- published: 03 Feb 2021
- views: 1167888
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Harold Budd (born May 24, 1936) is an American avant-garde composer and poet. He was born in Los Angeles, and raised in the Mojave Desert. He has developed a style of playing piano he terms "soft pedal".
Budd's career as a composer began in 1962. In the following years, he gained a notable reputation in the local avant-garde community. In 1966, he graduated from the University of Southern California (having studied under Ingolf Dahl) with a degree in musical composition. As he progressed, his compositions became increasingly minimalist. Among his more experimental works were two drone music pieces, "Coeur d'Orr" and "The Oak of the Golden Dreams". After composing a long-form gong solo titled "Lirio", he felt he had reached the limits of his experiments in minimalism and the avant-garde. He retired temporarily from composition in 1970 and began a teaching career at the California Institute of the Arts.[1]
"The road from my first colored graph piece in 1962 to my renunciation of composing in 1970 to my resurfacing as a composer in 1972 was a process of trying out an idea and when it was obviously successful abandoning it. The early graph piece was followed by the Rothko orchestra work, the pieces for Source Magazine, the Feldman-derived chamber works, the pieces typed out or written in longhand, the out-and-out conceptual works among other things, and the model drone works (which include the sax and organ "Coeur d'Orr" and "The Oak of the Golden Dreams", the latter based on the Balinese "Slendro" scale which scale I used again 18 years later on "The Real Dream of Sails").
Harold Boyce Budd, Jr. (born January 4, 1939) is an American competition rower and Olympic champion.
Budd won a gold medal in coxed eights at the 1964 Summer Olympics, as a member of the American team.
The Mist is a horror novella by the American author Stephen King, in which the small town of Bridgton, Maine is suddenly enveloped in an unnatural mist that conceals otherworldly monsters. It was first published as the first and longest story of the horror anthology Dark Forces in 1980. A slightly edited version was included in King's collection Skeleton Crew (1985). The story is the longest entry in Skeleton Crew and occupies the first 134 pages. To coincide with the theatrical release of the film based on the novella, The Mist was republished as a stand-alone paperback book by Signet on October 2, 2007.
The morning after a violent thunderstorm, a thick unnatural mist quickly spreads across the small town of Bridgton, Maine, reducing visibility to near-zero and concealing numerous species of bizarre creatures which viciously attack anyone and anything that ventures out into the open.
The bulk of the story details the plight of a large group of people who become trapped while shopping in the town supermarket, among them a commercial artist named David Drayton (the protagonist and narrator), David's young son Billy, and their estranged neighbor Brent Norton, who accompanied them into town after a tree smashed Brent's car. Amongst others trapped in the market are a young woman named Amanda Dumfries and two soldiers from a nearby military installation, home to what is referred to as "The Arrowhead Project". The two soldiers' eventual joint suicide lends some credence to the theory that this Project was the source of the disaster.
The Mist (also known as Stephen King's The Mist) is a 2007 American science fiction horror film based on the 1980 novella of the same name by Stephen King. The film was written and directed by Frank Darabont, who had previously adapted King's works The Shawshank Redemption (1994 film based on the 1982 novella) and The Green Mile (1999 film based on the 1996 novel). Darabont had been interested in adapting The Mist for the big screen since the 1980s. The film features an ensemble cast including Thomas Jane, Marcia Gay Harden, Samuel Witwer, Toby Jones, and future The Walking Dead actors Jeffrey DeMunn, Juan Gabriel Pareja, Laurie Holden, and Melissa McBride.
Filming for The Mist began in Shreveport, Louisiana, in February, 2007. The film was commercially released in the United States and Canada on November 21, 2007; it performed well at the box office and received generally positive reviews. Darabont has since revealed that he had "always had it in mind to shoot The Mist in black and white", a decision inspired by such iconic films as Night of the Living Dead (1968) and the "pre-color" work of Ray Harryhausen. While the film's cinematic release was in color, the director has described the black and white print (released on Blu-ray in 2008) as his "preferred version."
Moodu Pani (English: The Mist) is a 1980 Indian Tamil thriller film written, directed and filmed by Balu Mahendra and produced by Raja Cine Arts. Starring Shoba and Pratap K. Pothen in the lead roles, with N. Viswanathan, Ganthimathi, Mohan and Bhanu Chander in supporting roles, it is based on the 1978 novel Idhuvum Oru Viduthalai Thaan by Rajendra Kumar. The film tells the story of Chandru (Pothen), who has a strong hatred towards prostitutes and would kill any such woman whom he encounters. He falls in love with Rekha (Shoba) and believes marrying her will end his psychological distress.
Moodu Pani was the third directorial venture of Mahendra and his second Tamil film after Azhiyatha Kolangal (1979). It was the last film featuring Shoba to be produced before her death in the same year, and the first appearance of Mohan in a Tamil film; he would later become a successful actor in the industry. Moodu Pani was shot mostly in Bangalore, with additional filming taking place in Ooty. The film's similarities to Alfred Hitchcock's Psycho (1960) and the Oedipal elements between Chandru and his mother have been widely discussed. The soundtrack was composed by Ilaiyaraaja, this being his 100th film, and his brother Gangai Amaran was the main lyricist.
Recorded in London, at Basing Street Studios, November 1976. 00:00 Bismillahi ´Rrahmani ´Rrahim 18:23 Two Songs: Let Us Go Into The House Of The Lord / Butterfly Sunday 24:50 Madrigals Of The Rose Angel: Rossetti Noise / The Crystal Garden And A Coda 42:58 Juno https://www.discogs.com/Harold-Budd-Produced-By-Brian-Eno-The-Pavilion-Of-Dreams/release/2998533 Bismillahi ´Rrahmani ´Rrahim: Alto Saxophone – Marion Brown Celesta – Richard Bernas Composed By – Budd Electric Piano – Harold Budd Glockenspiel – Gavin Bryars Harp – Maggie Thomas Marimba – Howard Rees, Jo Julian, John White, Michael Nyman Two Songs: Harp – Maggie Thomas Mezzo-soprano Vocals – Lynda Richardson Let Us Go Into The House Of The Lord Composed By – Budd Butterfly Sunday Adapted By – Harold Budd Composed By – John Coltr...
