- published: 16 Apr 2022
- views: 2610
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Gildas (c. 500–570) (also known as "Gildas the Wise" or Gildas Sapiens) was a 6th-century British monk best known for his scathing religious polemic De Excidio et Conquestu Britanniae, which recounts the history of the Britons before and during the coming of the Saxons. He is one of the best-documented figures of the Christian church in the British Isles during the sub-Roman period, and was renowned for his Biblical knowledge and literary style. In his later life, he emigrated to Brittany where he founded a monastery known as St. Gildas de Rhuys.
Differing versions of the Life of Saint Gildas exist, but both agree that he was born in what is now Scotland on the banks of the River Clyde, and that he was the son of a royal family. These works were written in the eleventh and twelfth centuries and are regarded by scholars as unhistorical. He is now thought to have his origins further south. In his own work, he claims to have been born the same year as the Battle of Mount Badon. He was educated at a monastic center, possibly Cor Tewdws under St. Illtud, where he chose to forsake his royal heritage and embrace monasticism. He became a renowned teacher, converting many to Christianity and founding numerous churches and monasteries throughout Britain and Ireland. He is thought to have made a pilgrimage to Rome before emigrating to Brittany, where he took on the life of a hermit. However, his life of solitude was short-lived, and pupils soon sought him out and begged him to teach them. He eventually founded a monastery for these students at Rhuys, where he wrote De Excidio Britanniae, criticising British rulers and exhorting them to put off their sins and embrace true Christian faith. He is thought to have died at Rhuys, and was buried there.
Adelaide or l'Adelaide is an opera by Antonio Sartorio to an Italian libretto by Pietro Dolfin. It was premiered in Venice at the Teatro San Salvatore in 1672. An exact date is not known, although the libretto is dedicated February 19, 1672.
The genre of the opera is dramma per musica. The libretto follows the same historical events as Handel's later Lotario.
The story takes place in 951 AD, when, after the death of her husband Lothair II of Italy, Adelaide of Italy is forced to marry Adalbert of Italy by his father, Berengar II of Italy.
"Adelaide", Op. 46, (German pronunciation: [aːdəlaːˈiːdə]) is a song for solo voice and piano composed in about 1795 by Ludwig van Beethoven. The text is a poem in German by Friedrich von Matthisson (1761–1831).
During the period he created "Adelaide", Beethoven was in his mid twenties; he had come to Vienna in 1792 to pursue a career and was in the early stages of making a name for himself as pianist and composer. He had only recently completed his studies with Joseph Haydn. A. Peter Brown suggests that in writing "Adelaide," Beethoven was strongly influenced by Haydn's song "O Tuneful Voice" (Hob. XXVIa:42, c. 1795), written by the elder composer shortly before. Like "Adelaide", "O Tuneful Voice" sets a love poem, is in moderate tempo with a steady triplet accompaniment, and wanders from key to key in its middle section.
In composing "Adelaide" Beethoven made many sketches.Barry Cooper assigns the work of composition to "an unusually long time during 1794, 1795, and perhaps 1796." The song was published by Artaria in Vienna; the first edition bears no date, but an advertisement for it appeared 8 February 1797 in the Wiener Zeitung.
The following is a list of the complete secular vocal output composed by Franz Schubert (31 January 1797 – 19 November 1828).
It is divided into eleven sections, and attempts to reflect the most current information with regards to Schubert’s catalogue. The works contained in this list refer to those found primarily in the following two series of the Neue Schubert-Ausgabe (NSA) edition:
Note however that some of Schubert's song cycles contain both Lieder and part songs.
The list below includes the following information:
This week we take a look at the work and thought of the main written source for sub-Roman Britain and the Saxon migration: Gildas. We discuss the problems we have trying to reconstruct his biography and look in depth at the uniquely Roman worldview of this sixth-century British monk. Music: 'Wælheall' by Hrōðmund Wōdening https://www.youtube.com/watch?v=VQfdqIyqJ4g&list=LL&index=5&ab_channel=Hr%C5%8D%C3%B0mundW%C5%8Ddening
When we consider the fifth century in Britain, there are two sources who mention it in any detail. Bede's 'History of the English People' and Gildas's 'The Ruin of Britain'. Both of them say roughly the same thing, and were, until very recently, the primary resource we had for talking about the transition from Roman Britain to the first Anglo-Saxon kingdoms. But recently, we've accepted that these sources tell us less about the fifth century than they do about the times and cultures in which they wrote. They are heavily influenced by events after the fifth century, and they clearly have no understanding of the fifth century themselves. This video will explain why they can't be trusted. Patreon: https://www.patreon.com/Guthlac Paypal: https://paypal.me/guthlac Kofi: https://ko-fi.com/guth...
