[B! æ‰¹è©•] jassmazã®ãƒ–ãƒƒã‚¯ãƒžãƒ¼ã‚¯

jassmaz id:jassmaz

æ‰¹è©•ã«é–¢ã™ã‚‹jassmazã®ãƒ–ãƒƒã‚¯ãƒžãƒ¼ã‚¯ (17)

${{author_name}}$

{{{comment_expanded}}}

{{label}}

{{#is_bookmark}}ãƒªã‚¹ãƒˆ{{/is_bookmark}}{{^is_bookmark}}ãƒªãƒ³ã‚¯{{/is_bookmark}}

${{author_name}}$
{{author_name}}{{created}}
{{ #comment }}{{ comment }}{{ /comment }}
- {{ label }}

${{author_name}}$

{{{comment_expanded}}}

{{label}}

{{#is_bookmark}}ãƒªã‚¹ãƒˆ{{/is_bookmark}}{{^is_bookmark}}ãƒªãƒ³ã‚¯{{/is_bookmark}}

ã‚´ãƒƒãƒ›ã‚ˆã‚Šæ™®é€šã«ãƒ©ãƒƒã‚»ãƒ³ãŒå¥½ãã€œãƒãƒ¼ãƒ ãƒ©ãƒœã¨ã€Œã‚¢ãƒ¼ãƒˆã€ã«ã¤ã„ã¦ï½œakiko_saito
â€»5/30 19:20ã€€ä¿®æ£ã—ã¾ã—ãŸ â€»6/1 12:00ã€€è‹±èªžç‰ˆã«æ°¸é‡Žã®èª¬æ˜Žã‚’å…¥ã‚Œã¾ã—ãŸ â€»6/1 12:00ã€€ãƒ©ãƒƒã‚»ãƒ³ã¯æ—¥æœ¬ã§ã—ã‹çŸ¥ã‚‰ã‚Œã¦ãŠã‚‰ãšã€æµ·å¤–ã®æ–¹ã‹ã‚‰ã¯ã€Œèª°ï¼Ÿï¼Ÿã€ã«ãªã‚‹ãŸã‚ã€åŒæ§˜ã«èªžã‚‰ã‚Œã‚‹ã€Œãƒˆãƒ¼ãƒžã‚¹ãƒ»ã‚ãƒ³ã‚±ã‚¤ãƒ‰ã€ã®ã‚ˆã†ãªå˜åœ¨ã§ã‚ã‚‹ã¨è‹±èªžç‰ˆã«è¿½åŠ ã—ã¾ã—ãŸã€‚ å…ˆæ—¥ã€ç§ãŒä¸»å®°ã—ãŸã‚¤ãƒ™ãƒ³ãƒˆã€ŒComponents. Artist Talk Series #2: feat. Elliot Woods[Kimchi and Chips] & è—¤æœ¬å®Ÿ[MPLUSPLUS]ã€@KORGã€ŒSTUDIO EXTREME TOKYOã€ã§ã®ã“ã¨ã€‚ã‚²ã‚¹ãƒˆãƒ»ã‚¢ãƒ¼ãƒ†ã‚£ã‚¹ãƒˆã®ã‚¨ãƒªã‚ªãƒƒãƒˆãƒ»ã‚¦ãƒƒã‚º[Kimchi and Chips]ãŒã€ã¤ã„ï¼’é€±é–“å‰ã‹ã‚‰ä¸–ç•Œã®ãƒ¡ãƒ‡ã‚£ã‚¢ã‚¢ãƒ¼ãƒˆï¼ˆãƒ¡ãƒ‡ã‚£ã‚¢ã‚¢ãƒ¼ãƒˆã¨ã¯ä½•ã‹ï¼Ÿã®èª¬æ˜Žã«ã¤ã„ã¦ã¯çœããŒã€ã‚´ãƒƒãƒ›ã¨ã‹ãƒ”ã‚«ã‚½ã¨ã‹ãŒã‚„ã£ã¦ã‚‹"ã‚¢ãƒ¼ãƒˆ/èŠ¸è¡“"ã®æµã‚Œã«ã‚ã‚‹ã€è¿‘ç¾ä»£ã‹ã‚‰å§‹ã¾ã£ãŸä¸€ç¨®é¡žã§ã‚ã‚‹ã¨è¨€ã†
jassmaz 2025/05/31
ãƒ‡ãƒ¼ã‚¿ãƒ™ãƒ¼ã‚¹æ¶ˆè²»ã¯ãƒãƒƒãƒ—ï¼ˆåºƒå‘Šï¼‰ã ãŒã€ãƒ•ã‚¡ã‚¤ãƒ³ã‚¢ãƒ¼ãƒˆã¯æ´å²ã®æ›´æ–°ã§ã‚ã‚‹ã€‚æœ¬è³ªçš„ã«ã¯ç§‘å¦ç ”ç©¶ã¨å¤‰ã‚ã‚‰ãªã„ã®ã ãŒã€å¤§è¡†ã¯ç ”ç©¶ã«èˆˆå‘³ã¯ãªãå®Ÿç¤¾ä¼šã«å®Ÿè£…ã•ã‚ŒãŸæ¦‚å¿µã«ã—ã‹èˆˆå‘³ã‚’æŒãŸãªã„ã€‚

