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  Dove Sta Amore Harold Budd

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  Dove Sta Amore Harold Budd

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Harold Budd

Harold Budd (born May 24, 1936) is an American avant-garde composer and poet. He was born in Los Angeles, and raised in the Mojave Desert. He has developed a style of playing piano he terms "soft pedal".

Education and academic career

Budd's career as a composer began in 1962. In the following years, he gained a notable reputation in the local avant-garde community. In 1966, he graduated from the University of Southern California (having studied under Ingolf Dahl) with a degree in musical composition. As he progressed, his compositions became increasingly minimalist. Among his more experimental works were two drone music pieces, "Coeur d'Orr" and "The Oak of the Golden Dreams". After composing a long-form gong solo titled "Lirio", he felt he had reached the limits of his experiments in minimalism and the avant-garde. He retired temporarily from composition in 1970 and began a teaching career at the California Institute of the Arts.[1]

"The road from my first colored graph piece in 1962 to my renunciation of composing in 1970 to my resurfacing as a composer in 1972 was a process of trying out an idea and when it was obviously successful abandoning it. The early graph piece was followed by the Rothko orchestra work, the pieces for Source Magazine, the Feldman-derived chamber works, the pieces typed out or written in longhand, the out-and-out conceptual works among other things, and the model drone works (which include the sax and organ "Coeur d'Orr" and "The Oak of the Golden Dreams", the latter based on the Balinese "Slendro" scale which scale I used again 18 years later on "The Real Dream of Sails").

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This page contains text from Wikipedia, the Free Encyclopedia - https://wn.com/Harold_Budd

Harold Budd (rower)

Harold Boyce Budd, Jr. (born January 4, 1939) is an American competition rower and Olympic champion.

Budd won a gold medal in coxed eights at the 1964 Summer Olympics, as a member of the American team.

References

Read more

This page contains text from Wikipedia, the Free Encyclopedia - https://wn.com/Harold_Budd_(rower)

Podcasts:

Harold Budd

ALBUMS

• White Bird in a Blizzard released: 2014
• Jane 12-21 released: 2014
• Wind In Lonely Fences: 1970-2011 released: 2013
• Jane 1 - 11 released: 2013
• Budd Box released: 2013
• Bandits of Stature released: 2012
• Nighthawks, Translucence and Drift Music released: 2011
• In The Mist released: 2011
• Winter Garden released: 2011
• Bordeaux released: 2011
• Little Windows released: 2010
• Candylion released: 2009
• A Song for Lost Blossoms released: 2008
• Perhaps released: 2007
• Before the Day Breaks released: 2007
• After the Night Falls released: 2007
• By the Dawn's Early Light released: 2006
• Music for 'Fragments From the Inside' released: 2005
• Mysterious Skin released: 2005
• Avalon Sutra released: 2005
• Ambient 2: The Plateaux of Mirror released: 2004
• Translucence + Drift Music released: 2003
• La Bella Vista released: 2003
• The Room released: 2000
• The Oak of the Golden Dreams released: 1999
• Walk Into My Voice (American Beat Poetry) released: 1998
• Fenceless Night: Selections for Cinema 1980-1998 released: 1998
• Luxa released: 1996
• Glyph released: 1995
• Agua released: 1995
• Through the Hill released: 1994
• She Is a Phantom released: 1994
• Music for 3 Pianos released: 1992
• The Serpent (In Quicksilver) / Abandoned Cities released: 1989
• The White Arcades released: 1988
• The Moon and the Melodies released: 1986
• Lovely Thunder released: 1986
• Abandoned Cities released: 1984
• The Pearl released: 1984
• The Pavilion of Dreams released: 1978

White Bird in a Blizzard

Released 2014

• Visions of Eve
• Brock's Theme
• The Radiant Bride
• Curious
• Forever Changed
• The Affair
• You Know the Combination
• Without a Trace
• Lament for Eve
• The Drive
• I'm Here, Kat, I'm Here
• White Bird

Jane 12-21

Released 2014

• Jane 12
• Jane 13
• Jane 14
• Jane 15
• Jane 16 (For Pale Saints)
• Jane 17
• Jane 18
• Jane 19
• Jane 20
• Jane 21

Wind In Lonely Fences: 1970-2011

Released 2013

• The Oak Of The Golden Dreams
• Bismillahi 'Rrahman 'Rrahim
• Wind In Lonely Fences
• Wanderer
• Dark Star
• The Pearl
• Ooze Out And Away, Onehow
• Ice Floes In Eden
• Algebra Of Darkness
• A Child In A Sylvan Field
• The Messenger
• Hand 20
• She's By The Window
• Nove Alberi
• Adult
• Arabesque 2
• How Distant Your Heart
• Mars And The Artist

Jane 1 - 11

Released 2013

• Jane 1
• Jane 2
• Jane 3
• Jane 4
• Jane 5
• Jane 6
• Jane 7
• Jane 8
• Jane 9
• Jane 10
• Jane 11

Budd Box

Released 2013

• Afar
• Wanderer
• Rub With Ashes
• Children on the Hill
• Widows Charm
• The Serpent (In Quicksilver)

Bandits of Stature

Released 2012

• Merry-Go-Round: The Dream of the Girl at the Lonely Desert Cafe
• Merry-Go-Round: Claude Lorrain Avoids the Cinder Block Motel
• Merry-Go-Round: Nicolas Poussin Near 29 Palms
• Merry-Go-Round: Perfume Doesn't Dance
• Merry-Go-Round: Shout (for Jane Maru)
• Merry-Go-Round: The Moss of Imagination
• Merry-Go-Round: Purvis Startled by Joy
• Merry-Go-Round: Seven Colonnades
• Merry-Go-Round: Veil of Orpheus (Cy Twombly's)
• String Quartet 2003: Haru Spring
• String Quartet 2003: From the Sea of Changes
• String Quartet 2003: Bandits of Stature
• String Quartet 2003: Llano
• String Quartet 2003: Babylon Balboa

Nighthawks, Translucence and Drift Music

Released 2011

• Sunlit Silhouette
• The Other Room
• Some Way Through All the Cities
• Stepping Sideways
• A Delicate Romance
• Linger
• Curtains Blowing
• Weather Patterns
• Coming Into Focus
• After All This Time
• Someone Almost There
• Resonant Frequency
• Avenue of Trees
• Underwater Flowers
• Arriving

In The Mist

Released 2011

• Haru Spring
• The Whispers
• The Startled
• The Foundry (For Mika Vainio)
• The Art of Mirrors (After Derek Jarman)
• Three-Fingered Jack
• Greek George
• Black Bart
• Come Back to Me in Dreams
• Parallel Night
• Sun at 6 Windows
• The Panther of Small Favors
• Mars and the Artist (After Cy Twombly)

Winter Garden

Released 2011

• Don't Go Where I Can't Find You
• Losing My Breath
• Winter Garden
• Entangled
• Harmony and the Play of Light
• Heavy Heart Some More
• White Ceramic
• Stay With Me
• South of Heaven
• Dream On