Facebook ► http://on.fb.me/1cmLZW0 Síguenos! Gilda - No me Arrepiento de este Amor (Video Oficial HD) Twitter ► http://bit.ly/16gSK75 Google+ ► http://bit.ly/HroDzX ESCUCHA GRATIS LOS TEMAS DE CUMBIATUBE ACÁ: http://bit.ly/EscuchaCumbia Escuchá las canciones de Gilda, gratis y online: http://bit.ly/PlayerGilda
Support the channel on Patreon- https://www.patreon.com/embracehistoria https://ko-fi.com/embracehistoria Twitter- https://twitter.com/Embracehistori1 Exploring medieval figures from Wales, in the second episode, we will explore the story of several kings of the early middle ages. #Wales #history #welsh part two Games used Total war Britannia and Mount and blade Bannerlords. Inspired by: BazBattles, Invicta and Kings and Generals channel. Thank you for watching. Twitter- https://twitter.com/Embracehistori1 Support the channel on Patreon- https://www.patreon.com/embracehistoria Sources- Britain AD- Francis Pryor A history of Wales- John Davies A short history of Wales- A.H Dodd The Welsh kings- Kari Maund The kings and queens of Wales- Timothy Venning https://www.medi...
One of the few sources for Britain's history between the time the Romans left and the conversion of the Saxons. We hear all about Vortigern (or Gurthtigern) and the Saxons, and we also hear some bits about Aurelius Ambrosianus. , It comes in the form of a letter, criticizing Britons from the generation after the battle of Mount Badon for not being as virtuous as their 'greatest generation'. It is very interesting -- a must listen for those interested in early Christianity, or the late Empire. Also for those interested in King Arthur.
As Gildas was writing in the time of King Arthur II of Glamorgan and Gwent then why didn't he mention him? Many people have used this as proof that Arthur was nothing more than a myth or legend. But maybe this is just a case of not thinking it through. Wilson and Blackett books are available from http://www.cymroglyphics.com; Amazon and Ebay All support is appreciated so why not spoil yourself with some of the fantastic range of merchandise that is now available - https://cymroglyphics.creator-spring.com/ Look out for more Bitesize videos (just about) every day at 11am. Each one under 10 minutes.
Gildas Bailanta "FESTEJAMOS 40 AÑOS DE DEMOCRACIA" SHOWS EN "PASEO DE LAS VIAS" DOMINGO 10 DE DICIEMBRE 2023
The legendary Rita Hayworth sizzles with sensuality and magnetism as she sings "Put the Blame on Mame" and delivers a dazzling performance as the enticing temptress Gilda. In the story of GILDA, Johnny Farrell (Glenn Ford) goes to work for Ballin Mundson (George Macready), the proprietor of an illegal gambling casino in a South American city, and quickly rises to become Mundson's main man. All is well until Mundson returns from a trip with his new bride Gilda - a woman from Johnny's past. Mundson, unaware of their previous love affair, assigns Farrell the job of keeping Gilda a faithful wife. Fraught with hatred, Gilda does her best to antagonize, intimidate, and instill jealousy in Farrell- until circumstances allow him to get even. Own Gilda in digital HD:http://AAN.SonyPictures.com/Gil...
#Palhacaria #PalhacoTOMTOM #EuQueroADublagemViva #ELATV #dublagemviva #ELAenCENAGildaVandenbrand #elaescolalivredeartes Estamos em FESTA! Gilda Vandenbrande @gildavandenbrande abre o palco da #ELATV para queridas, queridos e querides que fizeram a história do teatro brasileiro. Bem-vindo, Antônio Folguerar!!! ❤️ @antoniofolguerar Antonio Folguerar Neto, CBA. Trabalha desde 1984 com animação de eventos como palhaço, animador e ator. Trabalhou como animador no Primeiro Seminário Internacional de Arte com Balões em 1996, se apaixonou e tornou-se CBA em 1998. Instrutor pela Qualatex no Brasil, ministrou aulas no IBAC/Brasil em 2004, Idéias Gigantes em Curitiba (algumas edições), Circuito do Sol em Fortaleza (al-gumas edições), Cosuag 2007 (Argentina), Qualatex Arte com Globos (México) em 2...