ã‚¢ãƒ¼ãƒˆ

æ‰¹è©•
ãƒªãƒ³ã‚¯
ãƒãƒ¼ãƒ ãƒ©ãƒœã‚ˆã€ã©ã“ã¸è¡Œãï¼Ÿ
ãƒãƒ¼ãƒ ãƒ©ãƒœã‚ˆã€ã©ã“ã¸è¡Œãï¼Ÿpublished: 2025-05-29 last modified: 2025-05-30 ã“ã®æ–‡ç« ã¯ç§ã®ãƒãƒ¼ãƒ ãƒ©ãƒœã«é–¢ã™ã‚‹å›žé¡§éŒ²ã¨ç¾åœ¨ã®ãƒãƒ¼ãƒ ãƒ©ãƒœã«å¯¾ã™ã‚‹ç§ã®æ„è¦‹ã‚’ç¶´ã£ãŸã‚‚ã®ã ã€‚ ç†ã‚’å–ã£ãŸãã£ã‹ã‘ã¨ãªã£ãŸã®ã¯ã€ãƒãƒ¼ãƒ ãƒ©ãƒœã®ã‚¢ãƒ–ãƒ€ãƒ“ã§ã®å¤§è¦æ¨¡å¸¸è¨å±•ã§ç™ºè¡¨ã•ã‚ŒãŸæ–°ä½œã®ãƒ ãƒ¼ãƒ“ãƒ³ã‚°ãƒ©ã‚¤ãƒˆä½œå“ãŒãƒ¡ãƒ‡ã‚£ã‚¢ã‚¢ãƒ¼ãƒˆãƒ¦ãƒ‹ãƒƒãƒˆã§ã‚ã‚‹Kimchi and Chipsã®ä½œå“ã«ä¼¼ã¦ã„ã‚‹ã¨è¨€ã†è°è«–ã‚’Instagramã§èªã‚“ã ã“ã¨ã§ã‚ã‚‹ã€‚ https://www.instagram.com/p/DJY9BL6qv9k/ Light Barrier(2014)ã€‚ãƒ—ãƒã‚¸ã‚§ã‚¯ã‚¿ãƒ¼ã®å…‰ã‚’å¤šæ•°ã®çƒé¢é¡ã§æ„å›³çš„ã«æ•£ä¹±ã•ã›ã€åå°„å…‰ã®ãƒ‘ã‚¹ã‚’åˆ¶å¾¡ã—ã¦3Dã®å…‰ã®è¼ªã‚’ç©ºé–“ä¸Šã«ä½œã‚Šå‡ºã™ã€‚ HALO(2018)ã€‚Light Barrierã‚’ã•ã‚‰ã«ç™ºå±•ã•ã›ã€å±‹å¤–ã§å¤ªé™½å…‰ã‚’ç¨¼åƒã™ã‚‹ãƒŸãƒ©ãƒ¼ã§æ£ç¢ºã«åå°„ã•ã›ç©ºé–“ã«å…‰ã®è¼ª
jassmaz 2025/05/30
æ¾æµ¦çŸ¥ä¹Ÿ

ã‚¢ãƒ¼ãƒˆ

æ‰¹è©•
ãƒªãƒ³ã‚¯
Bon Iver: SABLE, fABLE
jassmaz 2025/04/11
éŸ³æ¥½

ãƒ¬ãƒ“ãƒ¥ãƒ¼

æ‰¹è©•

pitchfork
ãƒªãƒ³ã‚¯
é›‘èªŒã€Žã‚¸ãƒ£ã‚ºæ‰¹è©•ã€ã¨ã€Œé€†å·®åˆ¥ã€ãã—ã¦ã€Œãƒ–ãƒ©ãƒƒã‚¯ãƒ»ã‚¤ã‚ºãƒ»ãƒ“ãƒ¥ãƒ¼ãƒ†ã‚£ãƒ•ãƒ«ã€ã«ã¤ã„ã¦è€ƒãˆãŸã“ã¨ã€‚ï½œyuklmiyakawa
å¾¡èŒ¶ãƒŽæ°´ã«ã‚ã‚‹ãƒ‡ã‚£ã‚¹ã‚¯ãƒ¦ãƒ‹ã‚ªãƒ³ã®å¤æœ¬ã‚³ãƒ¼ãƒŠãƒ¼ã§ã€ãŸã¾ãŸã¾ã€Žå£åˆŠ ã‚¸ãƒ£ã‚ºæ‰¹è©• 28å·ã€ã‚’è¦‹ã¤ã‘ã¦è²·ã£ã¦ã¿ãŸã€‚ç¾åœ¨ã‚‚ç¶šããƒªã‚¹ãƒŠãƒ¼å‘ã‘ã®ã‚¸ãƒ£ã‚ºå°‚é–€èªŒã ãŒåƒ•ã®æ‰‹å…ƒã«ã‚ã‚‹ã®ã¯1978å¹´1æœˆ28æ—¥ã«å‡ºç‰ˆã•ã‚ŒãŸå¤ã„æ™‚ä»£ã®ã‚‚ã®ã ã€‚ äºŒã¤ã‚ã‚‹ç‰¹é›†ã®ã²ã¨ã¤ã«ã¯ã€Œã‚¸ãƒ£ã‚ºã‚’ã¨ã‚Šã¾ããƒ–ãƒ©ãƒƒã‚¯ãƒ»ã‚¢ãƒ¡ãƒªã‚«ã®å‘¨è¾ºã€ã¨æ›¸ã‹ã‚Œã¦ã„ã‚‹ã€‚ã“ã®ç‰¹é›†ã®å†’é ã«æŽ²è¼‰ã•ã‚ŒãŸã‚¸ãƒ£ãƒ¼ãƒŠãƒªã‚¹ãƒˆã®é•·ç”°è¡›ã«ã‚ˆã‚‹ã‚³ãƒ©ãƒ ã€Œã€Œã‚¢ãƒ¡ãƒªã‚«é»’äººã€é€†å·®åˆ¥ç†è«–ã®æ¬ºçžžã«ã¤ã„ã¦ï¼šæœ¬èªŒ27å·ä¹…ä¿ç”°äºŒéƒŽæ°ã®ç™ºè¨€ã«ãµã‚Œã¦ã€ã¯ã€ç¾ä»£ã‚¢ãƒ¡ãƒªã‚«ã®ã€Œã‚¸ãƒ£ã‚ºã€ã‚’è´ã„ã¦ã„ã‚‹åƒ•ã«ã¨ã£ã¦ä»Šã®é–¢å¿ƒã«ã´ã£ãŸã‚Šãƒãƒžã‚‹å†…å®¹ã ã£ãŸã€‚ ã‚³ãƒ©ãƒ ã¯é¡ã‚‹ã“ã¨1968å¹´4æœˆåˆæ—¬ã€‚ãƒžãƒ¼ãƒ†ã‚£ãƒ³ãƒ»ãƒ«ãƒ¼ã‚µãƒ¼ãƒ»ã‚ãƒ³ã‚°ç‰§å¸«ãŒæš—æ®ºã•ã‚ŒãŸç›´å¾Œã®ãƒ–ãƒ©ãƒƒã‚¯ãƒ»ãƒ‘ãƒ³ã‚µãƒ¼å…šæœ¬æ‹ åœ°ã¨ã—ã¦çŸ¥ã‚‰ã‚Œã‚‹ã‚«ãƒªãƒ•ã‚©ãƒ«ãƒ‹ã‚¢å·žã‚ªãƒ¼ã‚¯ãƒ©ãƒ³ãƒ‰ã«å–æã®ãŸã‚ä½•åº¦ã‹è¨ªã‚ŒãŸã“ã¨ãŒã‚ã‚‹ã¨ã„ã†é•·ç”°æœ¬äººã®å›žé¡§ã‹ã‚‰ã¯ã˜ã¾ã‚‹ã€‚ ç™½äººè¦å®˜ã«è¥²æ’ƒå°„æ®ºã•ã‚ŒãŸãƒ‘ãƒ³ã‚µãƒ¼å…šã®è‹¥æ‰‹å…šå“¡ãƒœ
jassmaz 2025/01/21
éŸ³æ¥½