Bordeaux

Released 2011

• Gaze
• Deva C
• The Names of Those Never Here
• So Many Short Years Ago
• The Belles of Saint Andrew
• Radiant City
• L'Aventure
• Smiling Apart
• Southern Shore

Little Windows

Released 2010

• Plumade
• Prelucid
• Procession of Moons
• Queen of Cydonia
• Numismatic
• Drifting Cities
• Tong War
• Sweet Earth Flying
• Damask, Then

Candylion

Released 2009

• Sunday After the War
• Exit Plan (Perfume)
• On Ships That Sail Away
• Eaux d'artifice
• Beautiful Intruder
• Candylion
• Ribbons Everywhere
• The Bells
• She Slipped Through the Door
• Mlle. Ice
• Orange Portals
• In the Midst of Life

A Song for Lost Blossoms

Released 2008

• Pensive Aphrodite
• A Song for Lost Blossoms
• Forever Hold My Breath
• At This Moment
• Of Many Mirrors
• The Saint of Whispers
• Blind Flowers

Perhaps

Released 2007

• Templar
• Tong War
• Quadari
• Vari
• Nec Spero
• Moss Landing
• Chualar
• Atl Atl
• Nec Metus
• Drita
• Monument
• Reini
• Ghost Cloud

Before the Day Breaks

Released 2007

• How Close Your Soul
• A Formless Path
• A Minute, a Day, No More
• She Is My Weakness
• Outside, Silence
• Hidden Message
• I Returned Her Glance
• My Monochrome Vision
• Turn on the Moon

After the Night Falls

Released 2007

• How Distant Your Heart
• Avenue of Shapes
• Seven Thousand Sunny Years
• She Is My Strength
• Inside, a Golden Echo
• Open Book
• And Then I Turned Away
• The Girl With Colorful Thoughts
• Turn Off the Sun

By the Dawn's Early Light

Released 2006

• Poem: Aztec Hotel
• Boy About 10
• Arcadia
• Dead Horse Alive With Flies
• The Photo of Santiago McKinn
• The Corpse at the Shooting Gallery
• Albion Farewell (Homage to Delius, for Gavin Bryars)
• Poem: Distant Lights of Olancha Recede
• Down the Slopes to the Meadow (For Ruben Garcia)
• She Dances by the Light of the Silvery Moon
• Blind Bird
• Saint's Name Spoken
• The Place of Dead Roads
• A Child in a Sylvan Field
• Poem: Boy About 10
• Poem: Wings
• Poem: No Name
• Poem: Advent

Music for 'Fragments From the Inside'

Released 2005

• One
• Two
• Three
• Four
• Five
• Six
• Seven

Mysterious Skin

Released 2005

• Neil's Theme
• The Memories Returning
• Snowfall
• Neil's Farewell
• Childhood Lost
• Halloween
• A Silhouette Approaches
• Goodbye to Wendy
• Brian's Nightmare / The Unknown, Part One
• Twilight
• The Unknown, Part Two
• The Discovery
• Loitering
• The Writing on the Wall
• One True Love

Avalon Sutra

Released 2005

• Arabesque 3
• It's Steeper Near the Roses (For David Sylvian)
• L'Enfant perdu
• Chrysalis Nu (To Barney's Memory)
• Three Faces West (Billy Al Bengston's)
• Arabesque 2
• Little Heart
• How Vacantly You Stare at Me
• A Walk in the Park With Nancy (In Memory)
• Rue Casimir Delavigne (For Daniel Lentz)
• Arabesque 1
• Porcelain Ginger
• Faraon
• As Long as I Can Hold My Breath

Ambient 2: The Plateaux of Mirror

Released 2004

• First Light
• Steal Away
• The Plateaux of Mirror
• Above Chiangmai
• An Arc of Doves
• Not Yet Remembered
• The Chill Air
• Among Fields of Crystal
• Wind in Lonely Fences
• Failing Light

Translucence + Drift Music

Released 2003

• Subtext
• Spoken Roses
• Momentary Architecture
• Adult
• Long Light
• A Change in the Weather
• Here and Now
• Almost Overlooked
• Implicit
• Raindust
• Missing Person
• You Again

La Bella Vista

Released 2003

• Bell Tower
• Campanile
• The Rose
• Stones
• Her Face
• Children's Game Beyond Our Reach
• The Avenue
• Bird Charmer
• Other Flowers
• Il Leopardo Delle Nevi

The Room

Released 2000

• The Room of Ancillary Dreams
• The Room of Oracles
• The Room of Stairs
• The Room of Corners
• The Room Alight
• The Candied Room
• The Room of Mirrors
• The Room Obscured
• The Room of Forgotten Children
• The Room of Accidental Geometry
• The Room of Secondary Light
• The Flowered Room
• The Room

The Oak of the Golden Dreams

Released 1999

• Pastoral Symphony
• Bacchanale
• Piano Concert for David Tudor
• Amazing Grace
• The Oak of the Golden Dreams
• Cœur d'Or

Walk Into My Voice (American Beat Poetry)

Released 1998

• Radiant Opal
• Becoming Visible
• Beyond This Veil of Crystal Rails
• To Begin Then Not Now
• Interlude 1
• Harlow and the Kid
• Kiss
• Revelation
• Note
• Sparrow
• Interlude 2
• Do I Not Deal With Angels
• Be Music, Night
• The Sea Is Awash With Roses
• This Room Has Mystery Like a Trance
• Fall of the Evening Star
• Beautiful You Are
• Interlude 3
• Neon Thunder Dreams (For Philip Lamantia)
• Interlude 4
• Cancion
• Talk in the Dark
• Postcard
• Interlude 5
• Dove Sta Amore
• Peacocks Walked
• The Wounded Wilderness of Morris Graves
• Interlude 6
• Long-Stemmed
• Amaryllis
• Interlude 7
• To Begin Then Not Now (reprise, alternate mix)
• Postlude

Fenceless Night: Selections for Cinema 1980-1998

Released 1998

• First Light (edit)
• Boy About 10
• She Dances by the Light of the Silvery Moon
• Pandas in Tandem
• Sea, Swallow Me
• Why Do You Love Me?
• Algebra of Darkness
• Balthus Bemused by Color
• Niki D.
• A Sidelong Glance From My Round Nefertiti
• Through the Hill
• Bearded Aphrodite
• The Gunfighter
• Afar
• The Room of Secondary Light
• Their Memories
• The Aperture (edit)
• Wings

Luxa

Released 1996

• Niki D.
• A Sidelong Glance From My Round Nefertiti
• Agnes Martin
• Anish Kapoor
• Paul McCarthy
• Serge Poliakoff
• Djinn
• Porphyry
• How Dark the Response to Our Slipping Away
• Nove Alberi
• Chet
• Mandan
• Feral
• Grace
• Marion Brown (Sweet Earth Flying)
• Steven Brown (Pleasure)

Glyph

Released 1995

• Pandas in Tandem
• You and Me Against the Sky
• And Then She Stepped Aside
• Around the Corner From Everywhere
• Gorgon's Anxious Pansy
• Johnny Cake
• Reflected in the Eye of a Dragon Fly
• As Fast as I Could Look Away She Was Still There
• Autre Django
• The Aperture
• The Light Gave Us Away

