Pilipinas (History of The Philippines) Written Jointly With Gregorio Zaide. Masses in 1956
Pilipinas (History of The Philippines) Written Jointly With Gregorio Zaide. Masses in 1956
Pilipinas (History of The Philippines) Written Jointly With Gregorio Zaide. Masses in 1956
Teodoro Agoncillo
Born on November 9, 1912 in Lemery, Batangas, a Tagalog Province Southeast
of Manila
Obtained Bachelor of Arts in Philosophy from University of the Philippines in
1934.
He began writing in the late 1920s and early 1930s , his earliest publications
were Tagalog Poems
It was only in 1941 when he published a historical work, Ang Kasaysayan ng
Pilipinas (History of the Philippines) written jointly with Gregorio Zaide.
By 1950s he decided upon a career as Historian, he published Revolt of the
Masses in 1956.
Agoncillo was the first academic historian to analyze the Revolution in terms of
the contradiction between different classes in Philippine Society
Conclusion:
This study has examined Agoncillo’s text to reveal an implicit theory on what made
“the masses” revolutionary.
The book explains the explosion in the masses’ participation in the Katipunan as due
to the reading of Bonifacio’s texts that appeared in the single issue of Kalayaan, the
periodical of the Katipunan, those texts putatively connecting to the masses’
experiences and feelings of injustice and bondage. In this singular instance, the
masses were presumed to be literate and thoughtful.
Bonifacio’s campaign materials, as it were, made him most effective in political
mobilization.
Bonifacio was seen as a great organizer, although Agoncillo also referred to him as one
of and with the masses, as a merciless demagogue, fanatical, of one-track mind, and
stubbornly determined. These qualities supposedly connected him to the masses,
whom in Agoncillo’s predominant portrait were not literate but ignorant and
therefore behaved in irrational, emotional, unreflective, impulsive, gullible, reckless,
illogical, fanatical, vengeful, obstinate, and treacherous ways. Thus, the masses were
revolutionary but not in a revolutionary way because they were driven primarily by
passion rather than political thought.
These contradictory traits became pronounced in Agoncillo’s literary approach to
historiography. Although this approach needs further study, particularly by students
of literary criticism, we can say that Agoncillo’s fusion of literature and history
resulted in a rhetorical strategy in which “the masses” did not only stand for a
sociological category but were also and more importantly ascribed a specific set of
traits that rendered them as a character in the narrative, largely static but behaving
predictably to move the plot forward to its tragic ending.
Bracketing aside Aguinaldo, who was the military leader the Katipunan was said to
have needed from the start, we can say that Bonifacio and “the masses” are the two
main protagonists in the tragedy that is The Revolt of the Masses. Their actions
unfolded in a historical narrative with a deep literary structure, amid the comingling of
empirical historical data with rhetorical devices that could not be footnoted.
When Bonifacio made his alleged mistakes in Cavite, the ignorance of the masses,
which purportedly explained their behavior, doomed the Katipunan’s founder. Victims
of colonialism, the masses victimized and devoured their own leader, thus confirming
their fearsomeness, as the so-called middle class and Agoncillo himself had
postulated.
The masses needed a new leader who ostensibly would not be one of them,
Aguinaldo, the “true liberator” who moved the nation closer to its dream of selfhood.
Based on an incoherent character study that was not recognized and therefore not
reconciled, Agoncillo’s perspective on what made the masses revolutionary was highly
contradictory, positing literacy in explaining the impact of Bonifacio’s texts, but
otherwise depicting the masses throughout the book as ignorant.
In the latter case, he was writing based on what he himself referred to as
“conditioning factors,” pre critical aspects of his worldview that remained tacit and
unquestioned.
As a literary strategy, the book’s politically charged abstraction of the masses lent it
an almost ineluctable force, its mesmeric effect obscuring the concomitant reification
and vilification of the masses. As a category, “the masses” became indelibly associated
with the Philippine Revolution and thus celebrated as the “genuine” agents of history,
the revolution thus becoming unthinkable without the masses that Agoncillo’s
contradictory and disparaging characterizations of the masses were imperceptible to
most readers meant that the latter were likely to have partaken of the same
“conditioning factors” in which Agoncillo was immersed.
For this reason, just as the writing of a text that became a classic occurred in a specific
historical context, the reading of such a text that led to it being hailed a classic also
transpired in a given historical context.
The success of The Revolt of the Masses as a work of history was not so much about
the masses as it was about the intellectual elite. Embodying the split subject, these
members of the intelligentsia were uncomfortable with and even questioned the role
of the rich in the nation’s history, the social class to which many of them belonged,
but at the same time were unable to divest themselves of the presumptive elements,
the mindset and prerogatives of their class. Their sentiments were for the poor and
downtroddenbut they could not transcend the privileges and social dominance of
their class and their putative superiority over those who knew nothing about what
they knew. Agoncillo was their prophet, and The Revolt of the Masses became a
sacred text.