- published: 26 Feb 2016
- views: 158537
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Harold Budd (born May 24, 1936) is an American avant-garde composer and poet. He was born in Los Angeles, and raised in the Mojave Desert. He has developed a style of playing piano he terms "soft pedal".
Budd's career as a composer began in 1962. In the following years, he gained a notable reputation in the local avant-garde community. In 1966, he graduated from the University of Southern California (having studied under Ingolf Dahl) with a degree in musical composition. As he progressed, his compositions became increasingly minimalist. Among his more experimental works were two drone music pieces, "Coeur d'Orr" and "The Oak of the Golden Dreams". After composing a long-form gong solo titled "Lirio", he felt he had reached the limits of his experiments in minimalism and the avant-garde. He retired temporarily from composition in 1970 and began a teaching career at the California Institute of the Arts.[1]
"The road from my first colored graph piece in 1962 to my renunciation of composing in 1970 to my resurfacing as a composer in 1972 was a process of trying out an idea and when it was obviously successful abandoning it. The early graph piece was followed by the Rothko orchestra work, the pieces for Source Magazine, the Feldman-derived chamber works, the pieces typed out or written in longhand, the out-and-out conceptual works among other things, and the model drone works (which include the sax and organ "Coeur d'Orr" and "The Oak of the Golden Dreams", the latter based on the Balinese "Slendro" scale which scale I used again 18 years later on "The Real Dream of Sails").
Harold Boyce Budd, Jr. (born January 4, 1939) is an American competition rower and Olympic champion.
Budd won a gold medal in coxed eights at the 1964 Summer Olympics, as a member of the American team.
Delius is a surname. Notable people with the surname include:
Fictional characters:
Collins Classics OFFICIAL - Delius (FULL ALBUM) Orchestral Works Spotify: http://spoti.fi/1PzHcBa iTunes: http://apple.co/1WnoOxc 00:00 A Walk To The Paradise Garden 10:11 Brigg Fair 24:59 On Hearing The First Cuckoo In Spring 32:16 Summer Night On The River 13:52 A Song Before Sunrise 44:26 La Calinda 48:37 Summer Evening 54:17 In A Summer Garden Performed by the London Symphony Orchestra Conducted by Barry Wordsworth
Frederick Delius: In a Summer Garden ∙ hr-Sinfonieorchester – Frankfurt Radio Symphony ∙ Sir Andrew Davis, Dirigent ∙ Alte Oper Frankfurt, 13. Mai 2016 ∙ Website: http://www.hr-sinfonieorchester.de ∙ Facebook: http://www.facebook.com/hrsinfonieorchester
On Hearing the First Cuckoo in Spring is a tone poem composed in 1912 by Frederick Delius CH; it was first performed in Leipzig on 23 October 1913. It is the first of "Two Pieces for Small Orchestra", the second piece being Summer Night on the River, although these have for many years existed separately on recordings and in the concert hall. The piece opens with a slow three-bar sequence; its first theme is an exchange of cuckoo calls, first for oboe, then for divided strings. The second theme is scored for first violins, and is taken from a Norwegian folk song, "In Ola Valley", which was brought to his attention by the Australian composer and folk-song arranger Percy Grainger. (The theme was also quoted by Edvard Grieg in his 19 Norwegian Folksongs, Op. 66.) The clarinet returns with the...
Updated full H.D. version. Frederick Delius - 1862-1934 - An English composer. Born in the north of England to a prosperous mercantile family, he resisted attempts to recruit him to commerce. He was sent to Florida in the United States in 1884 to manage an orange plantation. There he soon neglected his managerial duties, and in 1886 returned to Europe. Having been influenced by African-American music during his short stay in Florida, he began composing. After a brief period of formal musical study in Germany beginning in 1886, he embarked on a full-time career as a composer in Paris and then in nearby Grez-sur-Loing, where he and his wife Jelka lived for the rest of their lives, except during the First World War. In his later years Delius became blind and severely disabled, unable to com...
Frederick Delius (1862-1934) Complete Orchestral & Choral Works. Listen to our latest mastering update: https://bit.ly/3Qlltl8 🎧 Qobuz https://bit.ly/3JK1nhS Deezer https://bit.ly/3AewDm3 🎧 Amazon Music https://amzn.to/3SFIVeh Tidal https://bit.ly/3SMetPU 🎧 Spotify https://spoti.fi/3BZGopo Youtube Music http://bit.ly/3Qew0z9 🎧 Apple Music — SoundCloud — 🎧 Naspter, Pandora, Anghami, LineMusic日本, Awa日本, QQ音乐 … *Click to activate the English subtitles for the presentation* (00:00-06:15) Florida Suite I.Daybreak - Dance (00:00) II.By the River (10:26) III.Sunset - Near the Plantation (17:41) IV.At Night (27:25) Summer Evening (35:05) Songs of Sunset (41:24) Baritone : John Cameron / Contralto : Maureen Forrester Over the Hills and Far Away (1:10:49) Sleigh Ride - Winternacht (1:23:48) B...
Provided to YouTube by Parlophone UK Delius · Kate Bush Never for Ever ℗ 1980 Parlophone Records Ltd, a Warner Music Group Company Electric Guitar: Alan Murphy Bass Vocals: Ian Bairnson Unknown: John Barratt Unknown: Jon Jacobs Engineer, Producer: Jon Kelly Arranger, Producer: Kate Bush Piano: Kate Bush Lead Vocals: Kate Bush Harmony Vocals: Kate Bush Sitar: Paddy Bush Bass Vocals: Paddy Bush Percussion: Preston Heyman Writer: Kate Bush Auto-generated by YouTube.
