- published: 17 Nov 2019
- views: 629
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Load timeline page with ajax here } } else if(tab.match(/^playlist\d+$/)){ var playerId = parseInt(tab.substring(8)); var vp = videoplayers[playerId]; window.descriptionsholder = $('.descriptionsplace'); if(!vp) return; // why? no player? if(replayMode){ $('.replaycurrent'+playerId).attr('checked', true); vp.setReplayCurrent(true); } var playQueue = []; window.playQueue = playQueue; var playQueuePosition = 0; var playShouldStart = null; var playShouldStop = null; var parseList = function(x){ var items = x.split(/;|,/g); var results = []; for (i in items){ try{ var action = parseAction(vp, items[i]); if(!action.video){ if(window.console && console.log) console.log("Warning: No video for queued entry: " + items[i]); }else{ results.push(action); } }catch(e){ if(window.console && console.log) console.log("Warning: Can''t parse queue entry: " + items[i]); } } return results; }; var scrollToPlaylistPosition = function(vp){ var ppos = vp.getPlaylistPosition(); var el = vp.playlistContainer.find('>li').eq(ppos); 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if(window.history && history.replaceState && document.location.hostname.match(/^(youtube\.)?(\w{2,3}\.)?wn\.com$/)){ if(path == main_tab || path == main_tab+'/' || path == '' || path == '/') { path = basepath; } else if( path.match('^'+main_tab+'/') ){ path = basepath + '/' + path.replace(main_tab+'/', '').replace('--','/'); } else { path = basepath + '/' + path.replace('--','/'); } if(document.location.search){ path += document.location.search; } if(window.lastHistory) { history.pushState(null, null, path); } else if(window.lastHistory != path){ history.replaceState(null, null, path); window.lastHistory = path; } } else{ path = path.replace('--','/'); if(path == main_tab || path == main_tab+'/' || path == '' || path == '/') { path = ''; } if(window.lastHistory != '/'+path){ window.location.hash = path? '/'+path : ''; window.lastHistory = '/'+path; } } }); $('.tabtrigger li a').live('click', ensure(function() { var tab = $(this).attr('id'); if(tab.substring(0,1) == '#'){ var name = tab.substring(1); if(name in menu_names){ name = menu_names[name][0]; } realTab = rev_names[name]; $('#'+realTab).show(); if(window.console && console.log) console.log("Triggering tab: "+name+(window.activeArea?" activeArea="+window.activeArea:'')); var path = name; if(window.activeArea){ path = path + '/' + window.activeArea; } if(tab.match(/#playlist\d+/) || tab.match(/#details\d+/)){ $('.multiple-playlists').show(); $('.related_playlist').show(); $('.longest_videos_playlist').show(); }else { $('.multiple-playlists').hide(); $('.related_playlist').hide(); $('.longest_videos_playlist').hide(); } // start the related script only when the tab is on screen showing if (tab.match(/related_sites/)) { if (mc) { mc.startCredits(); } } window.activeTab = realTab; addHistory(path); setTimeout(ensure(function(){ if(tab.match(/language--/)){ $('.tabtrigger').offscreentabs('activateTab', 'language'); } if(tab.match(/weather/)) { $('.tabtrigger').offscreentabs('activateTab', 'weather'); loadContinent(); } updateMenus(tab); updateHeight(); }), 10); } return false; })); }); -->
Soft Machine are an English progressive rock band from Canterbury, named after the book The Soft Machine by William S. Burroughs. They were one of the central bands in the Canterbury scene, and helped pioneer the progressive rock genre. Though they achieved little commercial success, they are considered by AllMusic to be "one of the more influential bands of their era, and certainly one of the most influential underground ones."
Soft Machine (billed as The Soft Machine up to 1969 or 1970) were formed in mid-1966 by Robert Wyatt (drums, vocals), Kevin Ayers (bass, guitar, vocals), Daevid Allen (guitar) and Mike Ratledge (organ) plus, for the first few gigs only, American guitarist Larry Nowlin. Allen, Wyatt and future bassist Hugh Hopper had first played together in the Daevid Allen Trio in 1963, occasionally accompanied by Ratledge. Wyatt, Ayers and Hopper had been founding members of The Wilde Flowers, later incarnations of which would include future members of another Canterbury band, Caravan.
The Soft Machine is a novel by William Burroughs published in 1961.
The Soft Machine may also refer to:
Soft Machine is the fifth studio album by Teddybears, released on 12 September 2006 on Big Beat Recordings and Columbia Records. It is the first album the band released under the name "Teddybears", as they had previously been Teddybears STHLM. Excluding "Intro", "Riot Going On" is the only new song from the group. The rest are reproductions of tracks found on their previous albums Fresh and Rock 'n' Roll Highschool, with "Throw Your Hands Up" renamed "Are You Feelin' It?".