Agua

Released 1995

• White Arcades
• Real Dream of Sails
• Color
• The Pearl
• Algebra
• Plateaux
• Coyote
• Agua

Through the Hill

Released 1994

• Hand 19
• Through the Hill
• Great Valley of Gongs
• Western Island of Apples
• Anima Mundi
• Hand 20
• The Place of Odd Glances
• Well for the Sweat of the Moon
• Tenochtitlán's Numberless Bridges
• Ceramic Avenue
• Hand 21
• Missing Pieces to the Game of Salt and Onyx
• Mantle of Peacock Bones
• Bronze Coins Showing Genitals
• Bearded Aphrodite
• Hand 22
• Bosch
• Bruegel

She Is a Phantom

Released 1994

• Breathless... I
• Pantomime...
• The False Attribution...
• Nearly Awakened...
• Tiny Hands, Big Ideas.
• Emboldened / My Dreams Perish.
• A Lazy Smile...
• I Blink and She's Gone.
• We Step Across...
• Like Perfume...
• Handsome. The Spineless...
• Laurel.
• She's by the Window.
• Angels Alight...
• She Has the Glassy...
• Breathless... II
• And Then I Alone Am Alone.
• In Delius' Sleep

Music for 3 Pianos

Released 1992

• Pulse Pause Repeat
• La Muchacha de los Sueños Dorados
• Iris
• Somos Tres
• The Messenger
• La Casa Bruja

The Serpent (In Quicksilver) / Abandoned Cities

Released 1989

• Afar
• Wanderer
• Rub With Ashes
• Children on the Hill
• Windows Charm
• The Serpent (In Quicksilver)
• Dark Star
• Abandoned Cities

The White Arcades

Released 1988

• The White Arcades
• Balthus Bemused by Color
• The Child With a Lion
• The Real Dream of Sails
• Algebra of Darkness
• Totems of the Red-Sleeved Warrior
• The Room
• Coyote
• The Kiss

The Moon and the Melodies

Released 1986

• Sea, Swallow Me
• Memory Gongs
• Why Do You Love Me?
• Eyes Are Mosaics
• She Will Destroy You
• The Ghost Has No Home
• Bloody and Blunt
• Ooze Out and Away, Onehow

Lovely Thunder

Released 1986

• The Gunfighter
• Sandtreader
• Ice Floes in Eden
• Olancha Farewell
• Flowered Knife Shadows (For Simon Raymonde)
• Valse pour le fin du temps
• Gypsy Violin

Abandoned Cities

Released 1984

• Dark Star
• Abandoned Cities

The Pearl

Released 1984

• Late October
• A Stream With Bright Fish
• The Silver Ball
• Against the Sky
• Lost in the Humming Air
• Dark-Eyed Sister
• Their Memories
• The Pearl
• Foreshadowed
• An Echo of Night
• Still Return

The Pavilion of Dreams

Released 1978

• Bismillahi 'Rrahman 'Rrahim
• Two Songs: Let Us Go Into the House of the Lord / Butterfly Sunday
• Madrigals of the Rose Angel: Rosetti Noise / The Crystal Garden and a Coda
• Juno

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• 

  Long-Stemmed (poem by Diane Wakoski)

  Provided to YouTube by The Orchard Enterprises Long-Stemmed (poem by Diane Wakoski) · Harold Budd · Daniel Lentz · Jessica Karraker Walk Into My Voice (American Beat Poetry) ℗ 1996 Materiali Sonori Released on: 1996-01-01 Auto-generated by YouTube.

  published: 21 Nov 2015
• 

  Do I Not Deal with Angels (Poem by Kenneth Patchen)

  Provided to YouTube by The Orchard Enterprises Do I Not Deal with Angels (Poem by Kenneth Patchen) · Harold Budd · Daniel Lentz · Jessica Karraker Walk into My Voice (American Beat Poetry) ℗ 1996 Materiali Sonori Released on: 1996-01-01 Auto-generated by YouTube.

  published: 19 Feb 2017
• 

  To Begin Then Not Now (poem by Philip Lamantia)

  Provided to YouTube by The Orchard Enterprises To Begin Then Not Now (poem by Philip Lamantia) · Harold Budd · Daniel Lentz · Jessica Karraker Walk Into My Voice (American Beat Poetry) ℗ 1996 Materiali Sonori Released on: 1996-01-01 Auto-generated by YouTube.

  published: 21 Nov 2015
• 

  Note (poem by Michael McClure)

  Provided to YouTube by The Orchard Enterprises Note (poem by Michael McClure) · Harold Budd · Daniel Lentz · Jessica Karraker Walk Into My Voice (American Beat Poetry) ℗ 1996 Materiali Sonori Released on: 1996-01-01 Auto-generated by YouTube.

  published: 21 Nov 2015
• 

  Talk In The Dark (poem by Denise Levertov)

  Provided to YouTube by The Orchard Enterprises Talk In The Dark (poem by Denise Levertov) · Harold Budd · Daniel Lentz · Jessica Karraker Walk Into My Voice (American Beat Poetry) ℗ 1996 Materiali Sonori Released on: 1996-01-01 Auto-generated by YouTube.

  published: 21 Nov 2015
• 

  Improvisation 1 - April 2009 - "Improvidance" - Elisa Bartoli (dance) Andrea Di Donna (piano)

  (English/Italiano) Free improvisation in which the dancer is "the master" and the musician "the servant" who has to answer sincerely, although with full freedom, possibly in tune , somehow, to dance gestures. Improvidance is a project by Elisa Bartoli and Andrea Di Donna. Improvidance is founded on extemporaneous, entirely or partly written compositions. It is edifying action born by an intimate need, "improving". Organized convulsion of unexpected and sometimes inconsiderate sounds and movements, "imprevidence". An artistic research lab in which extemporary composition and meticulous writing and coreography is at the service of the deepest inner urgency. Please contact: [email protected] [email protected] Improvvisazione libera durante la quale la ballerina è "i...

  published: 30 Dec 2011
• 

  Calling All Cars: Missing Messenger / Body, Body, Who's Got the Body / All That Glitters

  The Los Angeles Police Department (LAPD) is the police department of the city of Los Angeles, California. The LAPD has been copiously fictionalized in numerous movies, novels and television shows throughout its history. The department has also been associated with a number of controversies, mainly concerned with racial animosity, police brutality and police corruption. The radio show Calling All Cars hired LAPD radio dispacher Jesse Rosenquist to be the voice of the dispatcher. Rosenquist was already famous because home radios could tune into early police radio frequencies. As the first police radio dispatcher presented to the public ear, his was the voice that actors went to when called upon for a radio dispatcher role. The iconic television series Dragnet, with LAPD Detective Joe Frid...

  published: 22 Dec 2012
• 

  The Great Gildersleeve: Audition Program / Arrives in Summerfield / Marjorie's Cake

  The Great Gildersleeve (1941--1957), initially written by Leonard Lewis Levinson, was one of broadcast history's earliest spin-off programs. Built around Throckmorton Philharmonic Gildersleeve, a character who had been a staple on the classic radio situation comedy Fibber McGee and Molly, first introduced on Oct. 3, 1939, ep. #216. The Great Gildersleeve enjoyed its greatest success in the 1940s. Actor Harold Peary played the character during its transition from the parent show into the spin-off and later in a quartet of feature films released at the height of the show's popularity. On Fibber McGee and Molly, Peary's Gildersleeve was a pompous windbag who became a consistent McGee nemesis. "You're a haa-aa-aa-aard man, McGee!" became a Gildersleeve catchphrase. The character was given sev...

  published: 16 Sep 2012

developed with YouTube

1:11

Long-Stemmed (poem by Diane Wakoski)

• Order: Reorder
• Duration: 1:11
• Uploaded Date: 21 Nov 2015
• views: 103

Provided to YouTube by The Orchard Enterprises Long-Stemmed (poem by Diane Wakoski) · Harold Budd · Daniel Lentz · Jessica Karraker Walk Into My Voice (Americ...

