Joe Biden’s campaign is sharing personal stories about Biden — this one was shared originally in September 2019. It’s a way to get to know him, and to show his character (or lack of it).
This one, you should read. It’s the Joe Biden I met first in 1974, and the Biden I know him to be. But I hadn’t heard this story before.
I Know Joe Biden: Rabbi Michael Beals
The story I’m about to share with you about Joe Biden is special — in fact, I’m fairly certain I’m the only living person left who actually witnessed it firsthand.
It was about 16 years ago, and I was a young rabbi, brand-new to Delaware, on my way to lead a shiva minyan — a worship service following a death of a Jewish person. I was from California. Back then, I didn’t know Claymont, Delaware from Scranton, Pennsylvania.
Rabbi Michael Beals and Vice President Joe Biden
A quick bit of background: When someone passes away in the Jewish faith, we observe seven days of mourning, called shiva. We gather a group of ten Jewish adults together — a minyan — to say the Mourners’ Kaddish. It usually happens in a person’s home — somewhere intimate.
In this case, the deceased individual — her name was Mrs. Greenhouse, of blessed memory — had not been a person of means. She had lived in rent-controlled senior housing in a tall high-rise building off of Namaans Road. Her apartment had been too small to fit everyone into, so we conducted our worship service in the building’s communal laundry room, in the basement of the high-rise.
We assembled the ten elders together, and it was in this most humble of places that I began to lead the kaddish. Toward the end of the service, a door at the back of the laundry room opened, and who walks in but Senator Joe Biden, his head lowered, all by himself.
I nearly dropped my prayer book in shock.
Senator Biden stood quietly in the back of the room for the duration of the service.
At the close of the kaddish, I walked over to him and asked the same question that must have been on everyone else’s mind: “Senator Biden — what are you doing here?”
And he said to me: “Listen, back in 1972, when I first ran for Senate, Mrs. Greenhouse gave $18 to my first campaign. Because that’s what she could afford. And every six years, when I’d run for reelection, she’d give another $18. She did it her whole life. I’m here to show my respect and gratitude.”
Now, the number 18 is significant in the Jewish faith — its numbers spell out the Hebrew word chai, as in “to life, to life, l’chayim!” But it’s also a humble amount. Joe Biden knew that. And he respected that.
There were no news outlets at our service that day — no Jewish reporters or important dignitaries. Just a few elderly mourners in a basement laundry room.
Joe Biden didn’t come to that service for political gain. He came to that service because he has character. He came to that service because he’s a mensch.
And if we need anything right now when it comes to the leadership of our country — we need a mensch.
I know this is such a simple, small story. But I tell it to as many people as will listen to me.
Because I think that, in their heart of hearts, when people are trying to think about the decision they’ll make next year — this is the kind of story that matters.
In 1823, the poem “Account of a Visit from St. Nicholas” was published anonymously in the Troy (N.Y.) Sentinel; the verse, more popularly known as “‘Twas the Night Before Christmas,” was later attributed to Clement C. Moore.
Regardless who wrote the poem first published 195 years ago, how did the poem influence America’s view of St. Nicholas, or Santa Claus? And how much of the Santa Claus story really was invented in America?
Thomas Nast invented Santa Claus? Clement C. Moore didn’t write the famous poem that starts out, “‘Twas the night before Christmas, and all through the house . . . ?”
The murky waters of history from Millard Fillmore’s Bathtub soak even our most cherished ideas and traditions.
Isn’t that part of the fun of history?
In Janaury 1863, Thomas Nast portrayed Santa Claus as he delivered gifts to Union troops a few days earlier in Washington, D.C., wearing a blue, star-spangled coat.
Yes, Virginia (and California, too)! Thomas Nast created the image of Santa Claus most of us in the U.S. know today. Perhaps even more significant than his campaign against the graft of Boss Tweed, Nast’s popularization of a fat, jolly elf who delivers good things to people for Christmas makes one of the great stories in commercial illustration. Nast’s cartoons, mostly for the popular news publication Harper’s Weekly, created many of the conventions of modern political cartooning and modeled the way in which an illustrator could campaign for good, with his campaign against the graft of Tammany Hall and Tweed. But Nast’s popular vision of Santa Claus can be said to be the foundation for the modern mercantile flurry around Christmas.
Nast’s drawings probably drew some inspiration from the poem, “Account of a Visit from St. Nicholas,” traditionally attributed to Clement C. Moore, a New York City lawyer, published in 1822. The poem is among the earliest to describe the elf dressed in fur, and magically coming down a chimney to leave toys for children; the poem invented the reindeer-pulled sleigh.
Modern analysis suggests the poem was not the work of Moore, and many critics and historians now attribute it to Major Henry Livingston, Jr. (1748-1828) following sleuthing by Vassar College Prof. Don Foster in 2000. Fortunately for us, we do not need to be partisans in such a query to enjoy the poem (a complete copy of which is below the fold).
The Library of Congress still gives Moore the credit. When disputes arise over who wrote about the night before Christmas, is it any wonder more controversial topics produce bigger and louder disputes among historians?
Moore is thought to have composed the tale, now popularly known as “The Night Before Christmas,” on December 24, 1822, while traveling home from Greenwich Village, where he had bought a turkey for his family’s Christmas dinner.
Inspired by the plump, bearded Dutchman who took him by sleigh on his errand through the snow-covered streets of New York City, Moore penned A Visit from St. Nicholas for the amusement of his six children, with whom he shared the poem that evening. His vision of St. Nicholas draws upon Dutch-American and Norwegian traditions of a magical, gift-giving figure who appears at Christmas time, as well as the German legend of a visitor who enters homes through chimneys.
Again from the Library of Congress, we get information that suggests that Moore was a minor celebrity from a well-known family with historical ties that would make a good “connections” exercise in a high school history class, perhaps (”the link from Aaron Burr’s treason to Santa Claus?”): (read more, below the fold)
Clement Moore was born in 1779 into a prominent New York family. His father, Benjamin Moore, president of Columbia University, in his role as Episcopal Bishop of New York participated in the inauguration of George Washington as the nation’s first president. The elder Moore also administered last rites to Alexander Hamilton after he was mortally wounded in a tragic duel with Aaron Burr.
A graduate of Columbia, Clement Moore was a scholar of Hebrew and a professor of Oriental and Greek literature at the General Theological Seminary in Manhattan. [See comment from Pam Bumsted below for more on Moore.] He is said to have been embarrassed by the light-hearted verse, which was made public without his knowledge in December 1823. Moore did not publish it under his name until 1844.
Tonight, American children will be tucked in under their blankets and quilts and read this beloved poem as a last “sugarplum” before slipping into dreamland. Before they drift off, treat them to a message from Santa, recorded by the Thomas Edison Company in 1922.
But Henry Livingston was no less noble or historic. He hailed from the Livingstons of the Hudson Valley (one of whose farms is now occupied by Camp Rising Sun of the Louis August Jonas Foundation, a place where I spent four amazing summers teaching swimming and lifesaving). Livingston’s biography at the University of Toronto site offers another path for a connections exercise (”What connects the Declaration of Independence, the American invasion of Canada, the famous poem about a visit from St. Nick, and George W. Bush?”):
Henry Livingston Jr. was born in Poughkeepsie, New York, on Oct. 13, 1748. The Livingston family was one of the important colonial and revolutionary families of New York. The Poughkeepsie branch, descended from Gilbert, the youngest son of Robert Livingston, 1st Lord of Livingston Manor, was not as well off as the more well-known branches, descended from sons Robert and Philip. Two other descendants of Gilbert Livingston, President George Walker Herbert Bush and his son, President-Elect George W. Bush, though, have done their share to bring attention to this line. Henry’s brother, Rev. John Henry Livingston, entered Yale at the age of 12, and was able to unite the Dutch and American branches of the Dutch Reformed Church. At the time of his death, Rev. Livingston was president of Rutgers University. Henry’s father and brother Gilbert were involved in New York politics, and Henry’s granduncle was New York’s first Lt. Governor. But the law was the natural home for many of Henry’s family. His brother-in-law, Judge Jonas Platt, was an unsuccessful candidate for governor, as was his daughter Elizabeth’s husband, U.S. Supreme Court Justice Smith Thompson. Henry’s grandson, Sidney Breese, was Chief Justice of the Illinois Supreme Court.
Known for his encyclopedic knowledge and his love of literature, Henry Livingston was a farmer, surveyor and Justice of the Peace, a judicial position dealing with financially limited criminal and civil cases. One of the first New Yorkers to enlist in the Revolutionary Army in 1775, Major Henry Livingston accompanied his cousin’s husband, General Montgomery, in his campaign up the Hudson River to invade Canada, leaving behind his new wife, Sarah Welles, and their week-old baby, on his Poughkeepsie property, Locust Grove. Baby Catherine was the subject of the first poem currently known by Major Livingston. Following this campaign, Livingston was involved in the War as a Commissioner of Sequestration, appropriating lands owned by British loyalists and selling them for the revolutionary cause. It was in the period following Sarah’s early death in 1783, that Major Livingston published most of his poems and prose, anonymously or under the pseudonym of R. Ten years after the death of Sarah, Henry married Jane Patterson, the daughter of a Dutchess County politician and sister of his next-door neighbor. Between both wives, Henry fathered twelve children. He published his good-natured, often occasional verse from 1787 in many journals, including Political Barometer, Poughkeepsie Journal, and New-York Magazine. His most famous poem, “Account of a Visit from St. Nicholas,” was until 2000 thought to have been the work of Clement Clarke Moore (1779-1863), who published it with his collected poems in 1844. Livingston died Feb. 29, 1828.
Thomas Nast’s full realization of Santa Claus, “Merry Old Santa Claus,” January 1, 1881. Harper’s Weekly, from Wikimedia.
Our views of Santa Claus owe a great deal also to Coca-Cola advertising campaigns. Coca-Cola first noted Santa’s use of the drink in a 1922 campaign to suggest Coke was a year-round drink (100 years after the publication of Livingston’s poem). The company’s on-line archives gives details:
In 1930, artist Fred Mizen painted a department store Santa in a crowd drinking a bottle of Coke. The ad featured the world’s largest soda fountain, which was located in the department store of Famous Barr Co. in St. Louis, Mo. Mizen’s painting was used in print ads that Christmas season, appearing in The Saturday Evening Post in December 1930.
1936 Coca-Cola Santa cardboard store display
1942 original oil painting – ‘They Remembered Me’
Archie Lee, the D’Arcy Advertising Agency executive working with The Coca-Cola Company, wanted the next campaign to show a wholesome Santa as both realistic and symbolic. In 1931, The Coca-Cola Company commissioned Michigan-born illustrator Haddon Sundblom to develop advertising images using Santa Claus — showing Santa himself, not a man dressed as Santa, as Mizen’s work had portrayed him.
For inspiration, Sundblom turned to Clement Clark Moore’s 1822 poem “A Visit From St. Nicholas” (commonly called “‘Twas the Night Before Christmas”). Moore’s description of St. Nick led to an image of Santa that was warm, friendly, pleasantly plump and human. For the next 33 years, Sundblom painted portraits of Santa that helped to create the modern image of Santa — an interpretation that today lives on in the minds of people of all ages, all over the world.
Santa Claus is a controversial figure. Debates still rage among parents about the wisdom of allowing the elf into the family’s home, and under what conditions. Theologians worry that the celebration of Christmas is diluted by the imagery. Other faiths worry that the secular, cultural impact of Santa Claus damages their own faiths (few other faiths have such a popular figure, and even atheists generally give gifts and participate in Christmas rituals such as putting up a decorated tree).
