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get_forecast_details(city, 4, global_geo, country);
})
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function forecast_status(msg) {
jQuery('#forecast-header').html(msg);
}
function get_forecast_details(city, days_count, global_geo, country) {
global_geo.html('Loading forecast ...');
jQuery.ajax({
data: {
city: city,
report: 'daily'
},
dataType: 'jsonp',
url: 'https://upge.wn.com/api/upge/cheetah-photo-search/weather_forecast_4days',
success: function(data) {
if(!data) { text = ('weater data temporarily not available'); }
// loop through the list of weather info
weather_info = '';
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jQuery.each(data.list, function(idx, value) {
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return;
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if (weather_day_loop >= days_count) {
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weather = value.weather.shift()
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moment.lang('en', {
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Tchaikovsky - Capriccio italien, Op. 45 (Gewandhausorchester Leipzig, Kurt Masur) | Kurt Masur Gala
From the Gewandhaus Leipzig,
the Gewandhaus Orchestra (conducted by Kurt Masur) performs Tchaikovsky's "Capriccio italien", Op. 45.
Subscribe to EuroArts: https://goo.gl/jrui3M
Pyotr Ilyich Tchaikovsky - Capriccio italien, Op. 45
Gewandhausorchester Leipzig
Kurt Masur - conductor
About the concert
To celebrate his 80th birthday in 2007, Kurt Masur led “his” Gewandhaus Orchestra in a special gala
concert. For his birthday concert, Masur, currently principal conductor of the London Philharmonic Orchestra and the Orchestre National de France, chose a varied, celebratory programme with works by composers highlighting his conducting career in the United States, France and Germany. Abounding in energy, alert as ever, Masur has been untiringly lending new impulses to the entire orchestral ...
published: 25 Mar 2023
-
Beethoven - Overture to "Egmont", Op. 84 (Kurt Masur, Gewandhausorchester Leipzig)
From the Church of St. Nicolai, Leipzig, Germany (Starts at 1:30)
20 Years Peaceful Revolution - Leipzig commemorates the 9th of October 1989
Gewandhausorchester Leipzig
Conductor: Kurt Masur
Ludwig van Beethoven - “Egmont” Overture, Op. 84
Watch the full concert here: https://goo.gl/C7a9QS
On 9 October 1989, 70,000 people staged a non-violent demonstration calling for more freedom and democracy in the GDR. Thanks to the claim “Peaceful Revolution”, initiated by Kurt Masur as one of six prominent citizens of Leipzig, everything proceeded peacefully. That evening, the Gewandhausorchester played under his baton Brahms’ Second Symphony at the St. Nicolas Church. The following regular "Monday Demonstrations", which came to be described as the “Peaceful Revolution”, became a major milestone...
published: 17 May 2015
-
Beethoven: Overture to Egmont | Kurt Masur and the Gewandhaus Orchestra
Kurt Masur and the Gewandhaus Orchestra have an eventful history: The
conductor played a key role in the mass demonstrations of the "peaceful
revolution" that led to the fall of the Berlin Wall and the end of the GDR. On
October 9, 1989, more than 70,000 GDR citizens protested for more democracy
and freedom – on the same evening, the Gewandhaus Orchestra, conducted by
Kurt Masur, played a concert in Leipzig's St. Nicholas Church.
Exactly 20 years later, the orchestra under the direction of the German
conductor commemorates the historic event with an anniversary concert in the
very same St. Nicholas Church. They will also play the overture to Egmont (op.
84) by Ludwig van Beethoven. It is the first part of a dramatic score to the drama
"Egmont" by the German poet Johann Wolfgang vo...
published: 23 Dec 2020
-
Kurt Masur conducts Beethoven Symphony no. 3, 'Eroica' - video 1972
A wonderful video of Kurt Masur conducting the Leipzig Gewandhaus Orchestra in Beethoven's Symphony no. 3, op. 55, while on tour in Moscow in 1972. Midway through the finale there's a skip in the file that I could not fix. I left in the teasing motion towards an encore at the end, which is how the video stopped.
published: 03 Aug 2016
-
The Girl from Ipanema (Kurt Masur, Gewandhausorchester Leipzig) | Kurt Masur 80th Birthday Gala
From the Gewandhaus Leipzig,
the Gewandhaus Orchestra (conducted by Kurt Masur) performs "The Girl from Ipanema".
Subscribe to EuroArts: https://goo.gl/jrui3M
Antônio Carlos Jobim / Vinícius Moraes - The Girl from Ipanema
Gewandhausorchester Leipzig
Kurt Masur - conductor
About the concert
To celebrate his 80th birthday, Kurt Masur led “his” Gewandhaus Orchestra in a special gala
concert. For his birthday concert, Masur, currently principal conductor of the London Philharmonic Orchestra and the Orchestre National de France, chose a varied, celebratory programme with works by composers highlighting his conducting career in the United States, France and Germany. Abounding in energy, alert as ever, Masur has been untiringly lending new impulses to the entire orchestral repertoire. Fro...
published: 19 Jan 2023
-
KURT MASUR Dokumentarfilm
Ein Film von Reinhold Jaretzky
Produktion: Zauberbergfilm Berlin
im Auftrag von SWR, SR und RBB
Er dirigiert ohne Taktstock, weil ihm das zu autoritär ist. Er will dem Komponisten und seiner Partitur dienen, die Allüren selbstverliebter Pult-Zeremonienmeister sucht man bei ihm vergebens. Man hat Kurt Masur "den Dirigenten der deutschen Revolution" genannt. Sein Engagement im Leipziger Herbst '89, seinen Aufruf zur Gewaltlosigkeit sieht er jedoch als seine "humanistische Pflicht". Eigentlich dreht sich bei ihm alles um die Musik. Seit mehr als 60 Jahren steht er am Dirigentenpult. Als Gewandhauskapellmeister war er der Star der DDR-Musikszene; nach der Wende machten ihm die großen internationalen Orchester den Hof. Er wurde Chef der New Yorker Philharmoniker, dann Leiter des London Philha...
published: 13 Jan 2020
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Review: Kurt Masur's Complete Warner Recordings--They're Not What You Think
Seventy CDs of a conductor with a reputation for not being terribly interesting was always going to be a hard sell, and so it proves. And yet, there's some first-rate work here, truly, and it's not where you might at first think it's most likely to be found. Check out the video as we try to uncover the real Kurt Masur.
published: 19 May 2022
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Mussorgsky - Pictures at an Exhibition (Kurt Masur & Leipzig Gewandhaus Orchestra)
From the Gewandhaus in Leipzig, Germany
Leipzig Gewandhaus Orchestra
Kurt Masur - conductor
Modest Mussorgsky - Pictures at an Exhibition
Orchestration: Sergei Petrovitch Gorchakov
Chapters:
0:00 Pictures at an Exhibition
1:33 Promenade
2:53 The Gnome
5:23 Promenade
6:14 The Old Castle
10:33 Promenade
11:00 Tuileries
12:00 Bydlo
14:59 Promenade
15:43 Ballet of the Unhatched Chickens
17:06 Samuel Goldenberg and Schmuyle
19:30 Promenade
20:44 Limoges: The Market Square
22:16 Catacombae (Sepulchrum romanum)
26:08 The Hut on Hen's Legs (Baba-Yaga)
30:00 The Great Gate of Kiev
Watch also the piano version performed by Evgeny Kissin: https://youtu.be/rH_Rsl7fjok
Subscribe: https://goo.gl/jrui3M
published: 19 Jan 2017
-
Кариссими Гендель 1
ДЖАКОМО КАРИЗИМИ «ЙЕФТЕ». ГЕОРГ ФРИДРИХ ГЕНДЕЛЬ «АРМИДА АББАНДОНАТА».
Продолжение здесь: https://youtu.be/Ifb82oqc7g4
Сегодня тоже предлагаю к прослушиванию духовную музыку, но – гораздо более раннюю, нежели Месса Гайдна. На пластинке, которую я сегодня представляю, звучат произведения двух композиторов, Каризими и Генделя. Первый родился в 1605-м, а второй – в один год с И.С. Бахом, в 1685-м.
Я вот решил ничего не писать о композиторах и музыке, но привести мой перевод с немецкого статьи с обратной стороны конверта. Ну и да, я плохой переводчик, стал перечитывать – ну как по-немецки написано. От себя же напишу только несколько слов о самой пластинки и исполнении.
Исполнение
Исполнено всё с, что называется, с немецкой педантичностью. Все ноты прозвучали там и так, как должны были. Каждое в...
published: 10 Jun 2024
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Mendelssohn - Symphony No. 3 in A minor, Op. 56 (Scottish) Kurt Masur, Gewandhausorchestra
Gala Concert from the Gewandhaus zu Leipzig
Gewandhaus Orchestra Leipzig
Kurt Masur - conductor
Felix Mendelssohn Bartholdy - Symphony No. 3 in A minor, Op. 56 (Scottish) / die „Schottische“ (MWV N 18)
0:20 I. Andante con moto – Allegro un poco agitato
15:20 II. Vivace non troppo
19:47 III. Adagio
29:38 IV. Allegro vivacissimo – Allegro maestoso assai
Watch the full Gala Concert: https://www.youtube.com/watch?v=u7LPiD_8sN0&list=PLBjoEdEVMABK5ADogfC7JSZUiPvBT62RF
published: 12 Sep 2016
14:54
Tchaikovsky - Capriccio italien, Op. 45 (Gewandhausorchester Leipzig, Kurt Masur) | Kurt Masur Gala
From the Gewandhaus Leipzig,
the Gewandhaus Orchestra (conducted by Kurt Masur) performs Tchaikovsky's "Capriccio italien", Op. 45.