Provided to YouTube by The Orchard Enterprises Long-Stemmed (poem by Diane Wakoski) · Harold Budd · Daniel Lentz · Jessica Karraker Walk Into My Voice (American Beat Poetry) ℗ 1996 Materiali Sonori Released on: 1996-01-01 Auto-generated by YouTube.

https://wn.com/Long_Stemmed_(Poem_By_Diane_Wakoski)

Provided to YouTube by The Orchard Enterprises Long-Stemmed (poem by Diane Wakoski) · Harold Budd · Daniel Lentz · Jessica Karraker Walk Into My Voice (American Beat Poetry) ℗ 1996 Materiali Sonori Released on: 1996-01-01 Auto-generated by YouTube.

• published: 21 Nov 2015
• views: 103

1:44

Do I Not Deal with Angels (Poem by Kenneth Patchen)

• Order: Reorder
• Duration: 1:44
• Uploaded Date: 19 Feb 2017
• views: 240

Provided to YouTube by The Orchard Enterprises Do I Not Deal with Angels (Poem by Kenneth Patchen) · Harold Budd · Daniel Lentz · Jessica Karraker Walk into M...

Provided to YouTube by The Orchard Enterprises Do I Not Deal with Angels (Poem by Kenneth Patchen) · Harold Budd · Daniel Lentz · Jessica Karraker Walk into My Voice (American Beat Poetry) ℗ 1996 Materiali Sonori Released on: 1996-01-01 Auto-generated by YouTube.

https://wn.com/Do_I_Not_Deal_With_Angels_(Poem_By_Kenneth_Patchen)

Provided to YouTube by The Orchard Enterprises Do I Not Deal with Angels (Poem by Kenneth Patchen) · Harold Budd · Daniel Lentz · Jessica Karraker Walk into My Voice (American Beat Poetry) ℗ 1996 Materiali Sonori Released on: 1996-01-01 Auto-generated by YouTube.

• published: 19 Feb 2017
• views: 240

1:13

To Begin Then Not Now (poem by Philip Lamantia)

• Order: Reorder
• Duration: 1:13
• Uploaded Date: 21 Nov 2015
• views: 135

Provided to YouTube by The Orchard Enterprises To Begin Then Not Now (poem by Philip Lamantia) · Harold Budd · Daniel Lentz · Jessica Karraker Walk Into My Vo...

Provided to YouTube by The Orchard Enterprises To Begin Then Not Now (poem by Philip Lamantia) · Harold Budd · Daniel Lentz · Jessica Karraker Walk Into My Voice (American Beat Poetry) ℗ 1996 Materiali Sonori Released on: 1996-01-01 Auto-generated by YouTube.

https://wn.com/To_Begin_Then_Not_Now_(Poem_By_Philip_Lamantia)

Provided to YouTube by The Orchard Enterprises To Begin Then Not Now (poem by Philip Lamantia) · Harold Budd · Daniel Lentz · Jessica Karraker Walk Into My Voice (American Beat Poetry) ℗ 1996 Materiali Sonori Released on: 1996-01-01 Auto-generated by YouTube.

• published: 21 Nov 2015
• views: 135

0:37

Note (poem by Michael McClure)

• Order: Reorder
• Duration: 0:37
• Uploaded Date: 21 Nov 2015
• views: 47

Provided to YouTube by The Orchard Enterprises Note (poem by Michael McClure) · Harold Budd · Daniel Lentz · Jessica Karraker Walk Into My Voice (American Bea...

Provided to YouTube by The Orchard Enterprises Note (poem by Michael McClure) · Harold Budd · Daniel Lentz · Jessica Karraker Walk Into My Voice (American Beat Poetry) ℗ 1996 Materiali Sonori Released on: 1996-01-01 Auto-generated by YouTube.

https://wn.com/Note_(Poem_By_Michael_Mcclure)

Provided to YouTube by The Orchard Enterprises Note (poem by Michael McClure) · Harold Budd · Daniel Lentz · Jessica Karraker Walk Into My Voice (American Beat Poetry) ℗ 1996 Materiali Sonori Released on: 1996-01-01 Auto-generated by YouTube.

• published: 21 Nov 2015
• views: 47

1:38

Talk In The Dark (poem by Denise Levertov)

• Order: Reorder
• Duration: 1:38
• Uploaded Date: 21 Nov 2015
• views: 91

Provided to YouTube by The Orchard Enterprises Talk In The Dark (poem by Denise Levertov) · Harold Budd · Daniel Lentz · Jessica Karraker Walk Into My Voice (...

Provided to YouTube by The Orchard Enterprises Talk In The Dark (poem by Denise Levertov) · Harold Budd · Daniel Lentz · Jessica Karraker Walk Into My Voice (American Beat Poetry) ℗ 1996 Materiali Sonori Released on: 1996-01-01 Auto-generated by YouTube.

https://wn.com/Talk_In_The_Dark_(Poem_By_Denise_Levertov)

Provided to YouTube by The Orchard Enterprises Talk In The Dark (poem by Denise Levertov) · Harold Budd · Daniel Lentz · Jessica Karraker Walk Into My Voice (American Beat Poetry) ℗ 1996 Materiali Sonori Released on: 1996-01-01 Auto-generated by YouTube.

• published: 21 Nov 2015
• views: 91

3:34

Improvisation 1 - April 2009 - "Improvidance" - Elisa Bartoli (dance) Andrea Di Donna (piano)

• Order: Reorder
• Duration: 3:34
• Uploaded Date: 30 Dec 2011
• views: 364

(English/Italiano) Free improvisation in which the dancer is "the master" and the musician "the servant" who has to answer sincerely, although with full freedo...

