- published: 30 Jul 2018
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Jean Sibelius (/sɪˈbeɪliəs, -ˈbeɪljəs/; Swedish pronunciation ), born Johan Julius Christian Sibelius (8 December 1865 – 20 September 1957), was a Finnish composer and violinist of the late Romantic and early-modern periods. He is widely recognized as his country's greatest composer and, through his music, is often credited with having helped Finland to develop a national identity during its struggle for independence from Russia.
The core of his oeuvre is his set of seven symphonies which, like his other major works, continue to be performed and recorded in his home country and internationally. His best-known compositions are Finlandia, the Karelia Suite, Valse triste, the Violin Concerto, the choral symphony Kullervo, and The Swan of Tuonela (from the Lemminkäinen Suite). Other works include pieces inspired by the Finnish national epic, the Kalevala, over a hundred songs for voice and piano, incidental music for numerous plays, the opera Jungfrun i tornet (The Maiden in the Tower), chamber music, piano music, Masonic ritual music, and 21 publications of choral music. Throughout his career, the composer found inspiration in nature and Nordic mythology, especially the heroic legends of the national epic, the Kalevala.
The Seventh Symphony by the German composer Hans Werner Henze was written in 1983-84. It was commissioned by the Berliner Philharmoniker as part of the orchestra's centenary celebrations in 1982.
Unlike its immediate predecessors, Henze has stated that this work is very much a 'German' symphony, in the Beethovenian tradition. Accordingly, it is cast in four movements and is broadly analogous to the 'classical' form: Introduction, slow movement, Scherzo and Finale. However Henze uses even more traditional German motifs across the movements: an allemande (a German dance) in the first and Liedform in the second. For the two final movements he focuses on the eighteenth-century poet Friedrich Hölderlin, incarcerated at Tübingen where he was subjected to what amounted to torture in the name of medical intervention. The final movement is a deeply lyrical orchestral setting of Hölderlin's late poem Hälfte des Lebens (Half of Life).
The premiere was given by the Berliner Philharmoniker under Gianluigi Gelmetti in 1984. In that performance the work took 46 minutes. Sir Simon Rattle's 1992 recording takes 38 minutes, and Marek Janowski's 2007 recording slightly under 35.
The Symphony No. 7 by Walter Piston is a symphony dating from 1960.
Piston's Seventh Symphony was commissioned by the Philadelphia Orchestra Association, and was premiered by that orchestra, conducted by Eugene Ormandy, on February 10, 1961. The symphony was awarded a Pulitzer Prize in 1961, which was the second time for Piston—his first was in 1948 for his Third Symphony (Archibald 1978, 266–67). It bears some resemblance to Piston's Three New England Sketches, composed in 1959, and for this reason as well as for parallels of structure has been compared to Beethoven's Pastorale Symphony (Pollack 1982, 133).
The work is in three movements:
When Piston was composing his Seventh Symphony he took into account the particular sonic character of the Philadelphia Orchestra's rich string timbres, as well as the acoustics of the Philadelphia Academy of Music where it was to be premiered (Archibald 1978, 267).
The first movement begins with a large, soaring theme, featuring a propulsive rhythm in fast triple meter. The minor mode, forceful rhythms, and cumulative contrapuntal density in both the exposition and recapitulation lend this movement a vehemently passionate character. The second movement, Adagio pastorale, similarly is dominated by serious but not solemn broad melodies. The finale, as in Piston's other symphonies, is sunny and brilliant, including a passage of syncopated wind melodies accompanied by pianissimo percussion, and pizzicato strings, which recalls the scherzo of Piston's Sixth Symphony (Archibald 1978, 266).
The Symphony No. 7, Op. 344, is a work for orchestra by French composer Darius Milhaud. The piece was written in 1955 for a Radio Belge concert in Venice.
Milhaud's Seventh Symphony has three movements and a total running time of about 20 minutes. The titles of the movements, as descriptive of their character as of tempo, are as follows:
This symphony is published by Heugel & Cie.
Provided to YouTube by Universal Music Group Sibelius: Symphony No. 7 in C Major, Op. 105 - Affettuoso · Boston Symphony Orchestra · Sir Colin Davis Sibelius: Symphonies Nos.5 & 7 ℗ 1975 Universal International Music B.V. Released on: 1975-01-01 Composer: Jean Sibelius Auto-generated by YouTube.
Provided to YouTube by Universal Music Group Sibelius: Symphony No. 7 in C Major, Op. 105 - Affettuoso · Boston Symphony Orchestra · Sir Colin Davis · Jean Sibelius Sibelius: Complete Symphonies; Tone Poems ℗ 1975 Universal International Music B.V. Released on: 2012-01-01 Composer: Jean Sibelius Auto-generated by YouTube.
