-
Bernstein, The greatest 5 min. in music education
This amazing lecture series (The unanswered Question ), is actually an interdisciplinary overview about the evolution of Western European classical music from Bach through the 20th century crisis and beyond a bit . Mr. Bernstein uses linguistics namely Chomskian Linguistics to provide a framework to illustrate how music and all the arts evolved toward greater and greater levels of ambiguity/expressivity over history until the 20th century crisis . He manages this impressive feat of popular education , by dividing music into; Phonology (the study of sound); Syntax (the study of structure) and; Semantics (the study of meaning)
published: 07 Nov 2012
-
George Gershwin - Rhapsody in Blue - Leonard Bernstein, New York Philharmonic (1976)
Leonard Bernstein conducts the New York Philharmonic and plays piano in a performance of George Gershwin's Rhapsody in Blue at the Royal Albert Hall in 1976.
published: 05 Dec 2014
-
Tenor Keeps Screwing Up while Bernstein Conducts - Awkward Sequence
Bernstein conducts his own score form West Side Story in the recording studio, and has a "fun" time with a poor tenor who keeps screwing it up. I really can't blame Jose Carreras - it's just a great tense sequence caught on film.
published: 19 Nov 2014
-
Candide Overture: Leonard Bernstein conducting
Candide Overture, conducted by the composer himself, Leonard Bernstein. Concert performance of Candide with June Anderson, Jerry Hadley, Christa Ludwig, Nicolai Gedda - London Symphony Orchestra (London, December 13, 1989).
published: 07 May 2007
-
The Best of Bernstein
Leonard Bernstein (August 25, 1918 – October 14, 1990) was an American composer, conductor, author, music lecturer, and pianist. He was among the first conductors born and educated in the US to receive worldwide acclaim. According to music critic Donal Henahan, he was "one of the most prodigiously talented and successful musicians in American history."
His fame derived from his long tenure as the music director of the New York Philharmonic, from his conducting of concerts with most of the world's leading orchestras, and from his music for West Side Story, Peter Pan,[3] Candide, Wonderful Town, On the Town, On the Waterfront, his Mass, and a range of other compositions, including three symphonies and many shorter chamber and solo works.
Bernstein was the first conductor to give a series o...
published: 29 May 2013
-
Leonard Bernstein's Reflections: Portrait of Bernstein at the zenith of his career
Filmed in 1977, the documentary had to wait thirty-one years before being released in his native country. It shows the iconic American conductor rehearsing and performing at a Bernstein retrospective in Tel Aviv - equally amazingly, the very first retrospective given to his music.
#leonardbernstein #maestro #westsidestory
Subscribe to EuroArts: https://goo.gl/jrui3M
Watch an amazing performance of Bernstein's "Mambo" from "West Side Story" by Gustavo Dudamel with Orquesta Sinfónica Simón Bolívar de Venezuela:
https://youtu.be/lceRH17lSfw
In Leonard Bernstein: Reflections, he discusses his Boston childhood, his musical growth at Harvard and the Curtis Institute, and the influence of great masters like Reiner, Mitropoulos, and Koussevitzky. He shares his feelings on the primacy of tonal...
published: 11 Jun 2021
-
Leonard Bernstein talks about the Beatles
Excerpts from the documentary Inside Pop: The Rock Revolution, originally broadcast April 25, 1967.
published: 18 Jan 2021
-
Vocalist Disagrees With Bernstein's Tempo
Bernstein describes this passage as "always impossible" and suggests that the audience won't understand the words anyway, so what's the big deal? Awkward.
published: 23 Feb 2021
-
Leonard Bernstein
Maestro
published: 05 Nov 2019
-
Leonard Bernstein Discussing Beethoven's 6th and 7th Symphony
Leonard Bernstein and Maximilian Schell discuss some of the aspects of the Symphony No. 6 "Pastoral" and Symphony No. 7 by Ludwig Van Beethoven. They also discuss his life and how he composed some of his music.
published: 14 Jan 2011
6:00
Bernstein, The greatest 5 min. in music education
This amazing lecture series (The unanswered Question ), is actually an interdisciplinary overview about the evolution of Western European classical music from B...
This amazing lecture series (The unanswered Question ), is actually an interdisciplinary overview about the evolution of Western European classical music from Bach through the 20th century crisis and beyond a bit . Mr. Bernstein uses linguistics namely Chomskian Linguistics to provide a framework to illustrate how music and all the arts evolved toward greater and greater levels of ambiguity/expressivity over history until the 20th century crisis . He manages this impressive feat of popular education , by dividing music into; Phonology (the study of sound); Syntax (the study of structure) and; Semantics (the study of meaning)
https://wn.com/Bernstein,_The_Greatest_5_Min._In_Music_Education
This amazing lecture series (The unanswered Question ), is actually an interdisciplinary overview about the evolution of Western European classical music from Bach through the 20th century crisis and beyond a bit . Mr. Bernstein uses linguistics namely Chomskian Linguistics to provide a framework to illustrate how music and all the arts evolved toward greater and greater levels of ambiguity/expressivity over history until the 20th century crisis . He manages this impressive feat of popular education , by dividing music into; Phonology (the study of sound); Syntax (the study of structure) and; Semantics (the study of meaning)
- published: 07 Nov 2012
- views: 4711184
17:03
George Gershwin - Rhapsody in Blue - Leonard Bernstein, New York Philharmonic (1976)
Leonard Bernstein conducts the New York Philharmonic and plays piano in a performance of George Gershwin's Rhapsody in Blue at the Royal Albert Hall in 1976.
Leonard Bernstein conducts the New York Philharmonic and plays piano in a performance of George Gershwin's Rhapsody in Blue at the Royal Albert Hall in 1976.
https://wn.com/George_Gershwin_Rhapsody_In_Blue_Leonard_Bernstein,_New_York_Philharmonic_(1976)
Leonard Bernstein conducts the New York Philharmonic and plays piano in a performance of George Gershwin's Rhapsody in Blue at the Royal Albert Hall in 1976.
- published: 05 Dec 2014
- views: 9094258
5:02
Tenor Keeps Screwing Up while Bernstein Conducts - Awkward Sequence
Bernstein conducts his own score form West Side Story in the recording studio, and has a "fun" time with a poor tenor who keeps screwing it up. I really can't ...
Bernstein conducts his own score form West Side Story in the recording studio, and has a "fun" time with a poor tenor who keeps screwing it up. I really can't blame Jose Carreras - it's just a great tense sequence caught on film.
https://wn.com/Tenor_Keeps_Screwing_Up_While_Bernstein_Conducts_Awkward_Sequence
Bernstein conducts his own score form West Side Story in the recording studio, and has a "fun" time with a poor tenor who keeps screwing it up. I really can't blame Jose Carreras - it's just a great tense sequence caught on film.
- published: 19 Nov 2014
- views: 1769780
4:42
Candide Overture: Leonard Bernstein conducting
Candide Overture, conducted by the composer himself, Leonard Bernstein. Concert performance of Candide with June Anderson, Jerry Hadley, Christa Ludwig, Nicola...
Candide Overture, conducted by the composer himself, Leonard Bernstein. Concert performance of Candide with June Anderson, Jerry Hadley, Christa Ludwig, Nicolai Gedda - London Symphony Orchestra (London, December 13, 1989).
https://wn.com/Candide_Overture_Leonard_Bernstein_Conducting
Candide Overture, conducted by the composer himself, Leonard Bernstein. Concert performance of Candide with June Anderson, Jerry Hadley, Christa Ludwig, Nicolai Gedda - London Symphony Orchestra (London, December 13, 1989).
- published: 07 May 2007
- views: 3442476
1:03:51
The Best of Bernstein
Leonard Bernstein (August 25, 1918 – October 14, 1990) was an American composer, conductor, author, music lecturer, and pianist. He was among the first conducto...
Leonard Bernstein (August 25, 1918 – October 14, 1990) was an American composer, conductor, author, music lecturer, and pianist. He was among the first conductors born and educated in the US to receive worldwide acclaim. According to music critic Donal Henahan, he was "one of the most prodigiously talented and successful musicians in American history."