é›‘èªŒ

æ‰¹è©•

é»’äººæ–‡å¦
ãƒªãƒ³ã‚¯
Post by @markfisherreblog
jassmaz 2025/01/20
æ‰¹è©•

ãƒžãƒ¼ã‚¯ãƒ»ãƒ•ã‚£ãƒƒã‚·ãƒ£ãƒ¼

rediohead

éŸ³æ¥½
ãƒªãƒ³ã‚¯
é–¢è¥¿å¤§å¦å¦è¡“ãƒªãƒã‚¸ãƒˆãƒª
Confirm OK ã‚ãƒ£ãƒ³ã‚»ãƒ« Are you sure you want to delete this it em? Are you sure you want to delete this version?
jassmaz 2024/12/15
è«–æ–‡

æ‰¹è©•

éŸ³æ¥½

æ˜Ÿé‡Žæº
ãƒªãƒ³ã‚¯
éŸ³æ¥½ã«æ‰¹è©•ã¯å¿…è¦ã‹ã€€ã‚µãƒ–ã‚¹ã‚¯æ™‚ä»£ã€å¤‰ã‚ã‚‹ãƒªã‚¹ãƒŠãƒ¼ã¨ä¾¡å€¤ä»˜ã‘ã®æ„ç¾©ï¼šæœæ—¥æ–°èž
éŸ³æ¥½ã«ã¤ã„ã¦èªžã‚Šåˆã†ã€‚ãã‚“ãªã“ã¨ã€ä¹…ã—ãã‚„ã£ã¦ã„ãªã„ã€‚ãã‚‚ãã‚‚ã€ä»–äººã«ã€Œå¥½ããªéŸ³æ¥½ã¯ä½•ï¼Ÿã€ã¨ãŸãšãã‚‹ã“ã¨ã™ã‚‰ã€ãƒ—ãƒ©ã‚¤ãƒ™ãƒ¼ãƒˆã‚’è©®ç´¢ï¼ˆã›ã‚“ã•ãï¼‰ã™ã‚‹ã‚ˆã†ã§ã€ã©ã†ã«ã‚‚ã€èºŠèº‡ï¼ˆã¡ã‚…ã†ã¡ã‚‡ï¼‰ã—ã¦ã—ã¾ã†ã®ã ã€‚ã€€â€¦
jassmaz 2024/11/17
ã¨ã¯ã„ãˆç±³å›½ã‚„EUã§ã¯æ´å²æ€§ã‚„æ”¿æ²»æ€§ã§è©•ä¾¡ã•ã‚Œã‚‹ç¾å®ŸãŒã‚ã‚Šã€åŒæ™‚ã«èŽ«å¤§ãªå¯Œã®æºæ³‰ã¨ãªã£ã¦ã„ã‚‹ã€‚æˆ‘ã€…ãŒæ´å²æ€§ã‚„æ”¿æ²»æ€§ã‚’å¤±ã£ãŸåºƒå‘Šçš„ãªè¦ç´ ã—ã‹ãªã„éŸ³æ¥½ã«ã—ã‹æŽ¥ã™ã‚‹ã“ã¨ãŒå‡ºæ¥ãªã„ã ã‘ã§ã¯ã€‚çž¬é–“æ¶ˆè²»è²¡ã§ã—ã‹ãªã„