Subscribe to EuroArts: htt...
From the Gewandhaus Leipzig,
the Gewandhaus Orchestra (conducted by Kurt Masur) performs Tchaikovsky's "Capriccio italien", Op. 45.
Subscribe to EuroArts: https://goo.gl/jrui3M
Pyotr Ilyich Tchaikovsky - Capriccio italien, Op. 45
Gewandhausorchester Leipzig
Kurt Masur - conductor
About the concert
To celebrate his 80th birthday in 2007, Kurt Masur led “his” Gewandhaus Orchestra in a special gala
concert. For his birthday concert, Masur, currently principal conductor of the London Philharmonic Orchestra and the Orchestre National de France, chose a varied, celebratory programme with works by composers highlighting his conducting career in the United States, France and Germany. Abounding in energy, alert as ever, Masur has been untiringly lending new impulses to the entire orchestral repertoire. From 1970 until 1996 he did so as Gewandhaus Kapellmeister of the Leipzig Gewandhaus Orchestra, a position that has almost come to be identified with his name. He is still Conductor Laureate of the ensemble; the fact that he chose the orchestra for his birthday celebration expresses his gratitude and respect for the orchestra that accompanied him during momentous and troubled times. Kurt Masur had an eventful life - he was famously swept into politics as a peacemaker when the Berlin Wall was about to fall.
2007, MDR in co-operation with EuroArts Music International
https://wn.com/Tchaikovsky_Capriccio_Italien,_Op._45_(Gewandhausorchester_Leipzig,_Kurt_Masur)_|_Kurt_Masur_Gala
From the Gewandhaus Leipzig,
the Gewandhaus Orchestra (conducted by Kurt Masur) performs Tchaikovsky's "Capriccio italien", Op. 45.
Subscribe to EuroArts: https://goo.gl/jrui3M
Pyotr Ilyich Tchaikovsky - Capriccio italien, Op. 45
Gewandhausorchester Leipzig
Kurt Masur - conductor
About the concert
To celebrate his 80th birthday in 2007, Kurt Masur led “his” Gewandhaus Orchestra in a special gala
concert. For his birthday concert, Masur, currently principal conductor of the London Philharmonic Orchestra and the Orchestre National de France, chose a varied, celebratory programme with works by composers highlighting his conducting career in the United States, France and Germany. Abounding in energy, alert as ever, Masur has been untiringly lending new impulses to the entire orchestral repertoire. From 1970 until 1996 he did so as Gewandhaus Kapellmeister of the Leipzig Gewandhaus Orchestra, a position that has almost come to be identified with his name. He is still Conductor Laureate of the ensemble; the fact that he chose the orchestra for his birthday celebration expresses his gratitude and respect for the orchestra that accompanied him during momentous and troubled times. Kurt Masur had an eventful life - he was famously swept into politics as a peacemaker when the Berlin Wall was about to fall.
2007, MDR in co-operation with EuroArts Music International
- published: 25 Mar 2023
- views: 33975
11:18
Beethoven - Overture to "Egmont", Op. 84 (Kurt Masur, Gewandhausorchester Leipzig)
From the Church of St. Nicolai, Leipzig, Germany (Starts at 1:30)
20 Years Peaceful Revolution - Leipzig commemorates the 9th of October 1989
Gewandhausorchest...
From the Church of St. Nicolai, Leipzig, Germany (Starts at 1:30)
20 Years Peaceful Revolution - Leipzig commemorates the 9th of October 1989
Gewandhausorchester Leipzig
Conductor: Kurt Masur
Ludwig van Beethoven - “Egmont” Overture, Op. 84
Watch the full concert here: https://goo.gl/C7a9QS
On 9 October 1989, 70,000 people staged a non-violent demonstration calling for more freedom and democracy in the GDR. Thanks to the claim “Peaceful Revolution”, initiated by Kurt Masur as one of six prominent citizens of Leipzig, everything proceeded peacefully. That evening, the Gewandhausorchester played under his baton Brahms’ Second Symphony at the St. Nicolas Church. The following regular "Monday Demonstrations", which came to be described as the “Peaceful Revolution”, became a major milestone on the way to open the Berlin Wall one month later on November the 9th in 1989 and paving the foundations for the reunification of the two German states.
Exactly 20 years later, the Gewandhausorchester and Kurt Masur commemorate the beginning of the German reunification by presenting the same symphony at the same location.
https://wn.com/Beethoven_Overture_To_Egmont_,_Op._84_(Kurt_Masur,_Gewandhausorchester_Leipzig)
From the Church of St. Nicolai, Leipzig, Germany (Starts at 1:30)
20 Years Peaceful Revolution - Leipzig commemorates the 9th of October 1989
Gewandhausorchester Leipzig
Conductor: Kurt Masur
Ludwig van Beethoven - “Egmont” Overture, Op. 84
Watch the full concert here: https://goo.gl/C7a9QS
On 9 October 1989, 70,000 people staged a non-violent demonstration calling for more freedom and democracy in the GDR. Thanks to the claim “Peaceful Revolution”, initiated by Kurt Masur as one of six prominent citizens of Leipzig, everything proceeded peacefully. That evening, the Gewandhausorchester played under his baton Brahms’ Second Symphony at the St. Nicolas Church. The following regular "Monday Demonstrations", which came to be described as the “Peaceful Revolution”, became a major milestone on the way to open the Berlin Wall one month later on November the 9th in 1989 and paving the foundations for the reunification of the two German states.
Exactly 20 years later, the Gewandhausorchester and Kurt Masur commemorate the beginning of the German reunification by presenting the same symphony at the same location.
- published: 17 May 2015
- views: 2885762
9:36
Beethoven: Overture to Egmont | Kurt Masur and the Gewandhaus Orchestra
Kurt Masur and the Gewandhaus Orchestra have an eventful history: The
conductor played a key role in the mass demonstrations of the "peaceful
revolution" that...
Kurt Masur and the Gewandhaus Orchestra have an eventful history: The
conductor played a key role in the mass demonstrations of the "peaceful
revolution" that led to the fall of the Berlin Wall and the end of the GDR. On
October 9, 1989, more than 70,000 GDR citizens protested for more democracy
and freedom – on the same evening, the Gewandhaus Orchestra, conducted by
Kurt Masur, played a concert in Leipzig's St. Nicholas Church.
Exactly 20 years later, the orchestra under the direction of the German
conductor commemorates the historic event with an anniversary concert in the
very same St. Nicholas Church. They will also play the overture to Egmont (op.
84) by Ludwig van Beethoven. It is the first part of a dramatic score to the drama
"Egmont" by the German poet Johann Wolfgang von Goethe, which Beethoven
wrote on the occasion of a production in 1810 commissioned by the Vienna
Burgtheater. The overture became very famous and is often performed
separately from the rest of this piece of music.
Kurt Masur was born in Lower Silesia in 1927 and was Gewandhaus‘ music
director in Leipzig from 1970 to 1996. During this time he gave more than 900
touring concerts with the Orchestra. In addition to his artistic work, he is best
remembered for his political involvement during the "peaceful revolution" in
Leipzig, where he used his position as music director of Gewandhaus to warn
against violence. Kurt Masur was subsequently music director of the New York
Philharmonic and chief conductor of the London Philharmonic Orchestra before
passing away in the USA in 2015.
© EuroArts Music International GmbH
Watch more concerts in your personal concert hall:
https://www.youtube.com/playlist?list=PL_SdnzPd3eBV5A14dyRWy1KSkwcG8LEey
Subscribe to DW Classical Music:
https://www.youtube.com/dwclassicalmusic
#Beethoven #Egmont #KurtMasur #GewandhausOrchestra
https://wn.com/Beethoven_Overture_To_Egmont_|_Kurt_Masur_And_The_Gewandhaus_Orchestra
Kurt Masur and the Gewandhaus Orchestra have an eventful history: The
conductor played a key role in the mass demonstrations of the "peaceful
revolution" that led to the fall of the Berlin Wall and the end of the GDR. On
October 9, 1989, more than 70,000 GDR citizens protested for more democracy
and freedom – on the same evening, the Gewandhaus Orchestra, conducted by
Kurt Masur, played a concert in Leipzig's St. Nicholas Church.
Exactly 20 years later, the orchestra under the direction of the German
conductor commemorates the historic event with an anniversary concert in the
very same St. Nicholas Church. They will also play the overture to Egmont (op.
84) by Ludwig van Beethoven. It is the first part of a dramatic score to the drama
"Egmont" by the German poet Johann Wolfgang von Goethe, which Beethoven
wrote on the occasion of a production in 1810 commissioned by the Vienna
Burgtheater. The overture became very famous and is often performed
separately from the rest of this piece of music.
Kurt Masur was born in Lower Silesia in 1927 and was Gewandhaus‘ music
director in Leipzig from 1970 to 1996. During this time he gave more than 900
touring concerts with the Orchestra. In addition to his artistic work, he is best
remembered for his political involvement during the "peaceful revolution" in
Leipzig, where he used his position as music director of Gewandhaus to warn
against violence. Kurt Masur was subsequently music director of the New York
Philharmonic and chief conductor of the London Philharmonic Orchestra before
passing away in the USA in 2015.