His fame derived from his long tenure as the music director of the New York Philharmonic, from his conducting of concerts with most of the world's leading orchestras, and from his music for West Side Story, Peter Pan,[3] Candide, Wonderful Town, On the Town, On the Waterfront, his Mass, and a range of other compositions, including three symphonies and many shorter chamber and solo works.
Bernstein was the first conductor to give a series of television lectures on classical music, starting in 1954 and continuing until his death. He was a skilled pianist,[4] often conducting piano concertos from the keyboard. He was also a critical figure in the modern revival of the music of Gustav Mahler, the composer he was most passionately interested in.[5]
As a composer he wrote in many styles encompassing symphonic and orchestral music, ballet, film and theatre music, choral works, opera, chamber music and pieces for the piano. Many of his works are regularly performed around the world, although none has matched the tremendous popular and critical success of West Side Story.
Leonard Bernstein
Tracklist:
Candide
1. Abertura
Três variações do Balé "Fancy Free"
2. Variação I: Galop
3. Variação II: Waltz
4. Variação III: Danzon
Danças Sinfônicas de "West Side Story" (Amor, Sublime Amor)
5. Prólogo (Allegro moderato)
6. Somewhere (Adagio)
7. Scherzo (Vivace e leggiero)
8. Mambo (Meno presto)
9. Cha-Cha (Andantino con grazia)
10. Meeting Scene (Meno mosso)
11. Cool Fugue (Allegretto)
12. Rumble (Molto allegro)
13. Finale (Adagio)
Três episódios de dança "On The Town" (Um dia em Nova York)
14. I. The Great Lover
15. II. Lonely Town: Pas de deux
16. III. Times Square: 1944
17. Suíte sinfônica de "On the Waterfront" (Sindicato dos Ladrões)
Royal Philharmonic Orchestra
For more:
http://www.melhoresmusicasclassicas.blogspot.com
#MusicHistory
#ClassicalMusic
#Bernstein
https://wn.com/The_Best_Of_Bernstein
Leonard Bernstein (August 25, 1918 – October 14, 1990) was an American composer, conductor, author, music lecturer, and pianist. He was among the first conductors born and educated in the US to receive worldwide acclaim. According to music critic Donal Henahan, he was "one of the most prodigiously talented and successful musicians in American history."
His fame derived from his long tenure as the music director of the New York Philharmonic, from his conducting of concerts with most of the world's leading orchestras, and from his music for West Side Story, Peter Pan,[3] Candide, Wonderful Town, On the Town, On the Waterfront, his Mass, and a range of other compositions, including three symphonies and many shorter chamber and solo works.
Bernstein was the first conductor to give a series of television lectures on classical music, starting in 1954 and continuing until his death. He was a skilled pianist,[4] often conducting piano concertos from the keyboard. He was also a critical figure in the modern revival of the music of Gustav Mahler, the composer he was most passionately interested in.[5]
As a composer he wrote in many styles encompassing symphonic and orchestral music, ballet, film and theatre music, choral works, opera, chamber music and pieces for the piano. Many of his works are regularly performed around the world, although none has matched the tremendous popular and critical success of West Side Story.
Leonard Bernstein
Tracklist:
Candide
1. Abertura
Três variações do Balé "Fancy Free"
2. Variação I: Galop
3. Variação II: Waltz
4. Variação III: Danzon
Danças Sinfônicas de "West Side Story" (Amor, Sublime Amor)
5. Prólogo (Allegro moderato)
6. Somewhere (Adagio)
7. Scherzo (Vivace e leggiero)
8. Mambo (Meno presto)
9. Cha-Cha (Andantino con grazia)
10. Meeting Scene (Meno mosso)
11. Cool Fugue (Allegretto)
12. Rumble (Molto allegro)
13. Finale (Adagio)
Três episódios de dança "On The Town" (Um dia em Nova York)
14. I. The Great Lover
15. II. Lonely Town: Pas de deux
16. III. Times Square: 1944
17. Suíte sinfônica de "On the Waterfront" (Sindicato dos Ladrões)
Royal Philharmonic Orchestra
For more:
http://www.melhoresmusicasclassicas.blogspot.com
#MusicHistory
#ClassicalMusic
#Bernstein
- published: 29 May 2013
- views: 172368
49:57
Leonard Bernstein's Reflections: Portrait of Bernstein at the zenith of his career
Filmed in 1977, the documentary had to wait thirty-one years before being released in his native country. It shows the iconic American conductor rehearsing and ...
Filmed in 1977, the documentary had to wait thirty-one years before being released in his native country. It shows the iconic American conductor rehearsing and performing at a Bernstein retrospective in Tel Aviv - equally amazingly, the very first retrospective given to his music.
#leonardbernstein #maestro #westsidestory
Subscribe to EuroArts: https://goo.gl/jrui3M
Watch an amazing performance of Bernstein's "Mambo" from "West Side Story" by Gustavo Dudamel with Orquesta Sinfónica Simón Bolívar de Venezuela:
https://youtu.be/lceRH17lSfw
In Leonard Bernstein: Reflections, he discusses his Boston childhood, his musical growth at Harvard and the Curtis Institute, and the influence of great masters like Reiner, Mitropoulos, and Koussevitzky. He shares his feelings on the primacy of tonal music and speculates on the nature of the creative process.
From Carnegie Hall, the scene of his debut, to the living room of his home and his private studio overlooking New York's Central Park, Reflections explores the artist's varied and colorful career. Bernstein's eloquence and charm have marked his television appearances from the pioneering Omnibus programs of the 1950s, and the CBS Young People's Concerts, to the provocative Norton lectures delivered at Harvard in the 1970s, and are powerfully evident in this documentary.
Bernstein's genius was, notoriously, protean in its scope. Conductor, pianist, composer, teacher, author, media celebrity: he excelled in all fields, much to the chagrin of his detractors, who felt that he should focus on one thing only and do it right. Yet all his many activities interlocked and cross-fertilized each other: to remove any one of them would have impoverished the rest. Their common denominator is encapsulated in the film's opening sentence by his words "the urge to communicate - with as many people as possible." It's an axiom under which the manifold activities of this almost maniacally dynamic musician fall neatly into place.
A film by Peter Rosen
https://wn.com/Leonard_Bernstein's_Reflections_Portrait_Of_Bernstein_At_The_Zenith_Of_His_Career
Filmed in 1977, the documentary had to wait thirty-one years before being released in his native country. It shows the iconic American conductor rehearsing and performing at a Bernstein retrospective in Tel Aviv - equally amazingly, the very first retrospective given to his music.
#leonardbernstein #maestro #westsidestory
Subscribe to EuroArts: https://goo.gl/jrui3M
Watch an amazing performance of Bernstein's "Mambo" from "West Side Story" by Gustavo Dudamel with Orquesta Sinfónica Simón Bolívar de Venezuela:
https://youtu.be/lceRH17lSfw
In Leonard Bernstein: Reflections, he discusses his Boston childhood, his musical growth at Harvard and the Curtis Institute, and the influence of great masters like Reiner, Mitropoulos, and Koussevitzky. He shares his feelings on the primacy of tonal music and speculates on the nature of the creative process.
From Carnegie Hall, the scene of his debut, to the living room of his home and his private studio overlooking New York's Central Park, Reflections explores the artist's varied and colorful career. Bernstein's eloquence and charm have marked his television appearances from the pioneering Omnibus programs of the 1950s, and the CBS Young People's Concerts, to the provocative Norton lectures delivered at Harvard in the 1970s, and are powerfully evident in this documentary.
Bernstein's genius was, notoriously, protean in its scope. Conductor, pianist, composer, teacher, author, media celebrity: he excelled in all fields, much to the chagrin of his detractors, who felt that he should focus on one thing only and do it right. Yet all his many activities interlocked and cross-fertilized each other: to remove any one of them would have impoverished the rest. Their common denominator is encapsulated in the film's opening sentence by his words "the urge to communicate - with as many people as possible." It's an axiom under which the manifold activities of this almost maniacally dynamic musician fall neatly into place.