æ‰¹è©•
ãƒªãƒ³ã‚¯
interview with Ian F. Martin | ele-king
HomeÂ > InterviewsÂ >Â interview with Ian F. Martin - ã‚¢ã‚¤ãƒ‡ãƒ³ãƒ†ã‚£ãƒ†ã‚£ã®å•é¡Œã¨ã€ã„ã¾ã‚¢ã‚¤ãƒ‰ãƒ«ã«ã¤ã„ã¦èªžã‚‰ãªã„ã“ã¨ ãã®æœ¬ã‚’ä½œã£ãŸç·¨é›†è€…ãŒè‘—è€…ã«å–æã™ã‚‹ã¨ã„ã†ã“ã¨ã¯ã‚ã¾ã‚Šãªã„ã¨æ€ã†ãŒã€ã“ã®æœ¬ã«é™ã£ã¦ã¯ã€è‡ªåˆ†ã‚‚éŸ³æ¥½ãƒ©ã‚¤ã‚¿ãƒ¼ã®ç«¯ãã‚Œã§ã‚ã‚Šã€éŸ³æ¥½ãƒ¡ãƒ‡ã‚£ã‚¢ã«æºã‚ã£ã¦ã„ã‚‹äººé–“ãªã®ã§ã€ä»®ã«è‡ªåˆ†ãŒã“ã®æœ¬ã®ç·¨é›†è€…ã§ã¯ãªã‹ã£ãŸã¨ã—ã¦ã‚‚ã€è©±ã‚’èžããŸã‹ã£ãŸã€‚ ã€Žãƒãƒ³ãƒ‰ã‚„ã‚ã‚ˆã†ãœï¼ã€ï¼ˆåŽŸé¡Œï¼šQUIT YOUR BAND!ï¼‰ã¯ã€ã‚¤ã‚¢ãƒ³ãƒ»ï¼¦ãƒ»ãƒžãƒ¼ãƒ†ã‚£ãƒ³ã¨ã„ã†åœ¨æ—¥è‹±å›½äººã«ã‚ˆã‚‹ã˜ã¤ã«ç¤ºå”†ã«å¯Œã‚“ã å†…å®¹ã®æ—¥æœ¬ã®ãƒãƒƒã‚¯ï¼ãƒãƒƒãƒ—ã‚¹æ‰¹è©•ã ã€‚é€šå²ã‚’æãã¨ã„ã†ã®ã‚‚ã²ã¨ã¤ã®æ‰¹è©•ã§ã‚ã‚Šï¼ˆã™ã¹ã¦ã‚’ä¸‡éãªãæãã“ã¨ã¯ä¸å¯èƒ½ã§ã¯ãªã„ã‹ã‚‚ã—ã‚Œãªã„ãŒã€è†¨å¤§ãªæ–‡å—é‡ã‚’è¦ã™ã‚‹ï¼‰ã€ãã“ã«ã¯è‘—è€…ã®å²è¦³ã‚„é¸æŠžã‚‚å…¥ã‚‹ã‚ã‘ã§ã€ã©ã†ã—ãŸã£ã¦èªžã‚Šéƒ¨ç‹¬è‡ªã®æ‰¹è©•ãŒä»‹åœ¨ã™ã‚‹ã€‚ãã—ã¦ã€ã“ã®ä¸–ã«ç”Ÿã¾ã‚Œã¦ã‹ã‚‰20å¹´ä»¥ä¸Šã‚‚ã®ã‚ã„ã ã®è‹±
jassmaz 2024/11/13
éŸ³æ¥½