(English/Italiano) Free improvisation in which the dancer is "the master" and the musician "the servant" who has to answer sincerely, although with full freedom, possibly in tune , somehow, to dance gestures. Improvidance is a project by Elisa Bartoli and Andrea Di Donna. Improvidance is founded on extemporaneous, entirely or partly written compositions. It is edifying action born by an intimate need, "improving". Organized convulsion of unexpected and sometimes inconsiderate sounds and movements, "imprevidence". An artistic research lab in which extemporary composition and meticulous writing and coreography is at the service of the deepest inner urgency. Please contact: [email protected] [email protected] Improvvisazione libera durante la quale la ballerina è "il padrone" ed il musicista "il servitore" che è tenuto a rispondere in sintonia più possibilmente sincera sebbene in piena libertà, in qualche modo, ai gesti coreutici. Improvidance è un progetto di Elisa Bartoli ed Andrea Di Donna. Improvidance è basato su composizioni estemporanee, interamente scritte e parzialmente improvvisate. E' azione edificante che nasce da un' esigenza intima, "improving". Convulsione organizzata di suoni e movimenti non previsti e a volte sconsiderati, "imprevidence". Un laboratorio di ricerca artistica dove composizione estemporanea e meticolosa scrittura sono al servizio delle più profonde necessità interiori.

https://wn.com/Improvisation_1_April_2009_Improvidance_Elisa_Bartoli_(Dance)_Andrea_Di_Donna_(Piano)

(English/Italiano) Free improvisation in which the dancer is "the master" and the musician "the servant" who has to answer sincerely, although with full freedom, possibly in tune , somehow, to dance gestures. Improvidance is a project by Elisa Bartoli and Andrea Di Donna. Improvidance is founded on extemporaneous, entirely or partly written compositions. It is edifying action born by an intimate need, "improving". Organized convulsion of unexpected and sometimes inconsiderate sounds and movements, "imprevidence". An artistic research lab in which extemporary composition and meticulous writing and coreography is at the service of the deepest inner urgency. Please contact: [email protected] [email protected] Improvvisazione libera durante la quale la ballerina è "il padrone" ed il musicista "il servitore" che è tenuto a rispondere in sintonia più possibilmente sincera sebbene in piena libertà, in qualche modo, ai gesti coreutici. Improvidance è un progetto di Elisa Bartoli ed Andrea Di Donna. Improvidance è basato su composizioni estemporanee, interamente scritte e parzialmente improvvisate. E' azione edificante che nasce da un' esigenza intima, "improving". Convulsione organizzata di suoni e movimenti non previsti e a volte sconsiderati, "imprevidence". Un laboratorio di ricerca artistica dove composizione estemporanea e meticolosa scrittura sono al servizio delle più profonde necessità interiori.

• published: 30 Dec 2011
• views: 364

1:27:24

Calling All Cars: Missing Messenger / Body, Body, Who's Got the Body / All That Glitters

• Order: Reorder
• Duration: 1:27:24
• Uploaded Date: 22 Dec 2012
• views: 219441

The Los Angeles Police Department (LAPD) is the police department of the city of Los Angeles, California. The LAPD has been copiously fictionalized in numerous...

The Los Angeles Police Department (LAPD) is the police department of the city of Los Angeles, California. The LAPD has been copiously fictionalized in numerous movies, novels and television shows throughout its history. The department has also been associated with a number of controversies, mainly concerned with racial animosity, police brutality and police corruption. The radio show Calling All Cars hired LAPD radio dispacher Jesse Rosenquist to be the voice of the dispatcher. Rosenquist was already famous because home radios could tune into early police radio frequencies. As the first police radio dispatcher presented to the public ear, his was the voice that actors went to when called upon for a radio dispatcher role. The iconic television series Dragnet, with LAPD Detective Joe Friday as the primary character, was the first major media representation of the department. Real LAPD operations inspired Jack Webb to create the series and close cooperation with department officers let him make it as realistic as possible, including authentic police equipment and sound recording on-site at the police station. Due to Dragnet's popularity, LAPD Chief Parker "became, after J. Edgar Hoover, the most well known and respected law enforcement official in the nation". In the 1960s, when the LAPD under Chief Thomas Reddin expanded its community relations division and began efforts to reach out to the African-American community, Dragnet followed suit with more emphasis on internal affairs and community policing than solving crimes, the show's previous mainstay. Several prominent representations of the LAPD and its officers in television and film include Adam-12, Blue Streak, Blue Thunder, Boomtown, The Closer, Colors, Crash, Columbo, Dark Blue, Die Hard, End of Watch, Heat, Hollywood Homicide, Hunter, Internal Affairs, Jackie Brown, L.A. Confidential, Lakeview Terrace, Law & Order: Los Angeles, Life, Numb3rs, The Shield, Southland, Speed, Street Kings, SWAT, Training Day and the Lethal Weapon, Rush Hour and Terminator film series. The LAPD is also featured in the video games Midnight Club II, Midnight Club: Los Angeles, L.A. Noire and Call of Juarez: The Cartel. The LAPD has also been the subject of numerous novels. Elizabeth Linington used the department as her backdrop in three different series written under three different names, perhaps the most popular being those novel featuring Det. Lt. Luis Mendoza, who was introduced in the Edgar-nominated Case Pending. Joseph Wambaugh, the son of a Pittsburgh policeman, spent fourteen years in the department, using his background to write novels with authentic fictional depictions of life in the LAPD. Wambaugh also created the Emmy-winning TV anthology series Police Story. Wambaugh was also a major influence on James Ellroy, who wrote several novels about the Department set during the 1940s and 1950s, the most famous of which are probably The Black Dahlia, fictionalizing the LAPD's most famous "cold case", and L.A. Confidential, which was made into a film of the same name. Both the novel and the film chronicled mass-murder and corruption inside and outside the force during the Parker era. Critic Roger Ebert indicates that the film's characters (from the 1950s) "represent the choices ahead for the LAPD": assisting Hollywood limelight, aggressive policing with relaxed ethics, and a "straight arrow" approach. http://en.wikipedia.org/wiki/LAPD

https://wn.com/Calling_All_Cars_Missing_Messenger_Body,_Body,_Who's_Got_The_Body_All_That_Glitters