Minnesota Symphony Orchestra conducted by Osmo Vänskä I - Adagio - Vivacissimo - Adagio - Allegro molto moderato - Allegro moderato - Vivace - Presto - Adagio - Largamente molto - Affettuoso - Tempo I: 0:00 The seventh symphony of Sibelius was started together with the previous one and finished in 1924. The work premiered in Stockholm in March. First it was conceived in three movements, but following the integrative current observed in his last works, he condensed it in a single movement. At first he presented it as Symphonic Fantasy, but finally edited it as a Symphony. The movement can be divided into an initial adagio, a scherzo and a rondo, ending with a return to the initial adagio. It begins with an adagio that introduces the first thematic motif, a soothing and reassuring motif, ...
Provided to YouTube by MNRK Music Group Symphony No.7 in C Major, Op.105 · Sir Colin Davis · London Symphony Orchestra Sibelius: Symphonies Nos. 4 & 7 - Sir Colin Davis, LSO ℗ 2018 Musical Concepts Released on: 2018-04-20 Composer: Jean Sibelius Auto-generated by YouTube.
00:00 입장 00:15 Adagio 08:17 Vivacissimo 11:35 Allegro moderato 32:30 Adagio – Largamente molto – Affettuoso [KBS교향악단 제767회 정기연주회] ▶ 출연 : 크리스토프 쾨니히(지휘) ▶ 일시 및 장소 : 2021년 06월 25일(금) 20시 / 예술의전당 콘서트홀 ▶ 프로그램 : 시벨리우스 / 교향곡 제7번 C장조, 작품105 [KBSSO The 767th Subscription Concert] ▶ Artist : Christoph König(Cond) ▶ Date and Venue : Jun. 25th(Fri), 2021, 8pm / Seoul Arts Center Concert Hall ▶ Program : J. Sibelius / Symphony No.7 in C Major, Op.105
Provided to YouTube by Universal Music Group Sibelius: Symphony No. 7 in C, Op. 105 - Vivace - Presto - Adagio - Largamente molto - Affettuoso · Gothenburg Symphony Orchestra · Neeme Järvi Sibelius: The Symphonies; Tone Poems ℗ 2005 Deutsche Grammophon GmbH, Berlin Released on: 2007-01-01 Producer, Executive Producer: Sid McLauchlan Producer, Recording Producer: Lennart Dehn Studio Personnel, Balance Engineer: Michael Bergek Editor, Studio Personnel, Mastering Engineer, Mixer: Torbjoern Samuelsson Composer: Jean Sibelius Auto-generated by YouTube.
Provided to YouTube by Universal Music Group Sibelius: Symphony No. 7 in C Major, Op. 105: IV. Vivace – Presto – Adagio – Largamente molto – Affettuoso · Berliner Philharmoniker · Herbert von Karajan Sibelius: Symphonies Nos. 4-7; The Swan of Tuonela; Tapiola ℗ 1968 Deutsche Grammophon GmbH, Berlin Released on: 1999-01-01 Producer, Recording Producer: Hans Weber Studio Personnel, Balance Engineer: Günter Hermanns Studio Personnel, Editor: Volker Martin Composer: Jean Sibelius Auto-generated by YouTube.
Jean Sibelius (/sɪˈbeɪliəs, -ˈbeɪljəs/; Swedish pronunciation ), born Johan Julius Christian Sibelius (8 December 1865 – 20 September 1957), was a Finnish composer and violinist of the late Romantic and early-modern periods. He is widely recognized as his country's greatest composer and, through his music, is often credited with having helped Finland to develop a national identity during its struggle for independence from Russia.
The core of his oeuvre is his set of seven symphonies which, like his other major works, continue to be performed and recorded in his home country and internationally. His best-known compositions are Finlandia, the Karelia Suite, Valse triste, the Violin Concerto, the choral symphony Kullervo, and The Swan of Tuonela (from the Lemminkäinen Suite). Other works include pieces inspired by the Finnish national epic, the Kalevala, over a hundred songs for voice and piano, incidental music for numerous plays, the opera Jungfrun i tornet (The Maiden in the Tower), chamber music, piano music, Masonic ritual music, and 21 publications of choral music. Throughout his career, the composer found inspiration in nature and Nordic mythology, especially the heroic legends of the national epic, the Kalevala.
Be still, my soul; the Lord is on thy side;
Bear patiently the cross of grief or pain;
Leave to thy God to order and provide;
In ev'ery change be faithful will remain.
Be still, my soul: thy best, thy heavenly friend
Through thornsy way leads to a joyful end.
Be still, my soul; thy God doth undertake
To guide the future as He has the past.
Thy hope, thy confidence let nothing shake;
All now mysterious shall be bright at last.
Be still, my soul: the waves and winds still know
His voice who ruled them while he dwelt below.
Be still, my soul; the hour is hastening on
When we shall be forever with the Lord,
When disappointment, grief, and fear are gone,
Sorrow forgot, love's purest joys restored.
Bestill, my soul: when change and tears are past,