Based on the ambient theme "A minute, a day, no more" from Harold Budd & Robin Guthrie. This is a 1 hour meditative version. Loop crossfade starts at 5:03:000 (12 loops used). Completed in Adobe Audition.
Harold Budd Agua 1995 Sine Records 01. "White Arcades" - 00:00 02. "Real Dream Of Sails (She Dances By The Light Of The Silvery Moon)" - 04:45 03. "Color" - 15:34 04. "The Pearl (Coyote)" - 22:48 05. "Algebra (The Plateaux Of Mirror)" - 25:37 06. "Plateaux (Algebra Of Darkness)" - 28:43 07. "Coyote" - 35:35 08. "Agua (The Kiss)" - 39:33
Tracklisting : 00:00 — The White Arcades 04:44 — Balthus Bemused By Color 10:01 — The Child With A Lion 16:40 — The Real Dream Of Sails 22:48 — Algebra Of Darkness 29:21 — Totems Of The Red-Sleeved Warrior 32:44 — The Room 35:52 — Coyote 38:37 — The Kiss Album : The White Arcades (1988) Artists / Credits : Music by — Harold Budd Photography By – Wordsalad Note : Tracks 1-6, 8 & 9 recorded at Palladium, Edinburgh Tracks 2 & 4 recorded at The Cocteau Twins, studio London
Harold Budd & Robin Guthrie Before the Day Breaks 2007 Darla Records Tracklist: 01. "How Close Your Soul" - 00:00 02. "A Formless Path" - 07:33 03. "A Minute, A Day, No More" - 11:52 04. "She Is My Weakness" - 17:17 05. "Outside, Silence" - 20:48 06. "Hidden Message" - 25:11 07. "I Returned Her Glance" - 30:01 08. "My Monochrome Vision" - 33:43 09. "Turn On the Moon" - 38:23
Provided to YouTube by Universal Music Group Bismillahi 'Rrahmani 'Rrahim · Harold Budd The Pavilion Of Dreams ℗ 1978 Virgin Records Limited Released on: 1978-01-01 Associated Performer, Piano: Harold Budd Associated Performer, Marimba: Michael Nyman Associated Performer, Glockenspiel: Gavin Bryars Associated Performer, Marimba: John White Associated Performer, Harp: Maggie Thomas Associated Performer, Alto Saxophone: Marion Brown Associated Performer, Celesta: Richard Bernas Producer: Brian Eno Associated Performer, Marimba: Jo Julian Associated Performer, Marimba: Howard Rees Composer: Harold Budd Auto-generated by YouTube.
Provided to YouTube by The Orchard Enterprises As Long as I Can Hold My Breath (By Night) · Harold Budd Avalon Sutra ℗ 2013 Darla Records Released on: 2005-01-18 Music Publisher: Toyon Music Auto-generated by YouTube.
‘Above Chiangmai’ is the fourth track from the classic ‘The Plateaux of Mirror’ album released in 1980. Very much a soundscape, I always think of this piece describing a peaceful place by water in the evening. This is the sixth piece from this album that I’ve recorded. Look out for the others on my channel.
Ambient Dub and Techno mix to soothe the soul with tracks by "Sedibus", "The Arc", "Aphex Twin" , "Harold Budd", "Underworld", "Mental Generation", "The Orb", "Moby" Like if you like Thanks for listening
Pensive Aphrodite 00:00 A Song For Lost Blossoms 32:17 Forever Hold My Breath 36:58 At This Moment 46:51 Of Many Mirrors 53:38 The Saint Of Whispers 58:02 Blind Flowers 01:07:49 Label Darla Records -- DRL198 Released 07 Oct 2008
Harold Budd (born May 24, 1936) is an American avant-garde composer and poet. He was born in Los Angeles, and raised in the Mojave Desert. He has developed a style of playing piano he terms "soft pedal".
Budd's career as a composer began in 1962. In the following years, he gained a notable reputation in the local avant-garde community. In 1966, he graduated from the University of Southern California (having studied under Ingolf Dahl) with a degree in musical composition. As he progressed, his compositions became increasingly minimalist. Among his more experimental works were two drone music pieces, "Coeur d'Orr" and "The Oak of the Golden Dreams". After composing a long-form gong solo titled "Lirio", he felt he had reached the limits of his experiments in minimalism and the avant-garde. He retired temporarily from composition in 1970 and began a teaching career at the California Institute of the Arts.[1]
"The road from my first colored graph piece in 1962 to my renunciation of composing in 1970 to my resurfacing as a composer in 1972 was a process of trying out an idea and when it was obviously successful abandoning it. The early graph piece was followed by the Rothko orchestra work, the pieces for Source Magazine, the Feldman-derived chamber works, the pieces typed out or written in longhand, the out-and-out conceptual works among other things, and the model drone works (which include the sax and organ "Coeur d'Orr" and "The Oak of the Golden Dreams", the latter based on the Balinese "Slendro" scale which scale I used again 18 years later on "The Real Dream of Sails").
As the mist leaves no scar
On the dark green hill
So my body leaves no scar
On you, nor ever will
When wind and hawk encounter
What remains to keep?
So you and I encounter
Then turn then fall to sleep
As many nights endure
Without a moon or star
So will we endure