- published: 07 Nov 2012
- views: 4711184
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HIDDEN ERROR: Usage of "signature" is not recognized
Leonard Bernstein (/ˈbɜːrnstaɪn/; August 25, 1918 – October 14, 1990) was an American composer, conductor, author, music lecturer, and pianist. He was among the first conductors born and educated in the US to receive worldwide acclaim. According to music critic Donal Henahan, he was "one of the most prodigiously talented and successful musicians in American history."
His fame derived from his long tenure as the music director of the New York Philharmonic, from his conducting of concerts with most of the world's leading orchestras, and from his music for West Side Story, Peter Pan,Candide, Wonderful Town, On the Town, On The Waterfront, his Mass, and a range of other compositions, including three symphonies and many shorter chamber and solo works.
Bernstein was the first conductor to give numerous television lectures on classical music, starting in 1954 and continuing until his death. He was a skilled pianist, often conducting piano concertos from the keyboard.
Lieutenant Kijé or Kizhe (Russian: Пору́чик Киже́, translit. Poruchik Kizhe), originally Kizh (Киж), is the fictional protagonist of an anecdote about the reign of Emperor Paul I of Russia; the story was used as the basis of a novella by Yury Tynyanov published in 1928 and filmed in 1934 with music by Sergei Prokofiev. The plot is a satire on bureaucracy.
The first appearance of the anecdote is in Vladimir Dahl's "Rasskazy o vremenakh Pavla I" ("Stories of the time of Paul I"), a short piece published in the journal Russkaya Starina in 1870; he reported it as told by his father, Jochan Christian von Dahl (1764-1821). In this original version, a clerk miswrites an order promoting several ensigns (praporshchiki) to second lieutenants (podporuchiki): instead of "praporshchiki zh ... - v podporuchiki" ("as to Ensigns (names), [they are promoted to] Second Lieutenants", he writes "praporshchik Kizh, ... - v podporuchiki" ("Ensigns Kizh, (other names) [are promoted to ] Second Lieutenants". The Emperor Paul decides to promote the nonexistent Kizh to first lieutenant (poruchik); he quickly rises through the ranks to staff captain and full captain, and when he is promoted to colonel the emperor commands that Kizh appear before him. Of course no Kizh can be found; the military bureaucrats go through the paper trail and discover the original mistake, but they decide to tell the emperor that Kizh has died. "What a pity," the emperor says, "he was a good officer."
Sergei Prokofiev's Lieutenant Kijé (Russian: Поручик Киже, Poruchik Kizhe) was originally written as a musical accompaniment to the film of the same name, produced by the Belgoskino studios in Leningrad in 1933–34 and released in March 1934. It was Prokofiev's first attempt at film music, and his first commission from within the Soviet Union which he had left in 1918. After the film's release, Prokofiev adapted the music into a highly popular orchestral suite.
Prokofiev had been based in Paris for more than a decade when he was asked by the producers to write the Kijé music. In those early days of sound cinema, various distinguished composers were ready to try their hand at film music, among whom Prokofiev was not a natural choice. During his absentee years he had acquired a reputation for experimentation and dissonance, characteristics at odds with the prevailing cultural norms of the Soviet regime. However, Prokofiev was preparing to return to his homeland, and regarded the film commission as an opportunity to write music in a more popular and accessible style.
Lieutenant Kijé (Russian: Поручик Киже; translit. Poruchik Kizhe) is a 1934 Soviet comedy film directed by Aleksandr Faintsimmer and promoted by Boris Gusman, based on the novella "Lieutenant Kijé" by Yury Tynyanov. The film was released in the USA as The Czar Wants to Sleep. Sergei Prokofiev composed the score.
Set in Saint Petersburg in 1800, the film satirizes the pedantic absurdities of the rule of Emperor Paul I. His obsession with rigid drill, instant obedience and martinet discipline extends not only to his soldiers but also to his courtiers and even the servants who scrub the palace corridors. A slip of the pen by an army clerk when drawing up a list of officers for promotion, leads to the creation of a Lieutenant Kijé. Once the document is signed by the Emperor, Kijé takes on an existence of his own through a series of muddles and court intrigues. The Emperor's aide cries out when engaged in amorous play with a lady in waiting, awakening the sleeping Paul. The non-existent Lieutenant Kijé is blamed, flogged in front of the assembled Imperial Guard and sent under escort to a fortress in Siberia. His lack of substantive form is explained by his being "a confidential prisoner with no shape". Reprieved by the Emperor, Kijé returns to Saint Petersburg and is rapidly promoted to colonel and then general. In absentia, he marries the Princess Gagarina. At last, when the Emperor insists on a meeting with his "most faithful servant", General Kijé is reported as having died. He receives a state funeral with an empty coffin.
This amazing lecture series (The unanswered Question ), is actually an interdisciplinary overview about the evolution of Western European classical music from Bach through the 20th century crisis and beyond a bit . Mr. Bernstein uses linguistics namely Chomskian Linguistics to provide a framework to illustrate how music and all the arts evolved toward greater and greater levels of ambiguity/expressivity over history until the 20th century crisis . He manages this impressive feat of popular education , by dividing music into; Phonology (the study of sound); Syntax (the study of structure) and; Semantics (the study of meaning)
Leonard Bernstein conducts the New York Philharmonic and plays piano in a performance of George Gershwin's Rhapsody in Blue at the Royal Albert Hall in 1976.
Bernstein conducts his own score form West Side Story in the recording studio, and has a "fun" time with a poor tenor who keeps screwing it up. I really can't blame Jose Carreras - it's just a great tense sequence caught on film.
Candide Overture, conducted by the composer himself, Leonard Bernstein. Concert performance of Candide with June Anderson, Jerry Hadley, Christa Ludwig, Nicolai Gedda - London Symphony Orchestra (London, December 13, 1989).
