- published: 25 Mar 2007
- views: 1306933
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Leon Bismark "Bix" Beiderbecke (March 10, 1903 – August 6, 1931) was an American jazz cornetist, jazz pianist, and composer.
With Louis Armstrong and Muggsy Spanier, Beiderbecke was one of the most influential jazz soloists of the 1920s. His turns on "Singin' the Blues" and "I'm Coming, Virginia" (both 1927), in particular, demonstrated an unusual purity of tone and a gift for improvisation. With these two recordings, especially, he helped to invent the jazz ballad style and hinted at what, in the 1950s, would become cool jazz. "In a Mist" (1927), one of a handful of his piano compositions and one of only two he recorded, mixed classical (Impressionist) influences with jazz syncopation.
A native of Davenport, Iowa, Beiderbecke taught himself to play cornet largely by ear, leading him to adopt a non-standard fingering some critics have connected to his original sound. He first recorded with Midwestern jazz ensembles, The Wolverines and The Bucktown Five in 1924, after which he played briefly for the Detroit-based Jean Goldkette Orchestra before joining Frankie "Tram" Trumbauer for an extended gig at the Arcadia Ballroom in St. Louis. Beiderbecke and Trumbauer joined Goldkette in 1926. The band toured widely and famously played a set opposite Fletcher Henderson at the Roseland Ballroom in New York City in October 1926. He made his greatest recordings in 1927 (see above). In 1928, Trumbauer and Beiderbecke left Detroit to join the best-known and most prestigious dance orchestra in the country: the New-York-based Paul Whiteman Orchestra.
I'll Be may refer to:
I'll Be is a compilation album by Reba McEntire, released in 2001 on MCA Nashville. The album is only available in Europe.The album peaked at #134 on the UK Albums Chart.
"I'll Be" is a song written by Diane Warren, and recorded by American country music artist Reba McEntire. It was released in January 2000 as the second single from her album So Good Together. The song reached #4 on the Billboard Hot Country Singles & Tracks chart in July 2000.
The Frankie "Tram" Trumbauer Orchestra feat. Bix Beiderbecke - Singin' the Blues. The first minute of the song is a sax solo by Trumbauer. The second minute is Bix's cornet solo. The third minute features a short clarinet solo by Jimmy Dorsey, who was the clarinetist in Trumbauer's Orchestra at that time. The guitarist on this track is Eddie Lang. This song is considered a jazz classic because Bix and, to a lesser degree, Tram were able to make a slow-tempo jazz ballad swing. This ability to make slow-tempo swinging jazz would later be emulated by jazz musicians ranging from Lester Young to John Coltrane to Miles Davis.
TRACKLIST 01- At The Jazz Band Ball 00:09 02- The Sailor 03:10 03- For No Reason At All In C 05:55 04- Futuristic Rhythm 08:49 05- In a Mist 11:44 06- Jazz Me Blues 14:32 07- Ol’ Man River 17:37 08- San 20:48 09- Singin The Blues 24:16 10- Sunday 27:16 11- Jazz Me Blues 30:15 Bix Beiderbecke - All The Best (Full Album) Download on Google Play: https://play.google.com/store/music/album/Bix_Beiderbecke_All_the_Best?id=Bhys6k2vmioq3ucwsijpjmw67qy Leon Bismark "Bix" Beiderbecke (March 10, 1903 – August 6, 1931) was an American jazz cornetist, pianist, and composer. With Louis Armstrong and Muggsy Spanier, Beiderbecke was one of the most influential jazz soloists of the 1920s. His turns on "Singin' the Blues" and "I'm Coming, Virginia" (both 1927), in particular, de...
Subscribe for more jazz and classical music: http://bit.ly/YouTubeHalidonMusic Listen to our playlist “The Best of Jazz” on Deezer: http://bit.ly/2tu25aM Like us on Facebook: https://www.facebook.com/halidonmusic/ ▶ BUY the full MP3 album from our music store: http://bit.ly/2rdM1fY ►►Order "100 Songs Jazz" (4 CDs) on Amazon: http://hyperurl.co/100JazzSongs ►►Order "100 Songs Jazz" (4 CDs) on Ebay: http://bit.ly/2XKqxnA100SongsJazz WOLVERINE ORCHESTRA: Bix Beiderbecke (cn), Al Gandee (tb), Jimmy Hartwel (cl,as), George Johnson (ts), Dick Voynow (p, dir.), Bob Gillette (bj), Min Leibrook (tu). Vic Moore (dm) - feb. 18, 1924 1. Fidgety Feet (LaRocca-Shields) 00:00 2. Jazz Me Blues (Delaney) 02:21 Same. Omit Gandee - may 6, 1924 3. Oh! Baby (Donaldson-DeSylva) 05:05 4. Copenhage...