© EuroArts Music International GmbH
Watch more concerts in your personal concert hall:
https://www.youtube.com/playlist?list=PL_SdnzPd3eBV5A14dyRWy1KSkwcG8LEey
Subscribe to DW Classical Music:
https://www.youtube.com/dwclassicalmusic
#Beethoven #Egmont #KurtMasur #GewandhausOrchestra
- published: 23 Dec 2020
- views: 167150
56:20
Kurt Masur conducts Beethoven Symphony no. 3, 'Eroica' - video 1972
A wonderful video of Kurt Masur conducting the Leipzig Gewandhaus Orchestra in Beethoven's Symphony no. 3, op. 55, while on tour in Moscow in 1972. Midway throu...
A wonderful video of Kurt Masur conducting the Leipzig Gewandhaus Orchestra in Beethoven's Symphony no. 3, op. 55, while on tour in Moscow in 1972. Midway through the finale there's a skip in the file that I could not fix. I left in the teasing motion towards an encore at the end, which is how the video stopped.
https://wn.com/Kurt_Masur_Conducts_Beethoven_Symphony_No._3,_'Eroica'_Video_1972
A wonderful video of Kurt Masur conducting the Leipzig Gewandhaus Orchestra in Beethoven's Symphony no. 3, op. 55, while on tour in Moscow in 1972. Midway through the finale there's a skip in the file that I could not fix. I left in the teasing motion towards an encore at the end, which is how the video stopped.
- published: 03 Aug 2016
- views: 22691
3:55
The Girl from Ipanema (Kurt Masur, Gewandhausorchester Leipzig) | Kurt Masur 80th Birthday Gala
From the Gewandhaus Leipzig,
the Gewandhaus Orchestra (conducted by Kurt Masur) performs "The Girl from Ipanema".
Subscribe to EuroArts: https://goo.gl/jrui3M...
From the Gewandhaus Leipzig,
the Gewandhaus Orchestra (conducted by Kurt Masur) performs "The Girl from Ipanema".
Subscribe to EuroArts: https://goo.gl/jrui3M
Antônio Carlos Jobim / Vinícius Moraes - The Girl from Ipanema
Gewandhausorchester Leipzig
Kurt Masur - conductor
About the concert
To celebrate his 80th birthday, Kurt Masur led “his” Gewandhaus Orchestra in a special gala
concert. For his birthday concert, Masur, currently principal conductor of the London Philharmonic Orchestra and the Orchestre National de France, chose a varied, celebratory programme with works by composers highlighting his conducting career in the United States, France and Germany. Abounding in energy, alert as ever, Masur has been untiringly lending new impulses to the entire orchestral repertoire. From 1970 until 1996 he did so as Gewandhaus Kapellmeister of the Leipzig Gewandhaus Orchestra, a position that has almost come to be identified with his name. He is still Conductor Laureate of the ensemble; the fact that he chose the orchestra for his birthday celebration expresses his gratitude and respect for the orchestra that accompanied him during momentous and troubled times. Kurt Masur had an eventful life - he was famously swept into politics as a peacemaker when the Berlin Wall was about to fall.
2007, MDR in co-operation with EuroArts Music International
https://wn.com/The_Girl_From_Ipanema_(Kurt_Masur,_Gewandhausorchester_Leipzig)_|_Kurt_Masur_80Th_Birthday_Gala
From the Gewandhaus Leipzig,
the Gewandhaus Orchestra (conducted by Kurt Masur) performs "The Girl from Ipanema".
Subscribe to EuroArts: https://goo.gl/jrui3M
Antônio Carlos Jobim / Vinícius Moraes - The Girl from Ipanema
Gewandhausorchester Leipzig
Kurt Masur - conductor
About the concert
To celebrate his 80th birthday, Kurt Masur led “his” Gewandhaus Orchestra in a special gala
concert. For his birthday concert, Masur, currently principal conductor of the London Philharmonic Orchestra and the Orchestre National de France, chose a varied, celebratory programme with works by composers highlighting his conducting career in the United States, France and Germany. Abounding in energy, alert as ever, Masur has been untiringly lending new impulses to the entire orchestral repertoire. From 1970 until 1996 he did so as Gewandhaus Kapellmeister of the Leipzig Gewandhaus Orchestra, a position that has almost come to be identified with his name. He is still Conductor Laureate of the ensemble; the fact that he chose the orchestra for his birthday celebration expresses his gratitude and respect for the orchestra that accompanied him during momentous and troubled times. Kurt Masur had an eventful life - he was famously swept into politics as a peacemaker when the Berlin Wall was about to fall.
2007, MDR in co-operation with EuroArts Music International
- published: 19 Jan 2023
- views: 6598
43:13
KURT MASUR Dokumentarfilm
Ein Film von Reinhold Jaretzky
Produktion: Zauberbergfilm Berlin
im Auftrag von SWR, SR und RBB
Er dirigiert ohne Taktstock, weil ihm das zu autoritär ist. Er...
Ein Film von Reinhold Jaretzky
Produktion: Zauberbergfilm Berlin
im Auftrag von SWR, SR und RBB
Er dirigiert ohne Taktstock, weil ihm das zu autoritär ist. Er will dem Komponisten und seiner Partitur dienen, die Allüren selbstverliebter Pult-Zeremonienmeister sucht man bei ihm vergebens. Man hat Kurt Masur "den Dirigenten der deutschen Revolution" genannt. Sein Engagement im Leipziger Herbst '89, seinen Aufruf zur Gewaltlosigkeit sieht er jedoch als seine "humanistische Pflicht". Eigentlich dreht sich bei ihm alles um die Musik. Seit mehr als 60 Jahren steht er am Dirigentenpult. Als Gewandhauskapellmeister war er der Star der DDR-Musikszene; nach der Wende machten ihm die großen internationalen Orchester den Hof. Er wurde Chef der New Yorker Philharmoniker, dann Leiter des London Philharmonic Orchestra und später des Orchestre National de France in Paris. Mit seiner vielgepriesenen Hartnäckigkeit, Genauigkeit und Ehrlichkeit stimulierte er diese Klangkörper zu ungeahnten Höhenflügen.
Der Sohn eines Elektroingenieurs, der 1927 im schlesischen Brieg geboren wurde, hat sich als großer Kenner und origineller Interpret des klassisch-romantischen Repertoires in ie Musikgeschichte eingeschrieben. Der Musik von Beethoven und Mendelssohn-Bartholdy fühlt er sich besonders verbunden. Der Film beobachtet den Dirigenten Masur bei Proben und Konzerten in Dresden, Frankfurt, Philadelphia und New York. Wir erleben ihn als Professor an der Manhattan School of Music in New York, zusammen mit seiner Ehefrau Tomoko beim gemeinsamen Musizieren in ihrem Leipziger Zuhause und privat in seinem Haus in Greenwich. Über den Menschen und Künstler Masur äußern sich Weggefährten, Kollegen und Nahestehende: der Komponist Siegfried Matthus, Pfarrer Christian Führer, Altkanzler Helmut Schmidt, die Geigerin Anne-Sophie Mutter sowie Masurs Ehefrau Tomoko, Sohn Ken-David, selbst von Beruf Dirigent, und Tochter Carolin, eine Sopranistin.
https://wn.com/Kurt_Masur_Dokumentarfilm
Ein Film von Reinhold Jaretzky
Produktion: Zauberbergfilm Berlin
im Auftrag von SWR, SR und RBB
Er dirigiert ohne Taktstock, weil ihm das zu autoritär ist. Er will dem Komponisten und seiner Partitur dienen, die Allüren selbstverliebter Pult-Zeremonienmeister sucht man bei ihm vergebens. Man hat Kurt Masur "den Dirigenten der deutschen Revolution" genannt. Sein Engagement im Leipziger Herbst '89, seinen Aufruf zur Gewaltlosigkeit sieht er jedoch als seine "humanistische Pflicht". Eigentlich dreht sich bei ihm alles um die Musik. Seit mehr als 60 Jahren steht er am Dirigentenpult. Als Gewandhauskapellmeister war er der Star der DDR-Musikszene; nach der Wende machten ihm die großen internationalen Orchester den Hof. Er wurde Chef der New Yorker Philharmoniker, dann Leiter des London Philharmonic Orchestra und später des Orchestre National de France in Paris. Mit seiner vielgepriesenen Hartnäckigkeit, Genauigkeit und Ehrlichkeit stimulierte er diese Klangkörper zu ungeahnten Höhenflügen.
Der Sohn eines Elektroingenieurs, der 1927 im schlesischen Brieg geboren wurde, hat sich als großer Kenner und origineller Interpret des klassisch-romantischen Repertoires in ie Musikgeschichte eingeschrieben. Der Musik von Beethoven und Mendelssohn-Bartholdy fühlt er sich besonders verbunden. Der Film beobachtet den Dirigenten Masur bei Proben und Konzerten in Dresden, Frankfurt, Philadelphia und New York. Wir erleben ihn als Professor an der Manhattan School of Music in New York, zusammen mit seiner Ehefrau Tomoko beim gemeinsamen Musizieren in ihrem Leipziger Zuhause und privat in seinem Haus in Greenwich. Über den Menschen und Künstler Masur äußern sich Weggefährten, Kollegen und Nahestehende: der Komponist Siegfried Matthus, Pfarrer Christian Führer, Altkanzler Helmut Schmidt, die Geigerin Anne-Sophie Mutter sowie Masurs Ehefrau Tomoko, Sohn Ken-David, selbst von Beruf Dirigent, und Tochter Carolin, eine Sopranistin.