æ‰¹è©•
ãƒªãƒ³ã‚¯
k-punk
jassmaz 2024/11/09
æ‰¹è©•

ãƒžãƒ¼ã‚¯ãƒ»ãƒ•ã‚£ãƒƒã‚·ãƒ£ãƒ¼

è‹±å›½
ãƒªãƒ³ã‚¯
ã€éŸ³æ¥½ã®ãªã‚‹å ´æ‰€ï¼ˆç£¯éƒ¨ æ¶¼ï¼‰ã€‘æ–‡åŒ–ã¯ã²ã¨ã‚’æ•‘ã„ã€æ™‚ã«æ®ºã™â”€â”€æ˜ ç”»ã€Žãƒ«ãƒƒã‚¯ãƒãƒƒã‚¯ã€è©• - QJWeb ã‚¯ã‚¤ãƒƒã‚¯ãƒ»ã‚¸ãƒ£ãƒ‘ãƒ³ ã‚¦ã‚§ãƒ–
æ˜ ç”»ã§ã¯ç”·ã®å§¿ãŒã¯ã£ãã‚Šã¨æã‹ã‚Œã‚‹ã€‚äº¬æœ¬ãŒåº§ã‚‹ã‚½ãƒ•ã‚¡ã®ã™ãå´ã«ã€æŒ¯ã‚Šä¸‹ã‚ã—ãŸãƒ„ãƒ«ãƒã‚·ãŒçªãåˆºã•ã‚‹ã‚·ãƒ¼ãƒ³ã§ã¯ã€ãã®é‹è§’ãªå…ˆç«¯ã«ä½“é‡ãŒä¹—ã£ã¦ã„ã¦ã€ï¼ˆå¦‚ä½•ã«ã‚‚æ‰¹è©•ç”¨èªžã§æ°—ãŒå¼•ã‘ã‚‹è¡¨ç¾ã ãŒï¼‰ä»–è€…æ€§ãŒã¯ã£ãã‚Šã¨ä¼ã‚ã£ã¦ãã‚‹ã€‚ç°¡å˜ã«è¨€ãˆã°ç”Ÿã€…ã—ãã€å¨˜ã®ã‚ˆã†ã«ç›®ã‚’è¦†ã„ã“ãã—ãªã‹ã£ãŸã‚‚ã®ã®ã€è‡ªåˆ†ã‚‚åå°„çš„ã«èº«æ§‹ãˆã¦ã—ã¾ã£ãŸã€‚ä¸€æ–¹ã€åŽŸä½œã§ã¯ç”·ã¯å…‰ã‚’æµ´ã³ã¦ã„ã‚‹ã‹ã®ã‚ˆã†ã«è¼ªéƒãŒæ›–æ˜§ã«æã‹ã‚Œã‚‹ã€‚ãã®ã‚·ãƒ¼ãƒ³ã¯äº‹ä»¶ã‚’ãƒ‹ãƒ¥ãƒ¼ã‚¹ã¨ä¼èžã‹ã‚‰çŸ¥ã‚‹ã—ã‹ãªã‹ã£ãŸè—¤é‡Žã«ã‚ˆã‚‹ç¾å ´ã®æƒ³åƒã§ã€å½¼å¥³ãŒäº‹å®Ÿã‚’å—ã‘æ¢ã‚ã‚‰ã‚Œãªã„ã‹ã‚‰ã“ãã®ä¸–ç•Œç·šã¨ã‚‚æ‰ãˆã‚‰ã‚Œã‚‹ã‹ã‚‰ã ã€‚ãã—ã¦ãã®å…‰ã®ä¸ã§â€œç”·â€ã¯ã€æ®ºã•ã‚Œã‚‹äº¬æœ¬ã‚„ãã‚Œã‚’æƒ³åƒã™ã‚‹è—¤é‡Žã¨æº¶ã‘åˆã£ãŸå˜åœ¨ã¨ã—ã¦å±…ã‚‹ã€‚ â€œç”·â€ã®ãƒ¢ãƒ‡ãƒ«ï¼é’è‘‰çœŸå¸è¢«å‘Š å…ˆè¿°ã—ãŸã‚ˆã†ã«ã€ã€Žãƒ«ãƒƒã‚¯ãƒãƒƒã‚¯ã€ãŒè—¤æœ¬ç‰ˆã€Žã¾ã‚“ãŒé“ã€ã ã¨ã„ã†ã“ã¨ã¯èª°ã‚‚ãŒæ€ã†ã ã‚ã†ã€‚ãŸã ã—è—¤åä¸äºŒé›„ã®ã‚ãƒ£ãƒªã‚¢åˆæœŸã‚’ã€ã‚³ãƒ³ãƒ“ã®ç‰‡å‰²ã‚Œï¼è—¤åä¸äºŒé›„â’¶ãŒè‡ªèº«ã®è¦–ç‚¹ã‹ã‚‰æã„
jassmaz 2024/10/04
æ‰¹è©•
ãƒªãƒ³ã‚¯
Hauntology (music) - Wikipedia
