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    Warm-ups before singing: The Handbook
    Warm-ups before singing: The Handbook
    Warm-ups before singing: The Handbook
    Ebook143 pages1 hour

    Warm-ups before singing: The Handbook

    By Benedikt Lorse

    4.5/5

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    About this ebook

    Warming up before singing- a boring and tedious chore? It shouldn't be. Warming up can be fun and an important ritual in each choir rehearsal! In order to achieve a good start before rehearsing, however, every singer or choirmaster requires a good treasure of basic warm-up exercises.
    Warming up - the manual shows a variety of solo and polyphonic exercises and examples of diaphragmatic activation, as well as basic information on breathing techniques. An additional collection of simple canons and short songs makes the collective warm up a fun part of each rehearsal. In addition to that, a number of practical tips that go far beyond the initial phase of a choir rehearsal are provided.
    This book is aimed at choir directors, choir singers and soloists who want to use more than just scale exercises during rehearsals.
    LanguageEnglish
    PublisherFidelio
    Release dateFeb 17, 2016
    ISBN9783981796919
    Warm-ups before singing: The Handbook
    Author

    Benedikt Lorse

    Benedikt Lorse, born in 1992, came into contact with choral conducting and performance conduction of musical events during his school days. After he received academic training to become a teacher and then founded his own music publishing company, he devoted himself to advising and supporting amateur choirs. In this book, there are many practical tips from his work as a choirmaster.

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    • 5/5
      Very helpful and easy to follow. Thank you for this book Benedikt. Keep writing exercises!

    Book preview

    Warm-ups before singing - Benedikt Lorse

    Index

    Introduction

    Why you should warm-up

    Warm-ups for the body and rhythm

    Exercises

    Practical advice: Rhythmic problems

    Breathing

    Short breathing theory

    Exercises

    Humming

    Exercises

    Practical advice: What does it mean to slide up to a note?

    Ascending warm-up

    Exercises

    Practical advice: How can images influence our singing?

    Practical advice: Scat singing

    Practical advice: Commercial jingles

    Descending warm-up

    Exercises

    Piano or no piano? A question of tuning

    Diaphragmatic activation

    Exercises

    Practical advice: Diaphragmatic activation

    Sound and vocal exercises

    Exercises

    Changing tones chromatically – a simple exercise

    Polyphonic sound exercises

    Exercises

    All about your standing

    Rounds

    Exercises

    Pronunciation makes the difference

    Call and Response, printed notes or Multimedia?

    Simple popular folk songs

    Practical advice: How to give folk songs a modern twist

    Exercises

    Generic warm-up sequences

    Possible warm-up: sequence 1

    Possible warm-up: sequence 2

    Possible warm-up: sequence 3

    Warm-up before a performance

    Protect your voice

    What do professionals think of warming up?

    Introduction:

    Warming up must be fun and motivational for the next choir rehearsal.

    We all know it, we all do it, but for most of us, it's just an annoying matter of duty of each weekly choir rehearsal: having to warm-up before the actual start of the choir rehearsal. Apropos, it's the same for singers and choir director.

    This does not mean that annoying obligations can't be fun. Actually, there are countless variations and funny little songs that are easy to enjoy and can even increase motivation.

    Anyhow, warming up can only be fun and enjoyable if we know why or how we have to do it and if we dispose sufficient exercises and variations, which can render the start of the rehearsal diversified.

    In current literature, it's quite common to read that one can tell a good choir and a good choirmaster from the warm-up. Warm-ups should work towards the rehearsal, take pressure from certain passages, and match later parts. For professional choirs, that may be true, but for the many thousands of recreational and amateur choirs that characterize the majority of the choir scene, however, this is completely unrealistic. First of all, most choir directors work part-time, have another job, or do not have enough time to meticulously prepare each rehearsal, and second, warming up would actually become an annoying and boring duty.

    This is where this book starts. The book is compiled from practice for practice and, particularly, intended for recreational choirs. It's not about conveying deep voice training. It should, rather, show different ways of organizing warm-ups. Technical terms are, therefore, largely unnecessary. Warming up should be fun. That's why many fun and intense exercises are added to the work. Of course, classic exercises shouldn't be missed, but they should and must be agreeable to the choir and the choirmaster. Consider this book as support and inspiration, not as a mere manual. Change all exercises, so they can fit your choir. Diversify, try to have courage to implement your own ideas.

    Last but not least, a small note: For the sake of legibility and clarity, only the masculine form is used in this book. So if choral conductors or singers are mentioned, as a matter of course, all women are included.

    Benedikt Lorse Gerolstein, May 2015

    Consideration: All composite chord symbols in this book correspond to the international system (American model), which means that the German H is noted as B, and the B as Bb.

    Why you should warm-up

    Warming up before the beginning of a rehearsal has various goals; three of which should be discussed in detail. However, the meaning and the importance of the various goals vary from choir to choir and can't be described as standard.

    a) Warming up as a starting ritual

    Very important points in any group dynamic are rituals and routine. Especially in a choir, which often stands in a big contrast to daily routine, it is absolutely necessary to create a certain attunement. Choir rehearsals often take place in the evenings on workdays because of practical reasons. Therefore, they are usually preceded by a stressful day of work or other duties of everyday life. As an example, we could take a family man, who left home in the morning to get to his job in the company he works for, who spent the day in meetings or talking to clients, picked up his children after work, shortly discussed the holiday arrangements with his wife, and then rushed to the choir rehearsal. It is understandable that this man

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