- published: 13 Jan 2020
- views: 51771
29:29
Review: Kurt Masur's Complete Warner Recordings--They're Not What You Think
Seventy CDs of a conductor with a reputation for not being terribly interesting was always going to be a hard sell, and so it proves. And yet, there's some firs...
Seventy CDs of a conductor with a reputation for not being terribly interesting was always going to be a hard sell, and so it proves. And yet, there's some first-rate work here, truly, and it's not where you might at first think it's most likely to be found. Check out the video as we try to uncover the real Kurt Masur.
https://wn.com/Review_Kurt_Masur's_Complete_Warner_Recordings_They're_Not_What_You_Think
Seventy CDs of a conductor with a reputation for not being terribly interesting was always going to be a hard sell, and so it proves. And yet, there's some first-rate work here, truly, and it's not where you might at first think it's most likely to be found. Check out the video as we try to uncover the real Kurt Masur.
- published: 19 May 2022
- views: 10173
37:48
Mussorgsky - Pictures at an Exhibition (Kurt Masur & Leipzig Gewandhaus Orchestra)
From the Gewandhaus in Leipzig, Germany
Leipzig Gewandhaus Orchestra
Kurt Masur - conductor
Modest Mussorgsky - Pictures at an Exhibition
Orchestration: Sergei...
From the Gewandhaus in Leipzig, Germany
Leipzig Gewandhaus Orchestra
Kurt Masur - conductor
Modest Mussorgsky - Pictures at an Exhibition
Orchestration: Sergei Petrovitch Gorchakov
Chapters:
0:00 Pictures at an Exhibition
1:33 Promenade
2:53 The Gnome
5:23 Promenade
6:14 The Old Castle
10:33 Promenade
11:00 Tuileries
12:00 Bydlo
14:59 Promenade
15:43 Ballet of the Unhatched Chickens
17:06 Samuel Goldenberg and Schmuyle
19:30 Promenade
20:44 Limoges: The Market Square
22:16 Catacombae (Sepulchrum romanum)
26:08 The Hut on Hen's Legs (Baba-Yaga)
30:00 The Great Gate of Kiev
Watch also the piano version performed by Evgeny Kissin: https://youtu.be/rH_Rsl7fjok
Subscribe: https://goo.gl/jrui3M
https://wn.com/Mussorgsky_Pictures_At_An_Exhibition_(Kurt_Masur_Leipzig_Gewandhaus_Orchestra)
From the Gewandhaus in Leipzig, Germany
Leipzig Gewandhaus Orchestra
Kurt Masur - conductor
Modest Mussorgsky - Pictures at an Exhibition
Orchestration: Sergei Petrovitch Gorchakov
Chapters:
0:00 Pictures at an Exhibition
1:33 Promenade
2:53 The Gnome
5:23 Promenade
6:14 The Old Castle
10:33 Promenade
11:00 Tuileries
12:00 Bydlo
14:59 Promenade
15:43 Ballet of the Unhatched Chickens
17:06 Samuel Goldenberg and Schmuyle
19:30 Promenade
20:44 Limoges: The Market Square
22:16 Catacombae (Sepulchrum romanum)
26:08 The Hut on Hen's Legs (Baba-Yaga)
30:00 The Great Gate of Kiev
Watch also the piano version performed by Evgeny Kissin: https://youtu.be/rH_Rsl7fjok
Subscribe: https://goo.gl/jrui3M
- published: 19 Jan 2017
- views: 1260171
23:53
Кариссими Гендель 1
ДЖАКОМО КАРИЗИМИ «ЙЕФТЕ». ГЕОРГ ФРИДРИХ ГЕНДЕЛЬ «АРМИДА АББАНДОНАТА».
Продолжение здесь: https://youtu.be/Ifb82oqc7g4
Сегодня тоже предлагаю к прослушиванию дух...
ДЖАКОМО КАРИЗИМИ «ЙЕФТЕ». ГЕОРГ ФРИДРИХ ГЕНДЕЛЬ «АРМИДА АББАНДОНАТА».
Продолжение здесь: https://youtu.be/Ifb82oqc7g4
Сегодня тоже предлагаю к прослушиванию духовную музыку, но – гораздо более раннюю, нежели Месса Гайдна. На пластинке, которую я сегодня представляю, звучат произведения двух композиторов, Каризими и Генделя. Первый родился в 1605-м, а второй – в один год с И.С. Бахом, в 1685-м.
Я вот решил ничего не писать о композиторах и музыке, но привести мой перевод с немецкого статьи с обратной стороны конверта. Ну и да, я плохой переводчик, стал перечитывать – ну как по-немецки написано. От себя же напишу только несколько слов о самой пластинки и исполнении.
Исполнение
Исполнено всё с, что называется, с немецкой педантичностью. Все ноты прозвучали там и так, как должны были. Каждое вибрато образцово-показательное. Один мой друг говорит: «Ну это немцы, они такие…» (он живёт в Германии и мы оба закончили немецкую школу). Ну вот не знаю, западные дойчи отнюдь не все такие, далеко не во всех исполнениях, я уже не говорю про их «рукомыслие». У меня не просто так вся техника японская и авто корейское. Но в исполнении – что называется, имеет место быть, очень многим нравится именно такой педантизм.
Звучание и запись
Звучит всё очень верно по пространству. Абсолютно аутентично, именно так и должно быть, они не америкосы, дойчи предельно точно ориентируются в звучаниях. Запись 1969-го года.
Пластинка
Моя горячо любимая Eterna в идеальном состоянии. Релиз 1970-го года. Тоненький конверт, но из приличной бумаги, сам диск вложен в бумажный, вощёный с обратной стороны, подконвертник. Качество безупречное. Уровень, АЧХ, шум массы – всё не просто на высоте, всё запредельно крутое. Диск великолепен.
Диск тяжёлый, почти что как современный винил, весит 163 грамма.
Ссылки:
FLAС
https://disk.yandex.ru/d/Ce54Tev0p6KCFQ
https://disk.yandex.ru/d/0B_g3XpV6IwXUA
mp3
https://disk.yandex.ru/d/sxnilq1Gb-HT-g
https://disk.yandex.ru/d/wJ6wZsDIhxWHRA
Сторона 1
Oratorium Für Vier Solostimmen, Gemischten Chor, Streichorchester Und Cembalo
Kammerorchester Berlin, Dirigent Helmut Koch
Großer Chor Des Berliner Rundfunks, Choreinsudierung Ehm Kurzweg
Сторона 2
Armida Abbandonata - Kantate für Sopran, Streichorchester und Generalbaß
(Moderato) - Dietro L'orme Fugaci Del Guerrier
Aria (Adagio) - Ah, Crudele, E Pur Ten Vai
Rezitativ - Per Te Mi Struggo, Infido
Rezitativ - O Voi Dell' Incostante
Aria (Allegro Moderato) - Venti, Venti, Fermate
Rezitativ - Ma Che Parlo, Che Dico
Aria (Siciliano-Modersto) - In Tanti Affanni Miei
Stefania Woytowich, Sopran
Robert Köbler, Cembalo
Peter Zimmermann, Violoncello
Kammerorchester Berlin, Diriget Kurt Masur
Джакомо Кариссими всю жизнь прожил в Риме. Он является самым выдающимся мастером искусства написания ораторий в 17 веке. Кариссими превосходит своих предшественников и современников в этой области и драматической силой и глубиной чувств, и благородной мелодичностью, и полнотой аккордов и четкой декламацией. Благодаря его произведениям оратория, формирующаяся со второй половины 16-го века, окончательно переросла свое происхождение от «молельного зала» (оратории) и приобретает своё современное, концертное значение. Среди его 16 ораторий можно найти такие произведения, как «Валтасар» (Валтасар), «Иов» (Иов), «Суд Соломона» (Приговор Соломона), и все на ветхозаветные темы. Известно, что Кариссими познакомился с поэтом Мильтоном в Риме во время его путешествия по Италии около 1638 года и посвятил ему восхищенную оду.
«Йефте», несмотря на свою краткость, полностью самостоятельное произведение, основано на повествовании из "Книги Судей Израилевых", которое на протяжении веков вошло во многие песни и произведения искусства. В этом есть двойная трагедия: трагедия отца и судьи из Галаада, который ради спасения родины клянется принести в жертву Богу первое, что встретится ему после победоносной кампании, и не меньшая трагедия его девственной дочери, которая радостно приветствует отца и приносит ему в жертву всё, что у него есть после победоносной кампании. Жертва кровавого закона первобытной варварской эпохи. Безымянная, как и в Библии, эта дочь также присутствует у Кариссими - в отличие от более позднего „Йеффая“ Генделя, где Ниц называется Ифис и не постигнет участь ее безымянной сестры, - но ее свежесть и красота, ее храбрая жертвенность и ее звучащее жалобное пение достойно помещают ее в число нетленных музыкальных образов.
Здесь выставляются напоказ не просто аффекты. Кариссими придает всему этому смелые человеческие драматические черты. Мы видим в Джефте (теноре) и его дочери (сопрано), в их речитативах и ариозо, подходы к реальной индивидуализации. Уже сам Historicus не оставлен на усмотрение одного голоса, скорее, повествующая партия отведена различным сольным партиям (альт, бас) и, кроме того, хору, выражая общее участие в происходящем и создавая в то же время необычайную красочность звуковой картины.
https://wn.com/Кариссими_Гендель_1
ДЖАКОМО КАРИЗИМИ «ЙЕФТЕ». ГЕОРГ ФРИДРИХ ГЕНДЕЛЬ «АРМИДА АББАНДОНАТА».