A film by Peter Rosen
- published: 11 Jun 2021
- views: 40862
7:13
Leonard Bernstein talks about the Beatles
Excerpts from the documentary Inside Pop: The Rock Revolution, originally broadcast April 25, 1967.
Excerpts from the documentary Inside Pop: The Rock Revolution, originally broadcast April 25, 1967.
https://wn.com/Leonard_Bernstein_Talks_About_The_Beatles
Excerpts from the documentary Inside Pop: The Rock Revolution, originally broadcast April 25, 1967.
- published: 18 Jan 2021
- views: 703167
3:00
Vocalist Disagrees With Bernstein's Tempo
Bernstein describes this passage as "always impossible" and suggests that the audience won't understand the words anyway, so what's the big deal? Awkward.
Bernstein describes this passage as "always impossible" and suggests that the audience won't understand the words anyway, so what's the big deal? Awkward.
https://wn.com/Vocalist_Disagrees_With_Bernstein's_Tempo
Bernstein describes this passage as "always impossible" and suggests that the audience won't understand the words anyway, so what's the big deal? Awkward.
- published: 23 Feb 2021
- views: 4125304
9:00
Leonard Bernstein Discussing Beethoven's 6th and 7th Symphony
Leonard Bernstein and Maximilian Schell discuss some of the aspects of the Symphony No. 6 "Pastoral" and Symphony No. 7 by Ludwig Van Beethoven. They also disc...
Leonard Bernstein and Maximilian Schell discuss some of the aspects of the Symphony No. 6 "Pastoral" and Symphony No. 7 by Ludwig Van Beethoven. They also discuss his life and how he composed some of his music.
https://wn.com/Leonard_Bernstein_Discussing_Beethoven's_6Th_And_7Th_Symphony
Leonard Bernstein and Maximilian Schell discuss some of the aspects of the Symphony No. 6 "Pastoral" and Symphony No. 7 by Ludwig Van Beethoven. They also discuss his life and how he composed some of his music.
- published: 14 Jan 2011
- views: 602259
-
Mahler - Lieder eines fahrenden Gesellen - Dietrich Fischer-Dieskau
Mahler - Lieder eines fahrenden Gesellen - Dietrich Fischer-Dieskau
Lieder eines fahrenden Gesellen 'Songs of a Wayfarer' or more accurately 'Songs of a Journeyman' is a song cycle by Gustav Mahler on his own texts. The cycle of four Lieder for medium voice (often performed by women as well as men) was written around 1884–85 in the wake of Mahler's unhappy love for soprano Johanna Richter.
GERMAN Text (also click CC closed captioning for English & German Subtitles).
1.Wenn mein Schatz Hochzeit macht
Wenn mein Schatz Hochzeit macht,
Fröhliche Hochzeit macht,
Hab' ich meinen traurigen Tag!
Geh' ich in mein Kämmerlein,
Dunkles Kämmerlein,
Weine, wein' um meinen Schatz,
Um meinen lieben Schatz!
Blümlein blau! Verdorre nicht!
Vöglein süß!
Du singst auf grüner Heide.
Ach, wie ist die Welt s...
published: 09 Oct 2015
-
Christian Gerhaher - Mahler - Lieder eines fahrenden Gesellen
Support us on Patreon and get more content: https://www.patreon.com/classicalvault
---
Gustav Mahler
Lieder eines fahrenden Gesellen
Christian Gerhaher, baritone
Gustav Mahler Jugendorchester
Herbert Blomstedt
London, Proms 2010
published: 08 May 2015
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Sasha Cooke "Lieder eines fahrenden Gesellen' (Mahler)
The Netherlands Radio Philharmonic Orchestra
Vasily Petrenko, conductor
Sasha Cooke, mezzo-soprano
NTR Saturday Matinee on April 24, 2021
published: 01 May 2021
-
Gustav Mahler - Lieder eines fahrenden Gesellen (1885) (Full Score)
Gustav Mahler - Lieder eines fahrenden Gesellen (Songs of a Wayfarer) (1885)
Hermann Prey (Baritone), Bernard Haitink conducting the Concertgebouw Orchestra
0:00 I. Wenn mein Schatz Hochzeit macht
4:01 II. Ging heut' Morgen über's Feld
8:18 III. Ich hab' ein glühend Messer
11:15 IV. Die zwei blauen Augen von meinem Schatz
------------------
Recording: https://www.amazon.com/Mahler-fahrend...
------------------
Support this channel!: https://ko-fi.com/imwaldevesteel
published: 06 Jul 2020
-
Janet Baker: The complete "Lieder eines fahrenden Gesellen" (Mahler)
Lieder eines fahrenden Gesellen (1883-85):
I. Wenn mein Schatz Hochzeit macht 00:00
II. Ging heut’ Morgen über’s Feld 04:20
III. Ich hab’ ein glühend Messer 09:03
IV. Die zwei blauen Augen von meinem Schatz 12:37
Mahler, Gustav (1860-1911) -composer
Janet Baker -mezzosoprano
Sir John Barbirolli -conductor
Hallé Orchestra
Scores: Available for free at imslp.org
For more of Austrian songs check out my "The art of Austrian song: Haydn, Mozart, Schubert, Mahler, Berg" playlist.
Description by Steven Coburn:
This is Mahler's first completely mature work. It is also his first full-fledged orchestral song cycle, a genre Mahler was eventually to bring to its height. Unlike its two predecessors, Berlioz's Nuits d'été (Summer Nights) and Wagner's Wesendonck-Lieder (Wesendonck Songs), Mahler's c...
published: 21 Jan 2016
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Gustav Mahler - Lieder eines fahrenden Gesellen
"Lieder eines fahrenden Gesellen" (Songs of a Wayfarer) is Mahler's first song cycle. While he had previously written other lieder, they were grouped by source of text or time of composition as opposed to common theme.
Mahler appears to have begun composing the songs in December 1884 and to have completed them in 1885. He subjected the score to a great deal of revision, however, probably between 1891 and 1896, and some time in the early 1890s orchestrated the original piano accompaniments. As a result of this situation, various discrepancies exist between the different sources.
It appears to have been in the orchestral version that the cycle was first performed, in 1896, but possible indications of an earlier, voice-and-piano performance cannot be discounted.
The first movement is entitled...
published: 20 Nov 2011
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Mahler - Lieder eines fahrenden Gesellen - Ludwig / Philharmonia / Boult
Gustav Mahler
Lieder eines fahrenden Gesellen
Wenn mein Schatz Hochzeit macht 0:00
Ging heut' morgen übers Feld 4:23
Ich hab' ein glühend Messer 9:12
Die zwei blauen Augen von meinem Schatz 12:21
Christa Ludwig
Philharmonia Orchestra
Adrian Boult
Studio recording, London, 18.X.1958
published: 27 Apr 2021
-
Mahler: Lieder eines fahrenden Gesellen - Catriona Morison & Radio Filharmonisch Orkest - Live HD
-- English below --
Het muzikale programma:
Gustav Mahler - Lieder eines fahrenden Gesellen
[0:00] I. Wenn mein Schatz Hochzeit macht
[4:07] II. Ging heut' Morgen über's Feld
[7:58] III. Ich hab' ein glühend Messer
[10:58] IV. Die zwei blauen Augen von meinem Schatz
De uitvoerenden:
Radio Filharmonisch Orkest
Nuno Coelho, dirigent
Catriona Morison, mezzosopraan
Opname:
Het Zondagochtend Concert op 14 april 2024 in het Concertgebouw te Amsterdam.
