- published: 08 Sep 2011
- views: 17182
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Jean Sibelius (/sɪˈbeɪliəs, -ˈbeɪljəs/; Swedish pronunciation ), born Johan Julius Christian Sibelius (8 December 1865 – 20 September 1957), was a Finnish composer and violinist of the late Romantic and early-modern periods. He is widely recognized as his country's greatest composer and, through his music, is often credited with having helped Finland to develop a national identity during its struggle for independence from Russia.
The core of his oeuvre is his set of seven symphonies which, like his other major works, continue to be performed and recorded in his home country and internationally. His best-known compositions are Finlandia, the Karelia Suite, Valse triste, the Violin Concerto, the choral symphony Kullervo, and The Swan of Tuonela (from the Lemminkäinen Suite). Other works include pieces inspired by the Finnish national epic, the Kalevala, over a hundred songs for voice and piano, incidental music for numerous plays, the opera Jungfrun i tornet (The Maiden in the Tower), chamber music, piano music, Masonic ritual music, and 21 publications of choral music. Throughout his career, the composer found inspiration in nature and Nordic mythology, especially the heroic legends of the national epic, the Kalevala.
Hans Werner Henze's Symphony No. 1 was premiered in Darmstadt in 1947. The premiere was hit by Henze’s accustomed bad luck. The orchestral parts, handwritten by the composer himself, had become illegible during photocopying in Schott’s offices and despite the young composer’s best efforts to ink in the parts throughout the night, only the slow movement was performed. The whole symphony was eventually premiered a year later, although Henze himself conducted the work only after comprehensive revision.
The revision of the First Symphony was part of Henze’s first great purge on his early work during 1963. The revised sheet music contains a number of rhythmic, harmonic and melodic cells from the original version, and the slow movement is largely unaltered. Otherwise everything is, in the composer’s own words, ‘different and better.’ A fourth, theme and variation movement has completely disappeared, and the work was re-scored for chamber orchestra. Further revision followed in 1991.
The Symphony No. 1 in C minor, Op. 3, by Nikolai Myaskovsky was written in 1908 (and revised 1921).
It is in three movements:
The first sketches for this symphony were written at the time of Myaskovsky's studies in Saint Petersburg in February 1908. The following summer he wrote the piano score, and on the first, ninth and twenty-seventh of July, the movements were finished in piano reduction. In September he finished the orchestration. In this early period of his composition, Myaskovsky noticed his talent and enthusiasm for the symphony as a genre, but he didn't have the heart to show his work to his teacher for composition, Anatoly Lyadov. So he showed it, along with his friend and fellow student Sergei Prokofiev, to Alexander Glazunov, who granted him a scholarship immediately. In 1921 Myaskovsky revised the symphony and published this revised version in 1929. In 1931 a version for piano four-hands was published.
Symphony No. 1 in C minor, Op. 11, is a work by Felix Mendelssohn, which was completed on March 31, 1824, when the composer was only 15 years old. However, the autographed score was not published until 1831. The symphony was dedicated to the Royal Philharmonic Society, who performed the London première on May 25, 1829, with Mendelssohn conducting. For this performance Mendelssohn orchestrated the scherzo from his Octet Op. 20 as an alternative third movement for the symphony. The work was premièred at a private gathering on 14 November 1824 to honor his sister Fanny Mendelssohn's 19th birthday. Its public première occurred on 1 February 1827, with the Leipzig Gewandhaus Orchestra performing under the leadership of its then-Kapellmeister Johann Philipp Christian Schulz. A typical performance lasts half an hour.
The work is scored for two flutes, two oboes, two clarinets in B♭, two bassoons, two horns in E♭ and/or C, two trumpets in C, timpani in C, G, and strings.
Hans Werner Henze (1926-2012): Symphony No.1 (1947/1963) Prima parte I. Allegro con grazia II. Notturno-Lento Rundfunk-Sinfonieorchester Saarbrücken diretta da Hans Werner Henze. Registrazione live, Saarbrücken, 27.11.1976. *** The music published in our channel is exclusively dedicated to divulgation purposes and not commercial. This within a program shared to study classic educational music of the 1900's (mostly Italian) which involves thousands of people around the world. If someone, for any reason, would deem that a video appearing in this channel violates the copyright, please inform us immediately before you submit a claim to Youtube, and it will be our care to remove immediately the video accordingly. Your collaboration will be apreciated.
Hans Werner Henze (1926-2012): Symphony No.1 (1947/1963) Seconda parte III. Allegro con moto Rundfunk-Sinfonieorchester Saarbrücken diretta da Hans Werner Henze. Registrazione live, Saarbrücken, 27.11.1976. *** The music published in our channel is exclusively dedicated to divulgation purposes and not commercial. This within a program shared to study classic educational music of the 1900's (mostly Italian) which involves thousands of people around the world. If someone, for any reason, would deem that a video appearing in this channel violates the copyright, please inform us immediately before you submit a claim to Youtube, and it will be our care to remove immediately the video accordingly. Your collaboration will be apreciated.
Provided to YouTube by Storesound Media [1948] Symphony No. 1 (I: Allegretto, con grazia) · Hans Werner Henze The Greatest Classical Music Through The Ages ℗ Global Journey Released on: 2019-08-08 Composer: Hans Werner Henze Auto-generated by YouTube.
