Into the Yonder and Water is a soundtrack from the album Jadeite Redolence.
This soundtrack is featured as a tune contained within Radiant Spincrystal 122.
Soundtrack Usage[]
Open-World Locations
Serenitea Pot
- Unlocked as Realm Music by redeeming Radiant Spincrystal 122 in Euphonium Unbound furnishings
Event Gameplay
Media
Production Credits[]
Position | Staff[1] |
---|---|
Composer | Lunan (路南) |
Arranger | Lunan (路南) |
Orchestra | Art of Loong Orchestra (龙之艺交响乐团) |
Dizi | Jiannan Gu (顾剑楠) |
Xun | Jiannan Gu (顾剑楠) |
Guzheng | Nan Mei (梅楠) |
Guqin | Jingyu Fang (方静宇) |
Recording Studio | Shanghai Media Group (上海广播大厦), 52Hz Studio |
Recording Engineer | Jiawei Mo (莫家伟), Zach Huang (黄巍) |
Mixing Engineer | Zach Huang (黄巍) |
Mastering Engineer | Zach Huang (黄巍) |
Production | HOYO-MiX |
Trivia[]
- The Chinese name of the soundtrack may be a reference to a poem by Liu Zongyan. The poem (Chinese: 别舍弟宗一 "Seeing Off My Younger Cousin Zhongyi") reads:
- 零落残魂倍黯然,双垂别泪越江边。
一身去国六千里,万死投荒十二年。
桂岭瘴来云似墨,洞庭春尽水如天。
欲知此后相思梦,长在荆门郢树烟。
Wandering in distraction, our bereft souls double their gloom, we both shed tears of parting at the riverbank.
A whole lifetime away from home six thousand miles, dying a thousand deaths in the wilderness twelve years.
At Guiling when the miasma comes, the clouds look like ink; at the Grotto Court, when spring ends the water resembles the sky.
If you want to know where from now on my dreams of longing will take me, it'll always be to Jingmen and Ying among the misty trees.[2]
- 零落残魂倍黯然,双垂别泪越江边。
Other Languages[]
Language | Official Name | Literal Meaning |
---|---|---|
English | Into the Yonder and Water | — |
Chinese (Simplified) | 春尽水如天 Chūn Jǐn Shuǐ Rú Tiān | At Spring's End the Water Resembles the Sky |
Chinese (Traditional) | 春盡水如天 Chūn Jǐn Shuǐ Rú Tiān | |
Japanese | 春過ぎて水、天の如し Haru Sugite Mizu, Ten no Gotoshi[!][!] |
References[]
- ↑ QQ Music: 春尽水如天 Into the Yonder and Water - HOYO-MiX
- ↑ Translation by Hans H. Frankel, in The Flowering Plum and the Palace Lady: Interpretations of Chinese Poetry, p. 149.