Meer AVROTROS Klassiek:
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♬ Instagram: https://www.instagram.com/avrotrosklassiek/
—————————————
On the musical programme:
Gustav Mahler - Lieder eines fahrenden Gesellen
The musicians:
Radio Filharmonisch Orkest
Nuno Coelho, conductor
Catrion...
published: 16 Apr 2024
-
Daniel Lozakovich with BBC Proms 다니엘 로자코비치 Beethoven Violin Concerto ,바리톤 김태한 커튼콜8.Dec.2024 Seoul
[Last Night of the Proms]
BBC Scotland Symphony Orchestra & Daniel Lozakovich, Teahan Kim 김태한 with Ryan Wiggleworth
8.Dec.2024 @LOTTECONCERTHALL #daniellozakovich #curtaincall #beethoven #violin #concerto #seoul #korea #BBCProms#Lotteconcerthall #classicalmusic
———Programme———
베를리오즈 '로마의 사육제' 서곡, Op.9, H.45
H. Berlioz 'Roman Carnival' Overture, Op.9, H.45
바그너 오페라 '탄호이저' 3막 2당, "오 나의 사랑스런 저녁별이여"
R. Wagner "O, du mein holder Aberdstern", Act 3 Scene 2 from Opera 'Tannhäuser'
김태한(바리톤) I Taehan Kim(Baritone)
말러 연가곡 ‘방황하는 젊은이의 노래’ 중 "타는 듯한 단검으로"
G. Mahler "Ich hab' ein glühend Messer in meiner Brust" from 'Lieder eines fahrenden Gesellen'
김태한(바리톤) I Taehan Kim(Baritone)
베토벤 바이올린 협주곡 D장조, Op.61
L.v. Beethoven Violin Concerto in D Major, Op.61
I. Alle...
published: 09 Dec 2024
16:24
Mahler - Lieder eines fahrenden Gesellen - Dietrich Fischer-Dieskau
Mahler - Lieder eines fahrenden Gesellen - Dietrich Fischer-Dieskau
Lieder eines fahrenden Gesellen 'Songs of a Wayfarer' or more accurately 'Songs of a Journe...
Mahler - Lieder eines fahrenden Gesellen - Dietrich Fischer-Dieskau
Lieder eines fahrenden Gesellen 'Songs of a Wayfarer' or more accurately 'Songs of a Journeyman' is a song cycle by Gustav Mahler on his own texts. The cycle of four Lieder for medium voice (often performed by women as well as men) was written around 1884–85 in the wake of Mahler's unhappy love for soprano Johanna Richter.
GERMAN Text (also click CC closed captioning for English & German Subtitles).
1.Wenn mein Schatz Hochzeit macht
Wenn mein Schatz Hochzeit macht,
Fröhliche Hochzeit macht,
Hab' ich meinen traurigen Tag!
Geh' ich in mein Kämmerlein,
Dunkles Kämmerlein,
Weine, wein' um meinen Schatz,
Um meinen lieben Schatz!
Blümlein blau! Verdorre nicht!
Vöglein süß!
Du singst auf grüner Heide.
Ach, wie ist die Welt so schön!
Ziküth! Ziküth!
Singet nicht! Blühet nicht!
Lenz ist ja vorbei!
Alles Singen ist nun aus!
Des Abends, wenn ich schlafen geh',
Denk'ich an mein Leide!
An mein Leide!
2.Ging heut Morgen übers Feld
Ging heut Morgen übers Feld,
Tau noch auf den Gräsern hing;
Sprach zu mir der lust'ge Fink:
"Ei du! Gelt? Guten Morgen! Ei gelt?
Du! Wird's nicht eine schöne Welt?
Zink! Zink! Schön und flink!
Wie mir doch die Welt gefällt!"
Auch die Glockenblum' am Feld
Hat mir lustig, guter Ding',
Mit den Glöckchen, klinge, kling,
Ihren Morgengruß geschellt:
"Wird's nicht eine schöne Welt?
Kling, kling! Schönes Ding!
Wie mir doch die Welt gefällt! Heia!"
Und da fing im Sonnenschein
Gleich die Welt zu funkeln an;
Alles Ton und Farbe gewann
Im Sonnenschein!
Blum' und Vogel, groß und Klein!
"Guten Tag,
ist's nicht eine schöne Welt?
Ei du, gelt? Schöne Welt!"
Nun fängt auch mein Glück wohl an?
Nein, nein, das ich mein',
Mir nimmer blühen kann!
3.Ich hab'ein glühend Messer
Ich hab'ein glühend Messer,
Ein Messer in meiner Brust,
O weh! Das schneid't so tief
in jede Freud' und jede Lust.
Ach, was ist das für ein böser Gast!
Nimmer hält er Ruh',
nimmer hält er Rast,
Nicht bei Tag, noch bei Nacht,
wenn ich schlief!
O weh!
Wenn ich den Himmel seh',
Seh'ich zwei blaue Augen stehn!
O weh! Wenn ich im gelben Felde geh',
Seh'ich von fern das blonde Haar
Im Winde weh'n!
O weh!
Wenn ich aus dem Traum auffahr'
Und höre klingen ihr silbern Lachen,
O weh!
Ich wollt', ich läg auf der
Schwarzen Bahr',
Könnt' nimmer die Augen aufmachen!
4.Die zwei blauen Augen von meinem Schatz
Die zwei blauen Augen
von meinem Schatz,
Die haben mich in die
weite Welt geschickt.
Da mußt ich Abschied nehmen vom allerliebsten Platz!
O Augen blau,
warum habt ihr mich angeblickt?
Nun hab' ich ewig Leid und Grämen!
Ich bin ausgegangen
in stiller Nacht
wohl über die dunkle Heide.
Hat mir niemand Ade gesagt
Ade!
Mein Gesell' war Lieb und Leide!
Auf der Straße steht ein Lindenbaum,
Da hab' ich zum ersten Mal
im Schlaf geruht!
Unter dem Lindenbaum,
Der hat seine Blüten
über mich geschneit,
Da wußt' ich nicht, wie das Leben tut,
War alles, alles wieder gut!
Alles! Alles, Lieb und Leid
Und Welt und Traum!
ENGLISH Translation:
1.When My Sweetheart is Married
When my darling has her wedding-day,
her joyous wedding-day,
I will have my day of mourning!
I will go to my little room,
my dark little room,
and weep, weep for my darling,
for my dear darling!
Blue flower! Do not wither!
Sweet little bird
you sing on the green heath!
Alas, how can the world be so fair? Chirp! Chirp!
Do not sing; do not bloom!
Spring is over.
All singing must now be done.
At night when I go to sleep,
I think of my sorrow,
of my sorrow!
2. I Went This Morning over the Field
I walked across the fields this morning;
dew still hung on every blade of grass.
The merry finch spoke to me:
“Hey! Isn’t it? Good morning! Isn’t it?
You! Isn’t it becoming a fine world?
Chirp! Chirp! Fair and sharp!
How the world delights me!”
Also, the bluebells in the field merrily with good spirits
tolled out to me with bells (ding, ding) their morning greeting:
“Isn’t it becoming a fine world?
Ding, ding! Fair thing!
How the world delights me!”
And then, in the sunshine,
the world suddenly began to glitter;
everything gained sound and color in the sunshine!
Flower and bird, great and small!
“Good day,
Is it not a fine world?
Hey, isn’t it? A fair world?”
Now will my happiness also begin?
No, no – the happiness I mean
can never bloom!
3. I Have a Gleaming Knife
I have a red-hot knife,
a knife in my breast.
O woe! It cuts so deeply into every joy and delight.
why did you gaze on me?
Now I have eternal sorrow and grief.
I went out into the quiet night
well across the dark heath.
To me no one bade farewell. Farewell!
My companions are love and sorrow!
By the road stood a linden tree,
Where, for the first time,
I found rest in sleep!
Under the linden tree
that snowed its blossoms
over me,
I did not know how life went on,
and all was well again!
All! All, love and sorrow
and world and dream!
https://wn.com/Mahler_Lieder_Eines_Fahrenden_Gesellen_Dietrich_Fischer_Dieskau
Mahler - Lieder eines fahrenden Gesellen - Dietrich Fischer-Dieskau
Lieder eines fahrenden Gesellen 'Songs of a Wayfarer' or more accurately 'Songs of a Journeyman' is a song cycle by Gustav Mahler on his own texts. The cycle of four Lieder for medium voice (often performed by women as well as men) was written around 1884–85 in the wake of Mahler's unhappy love for soprano Johanna Richter.