For over 100 years, Santa Claus has been a popular part of commercial, cultural and religious life in America. Has any other icon endured so long, or so well?
Coca-Cola’s film, “The Legend of Coca-Cola and Santa Claus”:
February 1 was the 58th anniversary of the Greensboro sit-in. Be sure to read Howell Raines‘ criticism of news media coverage of civil rights issues in a 2010 article in the New York Times: “What I am suggesting is that the one thing the South should have learned in the past 50 years is that if we are going to hell in a handbasket, we should at least be together in a basket of common purpose.”
This is mostly an encore post; please holler quickly if you find a link that does not work.
Four young men turned a page of history on February 1, 1960, at a lunch counter in a Woolworth’s store in Greensboro, North Carolina.
Ezell A. Blair, Jr. (now Jibreel Khazan), Franklin E. McCain, JosephA. McNeil, and David L. Richmond, sat down at the counter to order lunch. Because they were African Americans, they were refused service. Patiently, they stayed in their seats, awaiting justice.
On July 25, nearly six months later, Woolworth’s agreed to desegregate the lunch counter. One more victory for non-violent protest.
Caption from Smithsonian Museum of American History: Ezell A. Blair, Jr. (now Jibreel Khazan), Franklin E. McCain, Joseph A. McNeil, and David L. Richmond leave the Woolworth store after the first sit-in on February 1, 1960. (Courtesy of Greensboro News and Record)
News of the “sit-in” demonstration spread. Others joined in the non-violent protests from time to time, 28 students the second day, 300 the third day, and some days up to 1,000. The protests spread geographically, too, to 15 cities in 9 states.
Smithsonian caption: “On the second day of the Greensboro sit-in, Joseph A. McNeil and Franklin E. McCain are joined by William Smith and Clarence Henderson at the Woolworth lunch counter in Greensboro, North Carolina. (Courtesy of Greensboro News and Record)”
Part of the old lunch counter was salvaged, and today is on display at the Smithsonian Institution’s Museum of American History. The museum display was the site of celebratory parties during the week of the inauguration as president of Barack Obama.
Part of the lunch counter from the Woolworth’s store in Greensboro, North Carolina, now displayed at the Smithsonian’s Museum of American History, in Washington, D.C.- photo from Ted Eytan, who wrote: [“Ever eaten at a lunch counter in a store?”] The words . . . were said by one of the staff at the newly re-opened National Museum of American History this morning to a young visitor. What she did, very effectively, for the visitor and myself (lunch counters in stores are even before my time) was relate yesterday’s inequalities to those of today, by explaining the importance of the lunch counter in the era before fast food. This is the Greensboro, North Carolina lunch counter, and it was donated to the Smithsonian by Woolworth’s in 1993.
Writer Henry Louis Mencken. This photo, in the archives of the Maryland Historical Society, may have been taken in 1917, the year of Mencken’s not-famous-enough hoax on poor old Millard Fillmore. Image here via Paris Review.
December 28, 2017, is the 100th anniversary of the false news item, the hoax column written by curmudgeonly newspaperman H. L. Mencken, that lamented the unmarked passing of the anniversary of Millard Fillmore’s “greatest accomplishment,” the placing of a plumbed bathtub in the White House!
Contrary to Woodrow Wilson’s 1916 campaign slogan, “He Kept Us Out of War,” Wilson had just led the U.S. into World War I, on the side of the Allies, the British and French. Mencken was opposed to entering the war, but had thought that if the U.S. got involved it should be on the side of Germany.
So Mencken was quite tuned in to false reports which, he lamented, got picked up by newspapers and spread across the nation. Partly to make a point that news organizations needed to be more careful, and partly because he was on deadline and didn’t have another idea, Mencken created out of thin air a story of the “first” bathtub in the White House, placed by Millard Fillmore (Mencken said) over the objections of experts like the American Medical Association (Mencken claimed).
All hoax.
But that’s where this blog steals its name, and it’s the inspiration for many of us who think false news is bad news and should be stopped, with accurate reports. Be sure to read through to the comments at the end.
And remember: Don’t trust everything you read; read more so you cannot be hoaxed like this.
A Millard Fillmore’s Bathtub December 28 tradition; mostly encore post, but worthy of note on National Bathtub and Presidential Obscurity Day
On December 20 there flitted past us, absolutely without public notice, one of the most important profane anniversaries in American history, to wit, the seventy-fifth anniversary of the introduction of the bathtub into These States. Not a plumber fired a salute or hung out a flag. Not a governor proclaimed a day of prayer. Not a newspaper called attention to the day.
True enough, it was not entirely forgotten. Eight or nine months ago one of the younger surgeons connected with the Public Health Service in Washington happened upon the facts while looking into the early history of public hygiene, and at his suggestion a committee was formed to celebrate the anniversary with a banquet. But before the plan was perfected Washington went dry (This was war-time Prohibition, preliminary to the main catastrophe. — HLM), and so the banquet had to be abandoned. As it was, the day passed wholly unmarked, even in the capital of the nation.
Bathtubs are so common today that it is almost impossible to imagine a world without them. They are familiar to nearly everyone in all incorporated towns; in most of the large cities it is unlawful to build a dwelling house without putting them in; even on the farm they have begun to come into use. And yet the first American bathtub was installed and dedicated so recently as December 20, 1842, and, for all I know to the contrary, it may still be in existence and in use.
Curiously enough, the scene of its setting up was Cincinnati, then a squalid frontier town, and even today surely no leader in culture. But Cincinnati, in those days as in these, contained many enterprising merchants, and one of them was a man named Adam Thompson, a dealer in cotton and grain. Thompson shipped his grain by steamboat down the Ohio and Mississippi to New Orleans, and from there sent it to England in sailing vessels. This trade frequently took him to England, and in that country, during the ’30s, he acquired the habit of bathing.
The bathtub was then still a novelty in England. It had been introduced in 1828 by Lord John Russell and its use was yet confined to a small class of enthusiasts. Moreover, the English bathtub, then as now, was a puny and inconvenient contrivance — little more, in fact, than a glorified dishpan — and filling and emptying it required the attendance of a servant. Taking a bath, indeed, was a rather heavy ceremony, and Lord John in 1835 was said to be the only man in England who had yet come to doing it every day.
Thompson, who was of inventive fancy — he later devised the machine that is still used for bagging hams and bacon — conceived the notion that the English bathtub would be much improved if it were made large enough to admit the whole body of an adult man, and if its supply of water, instead of being hauled to the scene by a maid, were admitted by pipes from a central reservoir and run off by the same means. Accordingly, early in 1842 he set about building the first modern bathroom in his Cincinnati home — a large house with Doric pillars, standing near what is now the corner of Monastery and Orleans streets.
There was then, of course, no city water supply, at least in that part of the city, but Thompson had a large well in his garden, and he installed a pump to lift its water to the house. This pump, which was operated by six Negroes, much like an old-time fire engine, was connected by a pipe with a cypress tank in the garret of the house, and here the water was stored until needed. From the tank two other pipes ran to the bathroom. One, carrying cold water, was a direct line. The other, designed to provide warm water, ran down the great chimney of the kitchen, and was coiled inside it like a giant spring.
The tub itself was of new design, and became the grandfather of all the bathtubs of today. Thompson had it made by James Cullness, the leading Cincinnati cabinetmaker of those days, and its material was Nicaragua mahogany. It was nearly seven feet long and fully four feet wide. To make it water-tight, the interior was lined with sheet lead, carefully soldered at the joints. The whole contraption weighed about 1,750 pounds, and the floor of the room in which it was placed had to be reinforced to support it. The exterior was elaborately polished.
In this luxurious tub Thompson took two baths on December 20, 1842 — a cold one at 8 a.m. and a warm one some time during the afternoon. The warm water, heated by the kitchen fire, reached a temperature of 105 degrees. On Christmas day, having a party of gentlemen to dinner, he exhibited the new marvel to them and gave an exhibition of its use, and four of them, including a French visitor, Col. Duchanel, risked plunges into it. The next day all Cincinnati — then a town of about 100,000 people — had heard of it, and the local newspapers described it at length and opened their columns to violent discussions of it.
The thing, in fact, became a public matter, and before long there was bitter and double- headed opposition to the new invention, which had been promptly imitated by several other wealthy Cincinnatians. On the one hand it was denounced as an epicurean and obnoxious toy from England, designed to corrupt the democratic simplicity of the Republic, and on the other hand it was attacked by the medical faculty as dangerous to health and a certain inviter of “phthisic, rheumatic fevers, inflammation of the lungs and the whole category of zymotic diseases.” (I quote from the Western Medical Repository of April 23, 1843.)
The noise of the controversy soon reached other cities, and in more than one place medical opposition reached such strength that it was reflected in legislation. Late in 1843, for example, the Philadelphia Common Council considered an ordinance prohibiting bathing between November 1 and March 15, and it failed of passage by but two votes. During the same year the legislature of Virginia laid a tax of $30 a year on all bathtubs that might be set up, and in Hartford, Providence, Charleston and Wilmington (Del.) special and very heavy water rates were levied upon those who had them. Boston, very early in 1845, made bathing unlawful except upon medical advice, but the ordinance was never enforced and in 1862 it was repealed.
This legislation, I suspect, had some class feeling in it, for the Thompson bathtub was plainly too expensive to be owned by any save the wealthy; indeed, the common price for installing one in New York in 1845 was $500. Thus the low caste politicians of the time made capital by fulminating against it, and there is even some suspicion of political bias in many of the early medical denunciations. But the invention of the common pine bathtub, lined with zinc, in 1847, cut off this line of attack, and thereafter the bathtub made steady progress.
The zinc tub was devised by John F. Simpson, a Brooklyn plumber, and his efforts to protect it by a patent occupied the courts until 1855. But the decisions were steadily against him, and after 1848 all the plumbers of New York were equipped for putting in bathtubs. According to a writer in the Christian Register for July 17, 1857, the first one in New York was opened for traffic on September 12, 1847, and by the beginning of 1850 there were already nearly 1,000 in use in the big town.
After this medical opposition began to collapse, and among other eminent physicians Dr. Oliver Wendell Holmes declared for the bathtub, and vigorously opposed the lingering movement against it in Boston. The American Medical Association held its annual meeting in Boston in 1849, and a poll of the members in attendance showed that nearly 55 per cent of them now regarded bathing as harmless, and that more than 20 per cent advocated it as beneficial. At its meeting in 1850 a resolution was formally passed giving the imprimatur of the faculty to the bathtub. The homeopaths followed with a like resolution in 1853.
But it was the example of President Millard Fillmore that, even more than the grudging medical approval, gave the bathtub recognition and respectability in the United States. While he was still Vice-President, in March, 1850, he visited Cincinnati on a stumping tour, and inspected the original Thompson tub. Thompson himself was now dead, but his bathroom was preserved by the gentlemen who had bought his house from the estate. Fillmore was entertained in this house and, according to Chamberlain, his biographer, took a bath in the tub. Experiencing no ill effects, he became an ardent advocate of the new invention, and on succeeding to the Presidency at Taylor’s death, July 9, 1850, he instructed his secretary of war, Gen. Charles M. Conrad, to invite tenders for the construction of a bathtub in the White House.
This action, for a moment, revived the old controversy, and its opponents made much of the fact that there was no bathtub at Mount Vernon, or at Monticello, and that all the Presidents and other magnificoes of the past had got along without any such monarchical luxuries. The elder Bennett, in the New York Herald, charged that Fillmore really aspired to buy and install in the White House a porphyry and alabaster bath that had been used by Louis Philippe at Versailles. But Conrad, disregarding all this clamor, duly called for bids, and the contract was presently awarded to Harper & Gillespie, a firm of Philadelphia engineers, who proposed to furnish a tub of thin cast iron, capable of floating the largest man.