The Los Angeles Police Department (LAPD) is the police department of the city of Los Angeles, California. The LAPD has been copiously fictionalized in numerous movies, novels and television shows throughout its history. The department has also been associated with a number of controversies, mainly concerned with racial animosity, police brutality and police corruption. The radio show Calling All Cars hired LAPD radio dispacher Jesse Rosenquist to be the voice of the dispatcher. Rosenquist was already famous because home radios could tune into early police radio frequencies. As the first police radio dispatcher presented to the public ear, his was the voice that actors went to when called upon for a radio dispatcher role. The iconic television series Dragnet, with LAPD Detective Joe Friday as the primary character, was the first major media representation of the department. Real LAPD operations inspired Jack Webb to create the series and close cooperation with department officers let him make it as realistic as possible, including authentic police equipment and sound recording on-site at the police station. Due to Dragnet's popularity, LAPD Chief Parker "became, after J. Edgar Hoover, the most well known and respected law enforcement official in the nation". In the 1960s, when the LAPD under Chief Thomas Reddin expanded its community relations division and began efforts to reach out to the African-American community, Dragnet followed suit with more emphasis on internal affairs and community policing than solving crimes, the show's previous mainstay. Several prominent representations of the LAPD and its officers in television and film include Adam-12, Blue Streak, Blue Thunder, Boomtown, The Closer, Colors, Crash, Columbo, Dark Blue, Die Hard, End of Watch, Heat, Hollywood Homicide, Hunter, Internal Affairs, Jackie Brown, L.A. Confidential, Lakeview Terrace, Law & Order: Los Angeles, Life, Numb3rs, The Shield, Southland, Speed, Street Kings, SWAT, Training Day and the Lethal Weapon, Rush Hour and Terminator film series. The LAPD is also featured in the video games Midnight Club II, Midnight Club: Los Angeles, L.A. Noire and Call of Juarez: The Cartel. The LAPD has also been the subject of numerous novels. Elizabeth Linington used the department as her backdrop in three different series written under three different names, perhaps the most popular being those novel featuring Det. Lt. Luis Mendoza, who was introduced in the Edgar-nominated Case Pending. Joseph Wambaugh, the son of a Pittsburgh policeman, spent fourteen years in the department, using his background to write novels with authentic fictional depictions of life in the LAPD. Wambaugh also created the Emmy-winning TV anthology series Police Story. Wambaugh was also a major influence on James Ellroy, who wrote several novels about the Department set during the 1940s and 1950s, the most famous of which are probably The Black Dahlia, fictionalizing the LAPD's most famous "cold case", and L.A. Confidential, which was made into a film of the same name. Both the novel and the film chronicled mass-murder and corruption inside and outside the force during the Parker era. Critic Roger Ebert indicates that the film's characters (from the 1950s) "represent the choices ahead for the LAPD": assisting Hollywood limelight, aggressive policing with relaxed ethics, and a "straight arrow" approach. http://en.wikipedia.org/wiki/LAPD

• published: 22 Dec 2012
• views: 219441

1:33:29

The Great Gildersleeve: Audition Program / Arrives in Summerfield / Marjorie's Cake

• Order: Reorder
• Duration: 1:33:29
• Uploaded Date: 16 Sep 2012
• views: 256444

The Great Gildersleeve (1941--1957), initially written by Leonard Lewis Levinson, was one of broadcast history's earliest spin-off programs. Built around Throck...

The Great Gildersleeve (1941--1957), initially written by Leonard Lewis Levinson, was one of broadcast history's earliest spin-off programs. Built around Throckmorton Philharmonic Gildersleeve, a character who had been a staple on the classic radio situation comedy Fibber McGee and Molly, first introduced on Oct. 3, 1939, ep. #216. The Great Gildersleeve enjoyed its greatest success in the 1940s. Actor Harold Peary played the character during its transition from the parent show into the spin-off and later in a quartet of feature films released at the height of the show's popularity. On Fibber McGee and Molly, Peary's Gildersleeve was a pompous windbag who became a consistent McGee nemesis. "You're a haa-aa-aa-aard man, McGee!" became a Gildersleeve catchphrase. The character was given several conflicting first names on Fibber McGee and Molly, and on one episode his middle name was revealed as Philharmonic. Gildy admits as much at the end of "Gildersleeve's Diary" on the Fibber McGee and Molly series (Oct. 22, 1940). Premiering on August 31, 1941, The Great Gildersleeve moved the title character from the McGees' Wistful Vista to Summerfield, where Gildersleeve now oversaw his late brother-in-law's estate and took on the rearing of his orphaned niece and nephew, Marjorie (originally played by Lurene Tuttle and followed by Louise Erickson and Mary Lee Robb) and Leroy Forester (Walter Tetley). The household also included a cook named Birdie. Curiously, while Gildersleeve had occasionally spoken of his (never-present) wife in some Fibber episodes, in his own series the character was a confirmed bachelor. In a striking forerunner to such later television hits as Bachelor Father and Family Affair, both of which are centered on well-to-do uncles taking in their deceased siblings' children, Gildersleeve was a bachelor raising two children while, at first, administering a girdle manufacturing company ("If you want a better corset, of course, it's a Gildersleeve") and then for the bulk of the show's run, serving as Summerfield's water commissioner, between time with the ladies and nights with the boys. The Great Gildersleeve may have been the first broadcast show to be centered on a single parent balancing child-rearing, work, and a social life, done with taste and genuine wit, often at the expense of Gildersleeve's now slightly understated pomposity. Many of the original episodes were co-written by John Whedon, father of Tom Whedon (who wrote The Golden Girls), and grandfather of Deadwood scripter Zack Whedon and Joss Whedon (creator of Buffy the Vampire Slayer, Firefly and Dr. Horrible's Sing-Along Blog). The key to the show was Peary, whose booming voice and facility with moans, groans, laughs, shudders and inflection was as close to body language and facial suggestion as a voice could get. Peary was so effective, and Gildersleeve became so familiar a character, that he was referenced and satirized periodically in other comedies and in a few cartoons. http://en.wikipedia.org/wiki/Great_Gildersleeve

https://wn.com/The_Great_Gildersleeve_Audition_Program_Arrives_In_Summerfield_Marjorie's_Cake

The Great Gildersleeve (1941--1957), initially written by Leonard Lewis Levinson, was one of broadcast history's earliest spin-off programs. Built around Throckmorton Philharmonic Gildersleeve, a character who had been a staple on the classic radio situation comedy Fibber McGee and Molly, first introduced on Oct. 3, 1939, ep. #216. The Great Gildersleeve enjoyed its greatest success in the 1940s. Actor Harold Peary played the character during its transition from the parent show into the spin-off and later in a quartet of feature films released at the height of the show's popularity. On Fibber McGee and Molly, Peary's Gildersleeve was a pompous windbag who became a consistent McGee nemesis. "You're a haa-aa-aa-aard man, McGee!" became a Gildersleeve catchphrase. The character was given several conflicting first names on Fibber McGee and Molly, and on one episode his middle name was revealed as Philharmonic. Gildy admits as much at the end of "Gildersleeve's Diary" on the Fibber McGee and Molly series (Oct. 22, 1940). Premiering on August 31, 1941, The Great Gildersleeve moved the title character from the McGees' Wistful Vista to Summerfield, where Gildersleeve now oversaw his late brother-in-law's estate and took on the rearing of his orphaned niece and nephew, Marjorie (originally played by Lurene Tuttle and followed by Louise Erickson and Mary Lee Robb) and Leroy Forester (Walter Tetley). The household also included a cook named Birdie. Curiously, while Gildersleeve had occasionally spoken of his (never-present) wife in some Fibber episodes, in his own series the character was a confirmed bachelor. In a striking forerunner to such later television hits as Bachelor Father and Family Affair, both of which are centered on well-to-do uncles taking in their deceased siblings' children, Gildersleeve was a bachelor raising two children while, at first, administering a girdle manufacturing company ("If you want a better corset, of course, it's a Gildersleeve") and then for the bulk of the show's run, serving as Summerfield's water commissioner, between time with the ladies and nights with the boys. The Great Gildersleeve may have been the first broadcast show to be centered on a single parent balancing child-rearing, work, and a social life, done with taste and genuine wit, often at the expense of Gildersleeve's now slightly understated pomposity. Many of the original episodes were co-written by John Whedon, father of Tom Whedon (who wrote The Golden Girls), and grandfather of Deadwood scripter Zack Whedon and Joss Whedon (creator of Buffy the Vampire Slayer, Firefly and Dr. Horrible's Sing-Along Blog). The key to the show was Peary, whose booming voice and facility with moans, groans, laughs, shudders and inflection was as close to body language and facial suggestion as a voice could get. Peary was so effective, and Gildersleeve became so familiar a character, that he was referenced and satirized periodically in other comedies and in a few cartoons. http://en.wikipedia.org/wiki/Great_Gildersleeve