1. Slow, but not dragging 2. Gaily but not quick. Frederick Delius - 1862-1934 - An English composer. Born in the north of England to a prosperous mercantile family, he resisted attempts to recruit him to commerce. He was sent to Florida in the United States in 1884 to manage an orange plantation. There he soon neglected his managerial duties, and in 1886 returned to Europe. Having been influenced by African-American music during his short stay in Florida, he began composing. After a brief period of formal musical study in Germany beginning in 1886, he embarked on a full-time career as a composer in Paris and then in nearby Grez-sur-Loing, where he and his wife Jelka lived for the rest of their lives, except during the First World War. In his later years Delius became blind and severely d...
It Would Have To Be...A Song of the High Hills One of the most magical creations by a composer whose nature poetry was second to none, but who will never achieve the popularity that his best works surely deserve. The List So Far... 1. Ravel: Ma Mère l’Oye (Mother Goose Ballet) 2. Bruckner: Symphony No. 7 3. Schubert: String Quintet in C major 4. Shostakovich: Symphony No. 4 5. Mahler: Symphony No. 2 “Resurrection” 6. Tchaikovsky: The Nutcracker 7. Debussy: Preludes for Piano (Books 1 & 2) 8: Handel: Saul 9. Mozart: Le Nozze di Figaro 10. Brahms: String Sextet No. 2 in G major 11. Vaughan Williams: Job 12. Bach: Goldberg Variations 13. R. Strauss: Four Last Songs 14. Berlioz: The Damnation of Faust 15. Haydn: “Paris” Symphonies (Nos. 82-87) 16. Wagner: Der Ring des Nibelungen 17. Beethoven...
- Composer: Frederick Theodore Albert Delius (29 January 1862 -- 10 June 1934) - Orchestra: London Symphony Orchestra - Conductor: John Barbirolli - Year of recording: 1967 Painting: Delius in his Garden at Grez-sur-Loing. Oil on canvas by Jelka Rosen {his wife}, early 1900s. "A Song of Summer", tone poem for orchestra, written in 1930-1931. After Delius was blinded and crippled by tertiary syphilis in the early '20s, his composing career seemed effectively to have ended. But the arrival of Eric Fenby, a young English man who had fallen in love with Delius' music, re-vitalized Delius, and, with Fenby's help and cooperation as an amanuensis, Delius returned to composition. Arguably the best work of Delius' final creative period was A Song of Summer. Based on A Poem of Life and Love that ...
Michael Seal conducts Delius' 1912 tone poem On Hearing the First Cuckoo in Spring, a piece which RPO founder Thomas Beecham conducted and recorded many times throughout his life. Filmed in May 2021 at Cadogan Hall. https://www.rpo.co.uk Follow us: Facebook: https://www.facebook.com/royalphilharmonicorchestra Instagram: https://www.instagram.com/royalphilorchestra Twitter: https://www.twitter.com/rpoonline TikTok: https://www.tiktok.com/@royalphilorchestra
Harold Budd (born May 24, 1936) is an American avant-garde composer and poet. He was born in Los Angeles, and raised in the Mojave Desert. He has developed a style of playing piano he terms "soft pedal".
Budd's career as a composer began in 1962. In the following years, he gained a notable reputation in the local avant-garde community. In 1966, he graduated from the University of Southern California (having studied under Ingolf Dahl) with a degree in musical composition. As he progressed, his compositions became increasingly minimalist. Among his more experimental works were two drone music pieces, "Coeur d'Orr" and "The Oak of the Golden Dreams". After composing a long-form gong solo titled "Lirio", he felt he had reached the limits of his experiments in minimalism and the avant-garde. He retired temporarily from composition in 1970 and began a teaching career at the California Institute of the Arts.[1]
"The road from my first colored graph piece in 1962 to my renunciation of composing in 1970 to my resurfacing as a composer in 1972 was a process of trying out an idea and when it was obviously successful abandoning it. The early graph piece was followed by the Rothko orchestra work, the pieces for Source Magazine, the Feldman-derived chamber works, the pieces typed out or written in longhand, the out-and-out conceptual works among other things, and the model drone works (which include the sax and organ "Coeur d'Orr" and "The Oak of the Golden Dreams", the latter based on the Balinese "Slendro" scale which scale I used again 18 years later on "The Real Dream of Sails").
I lay awake at night and pray
Not to see the light of day
I wonder how to behave right
He has left me such a mess
Counting to protest
My mind can't get no rest
Fast asleep where I keep my memories
Calling me out in dreams
He visits me
What will be
Will I see him again soon?
Oh oh oh oh
Why am I so terrified of waking?
He's gone and I feel I've been forsaken
In sleep is the only place I get to see him, get to love him
The scene, a city after dawn
Becomes a field of corn
And I've had this one before
Fast asleep where I keep my memories
Calling me out in dreams
He visits me
What will be
Will I see him again soon?
Oh oh oh oh
Why am I so terrified of waking?
He's gone and I feel I've been forsaken
In sleep is the only place I get to see him, get to love him
I know that when the story ends
The one that's in my head
Well, I'll be alone again
Why am I so terrified of waking?
He's gone and I feel I've been forsaken
In sleep is the only place I get to see him, get to love him
Be with him