This was installed early in 1851, and remained in service in the White House until the first Cleveland administration, when the present enameled tub was substituted. The example of the President soon broke down all that remained of the old opposition, and by 1860, according to the newspaper advertisements of the time, every hotel in New York had a bathtub, and some had two and even three. In 1862 bathing was introduced into the Army by Gen. McClellan, and in 1870 the first prison bathtub was set up at Moyamensing Prison, in Philadelphia.
So much for the history of the bathtub in America. One is astonished, on looking into it, to find that so little of it has been recorded. The literature, in fact, is almost nil. But perhaps this brief sketch will encourage other inquirers and so lay the foundation for an adequate celebration of the centennial in 1942.
Content with his private joke, Mencken remained silent about the hoax until a follow-up article, “Melancholy Reflections,” appeared in the Chicago Tribune on May 23, 1926, some eight years later. This was Mencken’s confession. It was also an appeal for reason to the American public.
His hoax was a joke gone bad. “A Neglected Anniversary” had been printed and reprinted hundreds of times in the intervening years. Mencken had been receiving letters of corroboration from some readers and requests for more details from others. His history of the bathtub had been cited repeatedly by other writers and was starting to find its way into reference works. As Mencken noted in “Melancholy Reflections,” his “facts” “began to be used by chiropractors and other such quacks as evidence of the stupidity of medical men. They began to be cited by medical men as proof of the progress of public hygiene.” And, because Fillmore’s presidency had been so uneventful, on the date of his birthday calendars often included the only interesting tidbit of information they could find: Fillmore had introduced the bathtub into the White House. (Even the later scholarly disclosure that Andrew Jackson had a bathtub installed there in 1834—years before Mencken claimed it was even invented—did not diminish America’s conviction that Fillmore was responsible.)
(No, dear reader, probably not correct; surely John Adams brought a bathtub with him when he moved into the White House, then called the President’s Mansion. Plumbing, hot water, and finally hot water to a bathtub in the president’s residence, were installed between 1830 and 1853, as best I can determine.)
The success of this idle hoax, done in time of war, when more serious writing was impossible, vastly astonished me. It was taken gravely by a great many other newspapers, and presently made its way into medical literature and into standard reference books. It had, of course, no truth in it whatsoever, and I more than once confessed publicly that it was only a jocosity… Scarcely a month goes by that I do not find the substance of it reprinted, not as foolishness but as fact, and not only in newspapers but in official documents and other works of the highest pretensions.
There’s a moral to the story: Strive for accuracy!
So, Dear Reader, check for accuracy, and question authority.
Fact checks — what else might need to be corrected in this story?
This nineteenth-century tub was one a fixture in the basement of Williamsburg’s St. George Tucker House, the first home in town known to have a bath with running water. –Colonial Williamsburg (tub was installed by 1796, contrasting sharply with dates Mencken offered)
Roman baths were famous, from at least the first century CE
During the American Revolution, George Washington and others worked to develop hot springs for bathing in Bath, Virginia — now the town of Berkeley Springs, West Virginia
Mencken and the 1948 conventions, at Millard Fillmore’s Bathtub; “Mencken suffered a stroke later in 1948 that left him unable to speak, or read, or write for a time. He spent much of the rest of his life working to organize his papers, and died in 1956. His epitaph, on his tombstone and on a plaque in the lobby of the Baltimore Sun, reads: ‘If, after I depart this vale, you ever remember me and have thought to please my ghost, forgive some sinner, and wink your eye at some homely girl.'”
Finally, Dear Readers — have you noticed someone falling victim to the hoax of Millard Fillmore’s Bathtub recently? Give us details in comments, please.
Spread the word; friends don't allow friends to repeat history.
In 1823, the poem “Account of a Visit from St. Nicholas” was published anonymously in the Troy (N.Y.) Sentinel; the verse, more popularly known as “‘Twas the Night Before Christmas,” was later attributed to Clement C. Moore.
Regardless who wrote the poem first published 192 years ago yesterday, how did the poem influence America’s view of St. Nicholas, or Santa Claus? And how much of the Santa Claus story really was invented in America?
Thomas Nast invented Santa Claus? Clement C. Moore didn’t write the famous poem that starts out, “‘Twas the night before Christmas, and all through the house . . . ?”
The murky waters of history from Millard Fillmore’s Bathtub soak even our most cherished ideas and traditions.
Isn’t that part of the fun of history?
In Janaury 1863, Thomas Nast portrayed Santa Claus as he delivered gifts to Union troops a few days earlier in Washington, D.C., wearing a blue, star-spangled coat.
Yes, Virginia (and California, too)! Thomas Nast created the image of Santa Claus most of us in the U.S. know today. Perhaps even more significant than his campaign against the graft of Boss Tweed, Nast’s popularization of a fat, jolly elf who delivers good things to people for Christmas makes one of the great stories in commercial illustration. Nast’s cartoons, mostly for the popular news publication Harper’s Weekly, created many of the conventions of modern political cartooning and modeled the way in which an illustrator could campaign for good, with his campaign against the graft of Tammany Hall and Tweed. But Nast’s popular vision of Santa Claus can be said to be the foundation for the modern mercantile flurry around Christmas.
Nast’s drawings probably drew some inspiration from the poem, “Account of a Visit from St. Nicholas,” traditionally attributed to Clement C. Moore, a New York City lawyer, published in 1822. The poem is among the earliest to describe the elf dressed in fur, and magically coming down a chimney to leave toys for children; the poem invented the reindeer-pulled sleigh.
Modern analysis suggests the poem was not the work of Moore, and many critics and historians now attribute it to Major Henry Livingston, Jr. (1748-1828) following sleuthing by Vassar College Prof. Don Foster in 2000. Fortunately for us, we do not need to be partisans in such a query to enjoy the poem (a complete copy of which is below the fold).
The Library of Congress still gives Moore the credit. When disputes arise over who wrote about the night before Christmas, is it any wonder more controversial topics produce bigger and louder disputes among historians?
Moore is thought to have composed the tale, now popularly known as “The Night Before Christmas,” on December 24, 1822, while traveling home from Greenwich Village, where he had bought a turkey for his family’s Christmas dinner.
Inspired by the plump, bearded Dutchman who took him by sleigh on his errand through the snow-covered streets of New York City, Moore penned A Visit from St. Nicholas for the amusement of his six children, with whom he shared the poem that evening. His vision of St. Nicholas draws upon Dutch-American and Norwegian traditions of a magical, gift-giving figure who appears at Christmas time, as well as the German legend of a visitor who enters homes through chimneys.
Again from the Library of Congress, we get information that suggests that Moore was a minor celebrity from a well-known family with historical ties that would make a good “connections” exercise in a high school history class, perhaps (”the link from Aaron Burr’s treason to Santa Claus?”): (read more, below the fold)
Clement Moore was born in 1779 into a prominent New York family. His father, Benjamin Moore, president of Columbia University, in his role as Episcopal Bishop of New York participated in the inauguration of George Washington as the nation’s first president. The elder Moore also administered last rites to Alexander Hamilton after he was mortally wounded in a tragic duel with Aaron Burr.
A graduate of Columbia, Clement Moore was a scholar of Hebrew and a professor of Oriental and Greek literature at the General Theological Seminary in Manhattan. [See comment from Pam Bumsted below for more on Moore.] He is said to have been embarrassed by the light-hearted verse, which was made public without his knowledge in December 1823. Moore did not publish it under his name until 1844.
Tonight, American children will be tucked in under their blankets and quilts and read this beloved poem as a last “sugarplum” before slipping into dreamland. Before they drift off, treat them to a message from Santa, recorded by the Thomas Edison Company in 1922.
But Henry Livingston was no less noble or historic. He hailed from the Livingstons of the Hudson Valley (one of whose farms is now occupied by Camp Rising Sun of the Louis August Jonas Foundation, a place where I spent four amazing summers teaching swimming and lifesaving). Livingston’s biography at the University of Toronto site offers another path for a connections exercise (”What connects the Declaration of Independence, the American invasion of Canada, the famous poem about a visit from St. Nick, and George W. Bush?”):
Henry Livingston Jr. was born in Poughkeepsie, New York, on Oct. 13, 1748. The Livingston family was one of the important colonial and revolutionary families of New York. The Poughkeepsie branch, descended from Gilbert, the youngest son of Robert Livingston, 1st Lord of Livingston Manor, was not as well off as the more well-known branches, descended from sons Robert and Philip. Two other descendants of Gilbert Livingston, President George Walker Herbert Bush and his son, President-Elect George W. Bush, though, have done their share to bring attention to this line. Henry’s brother, Rev. John Henry Livingston, entered Yale at the age of 12, and was able to unite the Dutch and American branches of the Dutch Reformed Church. At the time of his death, Rev. Livingston was president of Rutgers University. Henry’s father and brother Gilbert were involved in New York politics, and Henry’s granduncle was New York’s first Lt. Governor. But the law was the natural home for many of Henry’s family. His brother-in-law, Judge Jonas Platt, was an unsuccessful candidate for governor, as was his daughter Elizabeth’s husband, U.S. Supreme Court Justice Smith Thompson. Henry’s grandson, Sidney Breese, was Chief Justice of the Illinois Supreme Court.
Known for his encyclopedic knowledge and his love of literature, Henry Livingston was a farmer, surveyor and Justice of the Peace, a judicial position dealing with financially limited criminal and civil cases. One of the first New Yorkers to enlist in the Revolutionary Army in 1775, Major Henry Livingston accompanied his cousin’s husband, General Montgomery, in his campaign up the Hudson River to invade Canada, leaving behind his new wife, Sarah Welles, and their week-old baby, on his Poughkeepsie property, Locust Grove. Baby Catherine was the subject of the first poem currently known by Major Livingston. Following this campaign, Livingston was involved in the War as a Commissioner of Sequestration, appropriating lands owned by British loyalists and selling them for the revolutionary cause. It was in the period following Sarah’s early death in 1783, that Major Livingston published most of his poems and prose, anonymously or under the pseudonym of R. Ten years after the death of Sarah, Henry married Jane Patterson, the daughter of a Dutchess County politician and sister of his next-door neighbor. Between both wives, Henry fathered twelve children. He published his good-natured, often occasional verse from 1787 in many journals, including Political Barometer, Poughkeepsie Journal, and New-York Magazine. His most famous poem, “Account of a Visit from St. Nicholas,” was until 2000 thought to have been the work of Clement Clarke Moore (1779-1863), who published it with his collected poems in 1844. Livingston died Feb. 29, 1828.
Thomas Nast’s full realization of Santa Claus, “Merry Old Santa Claus,” January 1, 1881. Harper’s Weekly, from the Ohio State University Billy Ireland Cartoon Library and Museum, via Bill Cassellman’s site
Our views of Santa Claus owe a great deal also to the Coca-Cola advertising campaign. Coca-Cola first noted Santa’s use of the drink in a 1922 campaign to suggest Coke was a year-round drink (100 years after the publication of Livingston’s poem). The company’s on-line archives gives details:
In 1930, artist Fred Mizen painted a department store Santa in a crowd drinking a bottle of Coke. The ad featured the world’s largest soda fountain, which was located in the department store of Famous Barr Co. in St. Louis, Mo. Mizen’s painting was used in print ads that Christmas season, appearing in The Saturday Evening Post in December 1930.