Продолжение здесь: https://youtu.be/Ifb82oqc7g4
Сегодня тоже предлагаю к прослушиванию духовную музыку, но – гораздо более раннюю, нежели Месса Гайдна. На пластинке, которую я сегодня представляю, звучат произведения двух композиторов, Каризими и Генделя. Первый родился в 1605-м, а второй – в один год с И.С. Бахом, в 1685-м.
Я вот решил ничего не писать о композиторах и музыке, но привести мой перевод с немецкого статьи с обратной стороны конверта. Ну и да, я плохой переводчик, стал перечитывать – ну как по-немецки написано. От себя же напишу только несколько слов о самой пластинки и исполнении.
Исполнение
Исполнено всё с, что называется, с немецкой педантичностью. Все ноты прозвучали там и так, как должны были. Каждое вибрато образцово-показательное. Один мой друг говорит: «Ну это немцы, они такие…» (он живёт в Германии и мы оба закончили немецкую школу). Ну вот не знаю, западные дойчи отнюдь не все такие, далеко не во всех исполнениях, я уже не говорю про их «рукомыслие». У меня не просто так вся техника японская и авто корейское. Но в исполнении – что называется, имеет место быть, очень многим нравится именно такой педантизм.
Звучание и запись
Звучит всё очень верно по пространству. Абсолютно аутентично, именно так и должно быть, они не америкосы, дойчи предельно точно ориентируются в звучаниях. Запись 1969-го года.
Пластинка
Моя горячо любимая Eterna в идеальном состоянии. Релиз 1970-го года. Тоненький конверт, но из приличной бумаги, сам диск вложен в бумажный, вощёный с обратной стороны, подконвертник. Качество безупречное. Уровень, АЧХ, шум массы – всё не просто на высоте, всё запредельно крутое. Диск великолепен.
Диск тяжёлый, почти что как современный винил, весит 163 грамма.
Ссылки:
FLAС
https://disk.yandex.ru/d/Ce54Tev0p6KCFQ
https://disk.yandex.ru/d/0B_g3XpV6IwXUA
mp3
https://disk.yandex.ru/d/sxnilq1Gb-HT-g
https://disk.yandex.ru/d/wJ6wZsDIhxWHRA
Сторона 1
Oratorium Für Vier Solostimmen, Gemischten Chor, Streichorchester Und Cembalo
Kammerorchester Berlin, Dirigent Helmut Koch
Großer Chor Des Berliner Rundfunks, Choreinsudierung Ehm Kurzweg
Сторона 2
Armida Abbandonata - Kantate für Sopran, Streichorchester und Generalbaß
(Moderato) - Dietro L'orme Fugaci Del Guerrier
Aria (Adagio) - Ah, Crudele, E Pur Ten Vai
Rezitativ - Per Te Mi Struggo, Infido
Rezitativ - O Voi Dell' Incostante
Aria (Allegro Moderato) - Venti, Venti, Fermate
Rezitativ - Ma Che Parlo, Che Dico
Aria (Siciliano-Modersto) - In Tanti Affanni Miei
Stefania Woytowich, Sopran
Robert Köbler, Cembalo
Peter Zimmermann, Violoncello
Kammerorchester Berlin, Diriget Kurt Masur
Джакомо Кариссими всю жизнь прожил в Риме. Он является самым выдающимся мастером искусства написания ораторий в 17 веке. Кариссими превосходит своих предшественников и современников в этой области и драматической силой и глубиной чувств, и благородной мелодичностью, и полнотой аккордов и четкой декламацией. Благодаря его произведениям оратория, формирующаяся со второй половины 16-го века, окончательно переросла свое происхождение от «молельного зала» (оратории) и приобретает своё современное, концертное значение. Среди его 16 ораторий можно найти такие произведения, как «Валтасар» (Валтасар), «Иов» (Иов), «Суд Соломона» (Приговор Соломона), и все на ветхозаветные темы. Известно, что Кариссими познакомился с поэтом Мильтоном в Риме во время его путешествия по Италии около 1638 года и посвятил ему восхищенную оду.
«Йефте», несмотря на свою краткость, полностью самостоятельное произведение, основано на повествовании из "Книги Судей Израилевых", которое на протяжении веков вошло во многие песни и произведения искусства. В этом есть двойная трагедия: трагедия отца и судьи из Галаада, который ради спасения родины клянется принести в жертву Богу первое, что встретится ему после победоносной кампании, и не меньшая трагедия его девственной дочери, которая радостно приветствует отца и приносит ему в жертву всё, что у него есть после победоносной кампании. Жертва кровавого закона первобытной варварской эпохи. Безымянная, как и в Библии, эта дочь также присутствует у Кариссими - в отличие от более позднего „Йеффая“ Генделя, где Ниц называется Ифис и не постигнет участь ее безымянной сестры, - но ее свежесть и красота, ее храбрая жертвенность и ее звучащее жалобное пение достойно помещают ее в число нетленных музыкальных образов.
Здесь выставляются напоказ не просто аффекты. Кариссими придает всему этому смелые человеческие драматические черты. Мы видим в Джефте (теноре) и его дочери (сопрано), в их речитативах и ариозо, подходы к реальной индивидуализации. Уже сам Historicus не оставлен на усмотрение одного голоса, скорее, повествующая партия отведена различным сольным партиям (альт, бас) и, кроме того, хору, выражая общее участие в происходящем и создавая в то же время необычайную красочность звуковой картины.
- published: 10 Jun 2024
- views: 84
39:41
Mendelssohn - Symphony No. 3 in A minor, Op. 56 (Scottish) Kurt Masur, Gewandhausorchestra
Gala Concert from the Gewandhaus zu Leipzig
Gewandhaus Orchestra Leipzig
Kurt Masur - conductor
Felix Mendelssohn Bartholdy - Symphony No. 3 in A minor, Op. 56...
Gala Concert from the Gewandhaus zu Leipzig
Gewandhaus Orchestra Leipzig
Kurt Masur - conductor
Felix Mendelssohn Bartholdy - Symphony No. 3 in A minor, Op. 56 (Scottish) / die „Schottische“ (MWV N 18)
0:20 I. Andante con moto – Allegro un poco agitato
15:20 II. Vivace non troppo
19:47 III. Adagio
29:38 IV. Allegro vivacissimo – Allegro maestoso assai
Watch the full Gala Concert: https://www.youtube.com/watch?v=u7LPiD_8sN0&list=PLBjoEdEVMABK5ADogfC7JSZUiPvBT62RF
https://wn.com/Mendelssohn_Symphony_No._3_In_A_Minor,_Op._56_(Scottish)_Kurt_Masur,_Gewandhausorchestra
Gala Concert from the Gewandhaus zu Leipzig
Gewandhaus Orchestra Leipzig
Kurt Masur - conductor
Felix Mendelssohn Bartholdy - Symphony No. 3 in A minor, Op. 56 (Scottish) / die „Schottische“ (MWV N 18)
0:20 I. Andante con moto – Allegro un poco agitato
15:20 II. Vivace non troppo
19:47 III. Adagio
29:38 IV. Allegro vivacissimo – Allegro maestoso assai
Watch the full Gala Concert: https://www.youtube.com/watch?v=u7LPiD_8sN0&list=PLBjoEdEVMABK5ADogfC7JSZUiPvBT62RF
- published: 12 Sep 2016
- views: 302722
-
Rachmaninoff: Symphonic Dances op.45 - Live concert HD
Meer op www.hetzondagochtendconcert.nl en http://klassiek.avro.nl
Radio Filharmonisch Orkest o.l.v. Edward Gardner
18 december 2011, 11:00 uur, Grote Zaal van het Concertgebouw Amsterdam.