El hermoso Notturno (5:32) de esta sinfónía fue una de mis primeras subidas en este canal. Ahora, he decido subir la obra completa. [Intérpretes sin identificar]
Provided to YouTube by Universal Music Group Henze: Sinfonie Nr. 1 (1947) (New Version For Chamber Orchestra, 1963 - 1. Allegretto, con grazia) · Berliner Philharmoniker · Hans Werner Henze Henze: Symphonies Nos.1 - 6 ℗ 1966 Deutsche Grammophon GmbH, Berlin Released on: 1996-01-01 Producer, Recording Producer: Hans Weber Studio Personnel, Balance Engineer: Günter Hermanns Studio Personnel, Editor: Volker Martin Composer: Hans Werner Henze Auto-generated by YouTube.
Provided to YouTube by Universal Music Group Henze: Concerto For Violin And Orchestra No. 1 (1947) - 1. Largamente, rubato - Allegro molto · Wolfgang Schneiderhan · Symphonieorchester des Bayerischen Rundfunks · Hans Werner Henze Henze: Violin Concerto No.1; Ode to West Wind; Double Bass Concerto ℗ 1969 Deutsche Grammophon GmbH, Berlin Released on: 1996-01-01 Producer, Executive Producer: Karl Faust Producer, Recording Producer: Hans Weber Studio Personnel, Balance Engineer: Heinz Wildhagen Studio Personnel, Editor: Joachim Niss Composer: Hans Werner Henze Auto-generated by YouTube.
Provided to YouTube by Universal Music Group Henze: Sinfonie Nr. 1 (1947) (New Version For Chamber Orchestra, 1963 - 3. Allegro con moto) · Berliner Philharmoniker · Hans Werner Henze Henze: Symphonies Nos.1 - 6 ℗ 1966 Deutsche Grammophon GmbH, Berlin Released on: 1996-01-01 Producer, Recording Producer: Hans Weber Studio Personnel, Balance Engineer: Günter Hermanns Studio Personnel, Editor: Volker Martin Composer: Hans Werner Henze Auto-generated by YouTube.
Provided to YouTube by Universal Music Group Henze: Sinfonie Nr. 1 (1947) (New Version For Chamber Orchestra, 1963 - 2. Notturno: Lento) · Berliner Philharmoniker · Hans Werner Henze Henze: Symphonies Nos.1 - 6 ℗ 1966 Deutsche Grammophon GmbH, Berlin Released on: 1996-01-01 Producer, Recording Producer: Hans Weber Studio Personnel, Balance Engineer: Günter Hermanns Studio Personnel, Editor: Volker Martin Composer: Hans Werner Henze Auto-generated by YouTube.
Humphrey Searle (1915-1982): Symphony No.1 op.23 (1952/1953). I. Lento - Allegro deciso II. Adagio [06:32] III. Quasi l'istesso tempo [13:22] IV. Allegro molto - Lento [16:19] BBC Scottish Symphony Orchestra diretta da Alun Francis. Cover image: pattern by Piet Mondrian. *** The music published in our channel is exclusively dedicated to divulgation purposes and not commercial. This within a program shared to study classic educational music of the 1900's (mostly Italian) which involves thousands of people around the world. If someone, for any reason, would deem that a video appearing in this channel violates the copyright, please inform us immediately before you submit a claim to Youtube, and it will be our care to remove immediately the video accordingly.
Provided to YouTube by Universal Music Group Henze: Ode To The West Wind (1953) Music For Violoncello And Orchestra Based On Poem By P.B. Shelley - 5. Grave - Come un inno · Siegfried Palm · Symphonieorchester des Bayerischen Rundfunks · Hans Werner Henze Henze: Violin Concerto No.1; Ode to West Wind; Double Bass Concerto ℗ 1969 Deutsche Grammophon GmbH, Berlin Released on: 1996-01-01 Producer, Executive Producer: Karl Faust Producer, Recording Producer: Hans Weber Studio Personnel, Balance Engineer: Heinz Wildhagen Studio Personnel, Editor: Joachim Niss Composer: Hans Werner Henze Auto-generated by YouTube.
Jean Sibelius (/sɪˈbeɪliəs, -ˈbeɪljəs/; Swedish pronunciation ), born Johan Julius Christian Sibelius (8 December 1865 – 20 September 1957), was a Finnish composer and violinist of the late Romantic and early-modern periods. He is widely recognized as his country's greatest composer and, through his music, is often credited with having helped Finland to develop a national identity during its struggle for independence from Russia.
The core of his oeuvre is his set of seven symphonies which, like his other major works, continue to be performed and recorded in his home country and internationally. His best-known compositions are Finlandia, the Karelia Suite, Valse triste, the Violin Concerto, the choral symphony Kullervo, and The Swan of Tuonela (from the Lemminkäinen Suite). Other works include pieces inspired by the Finnish national epic, the Kalevala, over a hundred songs for voice and piano, incidental music for numerous plays, the opera Jungfrun i tornet (The Maiden in the Tower), chamber music, piano music, Masonic ritual music, and 21 publications of choral music. Throughout his career, the composer found inspiration in nature and Nordic mythology, especially the heroic legends of the national epic, the Kalevala.
Be still, my soul; the Lord is on thy side;
Bear patiently the cross of grief or pain;
Leave to thy God to order and provide;
In ev'ery change be faithful will remain.
Be still, my soul: thy best, thy heavenly friend
Through thornsy way leads to a joyful end.
Be still, my soul; thy God doth undertake
To guide the future as He has the past.
Thy hope, thy confidence let nothing shake;
All now mysterious shall be bright at last.
Be still, my soul: the waves and winds still know
His voice who ruled them while he dwelt below.
Be still, my soul; the hour is hastening on
When we shall be forever with the Lord,
When disappointment, grief, and fear are gone,
Sorrow forgot, love's purest joys restored.
Bestill, my soul: when change and tears are past,