1936 Coca-Cola Santa cardboard store display
1942 original oil painting – ‘They Remembered Me’
Archie Lee, the D’Arcy Advertising Agency executive working with The Coca-Cola Company, wanted the next campaign to show a wholesome Santa as both realistic and symbolic. In 1931, The Coca-Cola Company commissioned Michigan-born illustrator Haddon Sundblom to develop advertising images using Santa Claus — showing Santa himself, not a man dressed as Santa, as Mizen’s work had portrayed him.
For inspiration, Sundblom turned to Clement Clark Moore’s 1822 poem “A Visit From St. Nicholas” (commonly called “‘Twas the Night Before Christmas”). Moore’s description of St. Nick led to an image of Santa that was warm, friendly, pleasantly plump and human. For the next 33 years, Sundblom painted portraits of Santa that helped to create the modern image of Santa — an interpretation that today lives on in the minds of people of all ages, all over the world.
Santa Claus is a controversial figure. Debates still rage among parents about the wisdom of allowing the elf into the family’s home, and under what conditions. Theologians worry that the celebration of Christmas is diluted by the imagery. Other faiths worry that the secular, cultural impact of Santa Claus damages their own faiths (few other faiths have such a popular figure, and even atheists generally give gifts and participate in Christmas rituals such as putting up a decorated tree).
For over 100 years, Santa Claus has been a popular part of commercial, cultural and religious life in America. Has any other icon endured so long, or so well?
Coca-Cola’s film, “The Legend of Coca-Cola and Santa Claus”:
Today is the 55th anniversary of the Greensboro sit-in. Be sure to read Howell Raines‘ criticism of news media coverage of civil rights issues in a 2010 article in the New York Times: “What I am suggesting is that the one thing the South should have learned in the past 50 years is that if we are going to hell in a handbasket, we should at least be together in a basket of common purpose.”
This is mostly an encore post; please holler quickly if you find a link that does not work.
Four young men turned a page of history on February 1, 1960, at a lunch counter in a Woolworth’s store in Greensboro, North Carolina.
Ezell A. Blair, Jr. (now Jibreel Khazan), Franklin E. McCain, JosephA. McNeil, and David L. Richmond, sat down at the counter to order lunch. Because they were African Americans, they were refused service. Patiently, they stayed in their seats, awaiting justice.
On July 25, nearly six months later, Woolworth’s agreed to desegregate the lunch counter. One more victory for non-violent protest.
Caption from Smithsonian Museum of American History: Ezell A. Blair, Jr. (now Jibreel Khazan), Franklin E. McCain, Joseph A. McNeil, and David L. Richmond leave the Woolworth store after the first sit-in on February 1, 1960. (Courtesy of Greensboro News and Record)
News of the “sit-in” demonstration spread. Others joined in the non-violent protests from time to time, 28 students the second day, 300 the third day, and some days up to 1,000. The protests spread geographically, too, to 15 cities in 9 states.
Smithsonian caption: “On the second day of the Greensboro sit-in, Joseph A. McNeil and Franklin E. McCain are joined by William Smith and Clarence Henderson at the Woolworth lunch counter in Greensboro, North Carolina. (Courtesy of Greensboro News and Record)”
Part of the old lunch counter was salvaged, and today is on display at the Smithsonian Institution’s Museum of American History. The museum display was the site of celebratory parties during the week of the inauguration as president of Barack Obama.
Part of the lunch counter from the Woolworth’s store in Greensboro, North Carolina, now displayed at the Smithsonian’s Museum of American History, in Washington, D.C.- photo from Ted Eytan, who wrote: [“Ever eaten at a lunch counter in a store?”] The words . . . were said by one of the staff at the newly re-opened National Museum of American History this morning to a young visitor. What she did, very effectively, for the visitor and myself (lunch counters in stores are even before my time) was relate yesterday’s inequalities to those of today, by explaining the importance of the lunch counter in the era before fast food. This is the Greensboro, North Carolina lunch counter, and it was donated to the Smithsonian by Woolworth’s in 1993.
In 1823, the poem “Account of a Visit from St. Nicholas” was published anonymously in the Troy (N.Y.) Sentinel; the verse, more popularly known as “‘Twas the Night Before Christmas,” was later attributed to Clement C. Moore.
Regardless who wrote the poem first published 191 years ago today, how has it influenced America’s view of St. Nicholas, or Santa Claus? And how much of the Santa Claus story really was invented in America?
Thomas Nast invented Santa Claus? Clement C. Moore didn’t write the famous poem that starts out, “‘Twas the night before Christmas, and all through the house . . . ?”
The murky waters of history from Millard Fillmore’s Bathtub soak even our most cherished ideas and traditions.
Isn’t that part of the fun of history?
In Janaury 1863, Thomas Nast portraye Santa Claus delivered gifts to Union troops in Washington, D.C., wearing a blue, star-spangled coat, just a few days earlier.
Yes, Virginia (and California, too)! Thomas Nast created the image of Santa Claus most of us in the U.S. know today. Perhaps even more significant than his campaign against the graft of Boss Tweed, Nast’s popularization of a fat, jolly elf who delivers good things to people for Christmas makes one of the great stories in commercial illustration. Nast’s cartoons, mostly for the popular news publication Harper’s Weekly, created many of the conventions of modern political cartooning and modeled the way in which an illustrator could campaign for good, with his campaign against the graft of Tammany Hall and Tweed. But Nast’s popular vision of Santa Claus can be said to be the foundation for the modern mercantile flurry around Christmas.
Nast’s drawings probably drew some inspiration from the poem, “Account of a Visit from St. Nicholas,” traditionally attributed to Clement C. Moore, a New York City lawyer, published in 1822. The poem is among the earliest to describe the elf dressed in fur, and magically coming down a chimney to leave toys for children; the poem invented the reindeer-pulled sleigh.
Modern analysis suggests the poem was not the work of Moore, and many critics and historians now attribute it to Major Henry Livingston, Jr. (1748-1828) following sleuthing by Vassar College Prof. Don Foster in 2000. Fortunately for us, we do not need to be partisans in such a query to enjoy the poem (a complete copy of which is below the fold).
The Library of Congress still gives Moore the credit. When disputes arise over who wrote about the night before Christmas, is it any wonder more controversial topics produce bigger and louder disputes among historians?
Moore is thought to have composed the tale, now popularly known as “The Night Before Christmas,” on December 24, 1822, while traveling home from Greenwich Village, where he had bought a turkey for his family’s Christmas dinner.
Inspired by the plump, bearded Dutchman who took him by sleigh on his errand through the snow-covered streets of New York City, Moore penned A Visit from St. Nicholas for the amusement of his six children, with whom he shared the poem that evening. His vision of St. Nicholas draws upon Dutch-American and Norwegian traditions of a magical, gift-giving figure who appears at Christmas time, as well as the German legend of a visitor who enters homes through chimneys.
Again from the Library of Congress, we get information that suggests that Moore was a minor celebrity from a well-known family with historical ties that would make a good “connections” exercise in a high school history class, perhaps (”the link from Aaron Burr’s treason to Santa Claus?”): (read more, below the fold)
Clement Moore was born in 1779 into a prominent New York family. His father, Benjamin Moore, president of Columbia University, in his role as Episcopal Bishop of New York participated in the inauguration of George Washington as the nation’s first president. The elder Moore also administered last rites to Alexander Hamilton after he was mortally wounded in a tragic duel with Aaron Burr.
A graduate of Columbia, Clement Moore was a scholar of Hebrew and a professor of Oriental and Greek literature at the General Theological Seminary in Manhattan. [See comment from Pam Bumsted below for more on Moore.] He is said to have been embarrassed by the light-hearted verse, which was made public without his knowledge in December 1823. Moore did not publish it under his name until 1844.
Tonight, American children will be tucked in under their blankets and quilts and read this beloved poem as a last “sugarplum” before slipping into dreamland. Before they drift off, treat them to a message from Santa, recorded by the Thomas Edison Company in 1922.
But Henry Livingston was no less noble or historic. He hailed from the Livingstons of the Hudson Valley (one of whose farms is now occupied by Camp Rising Sun of the Louis August Jonas Foundation, a place where I spent four amazing summers teaching swimming and lifesaving). Livingston’s biography at the University of Toronto site offers another path for a connections exercise (”What connects the Declaration of Independence, the American invasion of Canada, the famous poem about a visit from St. Nick, and George W. Bush?”):
Henry Livingston Jr. was born in Poughkeepsie, New York, on Oct. 13, 1748. The Livingston family was one of the important colonial and revolutionary families of New York. The Poughkeepsie branch, descended from Gilbert, the youngest son of Robert Livingston, 1st Lord of Livingston Manor, was not as well off as the more well-known branches, descended from sons Robert and Philip. Two other descendants of Gilbert Livingston, President George Walker Herbert Bush and his son, President-Elect George W. Bush, though, have done their share to bring attention to this line. Henry’s brother, Rev. John Henry Livingston, entered Yale at the age of 12, and was able to unite the Dutch and American branches of the Dutch Reformed Church. At the time of his death, Rev. Livingston was president of Rutgers University. Henry’s father and brother Gilbert were involved in New York politics, and Henry’s granduncle was New York’s first Lt. Governor. But the law was the natural home for many of Henry’s family. His brother-in-law, Judge Jonas Platt, was an unsuccessful candidate for governor, as was his daughter Elizabeth’s husband, U.S. Supreme Court Justice Smith Thompson. Henry’s grandson, Sidney Breese, was Chief Justice of the Illinois Supreme Court.
Known for his encyclopedic knowledge and his love of literature, Henry Livingston was a farmer, surveyor and Justice of the Peace, a judicial position dealing with financially limited criminal and civil cases. One of the first New Yorkers to enlist in the Revolutionary Army in 1775, Major Henry Livingston accompanied his cousin’s husband, General Montgomery, in his campaign up the Hudson River to invade Canada, leaving behind his new wife, Sarah Welles, and their week-old baby, on his Poughkeepsie property, Locust Grove. Baby Catherine was the subject of the first poem currently known by Major Livingston. Following this campaign, Livingston was involved in the War as a Commissioner of Sequestration, appropriating lands owned by British loyalists and selling them for the revolutionary cause. It was in the period following Sarah’s early death in 1783, that Major Livingston published most of his poems and prose, anonymously or under the pseudonym of R. Ten years after the death of Sarah, Henry married Jane Patterson, the daughter of a Dutchess County politician and sister of his next-door neighbor. Between both wives, Henry fathered twelve children. He published his good-natured, often occasional verse from 1787 in many journals, including Political Barometer, Poughkeepsie Journal, and New-York Magazine. His most famous poem, “Account of a Visit from St. Nicholas,” was until 2000 thought to have been the work of Clement Clarke Moore (1779-1863), who published it with his collected poems in 1844. Livingston died Feb. 29, 1828.
Thomas Nast’s full realization of Santa Claus, “Merry Old Santa Claus,” January 1, 1881. Harper’s Weekly, from the Ohio State University Billy Ireland Cartoon Library and Museum.
Our views of Santa Claus owe a great deal also to the Coca-Cola advertising campaign. Coca-Cola first noted Santa’s use of the drink in a 1922 campaign to suggest Coke was a year-round drink (100 years after the publication of Livingston’s poem). The company’s on-line archives gives details:
In 1930, artist Fred Mizen painted a department store Santa in a crowd drinking a bottle of Coke. The ad featured the world’s largest soda fountain, which was located in the department store of Famous Barr Co. in St. Louis, Mo. Mizen’s painting was used in print ads that Christmas season, appearing in The Saturday Evening Post in December 1930.
1936 Coca-Cola Santa cardboard store display
Archie Lee, the D’Arcy Advertising Agency executive working with The Coca-Cola Company, wanted the next campaign to show a wholesome Santa as both realistic and symbolic. In 1931, The Coca-Cola Company commissioned Michigan-born illustrator Haddon Sundblom to develop advertising images using Santa Claus — showing Santa himself, not a man dressed as Santa, as Mizen’s work had portrayed him.