The Untouchable is the fourth studio album by American rapper Scarface. The album was released on March 11, 1997, by Rap-a-Lot Records. The album debuted at number one on the Billboard 200 chart for the first time in his career with the album; in addition it peaked at the top of the Top R&B/Hip-Hop Albums chart for two weeks, giving Scarface his second number one album there. The effort included the smash hit single, "Smile", featuring Tupac Shakur, released shortly after the shooting deaths of Tupac and Notorious B.I.G.. It peaked at number 12 on the Billboard Hot 100 and is the only single released by Scarface to go Gold.
The album was certified Platinum by the RIAA on May 16, 1997.
The Untouchable is a 1997 novel by the Irish writer John Banville. The book is written as a roman à clef, presented from the point of view of the art historian, double agent and homosexual Victor Maskell—a character based largely on Cambridge spy Anthony Blunt and in part on Irish poet Louis MacNeice. The character of Guy Burgess is prominent and easily identifiable, that of Maclean plays a minor role only.
The Untouchable is both comical and poignant in its delineation of the importance of double agents in the Cold War—Maskell's revelations to the Russians largely involve information of little importance or facts that appear shortly afterwards in national newspapers. The secrecy around Blunt's homosexual personal life is depicted as a balance to his role as a spy, and when homosexuality is legalised he loses a great deal of his enjoyment of his double life.
Like Blunt, Maskell is connected to the royal family and the book carries portraits of King George VI and Queen Elizabeth, and less directly of Elizabeth II (usually referred to as 'Mrs W.'). Maskell indicates that he suspects the presence of a concealed or perhaps sublimated homosexuality in the life and personality of George VI. Blunt himself was a cousin of Elizabeth Bowes-Lyon (Queen Elizabeth, later 'the Queen Mother'), and this is something that as 'Maskell' he refers to several times in the novel. Maskell undertakes a secret mission to occupied Germany to rescue some documents which could prove embarrassing to the British royal family as they indicate the extent of King Edward VIII's (later the Duke of Windsor) contact with the Nazis. He goes on to become keeper of the royal family's art collection, as did Blunt.
1990
00:00 - a) Snodland (1'50") 01:51 - b) Penny Hitch (6'40") 08:30 - c) Block (4'17") written by Karl Jenkins taken from the album "Seven" recorded at CBS Studios, London, UK, July 1973 LINE-UP [entire album] (in alphabetical order): Roy Babbington - bass guitar, acoustic bass Karl Jenkins - oboe, baritone and soprano saxophones, recorder, (Fender Rhodes & Hohner) electric piano, composer John Marshall - drums, percussion Mike Ratledge - (Lowrey Holiday De Luxe) organ, (AKS) synthesizer, (Fender Rhodes) electric piano ++++++++++++++++++++++++++++++++++++++++++++++++++++ At the moment, this video has no restrictions for the visualization on youtube, although it contains copyrighted content; anyway, I don't intend, absolutely, to monetize any profits; it's just for cultural diffusion (in ...
Soft Machine - Teeth Album : Fourth Relased : 1971 Line-up / Musicians - Roy Babbington / double bass - Mark Charig / cornet - Elton Dean / alto sax, saxello - Nick Evans / trombone - Jimmy Hastings / alto flute, bass clarinet - Hugh Hopper / bass guitar - Mike Ratledge / organ, piano - Alan Skidmore / tenor sax - Robert Wyatt / drums
Stumble / L.B.O. / As If
Provided to YouTube by Aquarius Records Ltd. The Soft Machine · The Slip Eisenhower ℗ 2007 Aquarius Records Ltd. Released on: 2007-03-06 Main Artist: The Slip Music Publisher: Bam Tone Music Composer: Barr Author: Barr Composer: Friedman Author: Friedman Composer: Moore Author: Moore Auto-generated by YouTube.
Non-album, free jazz tumult Mike Ratledge - Lowrey organ, Fender piano Elton Dean - alto saxophone Hugh Hopper - bass guitar Robert Wyatt - drums Nothing belongs to me. If you enjoy this music, please support the artists
track: (Black) Velvet Mountain band: Soft Machine origin: Canterbury, England genre: jazz fusion album: Land of Cockayne (1981) LINE-UP (in alphabetical order): Jack Bruce (1943-2014) – fretless bass Allan Holdsworth (1946-2017) – solo guitar Karl Jenkins – synths, orchestration (composer of the song) John Marshall – drums Alan Parker – rhythm guitar (not the famous film director) John Taylor (1942-2015) – electric piano Ray Warleigh (1938-2015) – alto sax ++++++++++++++++++++++++++++++++++++++++++++++++++++ At the moment, this video can be viewed on youtube (*), although it contains copyrighted content; anyway, I don't intend, absolutely, to monetize any profits; it's just for cultural diffusion (in case, I remove it). (*) except: American Samoa, Guam, Japan, Northern Mariana Islands...
Soft Machine - The Floating World (Live Version) Illustration: Henri Rousseau, "The Snake Charmer".