Video remasterizado y restaurado digitalmente, En homenaje a Gilda, ahora su video Paisaje con la mejor calidad de sonido y video. Escuchá las canciones de Gilda, gratis y online: http://bit.ly/PlayerGilda Facebook ► http://on.fb.me/1cmLZW0 Twitter ► http://bit.ly/16gSK75 Google+ ► http://bit.ly/HroDzX
Accompanist: James Cheung. Video: Rey Trombetta. Making Music Summer event: AGM, consultation & AYCA concert. Oxford House, London. Saturday 18 June 2016. Visit www.makingmusic.org.uk for more about Making Music.
Vigésima tercera ópera de Gioachino Rossini. Ópera seria en dos actos.
Recorded in January 2021 in St Margaret's Church, Putney. Soprano - Natasha Page Piano - George Ireland Audio/Video - Tom Perkins Recordings
Adelaide Classical Opera Singers- Male and or Female Contact - http://www.australianentertainmenttalentagency.com.au/
Giovanni Pacini - Adelaide e Comingo - Ouverture
Adelaide performs "Long Time Coming" live at The Opera House on November 17th, 2017. Debut EP Coming Soon Facebook: https://www.facebook.com/OfficialAdelaideMusic/ Instagram: https://www.instagram.com/official.adelaide/ Website: https://www.adelaideofficial.com/ Spotify: https://open.spotify.com/artist/3ynAwPyupwgTsSExom6VLE
Check out the incredible addition to our Bastille Day celebrations in our Market this year! Thank you to the State Opera of South Australia for their fantastic performance and wonderful surprise!
André Rieu & The Johann Strauss Orchestra performing "Ballade pour Adeline" live in Vienna. Taken from André Rieu's breathtaking live spectacle on DVD and Blu-ray "André Rieu - And the waltz goes on" featuring Sir. Anthony Hopkins' Waltz. For tour dates visit: http://www.andrerieu.com http://www.facebook.com/andrerieu http://www.twitter.com/andrerieu https://plus.google.com/+andrerieu
Adelaide Classical and Opera Singers Contact http://www.australianentertainmenttalentagency.com.au/
♦️ADHÉREZ A L’INSTITUT APOLLON : https://www.institutapollon.com/adhesion -- Suivez-moi : IG : https://www.instagram.com/messiha.jean/ Twitter : https://twitter.com/JeanMessiha FB : https://www.facebook.com/MessihaJean/
Ludwig van Beethoven: Adelaide, Op. 46 (with Score & Lyrics) Composed: 1795 Lyricist: Friedrich von Matthisson (1761–1831) Tenor: Peter Schreier Piano: Walter Olbertz During the period he created Adelaide, Beethoven was in his mid twenties; he had come to Vienna in 1792 to pursue a career and was in the early stages of making a name for himself as pianist and composer. The work was especially popular in Beethoven's day, and went through many editions. Various composers, including Sigismond Thalberg and Franz Liszt (who wrote three versions, S.466) prepared arrangements of the song for solo piano. Later in the nineteenth century, the critic Eduard Hanslick called Adelaide "the only song by Beethoven the loss of which would leave a gap in the emotional life of our nation." The song is less...
From the festival hall in Bad Urach (Germany) Songs from Ludwig van Beethoven Tenor - Peter Schreier Piano - Norman Shetler Ludwig van Beethoven - Adelaide, Op.46 Tenor Peter Schreier, accompanied by pianist Norman Shetler, gives a recital consisting entirely of Beethoven songs, among others the song cycle ''An die ferne Geliebte". Lyrics: Einsam wandelt dein Freund im Frühlingsgarten, Mild vom lieblichen Zauberlicht umflossen, Das durch wankende Blüthenzweige zittert, Adelaide! In der spiegelnden Fluth, im Schnee der Alpen, In des sinkenden Tages Goldgewölken, Im Gefilde der Sterne strahlt dein Bildniß, Adelaide! Abendlüftchen im zarten Laube flüstern, Silberglöckchen des Mais im Grase säuseln, Wellen rauschen und Nachtigallen flöten: Adelaide! Einst, o Wunder! entblüht, auf mein...
Provided to YouTube by Universal Music Group Beethoven: Adelaïde, Op. 46 · Fritz Wunderlich · Hubert Giesen Schumann: Dichterliebe / Beethoven & Schubert: Lieder ℗ 1966 Deutsche Grammophon GmbH, Berlin Released on: 1997-01-01 Producer, Recording Producer: Hans Weber Studio Personnel, Balance Engineer: Hans-Peter Schweigmann Studio Personnel, Editor: Rolf Peter Schroeder Composer: Ludwig van Beethoven Author: Friedrich von Matthisson Auto-generated by YouTube.