1942 original oil painting – ‘They Remembered Me’
For inspiration, Sundblom turned to Clement Clark Moore’s 1822 poem “A Visit From St. Nicholas” (commonly called “‘Twas the Night Before Christmas”). Moore’s description of St. Nick led to an image of Santa that was warm, friendly, pleasantly plump and human. For the next 33 years, Sundblom painted portraits of Santa that helped to create the modern image of Santa — an interpretation that today lives on in the minds of people of all ages, all over the world.
Santa Claus is a controversial figure. Debates still rage among parents about the wisdom of allowing the elf into the family’s home, and under what conditions. Theologians worry that the celebration of Christmas is diluted by the imagery. Other faiths worry that the secular, cultural impact of Santa Claus damages their own faiths (few other faiths have such a popular figure, and even atheists generally give gifts and participate in Christmas rituals such as putting up a decorated tree).
For over 100 years, Santa Claus has been a popular part of commercial, cultural and religious life in America. Has any other icon endured so long, or so well?
Thomas Nast invented Santa Claus? Clement C. Moore didn’t write the famous poem that starts out, “‘Twas the night before Christmas, and all through the house . . . ?”
The murky waters of history from Millard Fillmore’s Bathtub soak even our most cherished ideas and traditions.
But isn’t that part of the fun of history?
In Janaury 1863, Thomas Nast portraye Santa Claus delivered gifts to Union troops in Washington, D.C., wearing a blue, star-spangled coat, just a few days earlier.
Yes, Virginia (and California, too)! Thomas Nast created the image of Santa Claus most of us in the U.S. know today. Perhaps even more significant than his campaign against the graft of Boss Tweed, Nast’s popularization of a fat, jolly elf who delivers good things to people for Christmas makes one of the great stories in commercial illustration. Nast’s cartoons, mostly for the popular news publication Harper’s Weekly, created many of the conventions of modern political cartooning and modeled the way in which an illustrator could campaign for good, with his campaign against the graft of Tammany Hall and Tweed. But Nast’s popular vision of Santa Claus can be said to be the foundation for the modern mercantile flurry around Christmas.
Nast’s drawings probably drew some inspiration from the poem, “Account of a Visit from St. Nicholas,” traditionally attributed to Clement C. Moore, a New York City lawyer, published in 1822. The poem is among the earliest to describe the elf dressed in fur, and magically coming down a chimney to leave toys for children; the poem invented the reindeer-pulled sleigh.
Modern analysis suggests the poem was not the work of Moore, and many critics and historians now attribute it to Major Henry Livingston, Jr. (1748-1828) following sleuthing by Vassar College Prof. Don Foster in 2000. Fortunately for us, we do not need to be partisans in such a query to enjoy the poem (a complete copy of which is below the fold).
The Library of Congress still gives Moore the credit. When disputes arise over who wrote about the night before Christmas, is it any wonder more controversial topics produce bigger and louder disputes among historians?
Moore is thought to have composed the tale, now popularly known as “The Night Before Christmas,” on December 24, 1822, while traveling home from Greenwich Village, where he had bought a turkey for his family’s Christmas dinner.
Inspired by the plump, bearded Dutchman who took him by sleigh on his errand through the snow-covered streets of New York City, Moore penned A Visit from St. Nicholas for the amusement of his six children, with whom he shared the poem that evening. His vision of St. Nicholas draws upon Dutch-American and Norwegian traditions of a magical, gift-giving figure who appears at Christmas time, as well as the German legend of a visitor who enters homes through chimneys.
Again from the Library of Congress, we get information that suggests that Moore was a minor celebrity from a well-known family with historical ties that would make a good “connections” exercise in a high school history class, perhaps (”the link from Aaron Burr’s treason to Santa Claus?”): (read more, below the fold)
Clement Moore was born in 1779 into a prominent New York family. His father, Benjamin Moore, president of Columbia University, in his role as Episcopal Bishop of New York participated in the inauguration of George Washington as the nation’s first president. The elder Moore also administered last rites to Alexander Hamilton after he was mortally wounded in a tragic duel with Aaron Burr.
A graduate of Columbia, Clement Moore was a scholar of Hebrew and a professor of Oriental and Greek literature at the General Theological Seminary in Manhattan. [See comment from Pam Bumsted below for more on Moore.] He is said to have been embarrassed by the light-hearted verse, which was made public without his knowledge in December 1823. Moore did not publish it under his name until 1844.
Tonight, American children will be tucked in under their blankets and quilts and read this beloved poem as a last “sugarplum” before slipping into dreamland. Before they drift off, treat them to a message from Santa, recorded by the Thomas Edison Company in 1922.
But Henry Livingston was no less noble or historic. He hailed from the Livingstons of the Hudson Valley (one of whose farms is now occupied by Camp Rising Sun of the Louis August Jonas Foundation, a place where I spent four amazing summers teaching swimming and lifesaving). Livingston’s biography at the University of Toronto site offers another path for a connections exercise (”What connects the Declaration of Independence, the American invasion of Canada, the famous poem about a visit from St. Nick, and George W. Bush?”):
Henry Livingston Jr. was born in Poughkeepsie, New York, on Oct. 13, 1748. The Livingston family was one of the important colonial and revolutionary families of New York. The Poughkeepsie branch, descended from Gilbert, the youngest son of Robert Livingston, 1st Lord of Livingston Manor, was not as well off as the more well-known branches, descended from sons Robert and Philip. Two other descendants of Gilbert Livingston, President George Walker Herbert Bush and his son, President-Elect George W. Bush, though, have done their share to bring attention to this line. Henry’s brother, Rev. John Henry Livingston, entered Yale at the age of 12, and was able to unite the Dutch and American branches of the Dutch Reformed Church. At the time of his death, Rev. Livingston was president of Rutgers University. Henry’s father and brother Gilbert were involved in New York politics, and Henry’s granduncle was New York’s first Lt. Governor. But the law was the natural home for many of Henry’s family. His brother-in-law, Judge Jonas Platt, was an unsuccessful candidate for governor, as was his daughter Elizabeth’s husband, U.S. Supreme Court Justice Smith Thompson. Henry’s grandson, Sidney Breese, was Chief Justice of the Illinois Supreme Court.
Known for his encyclopedic knowledge and his love of literature, Henry Livingston was a farmer, surveyor and Justice of the Peace, a judicial position dealing with financially limited criminal and civil cases. One of the first New Yorkers to enlist in the Revolutionary Army in 1775, Major Henry Livingston accompanied his cousin’s husband, General Montgomery, in his campaign up the Hudson River to invade Canada, leaving behind his new wife, Sarah Welles, and their week-old baby, on his Poughkeepsie property, Locust Grove. Baby Catherine was the subject of the first poem currently known by Major Livingston. Following this campaign, Livingston was involved in the War as a Commissioner of Sequestration, appropriating lands owned by British loyalists and selling them for the revolutionary cause. It was in the period following Sarah’s early death in 1783, that Major Livingston published most of his poems and prose, anonymously or under the pseudonym of R. Ten years after the death of Sarah, Henry married Jane Patterson, the daughter of a Dutchess County politician and sister of his next-door neighbor. Between both wives, Henry fathered twelve children. He published his good-natured, often occasional verse from 1787 in many journals, including Political Barometer, Poughkeepsie Journal, and New-York Magazine. His most famous poem, “Account of a Visit from St. Nicholas,” was until 2000 thought to have been the work of Clement Clarke Moore (1779-1863), who published it with his collected poems in 1844. Livingston died Feb. 29, 1828.
Our views of Santa Claus owe a great deal also to the Coca-Cola advertising campaign. Coca-Cola first noted Santa’s use of the drink in a 1922 campaign to suggest Coke was a year-round drink (100 years after the publication of Livingston’s poem). The company’s on-line archives gives details:
In 1930, artist Fred Mizen painted a department store Santa in a crowd drinking a bottle of Coke. The ad featured the world’s largest soda fountain, which was located in the department store of Famous Barr Co. in St. Louis, Mo. Mizen’s painting was used in print ads that Christmas season, appearing in The Saturday Evening Post in December 1930.
1936 Coca-Cola Santa cardboard store display
Archie Lee, the D’Arcy Advertising Agency executive working with The Coca-Cola Company, wanted the next campaign to show a wholesome Santa as both realistic and symbolic. In 1931, The Coca-Cola Company commissioned Michigan-born illustrator Haddon Sundblom to develop advertising images using Santa Claus — showing Santa himself, not a man dressed as Santa, as Mizen’s work had portrayed him.
1942 original oil painting – ‘They Remembered Me’
For inspiration, Sundblom turned to Clement Clark Moore’s 1822 poem “A Visit From St. Nicholas” (commonly called “‘Twas the Night Before Christmas”). Moore’s description of St. Nick led to an image of Santa that was warm, friendly, pleasantly plump and human. For the next 33 years, Sundblom painted portraits of Santa that helped to create the modern image of Santa — an interpretation that today lives on in the minds of people of all ages, all over the world.
Santa Claus is a controversial figure. Debates still rage among parents about the wisdom of allowing the elf into the family’s home, and under what conditions. Theologians worry that the celebration of Christmas is diluted by the imagery. Other faiths worry that the secular, cultural impact of Santa Claus damages their own faiths (few other faiths have such a popular figure, and even atheists generally give gifts and participate in Christmas rituals such as putting up a decorated tree).
For over 100 years, Santa Claus has been a popular part of commercial, cultural and religious life in America. Has any other icon endured so long, or so well?
“The Mary Ellen Carter” is a bit of an odd song, probably best performed where a bunch of people can join in, obviously fueled by a few pints to the guitar players, and seemingly not correct if not done with at least one twelve-string in the band. More, it’s a song with a story that you may not get the first time through, but you should get. Stan Rogers’s poetry is not simple. He tells complex stories.
Home in Halifax, one of three albums by Stan Rogers on which “The Mary Ellen Carter” appears. The song is also on Between the Breaks . . . Live! and The Very Best of Stan Rogers.
It’s a song about a group of men who were aboard the Mary Ellen Carter when that ship scuttled. The song describes their work to patch her up, to raise her from the depths and make her “rise again.” But we never learn whether the ship was refloated. That’s not the point of the song. It’s a song about getting back up when you’ve been scuttled, when you’ve got holes punched in your side, and you’re under water.
The song has become a classic of the genre and many artists covered it even before Rogers’ death, including Jim Post who began performing it in the 1980s, as did Makem and Clancy, and the English a cappella trio, Artisan, who went on to popularise their harmony version of it in UK folk circles throughout the 1980s and 1990s, and Portland, Maine-based folk group Schooner Fare. Ian Robb recorded it with the other members of Finest Kind on his album From Different Angels. It was also recorded by the seven piece Newfoundland band The Irish Descendants as part of the tribute album Remembering Stan Rogers: An East Coast Tribute performed by a large number of acts at Rogers’ favorite venue in Halifax, Dalhousie University; the album is out of print though occasionally available from online sellers; the track does not appear on any of the band’s own albums.
It was also recorded by Williamsburg, Virginia-based Celtic rock band Coyote Run as part of their self-titled Coyote Run album. According to liner notes with their 10 Years and Running retrospective album, Coyote Run‘s recording of the song was done with the same 12-string guitar that Stan Rogers himself had used when recording the song.
As a tribute to Stan Rogers, “The Mary Ellen Carter” has been sung to close the annual Winnipeg Folk Festival every year since his death.
Surely you’ve heard it, no?
