- published: 11 Nov 2014
- views: 213948
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Harold Budd (born May 24, 1936) is an American avant-garde composer and poet. He was born in Los Angeles, and raised in the Mojave Desert. He has developed a style of playing piano he terms "soft pedal".
Budd's career as a composer began in 1962. In the following years, he gained a notable reputation in the local avant-garde community. In 1966, he graduated from the University of Southern California (having studied under Ingolf Dahl) with a degree in musical composition. As he progressed, his compositions became increasingly minimalist. Among his more experimental works were two drone music pieces, "Coeur d'Orr" and "The Oak of the Golden Dreams". After composing a long-form gong solo titled "Lirio", he felt he had reached the limits of his experiments in minimalism and the avant-garde. He retired temporarily from composition in 1970 and began a teaching career at the California Institute of the Arts.[1]
"The road from my first colored graph piece in 1962 to my renunciation of composing in 1970 to my resurfacing as a composer in 1972 was a process of trying out an idea and when it was obviously successful abandoning it. The early graph piece was followed by the Rothko orchestra work, the pieces for Source Magazine, the Feldman-derived chamber works, the pieces typed out or written in longhand, the out-and-out conceptual works among other things, and the model drone works (which include the sax and organ "Coeur d'Orr" and "The Oak of the Golden Dreams", the latter based on the Balinese "Slendro" scale which scale I used again 18 years later on "The Real Dream of Sails").
Harold Boyce Budd, Jr. (born January 4, 1939) is an American competition rower and Olympic champion.
Budd won a gold medal in coxed eights at the 1964 Summer Olympics, as a member of the American team.
Provided to YouTube by Universal Music Group Olancha Farewell · Harold Budd Lovely Thunder ℗ 1986 Virgin Records Limited Released on: 1986-01-01 Producer, Associated Performer, Performer: Harold Budd Producer: Michael Hoenig Composer: Harold Budd Auto-generated by YouTube.
“Even if there is only one possible unified theory, it is just a set of rules and equations. What is it that breathes fire into the equations and makes a universe for them to describe? The usual approach of science of constructing a mathematical model cannot answer the questions of why there should be a universe for the model to describe. Why does the universe go to all the bother of existing?” ― Stephen Hawking Harold Budd https://twitter.com/haroldbuddmusic https://www.facebook.com/music.of.harold.budd/ Disclaimer: Dear artists, producers and photographers! The purpose of this upload is to share fantastic music and beautiful pictures! If you are the rightful owner of any material posted by us and want us to remove it, we will do so immediately. Just send us an message/email.
Provided to YouTube by Universal Music Group Flowered Knife Shadows · Harold Budd Lovely Thunder ℗ 1986 Virgin Records Ltd Released on: 1986-01-01 Producer, Associated Performer, Performer: Harold Budd Producer: Michael Hoenig Composer: Harold Budd Auto-generated by YouTube.
Provided to YouTube by PIAS Albion Farewell (homage To Delius For Gavin Bryars) · Harold Budd Budd Box ℗ All Saints Records Released on: 2018-04-18 Composer: Harold Budd Auto-generated by YouTube.
Provided to YouTube by Atlantic Records The Flowered Room · Harold Budd The Room ℗ 2000 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States. All Rights Reserved. Printed in U.S.A. Producer: Harold Budd Engineer: Harold Budd and Michael Coleman Composer, Lyricist: Harold Budd Auto-generated by YouTube.
'Campanile' features on the 2005 album ' La Bella Vista'. Together with the preceding piece ('Bell Tower', which you'll also find on my channel), it makes a good pair of pieces to play together. The whole album was recorded by Daniel Lanois, unknown to Harold Budd, as he sat improvising at the piano in his living room in 2003.
http://www.shannoncenter.org/haroldbudd.htm
Provided to YouTube by Universal Music Group Gypsy Violin · Harold Budd Lovely Thunder ℗ 1986 Virgin Records Limited Released on: 1986-01-01 Producer, Associated Performer, Performer: Harold Budd Producer: Michael Hoenig Composer: Harold Budd Auto-generated by YouTube.
"Music From The Film Mysterious Skin" (2005) - track 4
Artist: Harold Budd Album: Lovely Thunder Labels: Editions EG Format: CD, vinyl, cassette This video is for promotional purposes only. All copyrights reserved to the artist(s) and label(s). Tracklist: 00:00 The Gunfighter 02:55 Sandtreader 08:05 Ice Floes In Eden 11:20 Olancha Farewell 13:25 Flowered Knife Shadows (For Simon Raymonde) 20:15 Valse Pour Le Fine Du Temps 24:55 Gypsy Violin Links: https://www.haroldbudd.com/ https://haroldbudd.bandcamp.com/ Keep the channel going - become a patron: https://www.patreon.com/auferstehung
Released in 2014, this is one of the most atmospheric pieces from the Nighthawks album. Make sure you listen to the original! To adapt it for piano, it was necessary to speed up the tempo a little to stop notes dying. Played on classical piano by Thomas SF.
https://haroldbudd.bandcamp.com/ http://desertskymusic.com/desertskymu... Art by Aykut Aydogdu
Harold Budd (born May 24, 1936) is an American avant-garde composer and poet. He was born in Los Angeles, and raised in the Mojave Desert. He has developed a style of playing piano he terms "soft pedal".
Budd's career as a composer began in 1962. In the following years, he gained a notable reputation in the local avant-garde community. In 1966, he graduated from the University of Southern California (having studied under Ingolf Dahl) with a degree in musical composition. As he progressed, his compositions became increasingly minimalist. Among his more experimental works were two drone music pieces, "Coeur d'Orr" and "The Oak of the Golden Dreams". After composing a long-form gong solo titled "Lirio", he felt he had reached the limits of his experiments in minimalism and the avant-garde. He retired temporarily from composition in 1970 and began a teaching career at the California Institute of the Arts.[1]
"The road from my first colored graph piece in 1962 to my renunciation of composing in 1970 to my resurfacing as a composer in 1972 was a process of trying out an idea and when it was obviously successful abandoning it. The early graph piece was followed by the Rothko orchestra work, the pieces for Source Magazine, the Feldman-derived chamber works, the pieces typed out or written in longhand, the out-and-out conceptual works among other things, and the model drone works (which include the sax and organ "Coeur d'Orr" and "The Oak of the Golden Dreams", the latter based on the Balinese "Slendro" scale which scale I used again 18 years later on "The Real Dream of Sails").