- published: 25 Mar 2007
- views: 1306933
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Load news page with ajax here } else if(num > 1900){ //FIX ME. 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Leon Bismark "Bix" Beiderbecke (March 10, 1903 – August 6, 1931) was an American jazz cornetist, jazz pianist, and composer.
With Louis Armstrong and Muggsy Spanier, Beiderbecke was one of the most influential jazz soloists of the 1920s. His turns on "Singin' the Blues" and "I'm Coming, Virginia" (both 1927), in particular, demonstrated an unusual purity of tone and a gift for improvisation. With these two recordings, especially, he helped to invent the jazz ballad style and hinted at what, in the 1950s, would become cool jazz. "In a Mist" (1927), one of a handful of his piano compositions and one of only two he recorded, mixed classical (Impressionist) influences with jazz syncopation.
A native of Davenport, Iowa, Beiderbecke taught himself to play cornet largely by ear, leading him to adopt a non-standard fingering some critics have connected to his original sound. He first recorded with Midwestern jazz ensembles, The Wolverines and The Bucktown Five in 1924, after which he played briefly for the Detroit-based Jean Goldkette Orchestra before joining Frankie "Tram" Trumbauer for an extended gig at the Arcadia Ballroom in St. Louis. Beiderbecke and Trumbauer joined Goldkette in 1926. The band toured widely and famously played a set opposite Fletcher Henderson at the Roseland Ballroom in New York City in October 1926. He made his greatest recordings in 1927 (see above). In 1928, Trumbauer and Beiderbecke left Detroit to join the best-known and most prestigious dance orchestra in the country: the New-York-based Paul Whiteman Orchestra.
Gold Collection is a 1994 double disc compilation album by American singer Frank Sinatra.
The Frankie "Tram" Trumbauer Orchestra feat. Bix Beiderbecke - Singin' the Blues. The first minute of the song is a sax solo by Trumbauer. The second minute is Bix's cornet solo. The third minute features a short clarinet solo by Jimmy Dorsey, who was the clarinetist in Trumbauer's Orchestra at that time. The guitarist on this track is Eddie Lang. This song is considered a jazz classic because Bix and, to a lesser degree, Tram were able to make a slow-tempo jazz ballad swing. This ability to make slow-tempo swinging jazz would later be emulated by jazz musicians ranging from Lester Young to John Coltrane to Miles Davis.
TRACKLIST 01- At The Jazz Band Ball 00:09 02- The Sailor 03:10 03- For No Reason At All In C 05:55 04- Futuristic Rhythm 08:49 05- In a Mist 11:44 06- Jazz Me Blues 14:32 07- Ol’ Man River 17:37 08- San 20:48 09- Singin The Blues 24:16 10- Sunday 27:16 11- Jazz Me Blues 30:15 Bix Beiderbecke - All The Best (Full Album) Download on Google Play: https://play.google.com/store/music/album/Bix_Beiderbecke_All_the_Best?id=Bhys6k2vmioq3ucwsijpjmw67qy Leon Bismark "Bix" Beiderbecke (March 10, 1903 – August 6, 1931) was an American jazz cornetist, pianist, and composer. With Louis Armstrong and Muggsy Spanier, Beiderbecke was one of the most influential jazz soloists of the 1920s. His turns on "Singin' the Blues" and "I'm Coming, Virginia" (both 1927), in particular, de...
Subscribe for more jazz and classical music: http://bit.ly/YouTubeHalidonMusic Listen to our playlist “The Best of Jazz” on Deezer: http://bit.ly/2tu25aM Like us on Facebook: https://www.facebook.com/halidonmusic/ ▶ BUY the full MP3 album from our music store: http://bit.ly/2rdM1fY ►►Order "100 Songs Jazz" (4 CDs) on Amazon: http://hyperurl.co/100JazzSongs ►►Order "100 Songs Jazz" (4 CDs) on Ebay: http://bit.ly/2XKqxnA100SongsJazz WOLVERINE ORCHESTRA: Bix Beiderbecke (cn), Al Gandee (tb), Jimmy Hartwel (cl,as), George Johnson (ts), Dick Voynow (p, dir.), Bob Gillette (bj), Min Leibrook (tu). Vic Moore (dm) - feb. 18, 1924 1. Fidgety Feet (LaRocca-Shields) 00:00 2. Jazz Me Blues (Delaney) 02:21 Same. Omit Gandee - may 6, 1924 3. Oh! Baby (Donaldson-DeSylva) 05:05 4. Copenhage...
