- published: 01 Jul 2016
- views: 23044
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Adelaide or l'Adelaide is an opera by Antonio Sartorio to an Italian libretto by Pietro Dolfin. It was premiered in Venice at the Teatro San Salvatore in 1672. An exact date is not known, although the libretto is dedicated February 19, 1672.
The genre of the opera is dramma per musica. The libretto follows the same historical events as Handel's later Lotario.
The story takes place in 951 AD, when, after the death of her husband Lothair II of Italy, Adelaide of Italy is forced to marry Adalbert of Italy by his father, Berengar II of Italy.
"Adelaide", Op. 46, (German pronunciation: [aːdəlaːˈiːdə]) is a song for solo voice and piano composed in about 1795 by Ludwig van Beethoven. The text is a poem in German by Friedrich von Matthisson (1761–1831).
During the period he created "Adelaide", Beethoven was in his mid twenties; he had come to Vienna in 1792 to pursue a career and was in the early stages of making a name for himself as pianist and composer. He had only recently completed his studies with Joseph Haydn. A. Peter Brown suggests that in writing "Adelaide," Beethoven was strongly influenced by Haydn's song "O Tuneful Voice" (Hob. XXVIa:42, c. 1795), written by the elder composer shortly before. Like "Adelaide", "O Tuneful Voice" sets a love poem, is in moderate tempo with a steady triplet accompaniment, and wanders from key to key in its middle section.
In composing "Adelaide" Beethoven made many sketches.Barry Cooper assigns the work of composition to "an unusually long time during 1794, 1795, and perhaps 1796." The song was published by Artaria in Vienna; the first edition bears no date, but an advertisement for it appeared 8 February 1797 in the Wiener Zeitung.
Adélaïde is a 1968 French drama film directed by Jean-Daniel Simon and starring Ingrid Thulin, Jean Sorel and Sylvie Fennec. In English it is sometimes known as The Depraved. It was based on a novella by Joseph-Arthur de Gobineau and produced by Pierre Kalfon.
A mother and her daughter both have a relationship with the same man.
"Don't!" is a song co-written and recorded by Canadian country music singer Shania Twain. It was released in January 2005 as the second single from her Greatest Hits album. The song was written by Twain and then-husband Robert John "Mutt" Lange. The song was also included under the end credits of the 2005 film An Unfinished Life, and in the Brazilian soap opera América.
The music video for "Don't!" was shot in Oaxaca, Mexico at Quinta Real Hotel and Yucca plantation. It was filmed on October 24, 2004 and released January 2, 2005, it was directed by Wayne Isham. The video is available on some of the commercial singles for "Don't!". In 2006, CMT Canada named "Don't!" the eighth sexiest country music video.
In the video Twain rides a horse through rows of Yucca wearing a red dress, and walks around in the hotel wearing a white dress and corset. Near the end of the video, a tear runs down her face.
"Don't!" debuted on the Billboard Hot Country Singles & Tracks chart the week of January 29, 2005 at number 44, Twain's fourth highest debut of all time, and highest of the week. The single spent 15 weeks on the chart and climbed to a peak position of number 24 on April 2, 2005, where it remained for one week. "Don't!" became Twain's first single to miss the top 20 since 2000's "Rock This Country!".
"Don't" is a song performed by Elvis Presley, which was released in 1958. Written and produced by Jerry Leiber and Mike Stoller, it was Presley's eleventh number-one hit in the United States. "Don't" also peaked at number four on the R&B charts.Billboard ranked it as the No. 3 song for 1958.
The song was included in the musical revue Smokey Joe's Cafe, as a medley with "Love Me".
"Don't" is the debut single by American singer Bryson Tiller. It was released on May 20, 2015, as the first single for his debut studio album Trapsoul. The song was produced by Dopeboi. This song has so far peaked at number 13 on the US Billboard Hot 100, where it became Tiller's first top 40 hit and his highest charting single to date.
Tiller originally released this song on October 2014 on his SoundCloud page and started receiving attention from internet based fans and music industry insiders, accumulating 4 million streams in the first six months, and eventually reaching over 35 million streams. Tiller, after increased popularity of the single, admitted that he "made this shit in [his] living room". Early co-signs from super producer Timbaland and Canadian rapper/singer Drake led to multiple major label deals for Bryson, with him eventually choosing to sign a creative partnership with RCA Records on August 25, 2015.