GERMAN Text (also click CC closed captioning for English & German Subtitles).
1.Wenn mein Schatz Hochzeit macht
Wenn mein Schatz Hochzeit macht,
Fröhliche Hochzeit macht,
Hab' ich meinen traurigen Tag!
Geh' ich in mein Kämmerlein,
Dunkles Kämmerlein,
Weine, wein' um meinen Schatz,
Um meinen lieben Schatz!
Blümlein blau! Verdorre nicht!
Vöglein süß!
Du singst auf grüner Heide.
Ach, wie ist die Welt so schön!
Ziküth! Ziküth!
Singet nicht! Blühet nicht!
Lenz ist ja vorbei!
Alles Singen ist nun aus!
Des Abends, wenn ich schlafen geh',
Denk'ich an mein Leide!
An mein Leide!
2.Ging heut Morgen übers Feld
Ging heut Morgen übers Feld,
Tau noch auf den Gräsern hing;
Sprach zu mir der lust'ge Fink:
"Ei du! Gelt? Guten Morgen! Ei gelt?
Du! Wird's nicht eine schöne Welt?
Zink! Zink! Schön und flink!
Wie mir doch die Welt gefällt!"
Auch die Glockenblum' am Feld
Hat mir lustig, guter Ding',
Mit den Glöckchen, klinge, kling,
Ihren Morgengruß geschellt:
"Wird's nicht eine schöne Welt?
Kling, kling! Schönes Ding!
Wie mir doch die Welt gefällt! Heia!"
Und da fing im Sonnenschein
Gleich die Welt zu funkeln an;
Alles Ton und Farbe gewann
Im Sonnenschein!
Blum' und Vogel, groß und Klein!
"Guten Tag,
ist's nicht eine schöne Welt?
Ei du, gelt? Schöne Welt!"
Nun fängt auch mein Glück wohl an?
Nein, nein, das ich mein',
Mir nimmer blühen kann!
3.Ich hab'ein glühend Messer
Ich hab'ein glühend Messer,
Ein Messer in meiner Brust,
O weh! Das schneid't so tief
in jede Freud' und jede Lust.
Ach, was ist das für ein böser Gast!
Nimmer hält er Ruh',
nimmer hält er Rast,
Nicht bei Tag, noch bei Nacht,
wenn ich schlief!
O weh!
Wenn ich den Himmel seh',
Seh'ich zwei blaue Augen stehn!
O weh! Wenn ich im gelben Felde geh',
Seh'ich von fern das blonde Haar
Im Winde weh'n!
O weh!
Wenn ich aus dem Traum auffahr'
Und höre klingen ihr silbern Lachen,
O weh!
Ich wollt', ich läg auf der
Schwarzen Bahr',
Könnt' nimmer die Augen aufmachen!
4.Die zwei blauen Augen von meinem Schatz
Die zwei blauen Augen
von meinem Schatz,
Die haben mich in die
weite Welt geschickt.
Da mußt ich Abschied nehmen vom allerliebsten Platz!
O Augen blau,
warum habt ihr mich angeblickt?
Nun hab' ich ewig Leid und Grämen!
Ich bin ausgegangen
in stiller Nacht
wohl über die dunkle Heide.
Hat mir niemand Ade gesagt
Ade!
Mein Gesell' war Lieb und Leide!
Auf der Straße steht ein Lindenbaum,
Da hab' ich zum ersten Mal
im Schlaf geruht!
Unter dem Lindenbaum,
Der hat seine Blüten
über mich geschneit,
Da wußt' ich nicht, wie das Leben tut,
War alles, alles wieder gut!
Alles! Alles, Lieb und Leid
Und Welt und Traum!
ENGLISH Translation:
1.When My Sweetheart is Married
When my darling has her wedding-day,
her joyous wedding-day,
I will have my day of mourning!
I will go to my little room,
my dark little room,
and weep, weep for my darling,
for my dear darling!
Blue flower! Do not wither!
Sweet little bird
you sing on the green heath!
Alas, how can the world be so fair? Chirp! Chirp!
Do not sing; do not bloom!
Spring is over.
All singing must now be done.
At night when I go to sleep,
I think of my sorrow,
of my sorrow!
2. I Went This Morning over the Field
I walked across the fields this morning;
dew still hung on every blade of grass.
The merry finch spoke to me:
“Hey! Isn’t it? Good morning! Isn’t it?
You! Isn’t it becoming a fine world?
Chirp! Chirp! Fair and sharp!
How the world delights me!”
Also, the bluebells in the field merrily with good spirits
tolled out to me with bells (ding, ding) their morning greeting:
“Isn’t it becoming a fine world?
Ding, ding! Fair thing!
How the world delights me!”
And then, in the sunshine,
the world suddenly began to glitter;
everything gained sound and color in the sunshine!
Flower and bird, great and small!
“Good day,
Is it not a fine world?
Hey, isn’t it? A fair world?”
Now will my happiness also begin?
No, no – the happiness I mean
can never bloom!
3. I Have a Gleaming Knife
I have a red-hot knife,
a knife in my breast.
O woe! It cuts so deeply into every joy and delight.
why did you gaze on me?
Now I have eternal sorrow and grief.
I went out into the quiet night
well across the dark heath.
To me no one bade farewell. Farewell!
My companions are love and sorrow!
By the road stood a linden tree,
Where, for the first time,
I found rest in sleep!
Under the linden tree
that snowed its blossoms
over me,
I did not know how life went on,
and all was well again!
All! All, love and sorrow
and world and dream!
- published: 09 Oct 2015
- views: 107694
16:55
Christian Gerhaher - Mahler - Lieder eines fahrenden Gesellen
Support us on Patreon and get more content: https://www.patreon.com/classicalvault
---
Gustav Mahler
Lieder eines fahrenden Gesellen
Christian Gerhaher, ba...
Support us on Patreon and get more content: https://www.patreon.com/classicalvault
---
Gustav Mahler
Lieder eines fahrenden Gesellen
Christian Gerhaher, baritone
Gustav Mahler Jugendorchester
Herbert Blomstedt
London, Proms 2010
https://wn.com/Christian_Gerhaher_Mahler_Lieder_Eines_Fahrenden_Gesellen
Support us on Patreon and get more content: https://www.patreon.com/classicalvault
---
Gustav Mahler
Lieder eines fahrenden Gesellen
Christian Gerhaher, baritone
Gustav Mahler Jugendorchester
Herbert Blomstedt
London, Proms 2010
- published: 08 May 2015
- views: 209176
17:42
Sasha Cooke "Lieder eines fahrenden Gesellen' (Mahler)
The Netherlands Radio Philharmonic Orchestra
Vasily Petrenko, conductor
Sasha Cooke, mezzo-soprano
NTR Saturday Matinee on April 24, 2021
The Netherlands Radio Philharmonic Orchestra
Vasily Petrenko, conductor
Sasha Cooke, mezzo-soprano
NTR Saturday Matinee on April 24, 2021
https://wn.com/Sasha_Cooke_Lieder_Eines_Fahrenden_Gesellen'_(Mahler)
The Netherlands Radio Philharmonic Orchestra
Vasily Petrenko, conductor
Sasha Cooke, mezzo-soprano
NTR Saturday Matinee on April 24, 2021
- published: 01 May 2021
- views: 21053
16:49
Gustav Mahler - Lieder eines fahrenden Gesellen (1885) (Full Score)
Gustav Mahler - Lieder eines fahrenden Gesellen (Songs of a Wayfarer) (1885)
Hermann Prey (Baritone), Bernard Haitink conducting the Concertgebouw Orchestra
0...