♫ Buy the MP3 album on the Official Halidon Music Store: http://bit.ly/2DsKfxk 🎧 Listen to our Relaxing Jazz playlist on Spotify: https://spoti.fi/2lGLuSt 💿 Order “50 Jazz Songs” (2CDs) on Amazon: IT: https://amzn.to/2MeK2yO FR: https://amzn.to/2LPLFqO DE: https://amzn.to/2ODw7E9 ES: https://amzn.to/2M0SRiW UK: https://amzn.to/2LX9hc7 💿 Order “50 Jazz Songs” (2CDs) on eBay: http://bit.ly/2W9AivL 🔔 Subscribe to our channel: http://bit.ly/YouTubeHalidonMusic 👥 Like us on Facebook: https://www.facebook.com/halidonmusic These tracks are available for sync licensing in web video productions, corporate videos, films, ads and music compilations. For further information and licensing please contact [email protected] BIX & HIS GANG (and other bands too) BIX BEIDERBECKE AND HIS G...
Louis Armstrong gives his opinions on Bix Beiderbecke's early demise
Performed by: Bix Beiderbecke Full Song Title: Rhythm King Recorded in: 1928 Leon Bismark "Bix" Beiderbecke was an American jazz cornetist, jazz pianist, and composer. With Louis Armstrong and Muggsy Spanier, Beiderbecke was one of the most influential jazz soloists of the 1920s. His turns on "Singin' the Blues" (1927) and "I'm Coming, Virginia" (1927), in particular, demonstrated an unusual purity of tone and a gift for improvisation. With these two recordings, especially, he helped to invent the jazz ballad style and hinted at what, in the 1950s, would become cool jazz. "In a Mist" (1927), one of a handful of his piano compositions and the only one he recorded, mixed classical influences with jazz syncopation. Beiderbecke also has been credited for his influence, directly, on Bing Cr...
Recorded In NY, 1928 Bix - p
1975 BBC television documentary featuring interview with Richard Sudhalter and Tom Cash.
Leon Bismark "Bix" Beiderbecke (March 10, 1903 -- August 6, 1931) was an American jazz cornetist, jazz pianist, and composer. A native of Davenport, Iowa. Bix Beiderbecke was one of the great jazz musicians of the 1920's; he was also a child of the Jazz Age who drank himself to an early grave with illegal Prohibition liquor. His hard drinking and beautiful tone on the cornet made him a legend among musicians during his life. The legend of Bix grew even larger after he died. Bix never learned to read music very well, but he had an amazing ear even as a child. His parents disapproved of his playing music and sent him to a military school outside of Chicago in 1921. He was soon expelled for skipping class and became a full-time musician. In 1923 Beiderbecke joined the Wolverine Orchestra and ...
Leon Bismark "Bix" Beiderbecke (March 10, 1903 – August 6, 1931) was an American jazz cornetist, jazz pianist, and composer.
With Louis Armstrong and Muggsy Spanier, Beiderbecke was one of the most influential jazz soloists of the 1920s. His turns on "Singin' the Blues" and "I'm Coming, Virginia" (both 1927), in particular, demonstrated an unusual purity of tone and a gift for improvisation. With these two recordings, especially, he helped to invent the jazz ballad style and hinted at what, in the 1950s, would become cool jazz. "In a Mist" (1927), one of a handful of his piano compositions and one of only two he recorded, mixed classical (Impressionist) influences with jazz syncopation.
A native of Davenport, Iowa, Beiderbecke taught himself to play cornet largely by ear, leading him to adopt a non-standard fingering some critics have connected to his original sound. He first recorded with Midwestern jazz ensembles, The Wolverines and The Bucktown Five in 1924, after which he played briefly for the Detroit-based Jean Goldkette Orchestra before joining Frankie "Tram" Trumbauer for an extended gig at the Arcadia Ballroom in St. Louis. Beiderbecke and Trumbauer joined Goldkette in 1926. The band toured widely and famously played a set opposite Fletcher Henderson at the Roseland Ballroom in New York City in October 1926. He made his greatest recordings in 1927 (see above). In 1928, Trumbauer and Beiderbecke left Detroit to join the best-known and most prestigious dance orchestra in the country: the New-York-based Paul Whiteman Orchestra.
There's a silent road that goes right under
The endless miles of wishes that we ran
And every ones an image that we plundered
It's just something to experience while we can
Just one more fine pleasure in mind
You take everything but you leave me full of wonder
Well I sleep like this because I never feel secure
It's crystal clear like fear it's a sound like thunder
Introduce me to your will I'm in your hands
Just one more fine pleasure in mind
And that means you
There's a silent road that goes right under
The endless miles of wishes that we ran
It's crystal clear like fear it's a sound like thunder
Introduce me to your will I'm in your hands
Just one more fine pleasure in mind