Leonard Bernstein (August 25, 1918 – October 14, 1990) was an American composer, conductor, author, music lecturer, and pianist. He was among the first conductors born and educated in the US to receive worldwide acclaim. According to music critic Donal Henahan, he was "one of the most prodigiously talented and successful musicians in American history." His fame derived from his long tenure as the music director of the New York Philharmonic, from his conducting of concerts with most of the world's leading orchestras, and from his music for West Side Story, Peter Pan,[3] Candide, Wonderful Town, On the Town, On the Waterfront, his Mass, and a range of other compositions, including three symphonies and many shorter chamber and solo works. Bernstein was the first conductor to give a series o...
Filmed in 1977, the documentary had to wait thirty-one years before being released in his native country. It shows the iconic American conductor rehearsing and performing at a Bernstein retrospective in Tel Aviv - equally amazingly, the very first retrospective given to his music. #leonardbernstein #maestro #westsidestory Subscribe to EuroArts: https://goo.gl/jrui3M Watch an amazing performance of Bernstein's "Mambo" from "West Side Story" by Gustavo Dudamel with Orquesta Sinfónica Simón Bolívar de Venezuela: https://youtu.be/lceRH17lSfw In Leonard Bernstein: Reflections, he discusses his Boston childhood, his musical growth at Harvard and the Curtis Institute, and the influence of great masters like Reiner, Mitropoulos, and Koussevitzky. He shares his feelings on the primacy of tonal...
Excerpts from the documentary Inside Pop: The Rock Revolution, originally broadcast April 25, 1967.
Bernstein describes this passage as "always impossible" and suggests that the audience won't understand the words anyway, so what's the big deal? Awkward.
Maestro
Leonard Bernstein and Maximilian Schell discuss some of the aspects of the Symphony No. 6 "Pastoral" and Symphony No. 7 by Ludwig Van Beethoven. They also discuss his life and how he composed some of his music.
HIDDEN ERROR: Usage of "signature" is not recognized
Leonard Bernstein (/ˈbɜːrnstaɪn/; August 25, 1918 – October 14, 1990) was an American composer, conductor, author, music lecturer, and pianist. He was among the first conductors born and educated in the US to receive worldwide acclaim. According to music critic Donal Henahan, he was "one of the most prodigiously talented and successful musicians in American history."
His fame derived from his long tenure as the music director of the New York Philharmonic, from his conducting of concerts with most of the world's leading orchestras, and from his music for West Side Story, Peter Pan,Candide, Wonderful Town, On the Town, On The Waterfront, his Mass, and a range of other compositions, including three symphonies and many shorter chamber and solo works.
Bernstein was the first conductor to give numerous television lectures on classical music, starting in 1954 and continuing until his death. He was a skilled pianist, often conducting piano concertos from the keyboard.
Smooth Boppy Piano
Snapping Fingers
Riff: This turf is small but it's all we got, huh?
I wanna hold it like we always held it, with skin!
But if they say blades, I say blades but if they say
guns, I say guns. I say I want the Jets to be the
number one! To sail! To hold the sky!
Baby John: Rev us up!
Gee-Tar: Voom-va-voom!
Big Deal: Cha-chung!
Action: Wacko-jacko!
A-Rab: Digga-digga-dig-dum!
Riff: Now, protocality calls for a war council
between us and the Sharks to set the whole thing up.
So I will personally give the bad news to Bernardo.
Against the Sharks, we need every man we got we need
a lieutenant for the war council.
Action: That's me.
Riff: That's Tony.
Action: Who needs Tony?
Riff: We need Tony! He has a reputation bigger than
the whole west side.
Action: Tony don't belong no more.
Riff: Cut it, Action Tony and I started the Jets.
Action: What about the day we clobbered the Emeralds?
Big Deal: Which we couldn't have done without Tony.
Baby John: He saved my ever-loving neck!
Riff: Yeah, Tony has come through for us and he
always will.
Riff: When you're a Jet, you're a Jet all the way
from your frst cigarette to your last dyin' day.
When you're a Jet, let 'em do what they can, you got
brothers around, you're a family man! You're never
alone, you're never disconnected! You're home with
your own when company's expected, you're well
protected! Then you are set with a capital J, which
you'll never forget till they cart you away. When
you're a Jet, you stay a Jet!
Riff: I know Tony like I know me and I guarantee you
can count him in.
Action: In, out, let's get crackin'.
A-Rab: Where you gonna find Bernardo?
Riff: He'll be at the dance at the gym tonight.
A-Rab: Yeah, but the gym's neutral territory.
Riff(innocently): A-Rab, I'm gonna make nice with
him! I'm only gonna challenge him.
A-Rab: Great, Daddy-o!
Riff: So everybody dress up sweet and sharp and meet
Tony and me at the dance at ten. And walk tall!
A-Rab: We always walk tall!
Baby John: We're Jets!
Action: The greatest!
Drums
Snowboy: When you're a Jet, you're the top cat in
town, you're the gold medal kid with the heavyweight
crown!
Diesel: When you're a Jet, you're the swingin'est
thing. Little boy, you're a man, little man, you're
a king!
Jets: The Jets are in gear, our cylinders are
clickin'. The Sharks'll steer clear 'cause ev'ry
Puerto Rican's a lousy chicken! Here com the Jets
like a bat out of hell. Someone gets in our way,
someone don't feel so well. Here come the Jets
little world, step aside! Better go undeground,
better run, better hide. We're drawin' the line, so
keep your noses hidden! We're hangin' a sign, says
"Visitors Forbidden" and we ain't kiddin'! Here come
the Jets, Yeah! An' we're gonna beat ev'ry last
buggin' gang on the whole buggin' street! On the
whole buggin' ever lovin' street!