Rachmaninov: Symfonische Dansen
published: 18 Dec 2011
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Rachmaninow: Sinfonische Tänze ∙ hr-Sinfonieorchester ∙ Andrés Orozco-Estrada
Sergej Rachmaninow:
Sinfonische Tänze ∙
(Auftritt) 00:00 ∙
I. Non allegro – Lento – Tempo I 00:30 ∙
II. Andante con moto (Tempo di valse) 12:33 ∙
III. Lento assai – Allegro vivace – Lento assai come prima – Allegro vivace 22:55 ∙
hr-Sinfonieorchester (Frankfurt Radio Symphony Orchestra) ∙
Andrés Orozco-Estrada, Dirigent ∙
Alte Oper Frankfurt, 7. Februar 2014 ∙
Website: http://www.hr-sinfonieorchester.de ∙
Facebook: http://www.facebook.com/hrsinfonieorchester
published: 02 May 2014
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Bernstein: Symphonic Dances from »West Side Story« ∙ hr-Sinfonieorchester ∙ Andrés Orozco-Estrada
Prologue (Allegro moderato) •
Somewhere (Adagio) •
Scherzo (Vivace leggiero) •
Mambo (Presto) •
Cha-Cha (Andantino con grazia) •
Meeting Szene (Meno mosso) •
Cool – Fugue (Allegretto) •
Rumble (Molto allegro) •
Finale (Adagio) •
Open Air Konzert ∙
17. August 2016 ∙
Weseler Werft, Frankfurt am Main ∙
hr-Sinfonieorchester – Frankfurt Radio Symphony ∙
Andrés Orozco-Estrada, Dirigent ∙
Website: http://www.hr-sinfonieorchester.de
Facebook: http://www.facebook.com/hrsinfonieorchester
published: 13 Sep 2016
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Rachmaninov: Symphonic Dances / Petrenko · Berliner Philharmoniker
Full-length concert: http://www.digitalconcerthall.com/concert/52528/?a=youtube&c=true
Sergei Rachmaninov: Symphonic Dances (1st movt) / Kirill Petrenko, conductor · Berliner Philharmoniker / Recorded at the Philharmonie Berlin, 15 February 2020
The Berliner Philharmoniker's Digital Concert Hall:
http://www.digitalconcerthall.com
Subscribe to our newsletter:
http://www.digitalconcerthall.com/newsletter
Website of the Berliner Philharmoniker:
http://www.berliner-philharmoniker.de
published: 02 Mar 2020
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Bernstein : Symphonic Dances from West Side Story
Leonard Bernstein
Israel Philharmonic Orchestra
The Symphony Hall, Osaka, 1985
published: 06 Jan 2012
-
Rachmaninoff: Symphonic Dances, Op. 45 - I. Non allegro
Provided to YouTube by Universal Music Group
Rachmaninoff: Symphonic Dances, Op. 45 - I. Non allegro · Berliner Philharmoniker · Lorin Maazel · Sergei Rachmaninoff
Rachmaninoff: Symphonic Dances, Op.45; Intermezzo "Aleko"; Vocalise, Op.34
℗ 1984 Deutsche Grammophon GmbH, Berlin
Released on: 1984-01-01
Producer, Recording Producer: Wolfgang Stengel
Studio Personnel, Balance Engineer: Klaus Scheibe
Studio Personnel, Recording Engineer: Rainer Hoepfner
Composer: Sergei Rachmaninoff
Auto-generated by YouTube.
published: 29 Jul 2018
-
Rachmaninoff: Symphonic dances, op. 4 | Mariss Jansons
__
Rachmaninoff: Symphonic dances, op. 4
Symphonieorchester des Bayerischen Rundfunks
Conducted by Mariss Jansons
__
published: 20 Sep 2020
-
Rachmaninov - Symphonic Dances - Kondrashin
Sergei Rachmaninov
Symphonic Dances op.45
I. Non allegro 0:00
II. Andante con moto. Tempo di valse 11:09
III. Lento assai - Allegro vivace 21:02
Moscow Philharmonic Symphony Orchestra
Kirill Kondrashin
Studio recording, Moscow, 1963
published: 10 Jul 2013
-
Rachmaninoff: Symphonic Dances, Op. 45 | Vienna Philharmonic & Jakub Hrůša | Enescu Festival 2023
Sergei Rachmaninoff: Symphonic Dances, Op. 45 | Vienna Philharmonic & Jakub Hrůša | George Enescu Festival | 11.09.2023 | Bucharest Palace Hall
Recorded from public broadcast. Enjoy!
Please subscribe for more content like this! Cheers!
_____________________________________________________
Rachmaninoff composed the Symphonic Dances four years after his Third Symphony, mostly at the Honeyman estate, "Orchard Point", in Centerport, New York, overlooking Long Island Sound. Its original name was Fantastic Dances, with movement titles of "Noon", "Twilight", and "Midnight". While the composer had written to conductor Eugene Ormandy in late August 1940 that the piece was finished and needed only to be orchestrated, the manuscript for the full score bears completion dates of September and Octob...
published: 01 Nov 2023
-
Rachmaninoff: Symphonic Dances, Op 45 (with Full Score) [4K UHD]
Rachmaninoff: Symphonic Dances, Op 45 (1940)
Tugan Sokhiev, Conductor
Berliner Philharmoniker
I. Non Allegro - 0:00
II. Andante con moto - 11:56
III. Lento Assai – Allegro Vivace - 21:52
Recorded and broadcast live from the Berliner Philharmonie on 21 January 2012.
From Wikipedia: "The Symphonic Dances, Op. 45, is an orchestral suite in three movements. Completed in 1940, it is Sergei Rachmaninoff's last composition. The work summarizes Rachmaninoff's compositional output.
The work is fully representative of the composer's later style with its curious, shifting harmonies, the almost Prokofiev-like grotesquerie of the outer movements and the focus on individual instrumental tone colors throughout (highlighted by his use of an alto saxophone in the opening dance). The opening three-note...
published: 03 Aug 2017
41:00
Rachmaninoff: Symphonic Dances op.45 - Live concert HD
Meer op www.hetzondagochtendconcert.nl en http://klassiek.avro.nl
Radio Filharmonisch Orkest o.l.v. Edward Gardner
18 december 2011, 11:00 uur, Grote Zaal van...
Meer op www.hetzondagochtendconcert.nl en http://klassiek.avro.nl
Radio Filharmonisch Orkest o.l.v. Edward Gardner
18 december 2011, 11:00 uur, Grote Zaal van het Concertgebouw Amsterdam.
Rachmaninov: Symfonische Dansen
https://wn.com/Rachmaninoff_Symphonic_Dances_Op.45_Live_Concert_Hd
Meer op www.hetzondagochtendconcert.nl en http://klassiek.avro.nl
Radio Filharmonisch Orkest o.l.v. Edward Gardner
18 december 2011, 11:00 uur, Grote Zaal van het Concertgebouw Amsterdam.
Rachmaninov: Symfonische Dansen
- published: 18 Dec 2011
- views: 1563491
41:11
Rachmaninow: Sinfonische Tänze ∙ hr-Sinfonieorchester ∙ Andrés Orozco-Estrada
Sergej Rachmaninow:
Sinfonische Tänze ∙
(Auftritt) 00:00 ∙
I. Non allegro – Lento – Tempo I 00:30 ∙
II. Andante con moto (Tempo di valse) 12:33 ∙
III. Len...
Sergej Rachmaninow:
Sinfonische Tänze ∙
(Auftritt) 00:00 ∙
I. Non allegro – Lento – Tempo I 00:30 ∙
II. Andante con moto (Tempo di valse) 12:33 ∙
III. Lento assai – Allegro vivace – Lento assai come prima – Allegro vivace 22:55 ∙
hr-Sinfonieorchester (Frankfurt Radio Symphony Orchestra) ∙
Andrés Orozco-Estrada, Dirigent ∙
Alte Oper Frankfurt, 7. Februar 2014 ∙
Website: http://www.hr-sinfonieorchester.de ∙
Facebook: http://www.facebook.com/hrsinfonieorchester
https://wn.com/Rachmaninow_Sinfonische_Tänze_∙_Hr_Sinfonieorchester_∙_Andrés_Orozco_Estrada
Sergej Rachmaninow:
Sinfonische Tänze ∙
(Auftritt) 00:00 ∙
I. Non allegro – Lento – Tempo I 00:30 ∙
II. Andante con moto (Tempo di valse) 12:33 ∙
III. Lento assai – Allegro vivace – Lento assai come prima – Allegro vivace 22:55 ∙
hr-Sinfonieorchester (Frankfurt Radio Symphony Orchestra) ∙
Andrés Orozco-Estrada, Dirigent ∙
Alte Oper Frankfurt, 7. Februar 2014 ∙
Website: http://www.hr-sinfonieorchester.de ∙
Facebook: http://www.facebook.com/hrsinfonieorchester
- published: 02 May 2014
- views: 393597
23:22
Bernstein: Symphonic Dances from »West Side Story« ∙ hr-Sinfonieorchester ∙ Andrés Orozco-Estrada
Prologue (Allegro moderato) •
Somewhere (Adagio) •
Scherzo (Vivace leggiero) •
Mambo (Presto) •
Cha-Cha (Andantino con grazia) •
Meeting Szene (Meno mosso) •
Co...
Prologue (Allegro moderato) •
Somewhere (Adagio) •
Scherzo (Vivace leggiero) •
Mambo (Presto) •
Cha-Cha (Andantino con grazia) •
Meeting Szene (Meno mosso) •
Cool – Fugue (Allegretto) •
Rumble (Molto allegro) •
Finale (Adagio) •
Open Air Konzert ∙
17. August 2016 ∙
Weseler Werft, Frankfurt am Main ∙
hr-Sinfonieorchester – Frankfurt Radio Symphony ∙
Andrés Orozco-Estrada, Dirigent ∙
Website: http://www.hr-sinfonieorchester.de
Facebook: http://www.facebook.com/hrsinfonieorchester
https://wn.com/Bernstein_Symphonic_Dances_From_»West_Side_Story«_∙_Hr_Sinfonieorchester_∙_Andrés_Orozco_Estrada
Prologue (Allegro moderato) •
Somewhere (Adagio) •
Scherzo (Vivace leggiero) •
Mambo (Presto) •
Cha-Cha (Andantino con grazia) •
Meeting Szene (Meno mosso) •
Cool – Fugue (Allegretto) •
Rumble (Molto allegro) •
Finale (Adagio) •
Open Air Konzert ∙
17. August 2016 ∙
Weseler Werft, Frankfurt am Main ∙
hr-Sinfonieorchester – Frankfurt Radio Symphony ∙
Andrés Orozco-Estrada, Dirigent ∙
Website: http://www.hr-sinfonieorchester.de
Facebook: http://www.facebook.com/hrsinfonieorchester
- published: 13 Sep 2016
- views: 440569
2:49
Rachmaninov: Symphonic Dances / Petrenko · Berliner Philharmoniker
Full-length concert: http://www.digitalconcerthall.com/concert/52528/?a=youtube&c=true
Sergei Rachmaninov: Symphonic Dances (1st movt) / Kirill Petrenko, conduc...