♫ Buy the MP3 album on the Official Halidon Music Store: http://bit.ly/2DsKfxk 🎧 Listen to our Relaxing Jazz playlist on Spotify: https://spoti.fi/2lGLuSt 💿 Order “50 Jazz Songs” (2CDs) on Amazon: IT: https://amzn.to/2MeK2yO FR: https://amzn.to/2LPLFqO DE: https://amzn.to/2ODw7E9 ES: https://amzn.to/2M0SRiW UK: https://amzn.to/2LX9hc7 💿 Order “50 Jazz Songs” (2CDs) on eBay: http://bit.ly/2W9AivL 🔔 Subscribe to our channel: http://bit.ly/YouTubeHalidonMusic 👥 Like us on Facebook: https://www.facebook.com/halidonmusic These tracks are available for sync licensing in web video productions, corporate videos, films, ads and music compilations. For further information and licensing please contact [email protected] BIX & HIS GANG (and other bands too) BIX BEIDERBECKE AND HIS G...
Louis Armstrong gives his opinions on Bix Beiderbecke's early demise
Performed by: Bix Beiderbecke Full Song Title: Rhythm King Recorded in: 1928 Leon Bismark "Bix" Beiderbecke was an American jazz cornetist, jazz pianist, and composer. With Louis Armstrong and Muggsy Spanier, Beiderbecke was one of the most influential jazz soloists of the 1920s. His turns on "Singin' the Blues" (1927) and "I'm Coming, Virginia" (1927), in particular, demonstrated an unusual purity of tone and a gift for improvisation. With these two recordings, especially, he helped to invent the jazz ballad style and hinted at what, in the 1950s, would become cool jazz. "In a Mist" (1927), one of a handful of his piano compositions and the only one he recorded, mixed classical influences with jazz syncopation. Beiderbecke also has been credited for his influence, directly, on Bing Cr...
Recorded In NY, 1928 Bix - p
1975 BBC television documentary featuring interview with Richard Sudhalter and Tom Cash.
Leon Bismark "Bix" Beiderbecke (March 10, 1903 -- August 6, 1931) was an American jazz cornetist, jazz pianist, and composer. A native of Davenport, Iowa. Bix Beiderbecke was one of the great jazz musicians of the 1920's; he was also a child of the Jazz Age who drank himself to an early grave with illegal Prohibition liquor. His hard drinking and beautiful tone on the cornet made him a legend among musicians during his life. The legend of Bix grew even larger after he died. Bix never learned to read music very well, but he had an amazing ear even as a child. His parents disapproved of his playing music and sent him to a military school outside of Chicago in 1921. He was soon expelled for skipping class and became a full-time musician. In 1923 Beiderbecke joined the Wolverine Orchestra and ...
Leon Bismark "Bix" Beiderbecke (March 10, 1903 – August 6, 1931) was an American jazz cornetist, jazz pianist, and composer.
With Louis Armstrong and Muggsy Spanier, Beiderbecke was one of the most influential jazz soloists of the 1920s. His turns on "Singin' the Blues" and "I'm Coming, Virginia" (both 1927), in particular, demonstrated an unusual purity of tone and a gift for improvisation. With these two recordings, especially, he helped to invent the jazz ballad style and hinted at what, in the 1950s, would become cool jazz. "In a Mist" (1927), one of a handful of his piano compositions and one of only two he recorded, mixed classical (Impressionist) influences with jazz syncopation.
A native of Davenport, Iowa, Beiderbecke taught himself to play cornet largely by ear, leading him to adopt a non-standard fingering some critics have connected to his original sound. He first recorded with Midwestern jazz ensembles, The Wolverines and The Bucktown Five in 1924, after which he played briefly for the Detroit-based Jean Goldkette Orchestra before joining Frankie "Tram" Trumbauer for an extended gig at the Arcadia Ballroom in St. Louis. Beiderbecke and Trumbauer joined Goldkette in 1926. The band toured widely and famously played a set opposite Fletcher Henderson at the Roseland Ballroom in New York City in October 1926. He made his greatest recordings in 1927 (see above). In 1928, Trumbauer and Beiderbecke left Detroit to join the best-known and most prestigious dance orchestra in the country: the New-York-based Paul Whiteman Orchestra.
Long time since I've seen Your smile
But when I close my eyes, I remember, I remember
You were no more than a child
But then so was I, young and tender
Time carries on
I guess it always will
But deep inside my heart
Time stands still
Stay for a while
Well, it's good to see Your smile
And I love your company
Stay for a while
And remember the day's gone by
For a moment it can seem
Just the way it used to be
Snowfalls, phone calls, broken hearts
Clear summer days, warm and lazy
Long walks, long talks after dark
We vowed we'd never forget, now it's hazy
Time takes its toll
And time alters our view
It would be nice
To spend some time with you
Oh, stay for awhile
Well, it's good to see Your smile
And I love your company
Stay for a while
And remember the day's gone by
For a moment it can seem
Just the way it used to be
Stay, please stay
Stay, stay, stay
One, two, one, two
Stay for awhile
Well, it's good to see Your smile
And I love your company
Oh, stay for a while
And remember the day's gone by
For a moment it can seem
Just the way it used to be
Stay for a while
Oh, it's good to see Your smile
And I love your company
Won't you stay with me for a while
And remember the day's gone by
For a moment it can seem
Just the way it used to be
The way it used to be, be
The way it used to be
Now, now, now, now, now, now