Winnipeg Folk Festival 2006. “The Mary Ellen Carter” is sung to close this festival, each year since 1983. Wikipedia image
According to the lore, the song actually saved a sailor’s life once, in 1983, with the sinking of the Marine Electric. The pedestrian version of the story:
So inspiring is the song that it is credited with saving at least one life. On February 12, 1983 the ship Marine Electric was carrying a load of coal from Norfolk, Virginia to a power station in Somerset, Massachusetts. The worst storm in forty years blew up that night and the ship sank at about four o’clock in the morning on the 13th. The ship’s Chief Mate, fifty-nine-year-old Robert M. (“Bob”) Cusick, was trapped under the deckhouse as the ship went down. His snorkeling experience helped him avoid panic and swim to the surface, but he had to spend the night alone, up to his neck in water, clinging to a partially deflated lifeboat, and in water barely above freezing and air much colder. Huge waves washed over him, and each time he was not sure that he would ever reach the surface again to breathe. Battling hypothermia, he became tempted to allow himself to fall unconscious and let go of the lifeboat. Just then he remembered the words to the song “The Mary Ellen Carter”.
And you, to whom adversity has dealt the final blow With smiling bastards lying to you everywhere you go Turn to, and put out all your strength of arm and heart and brain And like the Mary Ellen Carter, rise again.
Rise again, rise again—though your heart it be broken Or life about to end. No matter what you’ve lost, be it a home, a love, a friend, Like the Mary Ellen Carter, rise again.
He started to sing it and soon was alternately shouting out “Rise again, rise again” and holding his breath as the waves washed over him. At seven o’clock that morning a Coast Guard helicopter spotted him and pulled him to safety.[1] Only two men of the other thirty-three that had been aboard survived the wreck. After his ordeal, Cusick wrote a letter to Stan Rogers telling him what had happened and how the song helped save his life. In response, Cusick was invited to attend what turned out the be the second-to-last concert Rogers ever performed. Cusick told his story in the documentary about Stan Rogers, One Warm Line.[2][3]
Truth is stranger and better than fiction once again. You couldn’t convince me that story was plausible, if it were fiction.
Cusick’s story has a coda, though, and it’s an important one. From the survivors come not only tales of the trials, but information that, if listened to, can prevent future tragedies.
Bob Cusick is “still kicking.” That’s no small feat for any man about to turn 85. It’s especially notable when you are one of only three sailors to survive what was among the nation’s worst maritime disasters.
Tuesday will mark the 25th anniversary of the sinking of the coal ship Marine Electric in a blizzard off Chincoteague. Thirty-one sailors died.
Cusick was the ship’s chief mate. He still has nightmares about how the rusted relic of World War II rolled before the crew could launch its lifeboats. He can still feel the water swallowing him and hear the men screaming for help in the darkness.
But the nightmares aren’t as frequent now.
“It’s really been a long time,” he said from his home in New Hampshire. “And evidently, a lot of good came from that ship’s sinking.”
Most of it because of Cusick and the other two survivors’ testimonies.
Before we hear the good, let’s get the facts:
The Marine Electric was what mariners call a rust bucket. Its huge cargo hatches were warped, wasted away and patched cosmetically with putty and duct tape. The deck was cracked, and the hull even had a hole punched through by a bulldozer.
Still, inspectors cleared it to sail, and it routinely hauled pulverized coal from Norfolk to a power plant near Boston.
Its last trip was into the teeth of a violent nor’easter. The aging ship was no match for the weather. For more than 24 hours, the Marine Electric was battered by swells that stretched 40 feet from trough to crest.
For part of the trip, the ship had been diverted to escort a trawler into Chincoteague.
Not long after resuming its course, the Marine Electric started taking on water.
Seas crashing over those corroded decks rushed inside the hatches, mixing with the powdered coal to create an unstable slurry.
The water couldn’t be pumped out, because the ship’s owners had welded covers over the drain holes.
Cusick was lucky. He had just come off watch and was wearing an insulated coat his wife had insisted he buy and a raw wool cap she had knitted for him. They would eventually make the difference between life and death.
Cusick swam for an hour in the tempest before finding a swamped lifeboat. He climbed inside and wedged himself beneath the seats, slipping under the 37-degree water, to escape the howling winds. He gasped for breaths between waves.
Cusick found strength in a song about the shipwreck of the Mary Ellen Carter, and folksinger Stan Rogers’ refrain to “rise again, rise again.”
Cusick would spend 2 hours and 45 minutes in the frigid water, nearly double what Navy survival charts claimed was possible.
It was after dawn when a Coast Guard helicopter from Elizabeth City, N.C., running on fumes, dropped a basket into his lifeboat and Cusick was hoisted to safety.
Rogers’s song, and Cusick’s story, were put to great use.
As a result of this accident, and the detailed records of neglect Cusick kept, the Coast Guard launched its renowned rescue swimmers program. Ships sailing in cold waters are required to provide survival suits to their crews; safety inspections are more rigorous; lifeboats must have better launching systems; and rafts must have boarding platforms to allow freezing sailors to climb inside.
We lived on the Potomac when the Marine Electric went down. We had the daily, sometimes hourly updates, and the growing sense of tragedy. I well recall my amazement that anyone survived in the cold water. In the 30 years since, I had never heard the full story.
This is why we study history. This is why we write history. This is why we revel in history, even faux history, being turned into art by the poets and troubadors.
Knowing history, and knowing the art, we can stand up to demand that money to inspect ships for safety be restored to the federal budget, that money to build safe air transport be revived, that politicians stop blocking the doors to the hospitals and clinics (Rick Perry, Greg Abbott), and that justice be done on a thousand other scores where cynics and highway robbers tell us it cannot be done or it’s too expensive.
And then we all may, as the Mary Ellen Carter, rise again.
Marine Electric sank on February 12, 1983; Stan Rogers died less than four months later, on June 2, 1983, returning home from performing at the Kerrville Folk Festival in Texas. Listen to Mr. Cusick’s story, and listen to Mr. Rogers’s telling of his:
Paul Revere, 1768, by John Singleton Copley (1738-1815)
John Copley painted all the bigwigs of revolutionary Boston, including this portrait of the famous horse-mounted alarm before he turned older and grayer.
And as April 18 is the anniversary of Revere’s ride, April 19 is the anniversary of the “shot heard ’round the world.”
Teachers, this is your cue to break out the Longfellow and Emerson and Whitman, and tie them together in the thread that runs from the French and Indian War clearly through the American Civil War, and we might hope, to today. Give the kids some culture to get their mental juices flowing for the tests.
Glenn Frankel at the University of Texas wrote a book about the John Ford movie, “The Searchers.” It’s release, and stories about it, should remind us of the history of Quanah Parker, the last great, chief of the Comanches. “The Searchers” was loosely based on a true story, the kidnapping of Cynthia Ann Parker, by Comanches, and her subsequent life with the tribe, and her recapture by white relatives. She had married in the tribe — Quanah Parker was her son.
Photographs of Native Americans reside among the publicly and internet available materials of the National Archives. Images can be ordered in sets of slides, or as individual prints, though many are available in quality high enough for PowerPoint works and use on classroom materials. Many of the photos are 19th century.
Quanah Parker stands as one of the larger Native Americans in Texas history. This photo puts a face to a reputation in Texas history textbooks. Texas teachers may want to be certain to get a copy of the photo. His life story includes so many episodes that seem to come out of a Native American version of Idylls of the King that a fiction writer could not include them all, were they not real.
Quanah’s mother was part of the famous Parker family that helped settle West Texas in the 1830s. Cynthia Ann Parker was captured in 1836 when Comanches attacked Fort Parker, near present-day Groesbeck, Texas, in Limestone County. (See Fort Parker State Park.) Given a new name, Nadua (found one), she assimilated completely with the Nocona band of Comanches, and eventually married the Comanche warrior Noconie (also known as Peta Nocona). Quanah was their first child, born in 1852.
Nadua was captured by a Texas party led by Lawrence Sullivan “Sul” Ross in 1860, in the Battle of Pease River. Noconie, Quanah, and most of the Nocona men were off hunting at the time, and the fact of Nadua’s capture was not realized for some time. Nadua asked to return to the Comanches and her husband, but she was not allowed to do so. When her youngest daughter, who had been captured with her, died of an infection, Nadua stopped eating, and died a few weeks later.
Sul Ross was a character in his own right. At the time he participated in the raid that recaptured Cynthia Parker, he was a student at Baylor University (“What do I do on summer breaks? I fight Indians.”) At the outbreak of the Civil War, Ross enlisted in the Confederate Army as a private. Over 135 battles and skirmishes he rose to the rank of Brigadier General, the ninth youngest in the Confederate Army. A successful rancher and businessman back in Texas after the war, he won election as governor in 1887, served two very successful terms (he resolved the Jaybird-Woodpecker War in Fort Bend County, and had to call a special session of the legislature to deal with a budget surplus), refused to run for a third term, and was named president of Texas Agricultural and Mechanical College (Texas A&M) within a few days of stepping down as governor. Ross’s leadership of the college is legendary — students put pennies near a statue of Ross in a traditional plea to pass final exams, among many other traditions. After his death, Texas created Sul Ross State University, in Alpine, Texas, in his honor.
Quanah Parker’s father, Noconie, died a short time after his mother’s capture. He left the Nocona band, joined the Destanyuka band under Chief Wild Horse, but eventually founded his own band with warriors from other groups, the Quahadi (“antelope eaters”) (also known as Kwahadi). The Quahadi band grew to be one of the largest and most notorious, always with Quanah leading them. The Quahadis refused to sign the 1867 Medicine Lodge Treaties, and so avoided immediate internment to a reservation. However, dwindling food supplies and increasing opposition forced Quanah to retire to a reservation in 1875, in what is now southwestern Oklahoma. This was the last Comanche band to come to the reservation.
Quanah was appointed Chief of all the Comanches.
Through investments, Quanah became rich — probably the richest Native American of his time.
Quanah hunted with President Theodore Roosevelt.
Quanah in European-American business attire. (Photo credit: Wikipedia)
Rejecting monogamy and Christianity, Quanah founded the Native American Church movement, which regards the use of peyote as a sacrament. Quanah had been given peyote by a Ute medicine man while recovering from wounds he’d suffered in battle with U.S. troops. Among his famous teachings: The White Man goes into his church and talks about Jesus. The Indian goes into his Tipi and talks with Jesus.
Bill Neeley wrote of Quanah Parker: “Not only did Quanah pass within the span of a single lifetime from a Stone Age warrior to a statesman in the age of the Industrial Revolution, but he never lost a battle to the white man and he also accepted the challenge and responsibility of leading the whole Comanche tribe on the difficult road toward their new existence.”
Quanah Parker died on February 23, 1911. He is buried at Fort Sill Cemetery, Oklahoma, next to his mother and sister.
Quanah Parker’s epitaph reads:
Resting Here Until Day Breaks
And Shadows Fall and Darkness Disappears is
Quanah Parker Last Chief of the Comanches
Born 1852
Died Feb. 23, 1911
Quanah Advances To Area Round (myhighplains.com) (No, this isn’t really relevant to Quanah Parker, other than showing that modern Texas honors the name.)
Spread the word; friends don't allow friends to repeat history.
Today is the 53rd anniversary of the Greensboro sit-in. Be sure to read Howell Raines‘ criticism of news media coverage of civil rights issues in a 2010 article in the New York Times: “What I am suggesting is that the one thing the South should have learned in the past 50 years is that if we are going to hell in a handbasket, we should at least be together in a basket of common purpose.”
This is mostly an encore post; please holler quickly if you find a link that does not work.
Four young men turned a page of history on February 1, 1960, at a lunch counter in a Woolworth’s store in Greensboro, North Carolina.