Gustav Mahler - Lieder eines fahrenden Gesellen (Songs of a Wayfarer) (1885)
Hermann Prey (Baritone), Bernard Haitink conducting the Concertgebouw Orchestra
0:00 I. Wenn mein Schatz Hochzeit macht
4:01 II. Ging heut' Morgen über's Feld
8:18 III. Ich hab' ein glühend Messer
11:15 IV. Die zwei blauen Augen von meinem Schatz
------------------
Recording: https://www.amazon.com/Mahler-fahrend...
------------------
Support this channel!: https://ko-fi.com/imwaldevesteel
https://wn.com/Gustav_Mahler_Lieder_Eines_Fahrenden_Gesellen_(1885)_(Full_Score)
Gustav Mahler - Lieder eines fahrenden Gesellen (Songs of a Wayfarer) (1885)
Hermann Prey (Baritone), Bernard Haitink conducting the Concertgebouw Orchestra
0:00 I. Wenn mein Schatz Hochzeit macht
4:01 II. Ging heut' Morgen über's Feld
8:18 III. Ich hab' ein glühend Messer
11:15 IV. Die zwei blauen Augen von meinem Schatz
------------------
Recording: https://www.amazon.com/Mahler-fahrend...
------------------
Support this channel!: https://ko-fi.com/imwaldevesteel
- published: 06 Jul 2020
- views: 30132
17:40
Janet Baker: The complete "Lieder eines fahrenden Gesellen" (Mahler)
Lieder eines fahrenden Gesellen (1883-85):
I. Wenn mein Schatz Hochzeit macht 00:00
II. Ging heut’ Morgen über’s Feld 04:20
III. Ich hab’ ein glühend Messer 09:...
Lieder eines fahrenden Gesellen (1883-85):
I. Wenn mein Schatz Hochzeit macht 00:00
II. Ging heut’ Morgen über’s Feld 04:20
III. Ich hab’ ein glühend Messer 09:03
IV. Die zwei blauen Augen von meinem Schatz 12:37
Mahler, Gustav (1860-1911) -composer
Janet Baker -mezzosoprano
Sir John Barbirolli -conductor
Hallé Orchestra
Scores: Available for free at imslp.org
For more of Austrian songs check out my "The art of Austrian song: Haydn, Mozart, Schubert, Mahler, Berg" playlist.
Description by Steven Coburn:
This is Mahler's first completely mature work. It is also his first full-fledged orchestral song cycle, a genre Mahler was eventually to bring to its height. Unlike its two predecessors, Berlioz's Nuits d'été (Summer Nights) and Wagner's Wesendonck-Lieder (Wesendonck Songs), Mahler's cycle was intended from the beginning as orchestral. Despite the fact that it was first sketched with piano and published this way as an alternative, the orchestral version is clearly superior. The texts are all by Mahler, although they were inspired by the collection of German folk poetry entitled Das Knaben Wunderhorn (The Young Boy's Magic Horn); they depict a "Spring Journey" of a young man who has lost his love to a rival. Stylistically, all the elements of Mahler's early work are present: folklike melodies, the invocation of nature through bird calls and open textures, an intensely dramatic and dark Allegro, and a grim military march. Also present is Mahler's lifelong juxtaposition of the love of life and nature with despair, emptiness, and death. Anticipating his later harmonic complexities, none of these songs end in the same key as they began -- a procedure called "progressive tonality."
In "Wenn mein Schatz Hochzeit macht" (When My Sweetheart Has Her Wedding), the protagonist mourns the loss of his love to a rival and attempts to find solace in nature. The first part, in which the lover mourns, is written in a simple and moving folk-Slavic style. This gives way in a central, faster section to the invocation of nature through imitation bird calls, always incorporated into the musical fabric of the accompaniment. A return to the opening mournful music ends the song bleakly.
In "Ging heut' morgens übers Feld" (I Went Out This Morning Through the Fields), the protagonist sets out on a cheerful walk in the country, only to eventually remind himself of his lost love. This is also in a folkish style, with scale-derived melodies and hints of Austrian yodeling. The accompaniment begins with simple open textures, only to give way to a flowing and contrapuntally rich texture. Towards the end, the almost ecstatic quality of much of the song gives way to a wistful melancholy.
"Ich hab' ein glühend Messer" (I Have a Glowing Knife) describes the metaphorical knife the sweetheart plunged into the lover's breast with her betrayal. In what would become Mahler's typical diabolical style, the song features muted trumpets, tremolo strings, and snarling brass. The tortured and aggressive quality of the music perfectly depicts the lover's angst.
in "Die zwei blauen Augen" (The Two Blue Eyes), finally, the protagonist goes out in the night to find peace under the linden tree (a durable Romantic metaphor for death), to the accompaniment of a funeral march the likes of which only Mahler could compose. This march eventually fades into a more folklike style, but it remains colored by its original harmonies. A poignant and grim return to a single repeated phrase of the march concludes the song.
https://wn.com/Janet_Baker_The_Complete_Lieder_Eines_Fahrenden_Gesellen_(Mahler)
Lieder eines fahrenden Gesellen (1883-85):
I. Wenn mein Schatz Hochzeit macht 00:00
II. Ging heut’ Morgen über’s Feld 04:20
III. Ich hab’ ein glühend Messer 09:03
IV. Die zwei blauen Augen von meinem Schatz 12:37
Mahler, Gustav (1860-1911) -composer
Janet Baker -mezzosoprano
Sir John Barbirolli -conductor
Hallé Orchestra
Scores: Available for free at imslp.org
For more of Austrian songs check out my "The art of Austrian song: Haydn, Mozart, Schubert, Mahler, Berg" playlist.
Description by Steven Coburn:
This is Mahler's first completely mature work. It is also his first full-fledged orchestral song cycle, a genre Mahler was eventually to bring to its height. Unlike its two predecessors, Berlioz's Nuits d'été (Summer Nights) and Wagner's Wesendonck-Lieder (Wesendonck Songs), Mahler's cycle was intended from the beginning as orchestral. Despite the fact that it was first sketched with piano and published this way as an alternative, the orchestral version is clearly superior. The texts are all by Mahler, although they were inspired by the collection of German folk poetry entitled Das Knaben Wunderhorn (The Young Boy's Magic Horn); they depict a "Spring Journey" of a young man who has lost his love to a rival. Stylistically, all the elements of Mahler's early work are present: folklike melodies, the invocation of nature through bird calls and open textures, an intensely dramatic and dark Allegro, and a grim military march. Also present is Mahler's lifelong juxtaposition of the love of life and nature with despair, emptiness, and death. Anticipating his later harmonic complexities, none of these songs end in the same key as they began -- a procedure called "progressive tonality."
In "Wenn mein Schatz Hochzeit macht" (When My Sweetheart Has Her Wedding), the protagonist mourns the loss of his love to a rival and attempts to find solace in nature. The first part, in which the lover mourns, is written in a simple and moving folk-Slavic style. This gives way in a central, faster section to the invocation of nature through imitation bird calls, always incorporated into the musical fabric of the accompaniment. A return to the opening mournful music ends the song bleakly.
In "Ging heut' morgens übers Feld" (I Went Out This Morning Through the Fields), the protagonist sets out on a cheerful walk in the country, only to eventually remind himself of his lost love. This is also in a folkish style, with scale-derived melodies and hints of Austrian yodeling. The accompaniment begins with simple open textures, only to give way to a flowing and contrapuntally rich texture. Towards the end, the almost ecstatic quality of much of the song gives way to a wistful melancholy.
"Ich hab' ein glühend Messer" (I Have a Glowing Knife) describes the metaphorical knife the sweetheart plunged into the lover's breast with her betrayal. In what would become Mahler's typical diabolical style, the song features muted trumpets, tremolo strings, and snarling brass. The tortured and aggressive quality of the music perfectly depicts the lover's angst.
in "Die zwei blauen Augen" (The Two Blue Eyes), finally, the protagonist goes out in the night to find peace under the linden tree (a durable Romantic metaphor for death), to the accompaniment of a funeral march the likes of which only Mahler could compose. This march eventually fades into a more folklike style, but it remains colored by its original harmonies. A poignant and grim return to a single repeated phrase of the march concludes the song.