The song's accompanying music video premiered on October 17, 2015 on Tiller's Vevo account on YouTube. Since its release, the video has received over 50 million views.
Accompanist: James Cheung. Video: Rey Trombetta. Making Music Summer event: AGM, consultation & AYCA concert. Oxford House, London. Saturday 18 June 2016. Visit www.makingmusic.org.uk for more about Making Music.
Vigésima tercera ópera de Gioachino Rossini. Ópera seria en dos actos.
Recorded in January 2021 in St Margaret's Church, Putney. Soprano - Natasha Page Piano - George Ireland Audio/Video - Tom Perkins Recordings
Adelaide Classical Opera Singers- Male and or Female Contact - http://www.australianentertainmenttalentagency.com.au/
Giovanni Pacini - Adelaide e Comingo - Ouverture
Adelaide performs "Long Time Coming" live at The Opera House on November 17th, 2017. Debut EP Coming Soon Facebook: https://www.facebook.com/OfficialAdelaideMusic/ Instagram: https://www.instagram.com/official.adelaide/ Website: https://www.adelaideofficial.com/ Spotify: https://open.spotify.com/artist/3ynAwPyupwgTsSExom6VLE
Check out the incredible addition to our Bastille Day celebrations in our Market this year! Thank you to the State Opera of South Australia for their fantastic performance and wonderful surprise!
André Rieu & The Johann Strauss Orchestra performing "Ballade pour Adeline" live in Vienna. Taken from André Rieu's breathtaking live spectacle on DVD and Blu-ray "André Rieu - And the waltz goes on" featuring Sir. Anthony Hopkins' Waltz. For tour dates visit: http://www.andrerieu.com http://www.facebook.com/andrerieu http://www.twitter.com/andrerieu https://plus.google.com/+andrerieu
Adelaide Classical and Opera Singers Contact http://www.australianentertainmenttalentagency.com.au/
♦️ADHÉREZ A L’INSTITUT APOLLON : https://www.institutapollon.com/adhesion -- Suivez-moi : IG : https://www.instagram.com/messiha.jean/ Twitter : https://twitter.com/JeanMessiha FB : https://www.facebook.com/MessihaJean/
Ludwig van Beethoven: Adelaide, Op. 46 (with Score & Lyrics) Composed: 1795 Lyricist: Friedrich von Matthisson (1761–1831) Tenor: Peter Schreier Piano: Walter Olbertz During the period he created Adelaide, Beethoven was in his mid twenties; he had come to Vienna in 1792 to pursue a career and was in the early stages of making a name for himself as pianist and composer. The work was especially popular in Beethoven's day, and went through many editions. Various composers, including Sigismond Thalberg and Franz Liszt (who wrote three versions, S.466) prepared arrangements of the song for solo piano. Later in the nineteenth century, the critic Eduard Hanslick called Adelaide "the only song by Beethoven the loss of which would leave a gap in the emotional life of our nation." The song is less...
From the festival hall in Bad Urach (Germany) Songs from Ludwig van Beethoven Tenor - Peter Schreier Piano - Norman Shetler Ludwig van Beethoven - Adelaide, Op.46 Tenor Peter Schreier, accompanied by pianist Norman Shetler, gives a recital consisting entirely of Beethoven songs, among others the song cycle ''An die ferne Geliebte". Lyrics: Einsam wandelt dein Freund im Frühlingsgarten, Mild vom lieblichen Zauberlicht umflossen, Das durch wankende Blüthenzweige zittert, Adelaide! In der spiegelnden Fluth, im Schnee der Alpen, In des sinkenden Tages Goldgewölken, Im Gefilde der Sterne strahlt dein Bildniß, Adelaide! Abendlüftchen im zarten Laube flüstern, Silberglöckchen des Mais im Grase säuseln, Wellen rauschen und Nachtigallen flöten: Adelaide! Einst, o Wunder! entblüht, auf mein...
