- published: 11 Jun 2016
- views: 22442
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HIDDEN ERROR: Usage of "signature" is not recognized
Leonard Bernstein (/ˈbɜːrnstaɪn/; August 25, 1918 – October 14, 1990) was an American composer, conductor, author, music lecturer, and pianist. He was among the first conductors born and educated in the US to receive worldwide acclaim. According to music critic Donal Henahan, he was "one of the most prodigiously talented and successful musicians in American history."
His fame derived from his long tenure as the music director of the New York Philharmonic, from his conducting of concerts with most of the world's leading orchestras, and from his music for West Side Story, Peter Pan,Candide, Wonderful Town, On the Town, On The Waterfront, his Mass, and a range of other compositions, including three symphonies and many shorter chamber and solo works.
Bernstein was the first conductor to give numerous television lectures on classical music, starting in 1954 and continuing until his death. He was a skilled pianist, often conducting piano concertos from the keyboard.
A Quiet Place is an American opera in three acts, with music by Leonard Bernstein to a libretto by Stephen Wadsworth. The work is a sequel to Bernstein's 1951 short opera Trouble in Tahiti. In its initial form A Quiet Place was in one act; the premiere, on June 17, 1983, was a double bill: Trouble in Tahiti, intermission, A Quiet Place. In its three-act form, which appeared in 1984, Act Two of A Quiet Place largely consists of Trouble in Tahiti in flashback.
The first performance, attended by Bernstein, was on 17 June 1983 by the Houston Grand Opera. After being panned by critics ("To call the result a pretentious failure is putting it kindly"), Bernstein and Wadsworth withdrew the opera and revised it. Some scenes were cut, and Trouble in Tahiti was incorporated into the opera as a flashback, becoming (most of) the second act of the new three-act version. The revised version was given at La Scala, Milan and at Washington Opera in 1984. The work was revised again and subsequently performed at the Vienna State Opera under the composer's baton in April 1986 with Wendy White as Dinah. These performances were recorded by Deutsche Grammophon for commercial release. The UK premiere was in December 1988 at the Corn Exchange Theatre, Cambridge, with the composer in attendance.
A Quiet Place is the second album by jazz singer Roseanna Vitro, released in October 1987 on the Skyline label.
AllMusic awarded the album 2 stars, with reviewer Scott Yanow citing its uncharacteristic attempt at crossover appeal:
By contrast, a contemporaneous review by Baltimore Sun awarded 4 stars, with critic Kelly Gilbert singling out both the Lionel Richie cover and Vitro's vocal attributes for praise, along with four of the album's six original compositions (including three featuring lyrics written by Vitro):
All composer credits and durations derived from The Record Room.
Prelude from A Quiet Place Leonard Bernstein ORF-Symphonieorchester Vienna State Opera, 1986
Provided to YouTube by Universal Music Group Bernstein: A Quiet Place - Ed. Sunderland / Act 1: Aria “You’re late…” · Lucas Meachem · Orchestre symphonique de Montréal · Kent Nagano Bernstein: A Quiet Place ℗ 2018 Orchestre symphonique de Montréal, under exclusive licence to Decca Music Group Ltd. Released on: 2018-06-22 Producer, Recording Producer: Martin Sauer Producer, Associate Producer: Carl Talbot Studio Personnel, Recording Engineer: Christopher Johns Studio Personnel, Asst. Recording Engineer: Nicola Lombardo Studio Personnel, Asst. Recording Engineer: Stéphane Brochu Studio Personnel, Asst. Recording Engineer: Jack Kelly Composer: Leonard Bernstein Contributor, Work Editor: Edwin Garth Sunderland Author: Stephen Wadsworth Auto-generated by YouTube.