- published: 21 Jan 2016
- views: 34190
17:19
Gustav Mahler - Lieder eines fahrenden Gesellen
"Lieder eines fahrenden Gesellen" (Songs of a Wayfarer) is Mahler's first song cycle. While he had previously written other lieder, they were grouped by source ...
"Lieder eines fahrenden Gesellen" (Songs of a Wayfarer) is Mahler's first song cycle. While he had previously written other lieder, they were grouped by source of text or time of composition as opposed to common theme.
Mahler appears to have begun composing the songs in December 1884 and to have completed them in 1885. He subjected the score to a great deal of revision, however, probably between 1891 and 1896, and some time in the early 1890s orchestrated the original piano accompaniments. As a result of this situation, various discrepancies exist between the different sources.
It appears to have been in the orchestral version that the cycle was first performed, in 1896, but possible indications of an earlier, voice-and-piano performance cannot be discounted.
The first movement is entitled "Wenn mein Schatz Hochzeit macht" (When My Sweetheart is Married), and the text discusses the Wayfarer's grief at losing his love to another. He remarks on the beauty of the surrounding world, but how that cannot keep him from having sad dreams. The orchestral texture is bittersweet, using double reed instruments, clarinets and strings.
The second movement, "Ging heut Morgen übers Feld" (I Went This Morning over the Field), contains the happiest music of the work. Indeed, it is a song of joy and wonder at the beauty of nature in simple actions like birdsong and dew on the grass. "Is it not a lovely world?" is a refrain. However, the Wayfarer is reminded at the end that despite this beauty, his happiness will not blossom anymore now that his love is gone. This movement is orchestrated delicately, making use of high strings and flutes, as well as a fair amount of triangle. The melody of this movement, as well as much of the orchestration, is developed into the 'A' theme of the first movement of the First Symphony.
The third movement is a full display of despair. Entitled "Ich hab'ein glühend Messer" (I Have a Gleaming Knife), the Wayfarer likens his agony of lost love to having an actual metal blade piercing his heart. He obsesses to the point where everything in the environment reminds him of some aspect of his love, and he wishes he actually had the knife. The music is intense and driving, fitting to the agonized nature of the Wayfarer's obsession.
The final movement culminates in a resolution. The music (also reused in the First Symphony) is subdued and gentle, lyrical and often reminiscent of a chorale in its harmonies. Its title, "Die zwei blauen Augen von meinem Schatz" (The Two Blue Eyes of my Beloved), deals with how the image of those eyes has caused the Wayfarer so much grief that he can no longer stand to be in the environment. He describes lying down under a linden tree, allowing the flowers to fall on him. He wishes to return to his life before his travels. He asks that the whole affair had never occurred: "Everything: love and grief, and world, and dreams!"
Conductor: Leonard Bernstein & Wiener Philharmoniker.
https://wn.com/Gustav_Mahler_Lieder_Eines_Fahrenden_Gesellen
"Lieder eines fahrenden Gesellen" (Songs of a Wayfarer) is Mahler's first song cycle. While he had previously written other lieder, they were grouped by source of text or time of composition as opposed to common theme.
Mahler appears to have begun composing the songs in December 1884 and to have completed them in 1885. He subjected the score to a great deal of revision, however, probably between 1891 and 1896, and some time in the early 1890s orchestrated the original piano accompaniments. As a result of this situation, various discrepancies exist between the different sources.
It appears to have been in the orchestral version that the cycle was first performed, in 1896, but possible indications of an earlier, voice-and-piano performance cannot be discounted.
The first movement is entitled "Wenn mein Schatz Hochzeit macht" (When My Sweetheart is Married), and the text discusses the Wayfarer's grief at losing his love to another. He remarks on the beauty of the surrounding world, but how that cannot keep him from having sad dreams. The orchestral texture is bittersweet, using double reed instruments, clarinets and strings.
The second movement, "Ging heut Morgen übers Feld" (I Went This Morning over the Field), contains the happiest music of the work. Indeed, it is a song of joy and wonder at the beauty of nature in simple actions like birdsong and dew on the grass. "Is it not a lovely world?" is a refrain. However, the Wayfarer is reminded at the end that despite this beauty, his happiness will not blossom anymore now that his love is gone. This movement is orchestrated delicately, making use of high strings and flutes, as well as a fair amount of triangle. The melody of this movement, as well as much of the orchestration, is developed into the 'A' theme of the first movement of the First Symphony.
The third movement is a full display of despair. Entitled "Ich hab'ein glühend Messer" (I Have a Gleaming Knife), the Wayfarer likens his agony of lost love to having an actual metal blade piercing his heart. He obsesses to the point where everything in the environment reminds him of some aspect of his love, and he wishes he actually had the knife. The music is intense and driving, fitting to the agonized nature of the Wayfarer's obsession.
The final movement culminates in a resolution. The music (also reused in the First Symphony) is subdued and gentle, lyrical and often reminiscent of a chorale in its harmonies. Its title, "Die zwei blauen Augen von meinem Schatz" (The Two Blue Eyes of my Beloved), deals with how the image of those eyes has caused the Wayfarer so much grief that he can no longer stand to be in the environment. He describes lying down under a linden tree, allowing the flowers to fall on him. He wishes to return to his life before his travels. He asks that the whole affair had never occurred: "Everything: love and grief, and world, and dreams!"
Conductor: Leonard Bernstein & Wiener Philharmoniker.
- published: 20 Nov 2011
- views: 84551
17:43
Mahler - Lieder eines fahrenden Gesellen - Ludwig / Philharmonia / Boult
Gustav Mahler
Lieder eines fahrenden Gesellen
Wenn mein Schatz Hochzeit macht 0:00
Ging heut' morgen übers Feld 4:23
Ich hab' ein glühend Messer 9:12
Die zwei...
Gustav Mahler
Lieder eines fahrenden Gesellen
Wenn mein Schatz Hochzeit macht 0:00
Ging heut' morgen übers Feld 4:23
Ich hab' ein glühend Messer 9:12
Die zwei blauen Augen von meinem Schatz 12:21
Christa Ludwig
Philharmonia Orchestra
Adrian Boult
Studio recording, London, 18.X.1958
https://wn.com/Mahler_Lieder_Eines_Fahrenden_Gesellen_Ludwig_Philharmonia_Boult
Gustav Mahler
Lieder eines fahrenden Gesellen
Wenn mein Schatz Hochzeit macht 0:00
Ging heut' morgen übers Feld 4:23
Ich hab' ein glühend Messer 9:12
Die zwei blauen Augen von meinem Schatz 12:21
Christa Ludwig
Philharmonia Orchestra
Adrian Boult
Studio recording, London, 18.X.1958
- published: 27 Apr 2021
- views: 6063
17:35
Mahler: Lieder eines fahrenden Gesellen - Catriona Morison & Radio Filharmonisch Orkest - Live HD
-- English below --
Het muzikale programma:
Gustav Mahler - Lieder eines fahrenden Gesellen
[0:00] I. Wenn mein Schatz Hochzeit macht
[4:07] II. Ging heut' Mor...
-- English below --
Het muzikale programma:
Gustav Mahler - Lieder eines fahrenden Gesellen
[0:00] I. Wenn mein Schatz Hochzeit macht
[4:07] II. Ging heut' Morgen über's Feld
[7:58] III. Ich hab' ein glühend Messer
[10:58] IV. Die zwei blauen Augen von meinem Schatz
De uitvoerenden:
Radio Filharmonisch Orkest
Nuno Coelho, dirigent
Catriona Morison, mezzosopraan
Opname:
Het Zondagochtend Concert op 14 april 2024 in het Concertgebouw te Amsterdam.
Meer AVROTROS Klassiek:
♬ Facebook: https://www.facebook.com/AVROTROS.Klassiek/
♬ Twitter: https://twitter.com/klassiekonline
♬ Instagram: https://www.instagram.com/avrotrosklassiek/
—————————————
On the musical programme:
Gustav Mahler - Lieder eines fahrenden Gesellen
The musicians:
Radio Filharmonisch Orkest
Nuno Coelho, conductor
Catriona Morison, mezzo-soprano
Recording:
The Sunday Morning Concert, Sunday the 14th of April 2024, in The Concertgebouw in Amsterdam, The Netherlands.
