- published: 03 Oct 2006
- views: 915228
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Soft Machine are an English progressive rock band from Canterbury, named after the book The Soft Machine by William S. Burroughs. They were one of the central bands in the Canterbury scene, and helped pioneer the progressive rock genre. Though they achieved little commercial success, they are considered by AllMusic to be "one of the more influential bands of their era, and certainly one of the most influential underground ones."
Soft Machine (billed as The Soft Machine up to 1969 or 1970) were formed in mid-1966 by Robert Wyatt (drums, vocals), Kevin Ayers (bass, guitar, vocals), Daevid Allen (guitar) and Mike Ratledge (organ) plus, for the first few gigs only, American guitarist Larry Nowlin. Allen, Wyatt and future bassist Hugh Hopper had first played together in the Daevid Allen Trio in 1963, occasionally accompanied by Ratledge. Wyatt, Ayers and Hopper had been founding members of The Wilde Flowers, later incarnations of which would include future members of another Canterbury band, Caravan.
The Soft Machine is a novel by William Burroughs published in 1961.
The Soft Machine may also refer to:
Soft Machine is the fifth studio album by Teddybears, released on 12 September 2006 on Big Beat Recordings and Columbia Records. It is the first album the band released under the name "Teddybears", as they had previously been Teddybears STHLM. Excluding "Intro", "Riot Going On" is the only new song from the group. The rest are reproductions of tracks found on their previous albums Fresh and Rock 'n' Roll Highschool, with "Throw Your Hands Up" renamed "Are You Feelin' It?".
The Soft Machine is a novel by William S. Burroughs, first published in 1961, two years after his groundbreaking Naked Lunch, and heavily revised for editions published in 1966 and 1968. It was originally composed using the cut-up technique partly from manuscripts belonging to The Word Hoard. It is part of The Cut-Up Trilogy, also known as The Nova Trilogy.
The title The Soft Machine is a name for the human body, and the main theme of the book (as explicitly written in an appendix added to the 1968, British edition) concerns how control mechanisms invade the body.
The book is written in a style close to that of Naked Lunch, employing third-person singular indirect recall, though now using the cut-up method.
After the main material follow three appendices in the British edition, the first explaining the title (as mentioned above) and two accounts of Burroughs' own drug abuse and treatment using apomorphine. Here Burroughs clearly states that he considers drug abuse a metabolic disease and writes about how he finally escaped it.
The Soft Machine is the fifth studio album of Ozark Henry, the first of his albums to top the charts.
The track "These Days" was released as a single and reached the top 50 of the Ultratop charts, the first of his track releases to do so.
All songs written by Piet Goddaer
The Soft Machine (also titled "Volume One" as a reissue) is the debut album by the British psychedelic rock band Soft Machine, released in 1968.
Founded in 1966, Soft Machine (one of the central bands in the Canterbury scene) recorded and released this studio album during their 1968 tour of the USA. It was produced by Chas Chandler and Tom Wilson.
This album fused psychedelic rock with jazz and soft rock, making it highly experimental. The work on this album was one of the essential roots in progressive rock and jazz-fusion.
The song "Joy of a Toy" is one of the first compositions to feature a bass guitar melody played through a Wah-wah pedal.
Live performances of "We Did It Again" were sometimes as long as 45 minutes.
The 2009 Remastered Edition includes as bonus tracks also "Love Makes Sweet Music" and "Feelin' Reelin' Squeelin'", respectively Side A and Side B of their first single, issued in 1967.
William Seward Burroughs II (/ˈbʌroʊz/; also known by his pen name William Lee; February 5, 1914 – August 2, 1997) was an American novelist, short story writer, satirist, essayist, painter, and spoken word performer. A primary figure of the Beat Generation and a major postmodernist author who wrote in the paranoid fiction genre, he is considered to be "one of the most politically trenchant, culturally influential, and innovative artists of the 20th century". His influence is considered to have affected a range of popular culture as well as literature. Burroughs wrote eighteen novels and novellas, six collections of short stories and four collections of essays. Five books have been published of his interviews and correspondences. He also collaborated on projects and recordings with numerous performers and musicians, and made many appearances in films.
He was born into a wealthy family in St. Louis, Missouri, grandson of the inventor and founder of the Burroughs Corporation, William Seward Burroughs I, and nephew of public relations manager Ivy Lee. Burroughs began writing essays and journals in early adolescence, but did not begin publicizing his writing until his thirties. He left home in 1932 to attend Harvard University, studied English, and anthropology as a postgraduate, and later attended medical school in Vienna. In 1942 Burroughs enlisted in the U.S. Army to serve during World War II, but was turned down by the Office of Strategic Services and Navy, after which he picked up the drug addiction that affected him for the rest of his life, while working a variety of jobs. In 1943 while living in New York City, he befriended Allen Ginsberg and Jack Kerouac, the mutually influential foundation of which grew into the Beat Generation, which was later a defining influence on the 1960s counterculture.
Tale of Taliesin Lineup (because it has been discussed below): Roy Babbington (bass), John Etheridge (guitar),John Marshall (drums), Karl Jenkins (keys). allan holdsworth and mike ratledge were both gone from the group by this tour.
Mike Ratledge - Organ Hugh Hopper - Bass Robert Wyatt - Drums, Vocal
High Quality.