Ezell A. Blair, Jr. (now Jibreel Khazan), Franklin E. McCain, JosephA. McNeil, and David L. Richmond, sat down at the counter to order lunch. Because they were African Americans, they were refused service. Patiently, they stayed in their seats, awaiting justice.
On July 25, nearly six months later, Woolworth’s agreed to desegregate the lunch counter. One more victory for non-violent protest.
Caption from Smithsonian Museum of American History: Ezell A. Blair, Jr. (now Jibreel Khazan), Franklin E. McCain, Joseph A. McNeil, and David L. Richmond leave the Woolworth store after the first sit-in on February 1, 1960. (Courtesy of Greensboro News and Record)
News of the “sit-in” demonstration spread. Others joined in the non-violent protests from time to time, 28 students the second day, 300 the third day, and some days up to 1,000. The protests spread geographically, too, to 15 cities in 9 states.
Smithsonian caption: “On the second day of the Greensboro sit-in, Joseph A. McNeil and Franklin E. McCain are joined by William Smith and Clarence Henderson at the Woolworth lunch counter in Greensboro, North Carolina. (Courtesy of Greensboro News and Record)”
Part of the old lunch counter was salvaged, and today is on display at the Smithsonian Institution’s Museum of American History. The museum display was the site of celebratory parties during the week of the inauguration as president of Barack Obama.
Part of the lunch counter from the Woolworth’s store in Greensboro, North Carolina, now displayed at the Smithsonian’s Museum of American History, in Washington, D.C.- photo from Ted Eytan, who wrote: [“Ever eaten at a lunch counter in a store?”] The words . . . were said by one of the staff at the newly re-opened National Museum of American History this morning to a young visitor. What she did, very effectively, for the visitor and myself (lunch counters in stores are even before my time) was relate yesterday’s inequalities to those of today, by explaining the importance of the lunch counter in the era before fast food. This is the Greensboro, North Carolina lunch counter, and it was donated to the Smithsonian by Woolworth’s in 1993.
On December 20 there flitted past us, absolutely without public notice, one of the most important profane anniversaries in American history, to wit, the seventy-fifth anniversary of the introduction of the bathtub into These States. Not a plumber fired a salute or hung out a flag. Not a governor proclaimed a day of prayer. Not a newspaper called attention to the day.
True enough, it was not entirely forgotten. Eight or nine months ago one of the younger surgeons connected with the Public Health Service in Washington happened upon the facts while looking into the early history of public hygiene, and at his suggestion a committee was formed to celebrate the anniversary with a banquet. But before the plan was perfected Washington went dry (This was war-time Prohibition, preliminary to the main catastrophe. — HLM), and so the banquet had to be abandoned. As it was, the day passed wholly unmarked, even in the capital of the nation.
Bathtubs are so common today that it is almost impossible to imagine a world without them. They are familiar to nearly everyone in all incorporated towns; in most of the large cities it is unlawful to build a dwelling house without putting them in; even on the farm they have begun to come into use. And yet the first American bathtub was installed and dedicated so recently as December 20, 1842, and, for all I know to the contrary, it may still be in existence and in use.
Curiously enough, the scene of its setting up was Cincinnati, then a squalid frontier town, and even today surely no leader in culture. But Cincinnati, in those days as in these, contained many enterprising merchants, and one of them was a man named Adam Thompson, a dealer in cotton and grain. Thompson shipped his grain by steamboat down the Ohio and Mississippi to New Orleans, and from there sent it to England in sailing vessels. This trade frequently took him to England, and in that country, during the ’30s, he acquired the habit of bathing.
The bathtub was then still a novelty in England. It had been introduced in 1828 by Lord John Russell and its use was yet confined to a small class of enthusiasts. Moreover, the English bathtub, then as now, was a puny and inconvenient contrivance — little more, in fact, than a glorified dishpan — and filling and emptying it required the attendance of a servant. Taking a bath, indeed, was a rather heavy ceremony, and Lord John in 1835 was said to be the only man in England who had yet come to doing it every day.
Thompson, who was of inventive fancy — he later devised the machine that is still used for bagging hams and bacon — conceived the notion that the English bathtub would be much improved if it were made large enough to admit the whole body of an adult man, and if its supply of water, instead of being hauled to the scene by a maid, were admitted by pipes from a central reservoir and run off by the same means. Accordingly, early in 1842 he set about building the first modern bathroom in his Cincinnati home — a large house with Doric pillars, standing near what is now the corner of Monastery and Orleans streets.
There was then, of course, no city water supply, at least in that part of the city, but Thompson had a large well in his garden, and he installed a pump to lift its water to the house. This pump, which was operated by six Negroes, much like an old-time fire engine, was connected by a pipe with a cypress tank in the garret of the house, and here the water was stored until needed. From the tank two other pipes ran to the bathroom. One, carrying cold water, was a direct line. The other, designed to provide warm water, ran down the great chimney of the kitchen, and was coiled inside it like a giant spring.
The tub itself was of new design, and became the grandfather of all the bathtubs of today. Thompson had it made by James Cullness, the leading Cincinnati cabinetmaker of those days, and its material was Nicaragua mahogany. It was nearly seven feet long and fully four feet wide. To make it water-tight, the interior was lined with sheet lead, carefully soldered at the joints. The whole contraption weighed about 1,750 pounds, and the floor of the room in which it was placed had to be reinforced to support it. The exterior was elaborately polished.
In this luxurious tub Thompson took two baths on December 20, 1842 — a cold one at 8 a.m. and a warm one some time during the afternoon. The warm water, heated by the kitchen fire, reached a temperature of 105 degrees. On Christmas day, having a party of gentlemen to dinner, he exhibited the new marvel to them and gave an exhibition of its use, and four of them, including a French visitor, Col. Duchanel, risked plunges into it. The next day all Cincinnati — then a town of about 100,000 people — had heard of it, and the local newspapers described it at length and opened their columns to violent discussions of it.
The thing, in fact, became a public matter, and before long there was bitter and double- headed opposition to the new invention, which had been promptly imitated by several other wealthy Cincinnatians. On the one hand it was denounced as an epicurean and obnoxious toy from England, designed to corrupt the democratic simplicity of the Republic, and on the other hand it was attacked by the medical faculty as dangerous to health and a certain inviter of “phthisic, rheumatic fevers, inflammation of the lungs and the whole category of zymotic diseases.” (I quote from the Western Medical Repository of April 23, 1843.)
The noise of the controversy soon reached other cities, and in more than one place medical opposition reached such strength that it was reflected in legislation. Late in 1843, for example, the Philadelphia Common Council considered an ordinance prohibiting bathing between November 1 and March 15, and it failed of passage by but two votes. During the same year the legislature of Virginia laid a tax of $30 a year on all bathtubs that might be set up, and in Hartford, Providence, Charleston and Wilmington (Del.) special and very heavy water rates were levied upon those who had them. Boston, very early in 1845, made bathing unlawful except upon medical advice, but the ordinance was never enforced and in 1862 it was repealed.
This legislation, I suspect, had some class feeling in it, for the Thompson bathtub was plainly too expensive to be owned by any save the wealthy; indeed, the common price for installing one in New York in 1845 was $500. Thus the low caste politicians of the time made capital by fulminating against it, and there is even some suspicion of political bias in many of the early medical denunciations. But the invention of the common pine bathtub, lined with zinc, in 1847, cut off this line of attack, and thereafter the bathtub made steady progress.
The zinc tub was devised by John F. Simpson, a Brooklyn plumber, and his efforts to protect it by a patent occupied the courts until 1855. But the decisions were steadily against him, and after 1848 all the plumbers of New York were equipped for putting in bathtubs. According to a writer in the Christian Register for July 17, 1857, the first one in New York was opened for traffic on September 12, 1847, and by the beginning of 1850 there were already nearly 1,000 in use in the big town.
After this medical opposition began to collapse, and among other eminent physicians Dr. Oliver Wendell Holmes declared for the bathtub, and vigorously opposed the lingering movement against it in Boston. The American Medical Association held its annual meeting in Boston in 1849, and a poll of the members in attendance showed that nearly 55 per cent of them now regarded bathing as harmless, and that more than 20 per cent advocated it as beneficial. At its meeting in 1850 a resolution was formally passed giving the imprimatur of the faculty to the bathtub. The homeopaths followed with a like resolution in 1853.
But it was the example of President Millard Fillmore that, even more than the grudging medical approval, gave the bathtub recognition and respectability in the United States. While he was still Vice-President, in March, 1850, he visited Cincinnati on a stumping tour, and inspected the original Thompson tub. Thompson himself was now dead, but his bathroom was preserved by the gentlemen who had bought his house from the estate. Fillmore was entertained in this house and, according to Chamberlain, his biographer, took a bath in the tub. Experiencing no ill effects, he became an ardent advocate of the new invention, and on succeeding to the Presidency at Taylor’s death, July 9, 1850, he instructed his secretary of war, Gen. Charles M. Conrad, to invite tenders for the construction of a bathtub in the White House.
This action, for a moment, revived the old controversy, and its opponents made much of the fact that there was no bathtub at Mount Vernon, or at Monticello, and that all the Presidents and other magnificoes of the past had got along without any such monarchical luxuries. The elder Bennett, in the New York Herald, charged that Fillmore really aspired to buy and install in the White House a porphyry and alabaster bath that had been used by Louis Philippe at Versailles. But Conrad, disregarding all this clamor, duly called for bids, and the contract was presently awarded to Harper & Gillespie, a firm of Philadelphia engineers, who proposed to furnish a tub of thin cast iron, capable of floating the largest man.
This was installed early in 1851, and remained in service in the White House until the first Cleveland administration, when the present enameled tub was substituted. The example of the President soon broke down all that remained of the old opposition, and by 1860, according to the newspaper advertisements of the time, every hotel in New York had a bathtub, and some had two and even three. In 1862 bathing was introduced into the Army by Gen. McClellan, and in 1870 the first prison bathtub was set up at Moyamensing Prison, in Philadelphia.
So much for the history of the bathtub in America. One is astonished, on looking into it, to find that so little of it has been recorded. The literature, in fact, is almost nil. But perhaps this brief sketch will encourage other inquirers and so lay the foundation for an adequate celebration of the centennial in 1942.
Content with his private joke, Mencken remained silent about the hoax until a follow-up article, “Melancholy Reflections,” appeared in the Chicago Tribune on May 23, 1926, some eight years later. This was Mencken’s confession. It was also an appeal for reason to the American public.
His hoax was a joke gone bad. “A Neglected Anniversary” had been printed and reprinted hundreds of times in the intervening years. Mencken had been receiving letters of corroboration from some readers and requests for more details from others. His history of the bathtub had been cited repeatedly by other writers and was starting to find its way into reference works. As Mencken noted in “Melancholy Reflections,” his “facts” “began to be used by chiropractors and other such quacks as evidence of the stupidity of medical men. They began to be cited by medical men as proof of the progress of public hygiene.” And, because Fillmore’s presidency had been so uneventful, on the date of his birthday calendars often included the only interesting tidbit of information they could find: Fillmore had introduced the bathtub into the White House. (Even the later scholarly disclosure that Andrew Jackson had a bathtub installed there in 1834—years before Mencken claimed it was even invented—did not diminish America’s conviction that Fillmore was responsible.)
(No, dear reader, probably not correct; surely John Adams brought a bathtub with him when he moved into the White House, then called the President’s Mansion. Plumbing, hot water, and finally hot water to a bathtub in the president’s residence, were installed between 1830 and 1853, as best I can determine.)
