revised version of the 1931 Florence Reece song "Which Side Are You On?" which was popularized by Pete Seeger. Seeger also provides accompanying vocals and banjo on the track.
All songs written and composed by Ani DiFranco (except track 3 by Florence Reece & Ani DiFranco).
Ani DiFranco – guitars, electric guitar, baritone guitar, tenor guitar, 12-string, percussion, synth bass, keyboards, synthesizer, harpsichord, drum, bells, voices, atmospherics
Todd Sickafoose – bass, bowed bass, electric bass, wurlitzer piano, mellotron, piano, harpsichord, theremin, sk1, bells, pump organ
Andy Borger – drums and percussion
Mike Dillon – vibraphone, tympanis, tubular bells, percussion, triangle, atmospherics
Allison Miller – drums, backing voice
Adam Levy – distorted electric guitar, electric guitar
CC Adcock – clean electric guitar
Pete Seeger – banjo, backing voice
Derrick Tabb – snare drum
The Rivertown Kids – backing voices
The Roots of Music Marching Crusaders – horns and drums
Michael Juan Nunez – pedal steel guitar
Dave Rosser – electric guitar
Ivan Neville – keyboard bass, synthesizer, backing voice
Cyril Neville – drums
Anaïs Mitchell – backing voice
Jeffrey Clemens – percussion
Ashley Toman – harp
Ben Ellman – tenor saxophone
Mark Mullins – trombone
Matt Perrine – tuba
Mike Napolitano – drum loops
Skerik – tenor saxophone (solo) and atmospherics
Side (Greek: Σίδη) is an ancient Greek city on the southern Mediterranean coast of Turkey, a resort town and one of the best-known classical sites in the country. It lies near Manavgat and the village of Selimiye, 78 km from Antalya in the province of Antalya.
It is located on the eastern part of the Pamphylian coast, which lies about 20 km east of the mouth of the Eurymedon River. Today, as in antiquity, the ancient city is situated on a small north-south peninsula about 1 km long and 400 m across.
Strabo and Arrian both record that Side was founded by Greek settlers from Cyme in Aeolis, a region of western Anatolia. This most likely occurred in the 7th century BC. Its tutelary deity was Athena, whose head adorned its coinage.
Dating from the tenth century B.C., its coinage bore the head of Athena (Minerva), the patroness of the city, with a legend. Its people, a piratical horde, quickly forgot their own language to adopt that of the aborigines.
Possessing a good harbour for small-craft boats, Side's natural geography made it one of the most important places in Pamphylia and one of the most important trade centres in the region. According to Arrian, when settlers from Cyme came to Side, they could not understand the dialect. After a short while, the influence of this indigenous tongue was so great that the newcomers forgot their native Greek and started using the language of Side. Excavations have revealed several inscriptions written in this language. The inscriptions, dating from the 3rd and 2nd centuries BC, remain undeciphered, but testify that the local language was still in use several centuries after colonisation. Another object found in the excavations at Side, a basalt column base from the 7th century BC and attributable to the Neo-Hittites, provides further evidence of the site's early history. The name Side may be Anatolian in origin, meaning pomegranate.
Cue sports techniques (usually more specific, e.g., billiards techniques, snooker techniques) are a vital important aspect of game play in the various cue sports such as carom billiards, pool, snooker and other games. Such techniques are used on each shot in an attempt to achieve an immediate aim such as scoring or playing a safety, while at the same time exercising control over the positioning of the cue ball and often the object balls for the next shot or inning.
In carom games, an advanced player's aim on most shots is to leave the cue ball and the object balls in position such that the next shot is of a less difficult variety to make the requisite carom, and so that the next shot is in position to be manipulated in turn for yet another shot; ad infinitum.
Similarly, in many pocket billiards games, an advanced player's aim is to manipulate the cue ball so that it is in position to pocket (pot) a chosen next object ball and so that that next shot can also be manipulated for the next shot, and so on. Whereas in the carom games, manipulation of the object ball's position is crucial as well on every shot, in some pool games this is not as large a factor because on a successful shot the object ball is pocketed. However, many shots in one-pocket, for example, have this same added object ball control factor for most shots.