A Quiet Place, créé en 1983 par Leonard Bernstein puis remanié en 1986, a été conçu comme la suite de Trouble in Tahiti. Nous retrouvons Sam, trois décennies plus tard, en père de famille déchu et repoussé par ses deux enfants. Dinah, sa femme, vient de mourir dans un accident de voiture et la famille se retrouve à ses funérailles. La douleur du deuil révèle des blessures inavouées. Cette oeuvre, profondément ancrée dans la société de l’époque et les tabous qui l’accompagnent, est le dernier opéra d’un compositeur qui n’a jamais cessé de vouloir renouveler la forme lyrique. Une nouvelle version, adaptée par Garth Edwin Sunderland, est créée en concert en 2013 sous la direction de Kent Nagano. Elle est, pour la première fois, mise en scène et l’Opéra national de Paris a confié cette tâche à...
Leonard Bernstein, with his co-librettist Stephen Wadsworth, discussing "A Quiet Place," the operatic sequel to Bernstein's "Trouble in Tahiti" in a "Greenroom" interview with Jim Bernhard in 1983 on KUHT-TV, Houston-PBS. The opera premiered that year at Houston Grand Opera.
Provided to YouTube by Universal Music Group Bernstein: A Quiet Place, Act I: You're Late (Sam) (Live) · Chester Ludgin · ORF Symphony Orchestra · Leonard Bernstein Leonard Bernstein - Theatre Works on Deutsche Grammophon ℗ 1987 Deutsche Grammophon GmbH, Berlin Released on: 2010-01-01 Producer: Hanno Rinke Producer, Recording Producer: Hans Weber Studio Personnel, Balance Engineer: Prof. Ernst Koehler Studio Personnel, Balance Engineer: Jobst Eberhardt Composer: Leonard Bernstein Author: Stephen Wadsworth Auto-generated by YouTube.
A Quiet Place, créé en 1983 par Leonard Bernstein puis remanié en 1986, a été conçu comme la suite de Trouble in Tahiti. Nous retrouvons Sam, trois décennies plus tard, en père de famille déchu et repoussé par ses deux enfants. Dinah, sa femme, vient de mourir dans un accident de voiture et la famille se retrouve à ses funérailles. La douleur du deuil révèle des blessures inavouées. Cette oeuvre, profondément ancrée dans la société de l’époque et les tabous qui l’accompagnent, est le dernier opéra d’un compositeur qui n’a jamais cessé de vouloir renouveler la forme lyrique. Une nouvelle version, adaptée par Garth Edwin Sunderland, est créée en concert en 2013 sous la direction de Kent Nagano. Elle est, pour la première fois, mise en scène et l’Opéra national de Paris a confié cette tâche à...
"A Quiet Place", music by Leonard Bernstein and lyrics by Stephen Wadsworth More about "A Quiet Place" at: http://www.leonardbernstein.com/works_a_quiet_place.htm Recorded live at the Wiener Staatsoper in April 1986. Available on Amazon: http://www.amazon.com/Bernstein-A-Quiet-Place-Leonard/dp/B00000E3H8 ℗ 1987 Polydor International GmbH, Hamburg
A Quiet Place, créé en 1983 par Leonard Bernstein puis remanié en 1986, a été conçu comme la suite de Trouble in Tahiti. Nous retrouvons Sam, trois décennies plus tard, en père de famille déchu et repoussé par ses deux enfants. Dinah, sa femme, vient de mourir dans un accident de voiture et la famille se retrouve à ses funérailles. La douleur du deuil révèle des blessures inavouées. Cette oeuvre, profondément ancrée dans la société de l’époque et les tabous qui l’accompagnent, est le dernier opéra d’un compositeur qui n’a jamais cessé de vouloir renouveler la forme lyrique. Une nouvelle version, adaptée par Garth Edwin Sunderland, est créée en concert en 2013 sous la direction de Kent Nagano. Elle est, pour la première fois, mise en scène et l’Opéra national de Paris a confié cette tâche à...
Provided to YouTube by Universal Music Group Bernstein: A Quiet Place, Act I: Postlude (Live) · ORF Symphony Orchestra · Leonard Bernstein Leonard Bernstein - Theatre Works on Deutsche Grammophon ℗ 1987 Deutsche Grammophon GmbH, Berlin Released on: 2010-01-01 Producer: Hanno Rinke Producer, Recording Producer: Hans Weber Studio Personnel, Balance Engineer: Prof. Ernst Koehler Studio Personnel, Balance Engineer: Jobst Eberhardt Composer: Leonard Bernstein Author: Stephen Wadsworth Auto-generated by YouTube.