More AVROTROS Klassiek:
♬ Facebook: https://www.facebook.com/AVROTROS.Klassiek/
♬ Twitter: https://twitter.com/klassiekonline
♬ Instagram: https://www.instagram.com/avrotrosklassiek/
https://wn.com/Mahler_Lieder_Eines_Fahrenden_Gesellen_Catriona_Morison_Radio_Filharmonisch_Orkest_Live_Hd
-- English below --
Het muzikale programma:
Gustav Mahler - Lieder eines fahrenden Gesellen
[0:00] I. Wenn mein Schatz Hochzeit macht
[4:07] II. Ging heut' Morgen über's Feld
[7:58] III. Ich hab' ein glühend Messer
[10:58] IV. Die zwei blauen Augen von meinem Schatz
De uitvoerenden:
Radio Filharmonisch Orkest
Nuno Coelho, dirigent
Catriona Morison, mezzosopraan
Opname:
Het Zondagochtend Concert op 14 april 2024 in het Concertgebouw te Amsterdam.
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—————————————
On the musical programme:
Gustav Mahler - Lieder eines fahrenden Gesellen
The musicians:
Radio Filharmonisch Orkest
Nuno Coelho, conductor
Catriona Morison, mezzo-soprano
Recording:
The Sunday Morning Concert, Sunday the 14th of April 2024, in The Concertgebouw in Amsterdam, The Netherlands.
More AVROTROS Klassiek:
♬ Facebook: https://www.facebook.com/AVROTROS.Klassiek/
♬ Twitter: https://twitter.com/klassiekonline
♬ Instagram: https://www.instagram.com/avrotrosklassiek/
- published: 16 Apr 2024
- views: 6553
9:47
Daniel Lozakovich with BBC Proms 다니엘 로자코비치 Beethoven Violin Concerto ,바리톤 김태한 커튼콜8.Dec.2024 Seoul
[Last Night of the Proms]
BBC Scotland Symphony Orchestra & Daniel Lozakovich, Teahan Kim 김태한 with Ryan Wiggleworth
8.Dec.2024 @LOTTECONCERTHALL #daniellozakov...
[Last Night of the Proms]
BBC Scotland Symphony Orchestra & Daniel Lozakovich, Teahan Kim 김태한 with Ryan Wiggleworth
8.Dec.2024 @LOTTECONCERTHALL #daniellozakovich #curtaincall #beethoven #violin #concerto #seoul #korea #BBCProms#Lotteconcerthall #classicalmusic
———Programme———
베를리오즈 '로마의 사육제' 서곡, Op.9, H.45
H. Berlioz 'Roman Carnival' Overture, Op.9, H.45
바그너 오페라 '탄호이저' 3막 2당, "오 나의 사랑스런 저녁별이여"
R. Wagner "O, du mein holder Aberdstern", Act 3 Scene 2 from Opera 'Tannhäuser'
김태한(바리톤) I Taehan Kim(Baritone)
말러 연가곡 ‘방황하는 젊은이의 노래’ 중 "타는 듯한 단검으로"
G. Mahler "Ich hab' ein glühend Messer in meiner Brust" from 'Lieder eines fahrenden Gesellen'
김태한(바리톤) I Taehan Kim(Baritone)
베토벤 바이올린 협주곡 D장조, Op.61
L.v. Beethoven Violin Concerto in D Major, Op.61
I. Allegro ma non troppo
II. Larghetto
III. Rondo (Allegro)
다니엘 로자코비치 (바이올린) | Daniel Lozakovich(Violin)
앵콜곡 Encore
요한 제바스티안 바흐 바이올린 무반주 소나타 제 1번 G단조, BWV 1001 - 1악장 아다지오
J.S. Bach Sonata for Violin Solo No.1 in G minor,BWV 1001- I. Adagio
———INTERMISSION———
베르디 오페라 '돈 카를로' 중"오 카를로 들으시오"
G. Verdi. "Carlos écoute, Ah je meurs" from Opera 'Don Carlos'
김태한(바리톤) I Taehan Kim(Baritone)
코른골트 오페라 '죽음의 도시' 중"나의 갈망, 나의 망상이여"
E. W. Korngold "Mein Sehnen, mein Wähnen" from Opera 'Die tote Stadt'
김태한(바리톤) | Taehan Kim(Baritone)
우드. 영국 해가에 의한 환상곡
H. Wood Fantasia on British Sea Songs
엘가 위풍당당 행진곡 1번, D장조, 0p 39
E. Elgar Pomp and Circumstance March No. 1 in D Major, Op.39
데이비스 일출이 있는 오크니에서의 결혼식
P.M. Davis An Orkney Wedding with Sunrise
앵콜곡 Encore
스코틀랜드 민요 2곡
Eightsome Reels (arr.Cree)
Auld Lang Syne (arr.Savage) '작별'(作別)
https://wn.com/Daniel_Lozakovich_With_BBC_Proms_다니엘_로자코비치_Beethoven_Violin_Concerto_,바리톤_김태한_커튼콜8.Dec.2024_Seoul
[Last Night of the Proms]
BBC Scotland Symphony Orchestra & Daniel Lozakovich, Teahan Kim 김태한 with Ryan Wiggleworth
8.Dec.2024 @LOTTECONCERTHALL #daniellozakovich #curtaincall #beethoven #violin #concerto #seoul #korea #BBCProms#Lotteconcerthall #classicalmusic
———Programme———
베를리오즈 '로마의 사육제' 서곡, Op.9, H.45
H. Berlioz 'Roman Carnival' Overture, Op.9, H.45
바그너 오페라 '탄호이저' 3막 2당, "오 나의 사랑스런 저녁별이여"
R. Wagner "O, du mein holder Aberdstern", Act 3 Scene 2 from Opera 'Tannhäuser'
김태한(바리톤) I Taehan Kim(Baritone)
말러 연가곡 ‘방황하는 젊은이의 노래’ 중 "타는 듯한 단검으로"
G. Mahler "Ich hab' ein glühend Messer in meiner Brust" from 'Lieder eines fahrenden Gesellen'
김태한(바리톤) I Taehan Kim(Baritone)
베토벤 바이올린 협주곡 D장조, Op.61
L.v. Beethoven Violin Concerto in D Major, Op.61
I. Allegro ma non troppo
II. Larghetto
III. Rondo (Allegro)
다니엘 로자코비치 (바이올린) | Daniel Lozakovich(Violin)
앵콜곡 Encore
요한 제바스티안 바흐 바이올린 무반주 소나타 제 1번 G단조, BWV 1001 - 1악장 아다지오
J.S. Bach Sonata for Violin Solo No.1 in G minor,BWV 1001- I. Adagio
———INTERMISSION———
베르디 오페라 '돈 카를로' 중"오 카를로 들으시오"
G. Verdi. "Carlos écoute, Ah je meurs" from Opera 'Don Carlos'
김태한(바리톤) I Taehan Kim(Baritone)
코른골트 오페라 '죽음의 도시' 중"나의 갈망, 나의 망상이여"
E. W. Korngold "Mein Sehnen, mein Wähnen" from Opera 'Die tote Stadt'
김태한(바리톤) | Taehan Kim(Baritone)
우드. 영국 해가에 의한 환상곡
H. Wood Fantasia on British Sea Songs
엘가 위풍당당 행진곡 1번, D장조, 0p 39
E. Elgar Pomp and Circumstance March No. 1 in D Major, Op.39
데이비스 일출이 있는 오크니에서의 결혼식
P.M. Davis An Orkney Wedding with Sunrise
앵콜곡 Encore
스코틀랜드 민요 2곡
Eightsome Reels (arr.Cree)
Auld Lang Syne (arr.Savage) '작별'(作別)
- published: 09 Dec 2024
- views: 246