The success of this idle hoax, done in time of war, when more serious writing was impossible, vastly astonished me. It was taken gravely by a great many other newspapers, and presently made its way into medical literature and into standard reference books. It had, of course, no truth in it whatsoever, and I more than once confessed publicly that it was only a jocosity… Scarcely a month goes by that I do not find the substance of it reprinted, not as foolishness but as fact, and not only in newspapers but in official documents and other works of the highest pretensions.
There’s a moral to the story: Strive for accuracy!
So, Dear Reader, check for accuracy, and question authority.
Fact checks — what else might need to be corrected in this story?
This nineteenth-century tub was one a fixture in the basement of Williamsburg’s St. George Tucker House, the first home in town known to have a bath with running water. –Colonial Williamsburg (tub was installed by 1796, contrasting sharply with dates Mencken offered)
Roman baths were famous, from at least the first century CE
During the American Revolution, George Washington and others worked to develop hot springs for bathing in Bath, Virginia — now the town of Berkeley Springs, West Virginia
Mencken and the 1948 conventions, at Millard Fillmore’s Bathtub; “Mencken suffered a stroke later in 1948 that left him unable to speak, or read, or write for a time. He spent much of the rest of his life working to organize his papers, and died in 1956. His epitaph, on his tombstone and on a plaque in the lobby of the Baltimore Sun, reads: ‘If, after I depart this vale, you ever remember me and have thought to please my ghost, forgive some sinner, and wink your eye at some homely girl.'”
Finally, Dear Readers — have you noticed someone falling victim to the hoax of Millard Fillmore’s Bathtub recently? Give us details in comments, please.
Spread the word; friends don't allow friends to repeat history.
Thomas Nast invented Santa Claus? Clement C. Moore didn’t write the famous poem that starts out, “‘Twas the night before Christmas, and all through the house . . . ?”
The murky waters of history from Millard Fillmore’s Bathtub soak even our most cherished ideas and traditions.
But isn’t that part of the fun of history?
In Janaury 1863, Thomas Nast portraye Santa Claus delivered gifts to Union troops in Washington, D.C., wearing a blue, star-spangled coat, just a few days earlier.
Yes, Virginia (and California, too)! Thomas Nast created the image of Santa Claus most of us in the U.S. know today. Perhaps even more significant than his campaign against the graft of Boss Tweed, Nast’s popularization of a fat, jolly elf who delivers good things to people for Christmas makes one of the great stories in commercial illustration. Nast’s cartoons, mostly for the popular news publication Harper’s Weekly, created many of the conventions of modern political cartooning and modeled the way in which an illustrator could campaign for good, with his campaign against the graft of Tammany Hall and Tweed. But Nast’s popular vision of Santa Claus can be said to be the foundation for the modern mercantile flurry around Christmas.
Nast’s drawings probably drew some inspiration from the poem, “Account of a Visit from St. Nicholas,” traditionally attributed to Clement C. Moore, a New York City lawyer, published in 1822. The poem is among the earliest to describe the elf dressed in fur, and magically coming down a chimney to leave toys for children; the poem invented the reindeer-pulled sleigh.
Modern analysis suggests the poem was not the work of Moore, and many critics and historians now attribute it to Major Henry Livingston, Jr. (1748-1828) following sleuthing by Vassar College Prof. Don Foster in 2000. Fortunately for us, we do not need to be partisans in such a query to enjoy the poem (a complete copy of which is below the fold).
The Library of Congress still gives Moore the credit. When disputes arise over who wrote about the night before Christmas, is it any wonder more controversial topics produce bigger and louder disputes among historians?
Moore is thought to have composed the tale, now popularly known as “The Night Before Christmas,” on December 24, 1822, while traveling home from Greenwich Village, where he had bought a turkey for his family’s Christmas dinner.
Inspired by the plump, bearded Dutchman who took him by sleigh on his errand through the snow-covered streets of New York City, Moore penned A Visit from St. Nicholas for the amusement of his six children, with whom he shared the poem that evening. His vision of St. Nicholas draws upon Dutch-American and Norwegian traditions of a magical, gift-giving figure who appears at Christmas time, as well as the German legend of a visitor who enters homes through chimneys.
Again from the Library of Congress, we get information that suggests that Moore was a minor celebrity from a well-known family with historical ties that would make a good “connections” exercise in a high school history class, perhaps (”the link from Aaron Burr’s treason to Santa Claus?”): (read more, below the fold)
Clement Moore was born in 1779 into a prominent New York family. His father, Benjamin Moore, president of Columbia University, in his role as Episcopal Bishop of New York participated in the inauguration of George Washington as the nation’s first president. The elder Moore also administered last rites to Alexander Hamilton after he was mortally wounded in a tragic duel with Aaron Burr.
A graduate of Columbia, Clement Moore was a scholar of Hebrew and a professor of Oriental and Greek literature at the General Theological Seminary in Manhattan. [See comment from Pam Bumsted below for more on Moore.] He is said to have been embarrassed by the light-hearted verse, which was made public without his knowledge in December 1823. Moore did not publish it under his name until 1844.
Tonight, American children will be tucked in under their blankets and quilts and read this beloved poem as a last “sugarplum” before slipping into dreamland. Before they drift off, treat them to a message from Santa, recorded by the Thomas Edison Company in 1922.
But Henry Livingston was no less noble or historic. He hailed from the Livingstons of the Hudson Valley (one of whose farms is now occupied by Camp Rising Sun of the Louis August Jonas Foundation, a place where I spent four amazing summers teaching swimming and lifesaving). Livingston’s biography at the University of Toronto site offers another path for a connections exercise (”What connects the Declaration of Independence, the American invasion of Canada, the famous poem about a visit from St. Nick, and George W. Bush?”):
Henry Livingston Jr. was born in Poughkeepsie, New York, on Oct. 13, 1748. The Livingston family was one of the important colonial and revolutionary families of New York. The Poughkeepsie branch, descended from Gilbert, the youngest son of Robert Livingston, 1st Lord of Livingston Manor, was not as well off as the more well-known branches, descended from sons Robert and Philip. Two other descendants of Gilbert Livingston, President George Walker Herbert Bush and his son, President-Elect George W. Bush, though, have done their share to bring attention to this line. Henry’s brother, Rev. John Henry Livingston, entered Yale at the age of 12, and was able to unite the Dutch and American branches of the Dutch Reformed Church. At the time of his death, Rev. Livingston was president of Rutgers University. Henry’s father and brother Gilbert were involved in New York politics, and Henry’s granduncle was New York’s first Lt. Governor. But the law was the natural home for many of Henry’s family. His brother-in-law, Judge Jonas Platt, was an unsuccessful candidate for governor, as was his daughter Elizabeth’s husband, U.S. Supreme Court Justice Smith Thompson. Henry’s grandson, Sidney Breese, was Chief Justice of the Illinois Supreme Court.
Known for his encyclopedic knowledge and his love of literature, Henry Livingston was a farmer, surveyor and Justice of the Peace, a judicial position dealing with financially limited criminal and civil cases. One of the first New Yorkers to enlist in the Revolutionary Army in 1775, Major Henry Livingston accompanied his cousin’s husband, General Montgomery, in his campaign up the Hudson River to invade Canada, leaving behind his new wife, Sarah Welles, and their week-old baby, on his Poughkeepsie property, Locust Grove. Baby Catherine was the subject of the first poem currently known by Major Livingston. Following this campaign, Livingston was involved in the War as a Commissioner of Sequestration, appropriating lands owned by British loyalists and selling them for the revolutionary cause. It was in the period following Sarah’s early death in 1783, that Major Livingston published most of his poems and prose, anonymously or under the pseudonym of R. Ten years after the death of Sarah, Henry married Jane Patterson, the daughter of a Dutchess County politician and sister of his next-door neighbor. Between both wives, Henry fathered twelve children. He published his good-natured, often occasional verse from 1787 in many journals, including Political Barometer, Poughkeepsie Journal, and New-York Magazine. His most famous poem, “Account of a Visit from St. Nicholas,” was until 2000 thought to have been the work of Clement Clarke Moore (1779-1863), who published it with his collected poems in 1844. Livingston died Feb. 29, 1828.
Our views of Santa Claus owe a great deal also to the Coca-Cola advertising campaign. Coca-Cola first noted Santa’s use of the drink in a 1922 campaign to suggest Coke was a year-round drink (100 years after the publication of Livingston’s poem). The company’s on-line archives gives details:
In 1930, artist Fred Mizen painted a department store Santa in a crowd drinking a bottle of Coke. The ad featured the world’s largest soda fountain, which was located in the department store of Famous Barr Co. in St. Louis, Mo. Mizen’s painting was used in print ads that Christmas season, appearing in The Saturday Evening Post in December 1930.
1936 Coca-Cola Santa cardboard store display
Archie Lee, the D’Arcy Advertising Agency executive working with The Coca-Cola Company, wanted the next campaign to show a wholesome Santa as both realistic and symbolic. In 1931, The Coca-Cola Company commissioned Michigan-born illustrator Haddon Sundblom to develop advertising images using Santa Claus — showing Santa himself, not a man dressed as Santa, as Mizen’s work had portrayed him.
1942 original oil painting – ‘They Remembered Me’
For inspiration, Sundblom turned to Clement Clark Moore’s 1822 poem “A Visit From St. Nicholas” (commonly called “‘Twas the Night Before Christmas”). Moore’s description of St. Nick led to an image of Santa that was warm, friendly, pleasantly plump and human. For the next 33 years, Sundblom painted portraits of Santa that helped to create the modern image of Santa — an interpretation that today lives on in the minds of people of all ages, all over the world.
Santa Claus is a controversial figure. Debates still rage among parents about the wisdom of allowing the elf into the family’s home, and under what conditions. Theologians worry that the celebration of Christmas is diluted by the imagery. Other faiths worry that the secular, cultural impact of Santa Claus damages their own faiths (few other faiths have such a popular figure, and even atheists generally give gifts and participate in Christmas rituals such as putting up a decorated tree).
For over 100 years, Santa Claus has been a popular part of commercial, cultural and religious life in America. Has any other icon endured so long, or so well?
I am using this in my classroom to teach the personal impact of 9/11 on real people. If you have fifteen minutes to spare it is worth the time. You might want to have a bandanna nearby, though. It is a bit of a tearjerker.
Ten years later: remembering the man who led people to safety after terrorists struck the World Trade Center on September 11th — a former Boston College lacrosse player whose trademark was a red bandanna.
If you use this film, please tell us about it.
Spread the word; friends don't allow friends to repeat history.
Or, until that account is unsuspended by the forces supporting Donald Trump: Follow @FillmoreWhite, the account of the Millard Fillmore White House Library
We've been soaking in the Bathtub for several months, long enough that some of the links we've used have gone to the Great Internet in the Sky.
If you find a dead link, please leave a comment to that post, and tell us what link has expired.
Thanks!
Retired teacher of law, economics, history, AP government, psychology and science. Former speechwriter, press guy and legislative aide in U.S. Senate. Former Department of Education. Former airline real estate, telecom towers, Big 6 (that old!) consultant. Lab and field research in air pollution control.
My blog, Millard Fillmore's Bathtub, is a continuing experiment to test how to use blogs to improve and speed up learning processes for students, perhaps by making some of the courses actually interesting. It is a blog for teachers, to see if we can use blogs. It is for people interested in social studies and social studies education, to see if we can learn to get it right. It's a blog for science fans, to promote good science and good science policy. It's a blog for people interested in good government and how to achieve it.
BS in Mass Communication, University of Utah
Graduate study in Rhetoric and Speech Communication, University of Arizona
JD from the National Law Center, George Washington University
Posted by Ed Darrell 
Millard Fillmore's Bathtub 