The terms A-side and B-side refer to the two sides of 78 and 45 rpm phonograph records, whether singles or extended plays (EPs). The A-side usually featured the recording that the artist, record producer, or the record company intended to receive the initial promotional effort and then receive radio airplay, hopefully, to become a "hit" record. The B-side (or "flip-side") is a secondary recording that has a history of its own: some artists, notably Elvis Presley, Little Richard, the Beatles, Chuck Berry, and Oasis, released B-sides that were considered as strong as the A-side and became hits in their own right. Creedence Clearwater Revival had hits, usually unintentionally, with both the B-sides of their A-side releases. Others took the opposite track: producer Phil Spector was in the habit of filling B-sides with on-the-spot instrumentals that no one would confuse with the A-side. With this practice, Spector was assured that airplay was focused on the side he wanted to be the hit side.
Sag mir, wo die Blumen sind, Where have all the flowers gone, long time passing? Where have all the flowers gone, long time ago? Where have all the flowers gone? Young girls have picked them everyone. Oh, when will we ever learn? Oh, when will we ever learn? Where have all the young girls gone, long time passing? Where have all the young girls gone, long time ago? Where have all the young girls gone? Gone for husbands everyone. Oh, when will we ever learn? Oh, when will we ever learn? Where have all the young men gone,long time passing, Where have all the young men gone,long time ago, Where have all the young men gone, They are all in uniform, When will they ever learn? When will they ever learn?
Pete singing Tom Paxton's 'What Did You Learn in School?' on BBC's 'Tonight In Person' in 1964. (Ripped from Folk Sounds of the Sixties, BBC4, 2006). Apologies for the watermark which appears. I hope to upload a watermark-free version in the future.
Pete Seeger performs "We Shall Overcome", Berlin, DDR, 1967 (Version #02) Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use.
“These are my ‘hits?’ Columbia Records picked the title of this album, not me. Now read the truth,” Pete Seeger says at the beginning of the liner notes he has written for the back of this New collection. It is a very good collection: “Little Boxes,” “Wimoweh,” “Where Have All the Flowers Gone,” “Bells of Rhymney,” “Turn, Turn, Turn,” “Guantanamera,” among others. They were recorded in concert. Seeger goes on to explain that these aren’t his hits, but things that he has come across, some of which he has put tunes to or to words and other people have taken up and made hits. The one extraordinary case is when he made a hit of Malvina Reynold’s song (“Little Boxes”) in his own version. If you are in the mood for remenisce or authenticity, this album is an adequate, reasonable and cheap way of...
Peete Seeger & Judy Collins sings "Turn, Turn, Turn!" Words-adapted from the bible, book of Ecclesiastes & Music by Peete Seeger. Follow Judy Collins: Website: http://www.judycollins.com/ Facebook: https://www.facebook.com/Judy-Collins-229031937147719/ Twitter: https://twitter.com/TheJudyCollins Instagram: http://instagram.com/judycollinsofficial Spotify: https://open.spotify.com/artist/5yzE49FicYiSxN61oaxkNn?si=lVVVJVYEROGXc9WpnWhtLQ Apple Music: https://music.apple.com/no/artist/judy-collins/193870 Amazon: https://www.amazon.com/Judy-Collins/e/B000APWERM
On July 26, 1956, the House of Representatives voted 373 to 9 to cite Pete Seeger and seven others (including playwright Arthur Miller) for contempt, as they failed to cooperate with House Un-American Activities Committee (HUAC) in their attempts to investigate alleged subversives and communists. Pete Seeger testified before the HUAC in 1955. In one of Pete's darkest moments, when his personal freedom, his career, and his safety were in jeopardy, a flash of inspiration ignited this song. The song was stirred by a passage from Mikhail Sholokhov's novel "And Quie Flows the Don". Around the world the song traveled and in 1962 at a UNICEF concert in Germany, Marlene Dietrich, Academy Award-nominated German-born American actress, first performed the song in French, as "Qui peut dire ou vont l...
