- published: 25 Mar 2007
- views: 1306933
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Leon Bismark "Bix" Beiderbecke (March 10, 1903 – August 6, 1931) was an American jazz cornetist, jazz pianist, and composer.
With Louis Armstrong and Muggsy Spanier, Beiderbecke was one of the most influential jazz soloists of the 1920s. His turns on "Singin' the Blues" and "I'm Coming, Virginia" (both 1927), in particular, demonstrated an unusual purity of tone and a gift for improvisation. With these two recordings, especially, he helped to invent the jazz ballad style and hinted at what, in the 1950s, would become cool jazz. "In a Mist" (1927), one of a handful of his piano compositions and one of only two he recorded, mixed classical (Impressionist) influences with jazz syncopation.
A native of Davenport, Iowa, Beiderbecke taught himself to play cornet largely by ear, leading him to adopt a non-standard fingering some critics have connected to his original sound. He first recorded with Midwestern jazz ensembles, The Wolverines and The Bucktown Five in 1924, after which he played briefly for the Detroit-based Jean Goldkette Orchestra before joining Frankie "Tram" Trumbauer for an extended gig at the Arcadia Ballroom in St. Louis. Beiderbecke and Trumbauer joined Goldkette in 1926. The band toured widely and famously played a set opposite Fletcher Henderson at the Roseland Ballroom in New York City in October 1926. He made his greatest recordings in 1927 (see above). In 1928, Trumbauer and Beiderbecke left Detroit to join the best-known and most prestigious dance orchestra in the country: the New-York-based Paul Whiteman Orchestra.
"Barnacle Bill the Sailor" (Roud 4704) is an American drinking song adapted from "Bollocky Bill the Sailor", a traditional folk song originally titled "Abraham Brown".
There are several versions of the bawdy song in the Gordon "Inferno" Collection at the Library of Congress folklife archive. The first printed version of the song is in the public domain book Immortalia (1927). Later versions feature the eponymous "Barnacle Bill", a fictional character loosely based on a 19th-century San Francisco sailor and Gold Rush miner named William Bernard. Versions are also known in England and Scotland from the early twentieth century.
The earliest known recording is an expurgated adaptation by Carson Robison and Frank Luther in 1928. This version was also recorded on May 21, 1930 by Bix Beiderbecke and Hoagy Carmichael with Carson Robison on vocals and released as a Victor 78, V-38139-A and 25371. In 1996 it was released on CD on the album "Bix Beiderbecke 1927–1930". According to Philip R. Evans, Bix Beiderbecke's biographer, in the second chorus of this recording, violinist Joe Venuti can be heard singing "Barnacle Bill the Shit-head," either to express his attitude toward the record producer, or typical of his wacky sense of humor. Esten Spurrier, a friend of Beiderbecke's, is quoted by Evans as saying that Beiderbecke told him he could not believe the record would be pressed and had felt that it had been done just for laughs. Beiderbecke cut loose on the tune with what is believed to be one of his finest cornet solos. John Valby (aka "Dr. Dirty") also recorded the song.
The Frankie "Tram" Trumbauer Orchestra feat. Bix Beiderbecke - Singin' the Blues. The first minute of the song is a sax solo by Trumbauer. The second minute is Bix's cornet solo. The third minute features a short clarinet solo by Jimmy Dorsey, who was the clarinetist in Trumbauer's Orchestra at that time. The guitarist on this track is Eddie Lang. This song is considered a jazz classic because Bix and, to a lesser degree, Tram were able to make a slow-tempo jazz ballad swing. This ability to make slow-tempo swinging jazz would later be emulated by jazz musicians ranging from Lester Young to John Coltrane to Miles Davis.
TRACKLIST 01- At The Jazz Band Ball 00:09 02- The Sailor 03:10 03- For No Reason At All In C 05:55 04- Futuristic Rhythm 08:49 05- In a Mist 11:44 06- Jazz Me Blues 14:32 07- Ol’ Man River 17:37 08- San 20:48 09- Singin The Blues 24:16 10- Sunday 27:16 11- Jazz Me Blues 30:15 Bix Beiderbecke - All The Best (Full Album) Download on Google Play: https://play.google.com/store/music/album/Bix_Beiderbecke_All_the_Best?id=Bhys6k2vmioq3ucwsijpjmw67qy Leon Bismark "Bix" Beiderbecke (March 10, 1903 – August 6, 1931) was an American jazz cornetist, pianist, and composer. With Louis Armstrong and Muggsy Spanier, Beiderbecke was one of the most influential jazz soloists of the 1920s. His turns on "Singin' the Blues" and "I'm Coming, Virginia" (both 1927), in particular, de...
Subscribe for more jazz and classical music: http://bit.ly/YouTubeHalidonMusic Listen to our playlist “The Best of Jazz” on Deezer: http://bit.ly/2tu25aM Like us on Facebook: https://www.facebook.com/halidonmusic/ ▶ BUY the full MP3 album from our music store: http://bit.ly/2rdM1fY ►►Order "100 Songs Jazz" (4 CDs) on Amazon: http://hyperurl.co/100JazzSongs ►►Order "100 Songs Jazz" (4 CDs) on Ebay: http://bit.ly/2XKqxnA100SongsJazz WOLVERINE ORCHESTRA: Bix Beiderbecke (cn), Al Gandee (tb), Jimmy Hartwel (cl,as), George Johnson (ts), Dick Voynow (p, dir.), Bob Gillette (bj), Min Leibrook (tu). Vic Moore (dm) - feb. 18, 1924 1. Fidgety Feet (LaRocca-Shields) 00:00 2. Jazz Me Blues (Delaney) 02:21 Same. Omit Gandee - may 6, 1924 3. Oh! Baby (Donaldson-DeSylva) 05:05 4. Copenhage...