Equi pment used by the BBC Radiophonic Workshop, a common influence on hauntology artists.[1] Hauntology is a music genre[1][2] or a loosely defined stylistic feature[3] that evokes cultural memory and aesthetics of the past.[4] It developed in the 2000s primarily among British electronic musicians,[5][6] and typically draws on British cultural sources from the 1930s to the 1960s, including library
jassmaz 2024/09/24
éŸ³æ¥½

æ–‡åŒ–

ãƒžãƒ¼ã‚¯ãƒ»ãƒ•ã‚£ãƒƒã‚·ãƒ£ãƒ¼

æ‰¹è©•
ãƒªãƒ³ã‚¯
ãƒãƒ”ãƒ¥ãƒªã‚¹ãƒˆå³æ´¾ã¨ã‚¦ã‚©ãƒ¼ã‚¯å·¦æ´¾ã®å…±è¬€ã€å¯„ç¨¿ã€‘
ãƒ‘ãƒªå¸‚æ°‘ãŸã¡ãŒ7æ—¥ã€ãƒ•ãƒ©ãƒ³ã‚¹ãƒ»ãƒ‘ãƒªã®ãƒ¬ãƒ”ãƒ¥ãƒ–ãƒªãƒƒã‚¯åºƒå ´ã§ã€ã“ã®æ—¥è¡Œã‚ã‚ŒãŸæ—©æœŸç·é¸æŒ™ã®æ±ºé¸æŠ•ç¥¨ã§æ¥µå³ãƒ»å›½æ°‘é€£åˆã®ç¬¬1å…šã¸ã®ç™»æ¿ãŒé˜»æ¢ã•ã‚ŒãŸã“ã¨ã‚’ç¥ã£ã¦ã„ã‚‹/APãƒ»è¯åˆãƒ‹ãƒ¥ãƒ¼ã‚¹ æ¥µå³ãƒãƒ”ãƒ¥ãƒªã‚ºãƒ ãŒãµãŸãŸã³åŠ›ã‚’å¢—ã—ã¦ã„ã‚‹ã€‚ãƒãƒ”ãƒ¥ãƒªã‚¹ãƒˆå³æ´¾ã¯ã€è‡ªåˆ†ãŸã¡ãŒå·¦æ´¾ã®èª²ã™æŠ‘åœ§çš„ãªå¼·è¦ã«å¯¾æŠ—ã—ã¦ã€Œç©å¥ãªæ£å¸¸æ€§ã€ã‚’æ“è·ã—ã¦ã„ã‚‹ã¨ã„ã†ãƒ¬ãƒˆãƒªãƒƒã‚¯ã‚’ç¹°ã‚Šè¿”ã—ç”¨ã„ã‚‹ã€‚ãŸã¨ãˆã°ã€ã“ã‚Œã‚‰ã®äººãŸã¡ã¯ã€ã‚¦ã‚©ãƒ¼ã‚¯ï¼ˆwokeï¼šè¦šé†’ã—ãŸã€ç›®è¦šã‚ãŸï¼‰å·¦æ´¾ã®ã€Œã‚ãƒ£ãƒ³ã‚»ãƒ«ãƒ»ã‚«ãƒ«ãƒãƒ£ãƒ¼ã€ã«ã‚ˆã£ã¦ã€å€‹äººãŒç•°æ€§æ„›è€…ã§ã‚ã‚‹ã¨ã‹ä¼çµ±çš„ãªè¦‹è§£ã‚’æŒã£ã¦ã„ã‚‹ã¨ã„ã†ç†ç”±ã ã‘ã§ç½ªæ‚ªæ„Ÿã‚’æŠ±ãã€ã‚ã‚‹è©±ã‚„è¡Œå‹•ãŒçªç„¶ç¦æ¢ã•ã‚Œã‚‹å¯èƒ½æ€§ãŒã‚ã‚‹ã¨ã„ã†æã‚Œã‚’æ„Ÿã˜ã€æ¯ãŒè©°ã¾ã‚‹é›°å›²æ°—ãŒã¤ãã‚‰ã‚Œã¦ã„ã‚‹ã¨éžé›£ã™ã‚‹ã€‚ ä¸€ä¾‹ã¨ã—ã¦ã¯ã€æœ€è¿‘ã€ãƒ•ã‚¡ã‚·ã‚ºãƒ ã‚’æ“è·ã™ã‚‹ãƒžã‚¤ã‚±ãƒ«ãƒ»ãƒŸãƒ©ãƒ¼ãƒžãƒ³ã¨ã„ã†å³æ´¾çŸ¥è˜äººãŒã€Œãªãœæ£å¸¸ãªã™ã¹ã¦ã®ã“ã¨ãŒãƒ•ã‚¡ã‚·ã‚¹ãƒˆã¨å‘¼ã°ã‚Œã‚‹ã®ã‹ã€ï¼ˆWhy is everything
jassmaz 2024/07/15
æ€æƒ³