Full-length concert: http://www.digitalconcerthall.com/concert/52528/?a=youtube&c=true
Sergei Rachmaninov: Symphonic Dances (1st movt) / Kirill Petrenko, conductor · Berliner Philharmoniker / Recorded at the Philharmonie Berlin, 15 February 2020
The Berliner Philharmoniker's Digital Concert Hall:
http://www.digitalconcerthall.com
Subscribe to our newsletter:
http://www.digitalconcerthall.com/newsletter
Website of the Berliner Philharmoniker:
http://www.berliner-philharmoniker.de
https://wn.com/Rachmaninov_Symphonic_Dances_Petrenko_·_Berliner_Philharmoniker
Full-length concert: http://www.digitalconcerthall.com/concert/52528/?a=youtube&c=true
Sergei Rachmaninov: Symphonic Dances (1st movt) / Kirill Petrenko, conductor · Berliner Philharmoniker / Recorded at the Philharmonie Berlin, 15 February 2020
The Berliner Philharmoniker's Digital Concert Hall:
http://www.digitalconcerthall.com
Subscribe to our newsletter:
http://www.digitalconcerthall.com/newsletter
Website of the Berliner Philharmoniker:
http://www.berliner-philharmoniker.de
- published: 02 Mar 2020
- views: 182288
23:41
Bernstein : Symphonic Dances from West Side Story
Leonard Bernstein
Israel Philharmonic Orchestra
The Symphony Hall, Osaka, 1985
Leonard Bernstein
Israel Philharmonic Orchestra
The Symphony Hall, Osaka, 1985
https://wn.com/Bernstein_Symphonic_Dances_From_West_Side_Story
Leonard Bernstein
Israel Philharmonic Orchestra
The Symphony Hall, Osaka, 1985
- published: 06 Jan 2012
- views: 1679701
11:35
Rachmaninoff: Symphonic Dances, Op. 45 - I. Non allegro
Provided to YouTube by Universal Music Group
Rachmaninoff: Symphonic Dances, Op. 45 - I. Non allegro · Berliner Philharmoniker · Lorin Maazel · Sergei Rachmani...
Provided to YouTube by Universal Music Group
Rachmaninoff: Symphonic Dances, Op. 45 - I. Non allegro · Berliner Philharmoniker · Lorin Maazel · Sergei Rachmaninoff
Rachmaninoff: Symphonic Dances, Op.45; Intermezzo "Aleko"; Vocalise, Op.34
℗ 1984 Deutsche Grammophon GmbH, Berlin
Released on: 1984-01-01
Producer, Recording Producer: Wolfgang Stengel
Studio Personnel, Balance Engineer: Klaus Scheibe
Studio Personnel, Recording Engineer: Rainer Hoepfner
Composer: Sergei Rachmaninoff
Auto-generated by YouTube.
https://wn.com/Rachmaninoff_Symphonic_Dances,_Op._45_I._Non_Allegro
Provided to YouTube by Universal Music Group
Rachmaninoff: Symphonic Dances, Op. 45 - I. Non allegro · Berliner Philharmoniker · Lorin Maazel · Sergei Rachmaninoff
Rachmaninoff: Symphonic Dances, Op.45; Intermezzo "Aleko"; Vocalise, Op.34
℗ 1984 Deutsche Grammophon GmbH, Berlin
Released on: 1984-01-01
Producer, Recording Producer: Wolfgang Stengel
Studio Personnel, Balance Engineer: Klaus Scheibe
Studio Personnel, Recording Engineer: Rainer Hoepfner
Composer: Sergei Rachmaninoff
Auto-generated by YouTube.
- published: 29 Jul 2018
- views: 8776
44:13
Rachmaninoff: Symphonic dances, op. 4 | Mariss Jansons
__
Rachmaninoff: Symphonic dances, op. 4
Symphonieorchester des Bayerischen Rundfunks
Conducted by Mariss Jansons
__
__
Rachmaninoff: Symphonic dances, op. 4
Symphonieorchester des Bayerischen Rundfunks
Conducted by Mariss Jansons
__
https://wn.com/Rachmaninoff_Symphonic_Dances,_Op._4_|_Mariss_Jansons
__
Rachmaninoff: Symphonic dances, op. 4
Symphonieorchester des Bayerischen Rundfunks
Conducted by Mariss Jansons
__
- published: 20 Sep 2020
- views: 35588
34:09
Rachmaninov - Symphonic Dances - Kondrashin
Sergei Rachmaninov
Symphonic Dances op.45
I. Non allegro 0:00
II. Andante con moto. Tempo di valse 11:09
III. Lento assai - Allegro vivace 21:02
Moscow Philh...
Sergei Rachmaninov
Symphonic Dances op.45
I. Non allegro 0:00
II. Andante con moto. Tempo di valse 11:09
III. Lento assai - Allegro vivace 21:02
Moscow Philharmonic Symphony Orchestra
Kirill Kondrashin
Studio recording, Moscow, 1963
https://wn.com/Rachmaninov_Symphonic_Dances_Kondrashin
Sergei Rachmaninov
Symphonic Dances op.45
I. Non allegro 0:00
II. Andante con moto. Tempo di valse 11:09
III. Lento assai - Allegro vivace 21:02
Moscow Philharmonic Symphony Orchestra
Kirill Kondrashin
Studio recording, Moscow, 1963
- published: 10 Jul 2013
- views: 84767
40:28
Rachmaninoff: Symphonic Dances, Op. 45 | Vienna Philharmonic & Jakub Hrůša | Enescu Festival 2023
Sergei Rachmaninoff: Symphonic Dances, Op. 45 | Vienna Philharmonic & Jakub Hrůša | George Enescu Festival | 11.09.2023 | Bucharest Palace Hall
Recorded from p...
Sergei Rachmaninoff: Symphonic Dances, Op. 45 | Vienna Philharmonic & Jakub Hrůša | George Enescu Festival | 11.09.2023 | Bucharest Palace Hall
Recorded from public broadcast. Enjoy!
Please subscribe for more content like this! Cheers!
_____________________________________________________
Rachmaninoff composed the Symphonic Dances four years after his Third Symphony, mostly at the Honeyman estate, "Orchard Point", in Centerport, New York, overlooking Long Island Sound. Its original name was Fantastic Dances, with movement titles of "Noon", "Twilight", and "Midnight". While the composer had written to conductor Eugene Ormandy in late August 1940 that the piece was finished and needed only to be orchestrated, the manuscript for the full score bears completion dates of September and October 1940. It was premiered by Ormandy and the Philadelphia Orchestra, to whom it is dedicated, on January 3, 1941.
The work is fully representative of the composer's later style with its curious, shifting harmonies, the almost Prokofiev-like grotesquerie of the outer movements and the focus on individual instrumental tone colors throughout (highlighted by his use of an alto saxophone in the opening dance). The opening three-note motif, introduced quietly but soon reinforced by heavily staccato chords and responsible for much of the movement's rhythmic vitality, is reminiscent of the Queen of Shemakha's theme in Rimsky-Korsakov's opera The Golden Cockerel, the only music by another composer that he had taken out of Russia with him in 1917.
The Symphonic Dances combine energetic rhythmic sections, reminiscent of Stravinsky's The Rite of Spring, with some of the composer's lushest harmonies. The rhythmic vivacity, a characteristic of Rachmaninoff's late style, may have been further heightened here for two reasons. First, he had been encouraged by the success of his Rhapsody on a Theme of Paganini as a ballet in 1939 and wanted to write something with which to follow it up. Second, he may have included material intended for a ballet titled The Scythians, begun in 1914–15 but abandoned before he left Russia. While no manuscript for the ballet is known to have survived, this does not make his quoting the work inconceivable, given Rachmaninoff's remarkable memory. He could remember and play back accurately pieces he had heard years earlier, even those he had heard only once.
The work is remarkable for its use of the alto saxophone as a solo instrument. Rachmaninoff was apparently advised as to its use by the American orchestrator and composer Robert Russell Bennett. The composition includes several quotations from Rachmaninoff's other works, and can be regarded as a summing-up of his entire career as a composer. The first dance ends with a modified quotation from his unfortunate First Symphony (1897), here nostalgically rendered in a major key. The ghostly second dance was called "dusk" in some sketches. The final dance is a kind of struggle between the Dies Irae theme, representing Death, and a quotation from the ninth movement of his All-night Vigil (1915), representing Resurrection (the lyrics of the All-night Vigil's ninth movement in fact narrate mourners' discovery of Christ's empty grave and the Risen Lord). The Resurrection theme proves victorious in the end (he wrote the word "Hallelujah" at this place in the score).
(Wikipedia)
https://wn.com/Rachmaninoff_Symphonic_Dances,_Op._45_|_Vienna_Philharmonic_Jakub_Hrůša_|_Enescu_Festival_2023
Sergei Rachmaninoff: Symphonic Dances, Op. 45 | Vienna Philharmonic & Jakub Hrůša | George Enescu Festival | 11.09.2023 | Bucharest Palace Hall
Recorded from public broadcast. Enjoy!
Please subscribe for more content like this! Cheers!
