APK-Contemporary Architecture

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Achyut Purushottam Kanvinde

Contemporary Architecture
Submitted By : Rafiela I. Jana 1.
6th Semester B. Arch
INTRODUCTION

• Padma Shri Achyut P. Kanvide was an architect of second


generation of contemporary Indian architecture (1950-1980)

• During this era modernism was attractive to developing


societies trying to break from the memories of European
colonialism that the older style still carried.

• Kanvide introduce modern architecture to humane path and


innovatively blend technology and atheistic.

• He was an Indian architect , teacher, writer and a


committed modernist as he always desired to take Indian
architecture to be global and to the height of international 2.
style.
Early Life And Education

• He was born in 1916 in Konkan region of Maharashtra.


• His father was an arts teacher in Bombay.
• He finished his bachelor in architecture from Sir J. J.
School of Arts (1935-1940).
• Later he studied design in Harvard University under Walter
Gropius.

3.
Influences

• Claude Batley- Who taught him


that architecture was a universal
craft tailored rationally to regional
parameters.

• Walter Gropius- Who taught


him to use space as a tool
for expressing universal
human values
4.
PRINCIPLES

 His buildings were simple and he used to tell the students


“ARCHITECTURE IS NOT A MUSEUM OF MATERIAL”

 The various principles reflected in most of Kanvinde’s work


would be:

• Asymmetry
• Blocky
• Cubic shapes
• Smooth, Flat, Plain, Undecorated surfaces
• Flat roofs
• Adoption of steel framed or reinforced concrete post and slab.
5.
Doodhsagar Dairy ,Mehsana (National Dairy Development Board) (1973) 

6.
IIT Kanpur Campus Ahmedabad Textiles Industries Research Association
CONCEPT

• Kanvinde believed that a grid of columns forming a matrix


giving structural and spatial aspect would turn a design to
more sophisticated and faceted.

• He treated his building with ‘VASTUSHASTRA’.

• He also used maximum principles of vernacular architecture.

7.
PHILOSOPHIES

 FUNCTIONALISM
• The buildings were always conceived with first priority given
to its functions and the social values when designing spaces.
• He rejected symmetry.

 LOGIC OF LIGHTNESS
• The complete focus on the materials to be used in construction
Kanvinde always try to develop such an aesthetic for a heavy
mass construction that’s looks light.

8.
 MODERN ARCHITECTURE AND BRUTALISM

• Simplification of form and creation of ornament from the


structure.
• Elimination of unnecessary detail.
• Visual expression of structure, as opposed to the hiding of
structural elements.
• Brutalism is child of modern architecture.
• Developed to create functional structure at a low cost, but
eventually designers adopted the look for other uses such as
college buildings.

9.
 REGIONALISM
• Inevitability based on the exigencies of local climate, social
conditions, building materials and sound climatological
principles.

 RATIONALIST
• Kanvinde reveal the internal functional in a building as
separate masses and then arranged in a ways that were
functional from inside and elegant from outside.

 SENSE OF SPACE
• Kanvinde always tried to bring down buildings to humane
scale and a connection to the built heritage in a locality.
10
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IIT KANPUR
• Central deemed University located in Uttar Pradesh, about
15 km north-west of the city of Kanpur in the Kalyanpur
suburb.

• Constructed in 1960-1965

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Academic Buildings P. K. Kelkar Library
DESIGN CONCEPT

• He treated his building with VASTUSHASTRA.

• The Bauhaus style: He was greatly influenced by Walter


Gropius who introduced the Bauhaus style, which later on was
adopted in his various buildings.

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FEATURE
S
• Total area 1000 acres.
• Academic buildings: 13 departments, Library, Computer
Centres faculty offices, laboratories and administrative
buildings.
• 10 boys hostel and 2 girls hostel.
• Sports complex.
• Housing for faculty.

14
IIT KANPUR MAP

15
• Core Pedestrian island which consist of lecture halls
surrounded by landscaping and water body forming the main
focus of the campus.

• The academic area is well connected by long corridors


which links all the major buildings

• The academic area is set up in vicinity of Hostels to


provide quick accessibility to students

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Core & Main Focus

Water Bodies

Pedestrians

Lecture halls

Corridors
• Split level corridor system
 Minimize the walking distance, improving connectivity.
 Create spatial expansion.
 Give the impression of one large space hence space is used as
a tool.

18
• Visual expression of the structure rather than hiding its
structural components

19
• In Kanpur, the local availability of high quality brick and the
prevalent labour and construction practices made Kanvinde go
for reinforced concrete for structural frames and brick as infill.

• Exposed brickwork reduces maintenance costs and


enhances aesthetic appeal.
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RCC structural frame Exposed brick work

21
• The residential
campus is planned and
landscape with a hope
for environmental
freedom.

Hall Of Residence

22
Faculty Residence
Elements of Landscaping
Shaded seating arrangements Playground Shading trees

Grass lawns Sculpture Conifer Pathway


SCULPTURES

24
OAT FOUNTAINS
“In each of his buildings, whether residential, commercial or
government complexes, one can see an attempt to break away
from traditional architectural design and yet, design them
keeping in mind all the aspects conducive to a great building
(such as climate, use of space, orientation and aesthetics) his
ultimate concern was for his profession and for society and that
came through quite effortlessly in all his works.
Kanvinde travelled extensively across the country and always
made it a point to carry books and magazines along. He used
to say the long travels gave him time to read, reflect and
introspect. Kanvinde’s stellar contribution can be summed up
succinctly as that depicting plasticity, humility and humanity.”

- B.V Doshi 25
THANK YOU

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