Ludwig van Beethoven - Adelaide, Op.46 (1795) Vera Chekanova - soprano, Michail Blekher - piano Людвиг ван Бетховен - Аделаида, соч.46 (1795) Вера Чеканова - сопрано, Михаил Блехер - фортепиано
Ludwig van Beethoven Adelaide. Gross Fritz Wunderlich Piano Hubert Giesen.
Dietrich Fischer-Dieskau, baritone; Jörg Demus, piano. From the Deutsche Grammophon LP, "Ludwig Van Beethoven: An Die Ferne Geliebte - Adelaide - Lieder," serial number SLPM 139197. --------------------------------------------------- More Beethoven: Leonid Hambro, 1970: "Happy Birthday Dear Ludwig" - Variations in The Style of Beethoven- http://www.youtube.com/watch?v=U-Uga3ocyeI Emil Gilels, 1968: Piano Concerto in C minor, Op. 37 (Rondo) Beethoven - http://www.youtube.com/watch?v=EeW79SWwvOM Emil Gilels, 1968: Piano Concerto in C major, Op. 15 (Rondo) Beethoven - http://www.youtube.com/watch?v=ojL4KxbIBW8 Emil Gilels, 1983, Beethoven Klaviersonate Nr. 4 Es-dur, Op. 7 - http://www.youtube.com/watch?v=kEfGQ1kBM5o Stephen Kovacevich, 1975: Piano Concerto in C minor, Op. 37,...
Provided to YouTube by Universal Music Group Beethoven: Adelaïde, Op. 46 · Anne Sofie von Otter · Melvyn Tan Beethoven / Meyerbeer / Spohr: Lieder ℗ 2001 Deutsche Grammophon GmbH, Berlin Released on: 2001-01-01 Producer: Karl-August Naegler Composer: Ludwig van Beethoven Author: Friedrich von Matthisson Auto-generated by YouTube.
Provided to YouTube by Sony Classical Adelaide, Op. 46 · Jonas Kaufmann · Helmut Deutsch · Ludwig van Beethoven Selige Stunde ℗ 2020 JAK GMBH & Sony Music Entertainment Released on: 2020-09-04 Lyricist: Friedrich von Matthisson Producer: Chris Alder Recording Engineer: Jakob Händel Auto-generated by YouTube.
The Mezza voce of the Century, Jussi Björling, unfolds magic in this 1939 studio recording. Not even Wunderlich comes close. Recorded July 15. 1939. Pianist is Harry Ebert.
Provided to YouTube by Universal Music Group Beethoven: Adelaïde, Op.46 · Dietrich Fischer-Dieskau · Jörg Demus Beethoven: Lieder ℗ 1966 Deutsche Grammophon GmbH, Berlin Released on: 1997-01-01 Producer, Recording Producer: Wolfgang Lohse Studio Personnel, Balance Engineer: Hans-Peter Schweigmann Studio Personnel, Editor: Wolfgang Werner Studio Personnel, Editor: Helmut Najda Composer: Ludwig van Beethoven Author: Friedrich Von Matthisson Auto-generated by YouTube.
Gildas (c. 500–570) (also known as "Gildas the Wise" or Gildas Sapiens) was a 6th-century British monk best known for his scathing religious polemic De Excidio et Conquestu Britanniae, which recounts the history of the Britons before and during the coming of the Saxons. He is one of the best-documented figures of the Christian church in the British Isles during the sub-Roman period, and was renowned for his Biblical knowledge and literary style. In his later life, he emigrated to Brittany where he founded a monastery known as St. Gildas de Rhuys.
Differing versions of the Life of Saint Gildas exist, but both agree that he was born in what is now Scotland on the banks of the River Clyde, and that he was the son of a royal family. These works were written in the eleventh and twelfth centuries and are regarded by scholars as unhistorical. He is now thought to have his origins further south. In his own work, he claims to have been born the same year as the Battle of Mount Badon. He was educated at a monastic center, possibly Cor Tewdws under St. Illtud, where he chose to forsake his royal heritage and embrace monasticism. He became a renowned teacher, converting many to Christianity and founding numerous churches and monasteries throughout Britain and Ireland. He is thought to have made a pilgrimage to Rome before emigrating to Brittany, where he took on the life of a hermit. However, his life of solitude was short-lived, and pupils soon sought him out and begged him to teach them. He eventually founded a monastery for these students at Rhuys, where he wrote De Excidio Britanniae, criticising British rulers and exhorting them to put off their sins and embrace true Christian faith. He is thought to have died at Rhuys, and was buried there.