Robert Wyatt sings. from Third (1970) -Video Upload powered by https://www.TunesToTube.com
Soft Machine are an English rock band from Canterbury formed in mid-1966, currently consisting of John Marshall (drums), Roy Babbington (bass), John Etheridge (guitar), and Theo Travis (saxophone, flutes, keyboards). As a central band of the Canterbury scene, the group became one of the first British psychedelic acts and later moved into progressive and jazz-rock. Their varying lineups have included prominent former members such as Mike Ratledge (organ, 1966–76), Robert Wyatt (drums & vocals, 1966–71), Kevin Ayers (bass, guitar & vocals, 1966–68), and Hugh Hopper (bass, 1969–1973).
Album 'Switzerland 1974' by Soft Machine (Cuneiform Records) Purchase now @ Amazon (CD/mp3): http://amzn.to/2fk9J1A Bandcamp https://cuneiformrecords.bandcamp.com/album/switzerland-1974 Wayside Music (CD): http://www.waysidemusic.com/Music-Products/Soft-Machine-Switzerland-1974-CD-plus-DVD__Rune-spc-395-396.aspx Album Personnel: Roy Babbington (electric six string bass) Allan Holdsworth (guitar) Karl Jenkins (oboe, soprano sax, electric piano) John Marshall (drums) Mike Ratledge (electric piano, organ, synthesizer) Soft Machine's 'Switzerland 1974' (CD/DVD), released on Cuneiform Records, feature Soft Machine's July 4, 1974 concert at the Montreux Jazz Festival, and are officially licensed from the Montreux Jazz Festival. These audio and video recordings feature Roy Babbington (electric...
Trailer for the CD/DVD release of "NDR Jazz Workshop Hamburg, Germany, May 17, 1973" by the legendary jazz-rock pioneers Soft Machine. Released by Cuneiform Records. Available to purchase on Amazon, Bandcamp, and Wayside: Amazon: http://amzn.to/2fk53bM Bandcamp: http://cuneiformrecords.bandcamp.com/album/ndr-jazz-workshop-hamburg-germany-may-17-1973 http://www.waysidemusic.com/Music-Products/Soft-Machine---NDR-Jazz-Workshop---Hamburg--Germany--1973-CD--plus--DVD__Rune-spc-305-306.aspx Wayside: http://www.waysidemusic.com/Music-Products/Soft-Machine-NDR-Jazz-Workshop-Hamburg-Germany-1973-CD-plus-DVD__Rune-spc-305-306.aspx Line-up on 'NDR Jazz Workshop': Roy Babbington (bass) Karl Jenkins (keyboards & reeds) John Marshall (drums) Matt Ratledge (keyboards) Special Guests: Gary Boyle (guita...
from the album The Soft Machine
This is video is recorded with an Xiaomi Redmi note 13 android phone with the internal phone mic. The amp gets to a real good loud volume if you want. Im really amazed by this amp..really great invention by this company. You can find my created tones in the Spark App -Tone Cloud My username is Feel Junt. Have Fun.StaySafe 😎✌️ Tags: mike clark,elvin jones,ginger baker, ian paice,mitch mitchell jazz drumming, jazz comping,funk drumming, funky drummer, jazzy odery fluence jazz kit,love drumming,practice session drum session,drumeo,carter mclean,jazz phrasing, funk phrasing john mclaughlin, konnakol, indian drumming, tabla,big funk grooves grooving, smiling drums,positive beats, healing beats,khruangbin hip hop drumming, hip hop funk beats, jazz beats just an alien could play a beat l...
1. A Certain Kind 2. Save Yourself 3. Priscilla 4. Lullabye Letter 5. Hope For Happiness Robert Wyatt-Mike Ratledge-Kevin Ayers Filmed in October 1967. Broadcast on Ce Soir On Danse TV France 25 August 1968.
Soft Machine are an English progressive rock band from Canterbury, named after the book The Soft Machine by William S. Burroughs. They were one of the central bands in the Canterbury scene, and helped pioneer the progressive rock genre. Though they achieved little commercial success, they are considered by AllMusic to be "one of the more influential bands of their era, and certainly one of the most influential underground ones."
Soft Machine (billed as The Soft Machine up to 1969 or 1970) were formed in mid-1966 by Robert Wyatt (drums, vocals), Kevin Ayers (bass, guitar, vocals), Daevid Allen (guitar) and Mike Ratledge (organ) plus, for the first few gigs only, American guitarist Larry Nowlin. Allen, Wyatt and future bassist Hugh Hopper had first played together in the Daevid Allen Trio in 1963, occasionally accompanied by Ratledge. Wyatt, Ayers and Hopper had been founding members of The Wilde Flowers, later incarnations of which would include future members of another Canterbury band, Caravan.
At school he always had to hide
His feelings buried deep inside
A poker face, his features froze
At 12 he looked like William Burroughs
He talked but never moved his lips
Made love but never used his hips
His skin unused fell to decay
From fleshy pink to ashen grey
It's enough to crack a smile
It's enough to make you blind
It's enough to make you live your life backwards
It's enough to drive you out of your mind
And he became a figurehead
A 3-D sign that might be dead
And no one knew his state of mind
He fell into the great divide
It's enough to crack a smile
It's enough to leave you blind
At school he always had to hide
His feelings buried deep inside
A poker face, his features froze
At 12 he looked like William Burroughs
William Burroughs
William Burroughs
William Burroughs
Burroughs
Burroughs
Burroughs