♫ Buy the MP3 album on the Official Halidon Music Store: http://bit.ly/2DsKfxk 🎧 Listen to our Relaxing Jazz playlist on Spotify: https://spoti.fi/2lGLuSt 💿 Order “50 Jazz Songs” (2CDs) on Amazon: IT: https://amzn.to/2MeK2yO FR: https://amzn.to/2LPLFqO DE: https://amzn.to/2ODw7E9 ES: https://amzn.to/2M0SRiW UK: https://amzn.to/2LX9hc7 💿 Order “50 Jazz Songs” (2CDs) on eBay: http://bit.ly/2W9AivL 🔔 Subscribe to our channel: http://bit.ly/YouTubeHalidonMusic 👥 Like us on Facebook: https://www.facebook.com/halidonmusic These tracks are available for sync licensing in web video productions, corporate videos, films, ads and music compilations. For further information and licensing please contact [email protected] BIX & HIS GANG (and other bands too) BIX BEIDERBECKE AND HIS G...
Louis Armstrong gives his opinions on Bix Beiderbecke's early demise
Performed by: Bix Beiderbecke Full Song Title: Rhythm King Recorded in: 1928 Leon Bismark "Bix" Beiderbecke was an American jazz cornetist, jazz pianist, and composer. With Louis Armstrong and Muggsy Spanier, Beiderbecke was one of the most influential jazz soloists of the 1920s. His turns on "Singin' the Blues" (1927) and "I'm Coming, Virginia" (1927), in particular, demonstrated an unusual purity of tone and a gift for improvisation. With these two recordings, especially, he helped to invent the jazz ballad style and hinted at what, in the 1950s, would become cool jazz. "In a Mist" (1927), one of a handful of his piano compositions and the only one he recorded, mixed classical influences with jazz syncopation. Beiderbecke also has been credited for his influence, directly, on Bing Cr...
Recorded In NY, 1928 Bix - p
1975 BBC television documentary featuring interview with Richard Sudhalter and Tom Cash.
Leon Bismark "Bix" Beiderbecke (March 10, 1903 -- August 6, 1931) was an American jazz cornetist, jazz pianist, and composer. A native of Davenport, Iowa. Bix Beiderbecke was one of the great jazz musicians of the 1920's; he was also a child of the Jazz Age who drank himself to an early grave with illegal Prohibition liquor. His hard drinking and beautiful tone on the cornet made him a legend among musicians during his life. The legend of Bix grew even larger after he died. Bix never learned to read music very well, but he had an amazing ear even as a child. His parents disapproved of his playing music and sent him to a military school outside of Chicago in 1921. He was soon expelled for skipping class and became a full-time musician. In 1923 Beiderbecke joined the Wolverine Orchestra and ...
Leon Bismark "Bix" Beiderbecke (March 10, 1903 – August 6, 1931) was an American jazz cornetist, jazz pianist, and composer.
With Louis Armstrong and Muggsy Spanier, Beiderbecke was one of the most influential jazz soloists of the 1920s. His turns on "Singin' the Blues" and "I'm Coming, Virginia" (both 1927), in particular, demonstrated an unusual purity of tone and a gift for improvisation. With these two recordings, especially, he helped to invent the jazz ballad style and hinted at what, in the 1950s, would become cool jazz. "In a Mist" (1927), one of a handful of his piano compositions and one of only two he recorded, mixed classical (Impressionist) influences with jazz syncopation.
A native of Davenport, Iowa, Beiderbecke taught himself to play cornet largely by ear, leading him to adopt a non-standard fingering some critics have connected to his original sound. He first recorded with Midwestern jazz ensembles, The Wolverines and The Bucktown Five in 1924, after which he played briefly for the Detroit-based Jean Goldkette Orchestra before joining Frankie "Tram" Trumbauer for an extended gig at the Arcadia Ballroom in St. Louis. Beiderbecke and Trumbauer joined Goldkette in 1926. The band toured widely and famously played a set opposite Fletcher Henderson at the Roseland Ballroom in New York City in October 1926. He made his greatest recordings in 1927 (see above). In 1928, Trumbauer and Beiderbecke left Detroit to join the best-known and most prestigious dance orchestra in the country: the New-York-based Paul Whiteman Orchestra.
A sailor at sea for years
With weathered skin, an untamed beard
Somewhere hidden within he had a secret, he couldn't swim
Suddenly pulled overboard 50 yards from shore
A belt of lead around his waist pulled him to the floor
This sailor he won't flail his chest is filled with pride
In this life I can't swim, but soon I'm gonna fly
I'd rather drown tonight than let them know that I can't swim
That's what he said as he sunk to the bottom
Now his secret is safe at the bottom of the sea
Buried just like treasure that's where it will be
It's a treasure no man wants or ever will seek
His secret is safe with me
I'd rather drown tonight than let them know that I can't swim
That's what he said as he sunk to the bottom
I'd rather drown tonight (I'd rather drown tonight)
Than let them know that I can't swim (I'd rather drown tonight)
That's what he said (I'd rather drown tonight)
As he sunk to the bottom
Rather drown tonight than let them know that I can't swim