æ‰¹è©•

æ”¿æ²»

ã‚¸ã‚¸ã‚§ã‚¯
ãƒªãƒ³ã‚¯
ãªãœã€ˆã‚«ãƒ«ãƒãƒ£ãƒ¼ã€‰ãŒå‹åˆ©ã™ã‚‹ã®ã‹â€•â€•ã‚¤ã‚¢ãƒ³ãƒ»ï¼ãƒ»ãƒãƒ³ã‚¯ã‚¹è«–ã€€è‘—ï¼šã‚¸ãƒ§ã‚»ãƒ•ãƒ»ãƒ’ãƒ¼ã‚¹ï¼ˆã€Žåé€†ã®ç¥žè©±ã€è‘—è€…ï¼‰ï½œHayakawa Books & Magazinesï¼ˆÎ²ï¼‰
ã€Žåé€†ã®ç¥žè©±ã€ã€Žå•“è’™æ€æƒ³2.0ã€ã®ã‚¸ãƒ§ã‚»ãƒ•ãƒ»ãƒ’ãƒ¼ã‚¹ã«ã‚ˆã‚‹ã€ã‚µã‚¤ã‚¨ãƒ³ã‚¹ãƒ»ãƒ•ã‚£ã‚¯ã‚·ãƒ§ãƒ³è«–ã«ã—ã¦ç¾ä»£ç¤¾ä¼šè«–ã€‚ã€Œè‡ªç”±ã€ã®æœ€æžœã¦ã€ã€Œã‚«ãƒ«ãƒãƒ£ãƒ¼ã€ã¨ã€Œã‚¢ã‚¤ãƒ‡ãƒ³ãƒ†ã‚£ãƒ†ã‚£ã€ã®é€†èª¬ã€‚ ãªãœã€ˆã‚«ãƒ«ãƒãƒ£ãƒ¼ã€‰ãŒå‹åˆ©ã™ã‚‹ã®ã‹â”€â”€ã‚¤ã‚¢ãƒ³ãƒ»ï¼ãƒ»ãƒãƒ³ã‚¯ã‚¹è«–ã‚¸ãƒ§ã‚»ãƒ•ãƒ»ãƒ’ãƒ¼ã‚¹ï¼é’é‡Žæµ©è¨³ ã‚‚ã†ä½•å¹´ã‚‚å‰ã«ãªã‚‹ã€‚ã„ã‚ã„ã‚ç‰©çŸ¥ã‚Šã®å‹äººã‹ã‚‰ã€1å†Šã®æœ¬ã‚’æ‰‹æ¸¡ã•ã‚Œã€Œã‚ãªãŸã¯ã“ã‚Œã‚’èªã‚€ã¹ããã€ã¨è¨€ã‚ã‚ŒãŸã€‚ã‚¤ã‚¢ãƒ³ãƒ»ï¼ãƒ»ãƒãƒ³ã‚¯ã‚¹è‘—ã€ŽUse of Weaponsï¼ˆæ¦å™¨ã®ä½¿ç”¨ï¼‰ã€ã¨é¡Œã•ã‚ŒãŸæœ¬ã ã£ãŸã€‚ åƒ•ã¯è¡¨ç´™ã®ã‚ãƒ£ãƒƒãƒã‚³ãƒ”ãƒ¼ã‚’ãƒãƒ©è¦‹ã—ã¦ã€ã€Œã€ˆã‚«ãƒ«ãƒãƒ£ãƒ¼ã€‰ï¼ˆthe Cultureï¼‰ã£ã¦ä½•ãªã®ï¼Ÿã€ã¨å°‹ããŸã€‚ ã€Œãã†ãã€‚èª¬æ˜Žã™ã‚‹ã®ã¯é›£ã—ã„ã€ã¨å½¼å¥³ã¯ç”ãˆãŸã€‚å½¼å¥³ã¯è…°ã‚’æ®ãˆã¦é•·ã„ä¼šè©±ã‚’ã—ãŸãŒã£ã¦ã„ã‚‹ã‚ˆã†ã«è¦‹ãˆãŸã€‚ ã€Œã‚¿ã‚¤ã«ã¯ã€ã€ˆçŠ¬ã€‰ï¼ˆthe Dogï¼‰ã¨å‘¼ã°ã‚Œã‚‹å˜åœ¨ãŒã„ã‚‹ã®ã‚ˆã€‚ã‚¿ã‚¤ã§ã¯ã©ã“ã«è¡Œã£ã¦ã‚‚ã€ˆçŠ¬ã€‰ã‚’ç›®ã«ã™ã‚‹ã®ã€‚é“ç«¯ã‚’ã‚¦ãƒã‚¦ãƒã—ã¦ã„ãŸã‚Šã€å¸‚å ´ã‚’å¿ã³æ©ã„ã¦
jassmaz 2024/05/25
ã‚¸ãƒ§ã‚»ãƒ•ãƒ»ãƒ’ãƒ¼ã‚¹