Provided to YouTube by Universal Music Group Beethoven: Adelaïde, Op. 46 · Fritz Wunderlich · Hubert Giesen Schumann: Dichterliebe / Beethoven & Schubert: Lieder ℗ 1966 Deutsche Grammophon GmbH, Berlin Released on: 1997-01-01 Producer, Recording Producer: Hans Weber Studio Personnel, Balance Engineer: Hans-Peter Schweigmann Studio Personnel, Editor: Rolf Peter Schroeder Composer: Ludwig van Beethoven Author: Friedrich von Matthisson Auto-generated by YouTube.
Ludwig van Beethoven - Adelaide, Op.46 (1795) Vera Chekanova - soprano, Michail Blekher - piano Людвиг ван Бетховен - Аделаида, соч.46 (1795) Вера Чеканова - сопрано, Михаил Блехер - фортепиано
Ludwig van Beethoven Adelaide. Gross Fritz Wunderlich Piano Hubert Giesen.
Dietrich Fischer-Dieskau, baritone; Jörg Demus, piano. From the Deutsche Grammophon LP, "Ludwig Van Beethoven: An Die Ferne Geliebte - Adelaide - Lieder," serial number SLPM 139197. --------------------------------------------------- More Beethoven: Leonid Hambro, 1970: "Happy Birthday Dear Ludwig" - Variations in The Style of Beethoven- http://www.youtube.com/watch?v=U-Uga3ocyeI Emil Gilels, 1968: Piano Concerto in C minor, Op. 37 (Rondo) Beethoven - http://www.youtube.com/watch?v=EeW79SWwvOM Emil Gilels, 1968: Piano Concerto in C major, Op. 15 (Rondo) Beethoven - http://www.youtube.com/watch?v=ojL4KxbIBW8 Emil Gilels, 1983, Beethoven Klaviersonate Nr. 4 Es-dur, Op. 7 - http://www.youtube.com/watch?v=kEfGQ1kBM5o Stephen Kovacevich, 1975: Piano Concerto in C minor, Op. 37,...
Provided to YouTube by Universal Music Group Beethoven: Adelaïde, Op. 46 · Anne Sofie von Otter · Melvyn Tan Beethoven / Meyerbeer / Spohr: Lieder ℗ 2001 Deutsche Grammophon GmbH, Berlin Released on: 2001-01-01 Producer: Karl-August Naegler Composer: Ludwig van Beethoven Author: Friedrich von Matthisson Auto-generated by YouTube.
Provided to YouTube by Sony Classical Adelaide, Op. 46 · Jonas Kaufmann · Helmut Deutsch · Ludwig van Beethoven Selige Stunde ℗ 2020 JAK GMBH & Sony Music Entertainment Released on: 2020-09-04 Lyricist: Friedrich von Matthisson Producer: Chris Alder Recording Engineer: Jakob Händel Auto-generated by YouTube.
The Mezza voce of the Century, Jussi Björling, unfolds magic in this 1939 studio recording. Not even Wunderlich comes close. Recorded July 15. 1939. Pianist is Harry Ebert.
Provided to YouTube by Universal Music Group Beethoven: Adelaïde, Op.46 · Dietrich Fischer-Dieskau · Jörg Demus Beethoven: Lieder ℗ 1966 Deutsche Grammophon GmbH, Berlin Released on: 1997-01-01 Producer, Recording Producer: Wolfgang Lohse Studio Personnel, Balance Engineer: Hans-Peter Schweigmann Studio Personnel, Editor: Wolfgang Werner Studio Personnel, Editor: Helmut Najda Composer: Ludwig van Beethoven Author: Friedrich Von Matthisson Auto-generated by YouTube.
12 days, 127 films, 1 world-acclaimed Festival, right here in Adelaide. Bigger than your average screen. Tickets on sale now: AdelaideFilmFestival.org
The credits have rolled on a record-breaking Adelaide Film Festival 2023. We’re so grateful to everyone who joined us in celebrating local and international storytelling on the big screen. https://adelaidefilmfestival.org/
The Adelaide Film Festival celebrates the moving image in all its glorious forms. ADL Film Fest fills the city and surrounds with feature films, documentaries, shorts, animation and new media works. http://adelaidefilmfestival.org | 15 - 25 October 2015 | #adlff
Adelaide Film Festival (ADL Film Fest) is an eleven-day celebration and exploration of Australian and international screen culture with a unique program of screenings, forums and special events. The event has rapidly established itself as one of the boldest and most innovative in the country and has made a name for itself internationally as a platform for exciting new talent in the Australian industry.