Alive & Well: Recorded in Paris is a 1978 release by the band Soft Machine. Mostly recorded live, by The Manor Mobile, recording engineer Alan Perkins, during at 4-night residency at Paris' Théâtre Le Palace in July 1977, much of the album was later modified in the studio, with the track "Soft Space" being a completely studio recorded track released as a single ("Soft Space" parts 1 and 2). John Marshall – drums, percussion Karl Jenkins – piano, electric keyboards, synthesizer John Etheridge – acoustic and electric guitars Ric Sanders – violin (credited as Rick Sanders) Steve Cook – bass guitar
Soft Machine are an English progressive rock band from Canterbury, named after the book The Soft Machine by William S. Burroughs. They were one of the central bands in the Canterbury scene, and helped pioneer the progressive rock genre. Though they achieved little commercial success, they are considered by AllMusic to be "one of the more influential bands of their era, and certainly one of the most influential underground ones."
Soft Machine (billed as The Soft Machine up to 1969 or 1970) were formed in mid-1966 by Robert Wyatt (drums, vocals), Kevin Ayers (bass, guitar, vocals), Daevid Allen (guitar) and Mike Ratledge (organ) plus, for the first few gigs only, American guitarist Larry Nowlin. Allen, Wyatt and future bassist Hugh Hopper had first played together in the Daevid Allen Trio in 1963, occasionally accompanied by Ratledge. Wyatt, Ayers and Hopper had been founding members of The Wilde Flowers, later incarnations of which would include future members of another Canterbury band, Caravan.
[ VERSE 1 ]
Deep in the mind that wide opens
Right here we stand alive, we live focused
We open-minded, still we die hopeless
With our pride broken and bullet holes covered where we stay at
And everybody's playing for keeps, most people pray that
We all make it up out this godforsaken place that we've been all faced with
We take our chances but they all wasted
And once again you see me (marching, mobbing)
But how long must I continue to see my homies dodgin these marksmen
The whole nine put on the line but never in mind to become the head sergeant
We all targets, the votes are in, but they ain't ours
We got these politicians running their game to regain power
While our whole black community sours
Crime rate towers, plagued by white powders
And they claim to helping us to clean up our community
But ain't no open opportunities, impunity
Is what these demons use to regulate
We keep in mind we can run but we can't hide cause the streets we walk are never safe
Still all my shattered hopes and dreams remain scattered
Broken into thousands of pieces, smashed and tattered
But it don't matter, hipocrisy in your democracy
Is stopping me, so I'm retaliating properly
Theologically, society has got me pressured by the hate
And Heaven knows I have faith, I have faith
(I just wanna celebrate) --> Rare Earth
(I just wanna celebrate)
Have faith
(I just wanna celebrate)
(I just wanna celebrate)
[ VERSE 2 ]
Rudely awaken from this bad dream
Thinking my conscience wants to tell me something because of these bad things
(Past things) got me in the center of these mad dreams
(Flashing) homicidal ( ? ) fatal slashings
Now I'm asking: explain to me these visionaries Brad's seen
(Past things) sad things killed him cause he had dreams
(A sad scene) but all I ever wanted was my mind back
Now I'm that nigga trying to find out where his mind's at
The time that it took myself to figure out my mind's gone
My mind crack, slide back, look at all the time gone
Rewind back, comeback, understand my life gon' make these cuts that won't change
But things look so strange, the plague
I gots to get myself up out the frame
Try to maintain the same game flipping 10 and flame Jane
A damn shame, people gots to always check your background
To jack now, come jack now and I'ma leave you flat down
Come back now or back down, homie, this is always all day
(Killer) in these dark and lonely hallways
Cause all they wanna see is all us brothers boxed up in caskets
With plastic bags in every bathroom getting blasted
It's drastic, mama help me calm down cause your son's sick
Don't watch me get gunned down for the dumb shit
Then the gun click and now I see the other side of black space
My last day, sad case, Heaven knows I have faith
(I just wanna celebrate)
(I just wanna celebrate)
(I just wanna celebrate)
(I just wanna celebrate)
[ VERSE 3 ]
New day brings about change, everybody's searching for the light
The daydream schemes of living life
Has got us tossed up, believing we controlling our motions
Got the answer in space beside the view behind the ocean
And adapting to the everyday struggle's got us stressed
Cause the fact we know we here one day and could die the next
You've insisted to take equipment to the solar system
Trying to ensure your sole existence
Now tell me: do you think that when the bang goes boom
You can pack up all your things and aim for the moon?
It's unlikely, but you might be equipped with with proceeds to save lives
But you die when the King say die
You can race it but you can't shake it, stop trying
Try to hide it, cause you can't face it but you're born dying
God, please forgive us cause we're human not perfect
And the devil try to fronting but it's not working
How can we all sit suspended in space
Just spinning in place and ain't extended in faith
Man, wait -
(I just wanna celebrate)
(I just wanna celebrate)
(I just wanna celebrate)
(I just wanna celebrate)