• published: 16 Sep 2012
• views: 256444

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1:11

Long-Stemmed (poem by Diane Wakoski)

Provided to YouTube by The Orchard Enterprises Long-Stemmed (poem by Diane Wakoski) · Har...

published: 21 Nov 2015

Play in Full Screen

Long-Stemmed (poem by Diane Wakoski)

Long-Stemmed (poem by Diane Wakoski)

• Report rights infringement
• published: 21 Nov 2015
• views: 103

Provided to YouTube by The Orchard Enterprises Long-Stemmed (poem by Diane Wakoski) · Harold Budd · Daniel Lentz · Jessica Karraker Walk Into My Voice (American Beat Poetry) ℗ 1996 Materiali Sonori Released on: 1996-01-01 Auto-generated by YouTube.

• Show More

1:44

Do I Not Deal with Angels (Poem by Kenneth Patchen)

Provided to YouTube by The Orchard Enterprises Do I Not Deal with Angels (Poem by Kenneth...

published: 19 Feb 2017

Play in Full Screen

Do I Not Deal with Angels (Poem by Kenneth Patchen)

Do I Not Deal with Angels (Poem by Kenneth Patchen)

• Report rights infringement
• published: 19 Feb 2017
• views: 240

Provided to YouTube by The Orchard Enterprises Do I Not Deal with Angels (Poem by Kenneth Patchen) · Harold Budd · Daniel Lentz · Jessica Karraker Walk into My Voice (American Beat Poetry) ℗ 1996 Materiali Sonori Released on: 1996-01-01 Auto-generated by YouTube.

• Show More

1:13

To Begin Then Not Now (poem by Philip Lamantia)

Provided to YouTube by The Orchard Enterprises To Begin Then Not Now (poem by Philip Lama...

published: 21 Nov 2015

Play in Full Screen

To Begin Then Not Now (poem by Philip Lamantia)

To Begin Then Not Now (poem by Philip Lamantia)

• Report rights infringement
• published: 21 Nov 2015
• views: 135

Provided to YouTube by The Orchard Enterprises To Begin Then Not Now (poem by Philip Lamantia) · Harold Budd · Daniel Lentz · Jessica Karraker Walk Into My Voice (American Beat Poetry) ℗ 1996 Materiali Sonori Released on: 1996-01-01 Auto-generated by YouTube.

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0:37

Note (poem by Michael McClure)

Provided to YouTube by The Orchard Enterprises Note (poem by Michael McClure) · Harold Bu...

published: 21 Nov 2015

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Note (poem by Michael McClure)

Note (poem by Michael McClure)

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• published: 21 Nov 2015
• views: 47

Provided to YouTube by The Orchard Enterprises Note (poem by Michael McClure) · Harold Budd · Daniel Lentz · Jessica Karraker Walk Into My Voice (American Beat Poetry) ℗ 1996 Materiali Sonori Released on: 1996-01-01 Auto-generated by YouTube.

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1:38

Talk In The Dark (poem by Denise Levertov)

Provided to YouTube by The Orchard Enterprises Talk In The Dark (poem by Denise Levertov)...

published: 21 Nov 2015

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Talk In The Dark (poem by Denise Levertov)

Talk In The Dark (poem by Denise Levertov)

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• published: 21 Nov 2015
• views: 91

Provided to YouTube by The Orchard Enterprises Talk In The Dark (poem by Denise Levertov) · Harold Budd · Daniel Lentz · Jessica Karraker Walk Into My Voice (American Beat Poetry) ℗ 1996 Materiali Sonori Released on: 1996-01-01 Auto-generated by YouTube.

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3:34

Improvisation 1 - April 2009 - "Improvidance" - Elisa Bartoli (dance) Andrea Di Donna (piano)

(English/Italiano) Free improvisation in which the dancer is "the master" and the musicia...

published: 30 Dec 2011

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Improvisation 1 - April 2009 - "Improvidance" - Elisa Bartoli (dance) Andrea Di Donna (piano)

Improvisation 1 - April 2009 - "Improvidance" - Elisa Bartoli (dance) Andrea Di Donna (piano)

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(English/Italiano) Free improvisation in which the dancer is "the master" and the musician "the servant" who has to answer sincerely, although with full freedom, possibly in tune , somehow, to dance gestures. Improvidance is a project by Elisa Bartoli and Andrea Di Donna. Improvidance is founded on extemporaneous, entirely or partly written compositions. It is edifying action born by an intimate need, "improving". Organized convulsion of unexpected and sometimes inconsiderate sounds and movements, "imprevidence". An artistic research lab in which extemporary composition and meticulous writing and coreography is at the service of the deepest inner urgency. Please contact: [email protected] [email protected] Improvvisazione libera durante la quale la ballerina è "il padrone" ed il musicista "il servitore" che è tenuto a rispondere in sintonia più possibilmente sincera sebbene in piena libertà, in qualche modo, ai gesti coreutici. Improvidance è un progetto di Elisa Bartoli ed Andrea Di Donna. Improvidance è basato su composizioni estemporanee, interamente scritte e parzialmente improvvisate. E' azione edificante che nasce da un' esigenza intima, "improving". Convulsione organizzata di suoni e movimenti non previsti e a volte sconsiderati, "imprevidence". Un laboratorio di ricerca artistica dove composizione estemporanea e meticolosa scrittura sono al servizio delle più profonde necessità interiori.

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1:27:24

Calling All Cars: Missing Messenger / Body, Body, Who's Got the Body / All That Glitters

The Los Angeles Police Department (LAPD) is the police department of the city of Los Angel...

published: 22 Dec 2012

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Calling All Cars: Missing Messenger / Body, Body, Who's Got the Body / All That Glitters

Calling All Cars: Missing Messenger / Body, Body, Who's Got the Body / All That Glitters