Director: Andrés Ramírez Pulido 2022 France, Colombia 86 minutes Unclassified 15+ Winner, Grand Prize, Critics’ Week, Cannes. The triumph at Cannes of this brooding and intense film has thrown Andrés Ramírez Pulido into the front ranks of Latin American filmmakers. La Jauria centres on Eliú, who is imprisoned for murder and finds himself in an experimental young offenders’ program in the Colombian jungle where others like him are there to supposedly shake off the negative energy that pervades their lives. However, the problems run much deeper, right to the heart of social order. Pulido’s film resonates beyond issues of crime and punishment to larger questions of the ways in which we are subjected to power and the possibilities of resistance. “Mashes up potent atmospherics with thriller ...
Director: Jerzy Skolimowski 2022 Poland, Italy 88 minutes Unclassified 15+ “an exemplary, fresh and radiant piece of work” (Deadline) Veteran Polish master Jerzy Skolimowsky dares us to image how animals see the world in this utterly unconventional story in which a donkey is the central character. EO, our hero, is at times a circus performer, a beast of burden, a football mascot and even a bystander at a melodrama involving no less than Isabelle Huppert. The world is a very mysterious place when seen through the melancholic eyes of EO who stoically endures the quietly outrageous twists of fortune on his picaresque journey through modern Poland. Seen by many as a reworking of Bresson’s 1966 masterpiece Au Hasard Balthasar, this marks a triumphant return for one of Poland’s greatest direct...
Director: Alexandru Belc 2022 Romania, France 92 minutes Unclassified 15+ The beat goes on. This intelligent winner of Best Direction Prize at Cannes stylishly frames the first love between Ana and her boyfriend in 1972 Romania. He is about to flee the country and they plan to spend their last days together. They attend a parentless party with their young friends where they revel joyously in the music from the west played on Radio Free Europe. They dance and flirt and more, before a knock on the door announces the arrival of Ceausescu’s secret police… “stylish, richly imagined…handsome, heartfelt …an intelligent, invested homage to this doomed Romanian generation, robbed of the freedoms of adulthood before they’d even got to sample them, unlucky enough to have woken up to life just as t...
The 2021 AFF Youth screening program features the best in local, national and international screen content. From slam poetry epics to historical Cold War-era dramas, the films will uplift and inspire both the young and the young at heart.
Screen Content Producers: Sugar Smack - www.sugarsmack.com.au Track "At Discoteca Hollywood (Club mix)" by Artist Kammerer
Director: Claudia Bailey 14 minutes Unclassified 15+ After coming out as non-binary to their parents, Grace materializes at their future selves’ birthday party and realizes everything they want to be is inside of them. Get your tickets at:https://adelaidefilmfestival.org/event/right-here/ #adlfilmfest
Adelaide or l'Adelaide is an opera by Antonio Sartorio to an Italian libretto by Pietro Dolfin. It was premiered in Venice at the Teatro San Salvatore in 1672. An exact date is not known, although the libretto is dedicated February 19, 1672.
The genre of the opera is dramma per musica. The libretto follows the same historical events as Handel's later Lotario.
The story takes place in 951 AD, when, after the death of her husband Lothair II of Italy, Adelaide of Italy is forced to marry Adalbert of Italy by his father, Berengar II of Italy.
Left your home at 23 suitcase full of (gin?)
Thought you had the perfect getaway
Stole yourself across the hills
You stole and stole again
Now the lights don't shine cause you're away
Stuffed that suitcase full with dirty hundred dollar bills
Leaving for another holiday
Found yourself surrounded by the city's finest clowns
Now the the lights don't shine when you're away
Must have been a memory put you back at sea
You were never much for big displays
Well the devil seems to think these complications suit you well
Cause the lights don't shine when you're away
Staring at that picture in your mommas dining room
Taken just before your birthday
She keeps asking if I know when you'll be coming home
Cause the lights don't shine when you're away
Must have been a memory put you back at sea
You were never much for big displays
Pack that suitcase every night if it sets your mind at ease
Cause Running ain't an easy trait
Well the devil seems to think these complications suit you well
Cause the lights don't shine when you're away
Cause the lights don't shine while you're away