HIDDEN ERROR: Usage of "signature" is not recognized
Leonard Bernstein (/ˈbɜːrnstaɪn/; August 25, 1918 – October 14, 1990) was an American composer, conductor, author, music lecturer, and pianist. He was among the first conductors born and educated in the US to receive worldwide acclaim. According to music critic Donal Henahan, he was "one of the most prodigiously talented and successful musicians in American history."
His fame derived from his long tenure as the music director of the New York Philharmonic, from his conducting of concerts with most of the world's leading orchestras, and from his music for West Side Story, Peter Pan,Candide, Wonderful Town, On the Town, On The Waterfront, his Mass, and a range of other compositions, including three symphonies and many shorter chamber and solo works.
Bernstein was the first conductor to give numerous television lectures on classical music, starting in 1954 and continuing until his death. He was a skilled pianist, often conducting piano concertos from the keyboard.
Smooth Boppy Piano
Snapping Fingers
Riff: This turf is small but it's all we got, huh?
I wanna hold it like we always held it, with skin!
But if they say blades, I say blades but if they say
guns, I say guns. I say I want the Jets to be the
number one! To sail! To hold the sky!
Baby John: Rev us up!
Gee-Tar: Voom-va-voom!
Big Deal: Cha-chung!
Action: Wacko-jacko!
A-Rab: Digga-digga-dig-dum!
Riff: Now, protocality calls for a war council
between us and the Sharks to set the whole thing up.
So I will personally give the bad news to Bernardo.
Against the Sharks, we need every man we got we need
a lieutenant for the war council.
Action: That's me.
Riff: That's Tony.
Action: Who needs Tony?
Riff: We need Tony! He has a reputation bigger than
the whole west side.
Action: Tony don't belong no more.
Riff: Cut it, Action Tony and I started the Jets.
Action: What about the day we clobbered the Emeralds?
Big Deal: Which we couldn't have done without Tony.
Baby John: He saved my ever-loving neck!
Riff: Yeah, Tony has come through for us and he
always will.
Riff: When you're a Jet, you're a Jet all the way
from your frst cigarette to your last dyin' day.
When you're a Jet, let 'em do what they can, you got
brothers around, you're a family man! You're never
alone, you're never disconnected! You're home with
your own when company's expected, you're well
protected! Then you are set with a capital J, which
you'll never forget till they cart you away. When
you're a Jet, you stay a Jet!
Riff: I know Tony like I know me and I guarantee you
can count him in.
Action: In, out, let's get crackin'.
A-Rab: Where you gonna find Bernardo?
Riff: He'll be at the dance at the gym tonight.
A-Rab: Yeah, but the gym's neutral territory.
Riff(innocently): A-Rab, I'm gonna make nice with
him! I'm only gonna challenge him.
A-Rab: Great, Daddy-o!
Riff: So everybody dress up sweet and sharp and meet
Tony and me at the dance at ten. And walk tall!
A-Rab: We always walk tall!
Baby John: We're Jets!
Action: The greatest!
Drums
Snowboy: When you're a Jet, you're the top cat in
town, you're the gold medal kid with the heavyweight
crown!
Diesel: When you're a Jet, you're the swingin'est
thing. Little boy, you're a man, little man, you're
a king!
Jets: The Jets are in gear, our cylinders are
clickin'. The Sharks'll steer clear 'cause ev'ry
Puerto Rican's a lousy chicken! Here com the Jets
like a bat out of hell. Someone gets in our way,
someone don't feel so well. Here come the Jets
little world, step aside! Better go undeground,
better run, better hide. We're drawin' the line, so
keep your noses hidden! We're hangin' a sign, says
"Visitors Forbidden" and we ain't kiddin'! Here come
the Jets, Yeah! An' we're gonna beat ev'ry last
buggin' gang on the whole buggin' street! On the
whole buggin' ever lovin' street!