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• published: 22 Dec 2012
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The Los Angeles Police Department (LAPD) is the police department of the city of Los Angeles, California. The LAPD has been copiously fictionalized in numerous movies, novels and television shows throughout its history. The department has also been associated with a number of controversies, mainly concerned with racial animosity, police brutality and police corruption. The radio show Calling All Cars hired LAPD radio dispacher Jesse Rosenquist to be the voice of the dispatcher. Rosenquist was already famous because home radios could tune into early police radio frequencies. As the first police radio dispatcher presented to the public ear, his was the voice that actors went to when called upon for a radio dispatcher role. The iconic television series Dragnet, with LAPD Detective Joe Friday as the primary character, was the first major media representation of the department. Real LAPD operations inspired Jack Webb to create the series and close cooperation with department officers let him make it as realistic as possible, including authentic police equipment and sound recording on-site at the police station. Due to Dragnet's popularity, LAPD Chief Parker "became, after J. Edgar Hoover, the most well known and respected law enforcement official in the nation". In the 1960s, when the LAPD under Chief Thomas Reddin expanded its community relations division and began efforts to reach out to the African-American community, Dragnet followed suit with more emphasis on internal affairs and community policing than solving crimes, the show's previous mainstay. Several prominent representations of the LAPD and its officers in television and film include Adam-12, Blue Streak, Blue Thunder, Boomtown, The Closer, Colors, Crash, Columbo, Dark Blue, Die Hard, End of Watch, Heat, Hollywood Homicide, Hunter, Internal Affairs, Jackie Brown, L.A. Confidential, Lakeview Terrace, Law & Order: Los Angeles, Life, Numb3rs, The Shield, Southland, Speed, Street Kings, SWAT, Training Day and the Lethal Weapon, Rush Hour and Terminator film series. The LAPD is also featured in the video games Midnight Club II, Midnight Club: Los Angeles, L.A. Noire and Call of Juarez: The Cartel. The LAPD has also been the subject of numerous novels. Elizabeth Linington used the department as her backdrop in three different series written under three different names, perhaps the most popular being those novel featuring Det. Lt. Luis Mendoza, who was introduced in the Edgar-nominated Case Pending. Joseph Wambaugh, the son of a Pittsburgh policeman, spent fourteen years in the department, using his background to write novels with authentic fictional depictions of life in the LAPD. Wambaugh also created the Emmy-winning TV anthology series Police Story. Wambaugh was also a major influence on James Ellroy, who wrote several novels about the Department set during the 1940s and 1950s, the most famous of which are probably The Black Dahlia, fictionalizing the LAPD's most famous "cold case", and L.A. Confidential, which was made into a film of the same name. Both the novel and the film chronicled mass-murder and corruption inside and outside the force during the Parker era. Critic Roger Ebert indicates that the film's characters (from the 1950s) "represent the choices ahead for the LAPD": assisting Hollywood limelight, aggressive policing with relaxed ethics, and a "straight arrow" approach. http://en.wikipedia.org/wiki/LAPD

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1:33:29

The Great Gildersleeve: Audition Program / Arrives in Summerfield / Marjorie's Cake

The Great Gildersleeve (1941--1957), initially written by Leonard Lewis Levinson, was one ...

published: 16 Sep 2012

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The Great Gildersleeve: Audition Program / Arrives in Summerfield / Marjorie's Cake

The Great Gildersleeve: Audition Program / Arrives in Summerfield / Marjorie's Cake

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The Great Gildersleeve (1941--1957), initially written by Leonard Lewis Levinson, was one of broadcast history's earliest spin-off programs. Built around Throckmorton Philharmonic Gildersleeve, a character who had been a staple on the classic radio situation comedy Fibber McGee and Molly, first introduced on Oct. 3, 1939, ep. #216. The Great Gildersleeve enjoyed its greatest success in the 1940s. Actor Harold Peary played the character during its transition from the parent show into the spin-off and later in a quartet of feature films released at the height of the show's popularity. On Fibber McGee and Molly, Peary's Gildersleeve was a pompous windbag who became a consistent McGee nemesis. "You're a haa-aa-aa-aard man, McGee!" became a Gildersleeve catchphrase. The character was given several conflicting first names on Fibber McGee and Molly, and on one episode his middle name was revealed as Philharmonic. Gildy admits as much at the end of "Gildersleeve's Diary" on the Fibber McGee and Molly series (Oct. 22, 1940). Premiering on August 31, 1941, The Great Gildersleeve moved the title character from the McGees' Wistful Vista to Summerfield, where Gildersleeve now oversaw his late brother-in-law's estate and took on the rearing of his orphaned niece and nephew, Marjorie (originally played by Lurene Tuttle and followed by Louise Erickson and Mary Lee Robb) and Leroy Forester (Walter Tetley). The household also included a cook named Birdie. Curiously, while Gildersleeve had occasionally spoken of his (never-present) wife in some Fibber episodes, in his own series the character was a confirmed bachelor. In a striking forerunner to such later television hits as Bachelor Father and Family Affair, both of which are centered on well-to-do uncles taking in their deceased siblings' children, Gildersleeve was a bachelor raising two children while, at first, administering a girdle manufacturing company ("If you want a better corset, of course, it's a Gildersleeve") and then for the bulk of the show's run, serving as Summerfield's water commissioner, between time with the ladies and nights with the boys. The Great Gildersleeve may have been the first broadcast show to be centered on a single parent balancing child-rearing, work, and a social life, done with taste and genuine wit, often at the expense of Gildersleeve's now slightly understated pomposity. Many of the original episodes were co-written by John Whedon, father of Tom Whedon (who wrote The Golden Girls), and grandfather of Deadwood scripter Zack Whedon and Joss Whedon (creator of Buffy the Vampire Slayer, Firefly and Dr. Horrible's Sing-Along Blog). The key to the show was Peary, whose booming voice and facility with moans, groans, laughs, shudders and inflection was as close to body language and facial suggestion as a voice could get. Peary was so effective, and Gildersleeve became so familiar a character, that he was referenced and satirized periodically in other comedies and in a few cartoons. http://en.wikipedia.org/wiki/Great_Gildersleeve

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Harold Budd

Harold Budd (born May 24, 1936) is an American avant-garde composer and poet. He was born in Los Angeles, and raised in the Mojave Desert. He has developed a style of playing piano he terms "soft pedal".

Education and academic career

Budd's career as a composer began in 1962. In the following years, he gained a notable reputation in the local avant-garde community. In 1966, he graduated from the University of Southern California (having studied under Ingolf Dahl) with a degree in musical composition. As he progressed, his compositions became increasingly minimalist. Among his more experimental works were two drone music pieces, "Coeur d'Orr" and "The Oak of the Golden Dreams". After composing a long-form gong solo titled "Lirio", he felt he had reached the limits of his experiments in minimalism and the avant-garde. He retired temporarily from composition in 1970 and began a teaching career at the California Institute of the Arts.[1]

"The road from my first colored graph piece in 1962 to my renunciation of composing in 1970 to my resurfacing as a composer in 1972 was a process of trying out an idea and when it was obviously successful abandoning it. The early graph piece was followed by the Rothko orchestra work, the pieces for Source Magazine, the Feldman-derived chamber works, the pieces typed out or written in longhand, the out-and-out conceptual works among other things, and the model drone works (which include the sax and organ "Coeur d'Orr" and "The Oak of the Golden Dreams", the latter based on the Balinese "Slendro" scale which scale I used again 18 years later on "The Real Dream of Sails").

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This page contains text from Wikipedia, the Free Encyclopedia - https://wn.com/Harold_Budd

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Long-Stemmed (poem by Diane Wakoski)...

Do I Not Deal with Angels (Poem by Kenneth Patchen...

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Note (poem by Michael McClure)...

Talk In The Dark (poem by Denise Levertov)...

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The Great Gildersleeve: Audition Program / Arrives...