union song
Today, May 3 2009, is Pete Seeger's 90th birthday. I can't make the big concert at Madison Square Garden to celebrate it, so this is my small tribute to him, an amazing man with an amazing wife, and an amazing life. This was performed at the "We Are One" Presidential Inaugural Concert, January 19, 2009. The song was written by Woodie Guthrie in 1940, first recorded by him in 1944 at Folkway Records, but not released until 1951. RIP Pete Seeger May 3, 1919 -- January 27, 2014, Toshi Seeger July 1, 1922 -- July 9, 2013 Discussion, pro and anti Seeger, this song, government, whatever, etc is allowed. However, exceedingly vulgar or hateful comments, and obvious trolling with no reasonable intellectual value, will be deleted. This video meets FAIR USE provisions of Copyright Act of 1976, Tit...
Hear a previously unreleased live version of Woody Guthrie's folk anthem "This Land Is Your Land," performed by Pete Seeger during a show at the University of Tulsa in 1976. His rendition is part of a six-disc anthology project 'The Smithsonian Folkways Collection,' and it's one of 19 previously unreleased songs in the collection. 'Pete Seeger: The Smithsonian Folkways Collection' released by Smithsonian Folkways on May 3, 2019. Stream/download/purchase: Smithsonian Folkways: https://folkways.si.edu/pete-seeger/the-smithsonian-folkways-collection Bandcamp: https://peteseeger.bandcamp.com/album/the-smithsonian-folkways-collection During his travels in early 1940, Woody Guthrie kept hearing Kate Smith’s patriotic “God Bless America” played on the jukebox everywhere he went. Listening to t...
HIDDEN ERROR: Usage of "alma-mater" is not recognized
Peter "Pete" Seeger (May 3, 1919 – January 27, 2014) was an American folk singer and activist. A fixture on nationwide radio in the 1940s, he also had a string of hit records during the early 1950s as a member of the Weavers, most notably their recording of Lead Belly's "Goodnight, Irene", which topped the charts for 13 weeks in 1950. Members of the Weavers were blacklisted during the McCarthy Era. In the 1960s, he re-emerged on the public scene as a prominent singer of protest music in support of international disarmament, civil rights, counterculture and environmental causes.
A prolific songwriter, his best-known songs include "Where Have All the Flowers Gone?" (with Joe Hickerson), "If I Had a Hammer (The Hammer Song)" (with Lee Hays of the Weavers), and "Turn! Turn! Turn!" (lyrics adapted from Ecclesiastes), which have been recorded by many artists both in and outside the folk revival movement and are sung throughout the world. "Flowers" was a hit recording for the Kingston Trio (1962); Marlene Dietrich, who recorded it in English, German and French (1962); and Johnny Rivers (1965). "If I Had a Hammer" was a hit for Peter, Paul & Mary (1962) and Trini Lopez (1963), while the Byrds had a number one hit with "Turn! Turn! Turn!" in 1965.
I see it in your convoluted daydreams
These never ending quests we're always on
I can't believe the things we give importance to
These foolish goals we set ourselves upon
Are you gonna make this easy
Are you gonna make this rough
This world gonna make you crazy
If you never have enough
Most of what we want is just illusion
Most of what we buy won't change a thing
Most of what we're told is misdirection
Offered up to ease our suffering
Are you gonna see the wisdom
Are you gonna call this bluff
This world's gonna run you over
If you never have enough
This is a whole new thing almost like a new religion
The liights are always on the doors are never locked
We ride in on the light the shelves are overstocked
Everybody's got their own connection
Everybody's hoping they can score
Everybody's looking for perfection
Everybody wants a little more
Are you gonna be addicted
Are you gonna give it up
This world's gonna drive you under