_____________________________________________________
Rachmaninoff composed the Symphonic Dances four years after his Third Symphony, mostly at the Honeyman estate, "Orchard Point", in Centerport, New York, overlooking Long Island Sound. Its original name was Fantastic Dances, with movement titles of "Noon", "Twilight", and "Midnight". While the composer had written to conductor Eugene Ormandy in late August 1940 that the piece was finished and needed only to be orchestrated, the manuscript for the full score bears completion dates of September and October 1940. It was premiered by Ormandy and the Philadelphia Orchestra, to whom it is dedicated, on January 3, 1941.
The work is fully representative of the composer's later style with its curious, shifting harmonies, the almost Prokofiev-like grotesquerie of the outer movements and the focus on individual instrumental tone colors throughout (highlighted by his use of an alto saxophone in the opening dance). The opening three-note motif, introduced quietly but soon reinforced by heavily staccato chords and responsible for much of the movement's rhythmic vitality, is reminiscent of the Queen of Shemakha's theme in Rimsky-Korsakov's opera The Golden Cockerel, the only music by another composer that he had taken out of Russia with him in 1917.
The Symphonic Dances combine energetic rhythmic sections, reminiscent of Stravinsky's The Rite of Spring, with some of the composer's lushest harmonies. The rhythmic vivacity, a characteristic of Rachmaninoff's late style, may have been further heightened here for two reasons. First, he had been encouraged by the success of his Rhapsody on a Theme of Paganini as a ballet in 1939 and wanted to write something with which to follow it up. Second, he may have included material intended for a ballet titled The Scythians, begun in 1914–15 but abandoned before he left Russia. While no manuscript for the ballet is known to have survived, this does not make his quoting the work inconceivable, given Rachmaninoff's remarkable memory. He could remember and play back accurately pieces he had heard years earlier, even those he had heard only once.
The work is remarkable for its use of the alto saxophone as a solo instrument. Rachmaninoff was apparently advised as to its use by the American orchestrator and composer Robert Russell Bennett. The composition includes several quotations from Rachmaninoff's other works, and can be regarded as a summing-up of his entire career as a composer. The first dance ends with a modified quotation from his unfortunate First Symphony (1897), here nostalgically rendered in a major key. The ghostly second dance was called "dusk" in some sketches. The final dance is a kind of struggle between the Dies Irae theme, representing Death, and a quotation from the ninth movement of his All-night Vigil (1915), representing Resurrection (the lyrics of the All-night Vigil's ninth movement in fact narrate mourners' discovery of Christ's empty grave and the Risen Lord). The Resurrection theme proves victorious in the end (he wrote the word "Hallelujah" at this place in the score).
(Wikipedia)
- published: 01 Nov 2023
- views: 2846
37:00
Rachmaninoff: Symphonic Dances, Op 45 (with Full Score) [4K UHD]
Rachmaninoff: Symphonic Dances, Op 45 (1940)
Tugan Sokhiev, Conductor
Berliner Philharmoniker
I. Non Allegro - 0:00
II. Andante con moto - 11:56
III. Lento As...
Rachmaninoff: Symphonic Dances, Op 45 (1940)
Tugan Sokhiev, Conductor
Berliner Philharmoniker
I. Non Allegro - 0:00
II. Andante con moto - 11:56
III. Lento Assai – Allegro Vivace - 21:52
Recorded and broadcast live from the Berliner Philharmonie on 21 January 2012.
From Wikipedia: "The Symphonic Dances, Op. 45, is an orchestral suite in three movements. Completed in 1940, it is Sergei Rachmaninoff's last composition. The work summarizes Rachmaninoff's compositional output.
The work is fully representative of the composer's later style with its curious, shifting harmonies, the almost Prokofiev-like grotesquerie of the outer movements and the focus on individual instrumental tone colors throughout (highlighted by his use of an alto saxophone in the opening dance). The opening three-note motif, introduced quietly but soon reinforced by heavily staccato chords and responsible for much of the movement's rhythmic vitality, is reminiscent of the Queen of Shemakha's theme in Rimsky-Korsakov's opera The Golden Cockerel, the only music by another composer that he had taken out of Russia with him in 1917.
The Dances allowed him to indulge in a nostalgia for the Russia he had known, much as he had done in the Third Symphony, as well as to effectively sum up his lifelong fascination with ecclesiastical chants. In the first dance, he quotes the opening theme of his First Symphony, itself derived from motifs characteristic of Russian church music. In the finale he quotes both the Dies Irae and the chant 'Blessed be the Lord' (Blagosloven yesi, Gospodi) from his All-Night Vigil."
From Wikipedia: "Tugan Taymourazovitch Sokhiev (Ossetian: Сохиты Таймуразы фырт Тугъан / Soxity Tajmurazy fyrt Tuhan, Russian: Туга́н Таймура́зович Сохиев, born 1977, Vladikavkaz, Ossetia) is a Russian-Ossetian conductor.
Sokhiev began piano studies at age 7. He first conducted at age 17, inspired by Anatoly Briskin, the conductor of the North Ossetia State Philharmonic Orchestra. He subsequently attended the Saint Petersburg Conservatory, where he was one of the last students of Ilya Musin before the latter's death in 1999. Sokhiev's first opera as a conductor was in a production of La bohème in Iceland."
From Wikipedia: "The Berlin Philharmonic (German: Berliner Philharmoniker), is an orchestra based in Berlin, Germany and is consistently ranked as one of the best orchestras in the world.
In 2006, ten European media outlets voted the Berlin Philharmonic number three on a list of 'top ten European Orchestras', after the Vienna Philharmonic and the Royal Concertgebouw Orchestra, while in 2008 it was voted the world's number two orchestra in a survey among leading international music critics organized by the British magazine Gramophone (behind the Concertgebouw). The BPO supports several chamber music ensembles."
Disclaimer:
Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use.
Sources:
http://imslp.org/wiki/Symphonic_Dances,_Op.45_(Rachmaninoff,_Sergei%29
https://www.digitalconcerthall.com/en/concert/2504
https://en.wikipedia.org/wiki/Symphonic_Dances_(Rachmaninoff%29
https://en.wikipedia.org/wiki/Tugan_Sokhiev
https://en.wikipedia.org/wiki/Berlin_Philharmonic
https://wn.com/Rachmaninoff_Symphonic_Dances,_Op_45_(With_Full_Score)_4K_Uhd
Rachmaninoff: Symphonic Dances, Op 45 (1940)
Tugan Sokhiev, Conductor
Berliner Philharmoniker
I. Non Allegro - 0:00
II. Andante con moto - 11:56
III. Lento Assai – Allegro Vivace - 21:52
Recorded and broadcast live from the Berliner Philharmonie on 21 January 2012.
From Wikipedia: "The Symphonic Dances, Op. 45, is an orchestral suite in three movements. Completed in 1940, it is Sergei Rachmaninoff's last composition. The work summarizes Rachmaninoff's compositional output.
The work is fully representative of the composer's later style with its curious, shifting harmonies, the almost Prokofiev-like grotesquerie of the outer movements and the focus on individual instrumental tone colors throughout (highlighted by his use of an alto saxophone in the opening dance). The opening three-note motif, introduced quietly but soon reinforced by heavily staccato chords and responsible for much of the movement's rhythmic vitality, is reminiscent of the Queen of Shemakha's theme in Rimsky-Korsakov's opera The Golden Cockerel, the only music by another composer that he had taken out of Russia with him in 1917.
The Dances allowed him to indulge in a nostalgia for the Russia he had known, much as he had done in the Third Symphony, as well as to effectively sum up his lifelong fascination with ecclesiastical chants. In the first dance, he quotes the opening theme of his First Symphony, itself derived from motifs characteristic of Russian church music. In the finale he quotes both the Dies Irae and the chant 'Blessed be the Lord' (Blagosloven yesi, Gospodi) from his All-Night Vigil."
From Wikipedia: "Tugan Taymourazovitch Sokhiev (Ossetian: Сохиты Таймуразы фырт Тугъан / Soxity Tajmurazy fyrt Tuhan, Russian: Туга́н Таймура́зович Сохиев, born 1977, Vladikavkaz, Ossetia) is a Russian-Ossetian conductor.
Sokhiev began piano studies at age 7. He first conducted at age 17, inspired by Anatoly Briskin, the conductor of the North Ossetia State Philharmonic Orchestra. He subsequently attended the Saint Petersburg Conservatory, where he was one of the last students of Ilya Musin before the latter's death in 1999. Sokhiev's first opera as a conductor was in a production of La bohème in Iceland."
From Wikipedia: "The Berlin Philharmonic (German: Berliner Philharmoniker), is an orchestra based in Berlin, Germany and is consistently ranked as one of the best orchestras in the world.
In 2006, ten European media outlets voted the Berlin Philharmonic number three on a list of 'top ten European Orchestras', after the Vienna Philharmonic and the Royal Concertgebouw Orchestra, while in 2008 it was voted the world's number two orchestra in a survey among leading international music critics organized by the British magazine Gramophone (behind the Concertgebouw). The BPO supports several chamber music ensembles."
Disclaimer:
Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use.
Sources:
http://imslp.org/wiki/Symphonic_Dances,_Op.45_(Rachmaninoff,_Sergei%29
https://www.digitalconcerthall.com/en/concert/2504
https://en.wikipedia.org/wiki/Symphonic_Dances_(Rachmaninoff%29
https://en.wikipedia.org/wiki/Tugan_Sokhiev
https://en.wikipedia.org/wiki/Berlin_Philharmonic
- published: 03 Aug 2017
- views: 150500