æ–‡åŒ–

æ‰¹è©•
ãƒªãƒ³ã‚¯
å½¼å¥³ã¯ä½•ã‚’è¦‹ã¦ã„ã‚‹ã®ã‹ãƒ¼ã²ã¨ã¤ã®æ¿±å£ç«œä»‹è«–ï½œä½ã€…æœ¨æ•¦
ã€Žã“ã®æ˜ ç”»ã‚’è¦–ã¦ã„ã‚‹ã®ã¯èª°ã‹ï¼Ÿã€ï¼ˆä½œå“ç¤¾ã€ï¼’ï¼ï¼‘ï¼™å¹´ï¼‰åŽéŒ²ã€‚åˆç¨¿ãªã®ã§å˜è¡Œæœ¬ã¨ã¯è‹¥å¹²ç•°åŒãŒã‚ã‚‹ã‹ã‚‚ã—ã‚Œã¾ã›ã‚“ã€‚ ã¾ã¶ãŸã ã‘é–‹ã„ã¦ã¾ã çœ ã£ãŸã¾ã¾ã®ç›®ãŒã€ä¸€çž¬ã€è¦‹ãˆãŸã€‚ãã‚Œã‹ã‚‰ã™ãã«ã€ç›®ã¯æš—é—‡ã‚’è¦‹ã¦ã€ã‚ãŸã—ã‚’è¦‹ãŸã€‚è‰¯ä»‹ã¯ç‹è‚‰ã®åå°„åå¿œã®ã‚ˆã†ã«ç´ æ—©ãå¼·ãç›®ã‚’ãŽã‚…ã£ã¨é–‰ã˜ã¦ã€ãã‚Œã‹ã‚‰ã¾ãŸé–‹ã‘ã¦ã€ã‚ãŸã—ã®ä¸¡æ‰‹ã«åŒ…ã¾ã‚ŒãŸãã®é¡”ã‹ã‚‰ã‚ãŸã—ã‚’è¦‹ãŸã€‚ æŸ´å´Žå‹é¦™ã€Œå¯ã¦ã‚‚è¦šã‚ã¦ã‚‚ã€ ã—ãŸãŒã£ã¦ã€è¦‹ã¤ã‚åˆã†äºŒã¤ã®çž³ã«å¯¾ã—ã¦ã€æ˜ ç”»ã¯ã„ã¤ã‚‚æ•—åŒ—ã—ã¤ã¥ã‘ã‚‹ã»ã‹ã¯ãªã„ã€‚ è“®å¯¦é‡å½¦ã€Žç›£ç£ å°æ´¥å®‰äºŒéƒŽã€ ï¼© æ¿±å£ç«œä»‹ç›£ç£ã®æ˜ ç”»ã€Žå¯ã¦ã‚‚è¦šã‚ã¦ã‚‚ã€ã«ã¯åŽŸä½œãŒã‚ã‚‹ã€‚ãã‚“ãªã“ã¨ã¯ã‚‚ã¡ã‚ã‚“çŸ¥ã£ã¦ã„ã‚‹ã€ã¨ã‚ãªãŸã¯è¨€ã†ã ã‚ã†ã€‚ãªã‚‰ã°ã™ãã•ã¾ã“ã†ç¶šã‘ã‚ˆã†ã€‚ã“ã®æ˜ ç”»ã®åŽŸä½œã¯ã€å®Ÿã¯äºŒã¤ã‚ã‚‹ã®ã ã€‚ã‚ˆã‚Šç²¾ç¢ºã«è¨€ãˆã°ã€ã²ã¨ã¤ã¯ã”ãçœŸã£å½“ãªæ„å‘³ã§ã®ã„ã‚ã‚†ã‚‹ã€ŒåŽŸä½œã€ã ãŒï¼ˆã—ã‹ã—ãã®åŽŸä½œã¨æ˜ ç”»ã¨ã®é–¢ä¿‚ã¯é€šå¸¸ã®ãã‚Œã¨ã¯ã‹ãªã‚Šç•°ãªã£ã¦ã„ã‚‹ï¼‰ã€ã‚‚ã†ã²ã¨ã¤ã®æ–¹ã¯ã€
jassmaz 2024/05/18
æ‰¹è©•
ãƒªãƒ³ã‚¯
ãƒ´ã‚§ãƒ³ãƒ€ãƒ¼ã‚¹ãŒéŸ³æ¥½ã‚’æ•™ãˆã¦ãã‚ŒãŸã€‚æœ€æ–°ä½œã€ŽPERFECT DAYSã€ã‚‚ãã®é¸æ›²ã¯å¥åœ¨ | NiEWï¼ˆãƒ‹ãƒ¥ãƒ¼ï¼‰
ãƒ´ã‚£ãƒ ãƒ»ãƒ´ã‚§ãƒ³ãƒ€ãƒ¼ã‚¹ç›£ç£ã®æœ€æ–°ä½œã€ŽPERFECT DAYSã€ãŒ12æœˆ22æ—¥ï¼ˆé‡‘ï¼‰ã‚ˆã‚Šå…¬é–‹ã¨ãªã‚‹ã€‚æ±äº¬ã‚’èˆžå°ã«ã€æ¸…æŽƒå“¡ã®ç”·æ€§ã®æ—¥å¸¸ã‚’æã„ãŸæœ¬ä½œã¯ã€ä¸»æ¼”ã®å½¹æ‰€åºƒå¸ãŒã€Žã‚«ãƒ³ãƒŒå›½éš›æ˜ ç”»ç¥ã€ã§æœ€å„ªç§€ç”·å„ªè³žã‚’å—è³žã™ã‚‹ãªã©ã€ã™ã§ã«é«˜ã„è©•ä¾¡ã‚’é›†ã‚ã¦ã„ã‚‹ã€‚ ãƒ´ã‚§ãƒ³ãƒ€ãƒ¼ã‚¹ä½œå“ã«ãŠã‘ã‚‹éŸ³æ¥½ã®ä½¿ã‚ã‚Œæ–¹ã«ã€ä»¥å‰ã‹ã‚‰ä¸¦ã€…ãªã‚‰ã¬æ€ã„ã‚’æŒã£ã¦ã„ãŸã¨ã„ã†éŸ³æ¥½ãƒ‡ã‚£ãƒ¬ã‚¯ã‚¿ãƒ¼ / è©•è«–å®¶ã®æŸ´å´Žç¥äºŒãŒã€æœ¬ä½œã®é…åŠ›ã‚’è§£èª¬ã™ã‚‹ã€‚é€£è¼‰ã€Œãã®é¸æ›²ãŒã€æ˜ ç”»ã‚’ã¤ãã‚‹ã€ã€ç¬¬9å›žã€‚ â€»æœ¬è¨˜äº‹ã«ã¯æ˜ ç”»æœ¬ç·¨ã®å†…å®¹ã«é–¢ã™ã‚‹è¨˜è¿°ãŒå«ã¾ã‚Œã¾ã™ã€‚ã‚ã‚‰ã‹ã˜ã‚ã”äº†æ‰¿ä¸‹ã•ã„ã€‚ ãƒ´ã‚£ãƒ ãƒ»ãƒ´ã‚§ãƒ³ãƒ€ãƒ¼ã‚¹ä½œå“ã«ãŠã‘ã‚‹éŸ³æ¥½ ã‚ã‚‹æ™‚æœŸã¾ã§ã€ç§ã«ã¨ã£ã¦ãƒ´ã‚£ãƒ ãƒ»ãƒ´ã‚§ãƒ³ãƒ€ãƒ¼ã‚¹ã®æ˜ ç”»ã‚’è¦³ã‚‹ã¨ã„ã†è¡Œç‚ºã¯ã€ã€Œãƒ´ã‚£ãƒ ãƒ»ãƒ´ã‚§ãƒ³ãƒ€ãƒ¼ã‚¹ãŒé¸ã³ã€é‡‡é…ã—ãŸç çŽ‰ã®éŸ³æ¥½ã‚’è´ãã€ã¨ã„ã†ä½“é¨“ã‚’ä½µã›æŒã¤ã‚‚ã®ã¨ã—ã¦ã€å¤§ããªæ„å‘³ã‚’æŒã£ã¦ã„ãŸã€‚ãã®åˆæœŸä½œå“ã€ãŸã¨ãˆã°ã€Žã‚´ãƒ¼ãƒ«ã‚ãƒ¼ãƒ‘ãƒ¼ã®ä¸å®‰ã€ã€Žéƒ½ä¼šã®ã‚¢ãƒªã‚¹ã€ã€Žã‚¢ãƒ¡ãƒªã‚«
jassmaz 2024/03/20
æ˜ ç”»

æ‰¹è©•
ãƒªãƒ³ã‚¯
Critical Inquiry
From our new issue The Moment Unbound: When Romance Broke Free from Epic by Fredrik Renard Read More Â» From our new issue He Said/She Said: Free Indirect Style Before the Novel by Eve Houghton Read More Â» From our new issue The National Security Novel: â€œUseful Fiction,â€ Persuasive Emotions, and the Securitization of Literature by Anders Engberg-Pedersen Read More Â»
jassmaz 2024/02/01
paper

journal

è«–æ–‡

æ‰¹è©•

critic

æ–‡åŒ–

æ–‡å¦

ç¾ä»£æ€æƒ³
ãƒªãƒ³ã‚¯
https://www.fastcompany.com/90965361/why-did-the-metaverse-die-silicon-valley-doesnt-understand-fun
jassmaz 2023/11/16
Silicon Valley

startup

è³‡æœ¬ä¸»ç¾©

ç”Ÿç”£æ€§

æ‰¹è©•
ãƒªãƒ³ã‚¯
1